RUSH reunites for 2026 tour

Here is some very punk news for you. RUSH has reunited. The band will be going on a 50th anniversary tour. Of course, the band will feature Geddy Lee on bass and Alex Lifeson on guitar. Drums will be handled by Germany's Anika Nilles. You can see the dates below.

Brian Baker announces book tour

Brian Baker of Minor Threat and Bad Religion is on a book tour. He's promoting his new photo-book which is out now via Akashic books. Each event has a different host, but Mr. Brett and Ian MacKaye each host one of the stops. You can check out the dates below.

Vial release video for "Creep Smoothie"

Vial have released a video for their song “Creep Smoothie”. The video’s videography was done by Emily Nordstrom and it was edited by drummer Katie Fischer. The song was released as a single earlier this year. Vial released their album burnout as well as a re-recorded version of their 2019 debut EP Grow Up called Grow The Fuck Up in 2024. Check out the video below.

Radioactivity: “Why”

Radioactivity have released a new song. It is called “Why” and is off their upcoming album Time Won’t Bring Me Down which will be out on October 31 via Dirtnap Records and Wild Honey Records. Radioactivity released their album since Silent Kill in 2015 and released their single “Erased / Fear” in 2019. Check out the song below.

Navel Gazing for October 5, 2025

Welcome to Navel Gazing, the Punknews.org commenter community's weekly symposium, therapy session, and back-alley knife-fight. Chime in below with your latest playlists, record store finds, online time wasters, and site feedback.

DS Gallery: Riot Fest day two with punk rock legends The Damned and Buzzcocks, plus more!

Didn’t have enough from the day one gallery of Riot Fest 2025? Well here’s our day two with more album plays and a stacked lineup! The Bouncing Souls played through their 2001 hit album How I Spent My Summer Vacation with fans singing along to every song (of course). Day two of Riot Fest had […]

Didn’t have enough from the day one gallery of Riot Fest 2025? Well here’s our day two with more album plays and a stacked lineup!

The Bouncing Souls played through their 2001 hit album How I Spent My Summer Vacation with fans singing along to every song (of course).


Day two of Riot Fest had a good variety of post-hardcore/emo bands with Citizen being one of them. Citizen is no stranger to Chicago or Dying Scene, last playing here with Movements and Scowl at the Aragon Ballroom.


Staying on the emo theme, Nashville’s Free Throw performed an energetic and melodic set.



New York hardcore punks H2O gave it their all with frontman Toby Morse’s unstoppable stamina.


Swedish metalcore band thrown delivered a blistering performance with hard-hitting riffs and a unique blend of groove metal and hip-hop.


Knuckle Puck played their debut studio album Copacetic, celebrating it’s tenth anniversary.



The highly influential Buzzcocks blasted through their catchy melodies and delivered a polished and high-spirited performance.


Fellow English punk pioneers The Damned closed out the night with their signature gothic rock, power anthems and dark aesthetics.



Stay tuned for the final day’s gallery!

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DS Album Review: Phoenix Ashes – “The End of the World”

Metal band Phoenix Ashes has ended 2024 with a bang. After releasing two new singles earlier last year, the band has finally released their EP titled The End of the World in December 2024! Working closely with producer Erwin Hermsen of Toneshed Studio, the band crafted a fresh sound. The previously released singles – “Oceans” […]

Metal band Phoenix Ashes has ended 2024 with a bang. After releasing two new singles earlier last year, the band has finally released their EP titled The End of the World in December 2024!

Working closely with producer Erwin Hermsen of Toneshed Studio, the band crafted a fresh sound. The previously released singles – “Oceans” and “Defiance” – introduced a new energy, with the latter even being nominated as Limburg’s Song of the Year at the end of 2024. This newfound strength is carried through to the four-track EP, showcasing both the band’s growth and the vast experience in metal brought by Hermsen.

Thematically, the lyrics of lead vocalist and songwriter Eelko Lommers follow two main lines. The songs “Oceans” and “Shores of Lethe” encourage self-reflection and perspective. Meanwhile, “Defiance” And “End of the World” offer a critical look at the world and humanity’s impact on it.

In addition to the digital release across all streaming platforms, The End of the World will also be available as a physical CD. The band will release a special edition with several older tracks as bonus content. These tracks were previously released digitally as singles but have never been available on a physical disc.

In keeping with the title, the EP was released on Friday, December 13th. Phoenix Ashes celebrated this milestone with a release party at the Muziekgieterij in Maastricht. Along with their good friends in Darkk (DE) and the new band Perennial Void, they provided enough musical fireworks to kick off the new year in style.

Okay, onto the review. This EP had my mouth on the floor. The flow of the tracks and the goosebumps that rose on my skin over the instrumentals mixed with the haunting yet powerful vocals that turned into screams of defiance (pun intended) out of the speakers just begging the listener to hear the lyrics and recognize the parallels in society today.

It’s no secret that I am a BIG fan of these guys, they’ve been with me in my photography journey and watched me start my writing career here at DS, but this ended up being my top album of the year. Honestly, it had a lot to do with “The Shores of Lethe” and the lyrics in there, and we’ll get to that heaviness here in just a second. If you haven’t seen the other two reviews yet and wish to read those first, you can check out “Defiance” and “Oceans“.

“End of the World” is a killer way to start this EP off. It gives this build up vibe right off the bat and immediately tells the listener to strap in. It’s super energetic and automatically makes me want to start jumping to prepare for the breakdown and get rowdy in the pit. The lyrics also are the more “in your face” type like “Defiance” comes at us with, and is the perfect way to lead right into its more mellow counterparts “Oceans” & “The Shores of Lethe”. “End of the World” kicks us in the gut right off rip with a harsh, yet often overlooked, reality in the lyrics “I’m staying up for the end of the world // The headlines are fading like Netflix and Chill”. The headlines that are rotating through the media are changing so rapidly, we honestly have almost too much information to consume. “The city’s alive but everyone’s dead”, to me, just screams everyone is moving and going through their motions, but internally, we are all just husks doing just that, going through the motions. I find my favorite bit of the whole track, though, is the last verse. It’s got this just blaring truth about it and I can’t help but snap back into reality when I hear these lyrics because they hit me pretty hard almost every time it comes on. “A spectacular mess // The world’s gone to hell // No selfies or hashtags // A single farewell // We danced on our grave when we started the fire // And now we’ve lost from our own desire.” Tell me that doesn’t scream even an inkling of truth about today’s world. Truly a genius way to kick off an EP of these themes.

Whoever is credited with the song order for this EP has my highest praise and respect. The song to follow “The End of the World” is “Oceans,” again, click the title to read it’s review because with that being my second favorite track, I have quite a bit to say about it! Now, at first, I thought they were going to have “Defiance” hit after Oceans, because then it would be an in-your-face song, then mellow-ish song, in-your-face song, mellow-ish song, but I was SORELY mistaken! They hit us with Oceans (again, my second favorite song on the EP), and then they go and hit us with just as heavy of a song lyrically with instrumentals that are a tad heavier in spurts throughout the track. For my favorite song on this EP, The Shores of Lethe is about a truth that not all of us realize or even care to understand. First verse already tears my heart in two with its truth, explaining how pieces of us are left with those we love “And everything that lovers lost // Is buried deep beneath your feet // On the shores of Lethe I set sail // All I was is left with those who care.” Then the instrumentals and the repetitive lyrics seems like they’re almost trying to drill these facts that may be right in front of the listener into their heads, force them to listen to the truth in the song. The reason this song tops out as my favorite song on the album is because of the second verse, “Our memories destined to be lost in time // On the shores of Lethe // Take only what you can hold in your heart // For that is all we can carry.” Those words hit me like a freight train when I realized the truth in them. We truly only take our memories with us when we leave, and others will take pieces of us with them as they go. The band wraps up the EP with their killer Suicidal Tendancies-esque track, Defiance, and you can click the title right there to read it (if you didn’t earlier)!

It all was such a core memory moment for me when I truly processed the lyrics of “Oceans” and “The Shores of Lethe” just to fall in love with the two songs (and the others, too!), and I will forever be grateful to Phoenix’Ashes for their love, support, and most importantly, their incredible music they continue to make for those of us that need it for our souls to survive this insane thing called “Life”. Thank you so much, you guys, and I can’t wait to hear more and keep getting the word out for you in the future!

The End of the World is now streaming on all platforms as of Friday, December 13th, 2024!!

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DS Exclusive: Baltimore’s Underlined Passages unveil video for “Heywood Floyd” from upcoming “The Accelerationists” full-length

Baltimore indie rockers Underlined Passages are back with a brand new, eight song album. It’s called The Accelerationists, and the band hooked up with the iconic J Robbins to do the honors. Here’s what the band had to say about the album: The record’s influences include the failed futurism of The Long Boom and the stark realism of […]

Baltimore indie rockers Underlined Passages are back with a brand new, eight song album. It’s called The Accelerationists, and the band hooked up with the iconic J Robbins to do the honors. Here’s what the band had to say about the album:

The record’s influences include the failed futurism of The Long Boom and the stark realism of Adam Curtis’ HyperNormalisation. These references shape the tone, but the songs remain deeply personal. Tracks like “Endsong,” “Heywood Floyd,” and “Remainder” reflect both societal pressure and the private cost of acceleration. The cover of “La Dolly Vita (Cresyl Mix)” offers a link to the 1990s underground that shaped the band’s identity, while new originals like “Flaxxon” and “Somelin” expand their range with restraint and defiance.

The Accelerationists is due out October 17th on Mint 400 Records. To whet your appetite, we’re stoked to bring you the video for lead single – the aforementioned “Heywood Floyd” – down below! Check it!

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Interviews: In conversation with comedian Rush Kazi

Montreal-born, Toronto-based Rush Kazi is a comedic powerhouse. Rush has been making people laugh for over 10 years, whether she’s doing stand-up, sketch, musical comedy, participating in roast battles (some award-winning), acting, or producing hit shows like Asian Comedy All-Stars. With sharp wit and delivery, Rush dives into her Bangladeshi background as well as a multitude of life experiences, including being out as a queer person in the early aughts, the perils of waxing, and dealing with conspiracy theorists. Rush Kazi will be performing at Punx Can’t Laugh Fest on October 18 at Rainhard Brewing Co. in Toronto and you can get your tickets right here. The next Asian Comedy All-Stars will take place on October 25 at the Rivoli as part of the Comedylicious Festival which runs October 23-27 in Toronto. Punknews editor Em Moore caught up with Rush to talk about her start in comedy, giving new meaning to the recycling symbol, playing Punx Can’t Laugh Fest, and so much more. Read the interview below!This interview between Em Moore and Rush Kazi (with appearances by Rush’s dog Loki, who recently got into a fight with a dog named Thor) took place over Zoom on September 17, 2025. What follows is a transcription of their conversation [which is sadly missing the full transcript of the most aggressively Canadian thing that Rush has ever seen (it involved two girls on bikes apologizing to each other repeatedly even though neither had run into the other)] that has been lightly edited for length and clarity.

V3 Weekend: G Flip, Bobcat Goldthwait, ‘The Texas Chainsaw Massacre’

<p>Editor’s Note: Welcome to V3 Weekend, Vanyaland‘s guide to help you sort out your weekend entertainment with curated selections and recommendations across our three pillars of Music, Comedy, and Film/TV. It’s what you should know about, where you need to be, and where you’ll be going, with us riding shotgun along the way. Music: G Flip at Roadrunner It truly feels like 100,000 years ago by now, but when we first hyped G-Flip and her 2019 alt-pop bop “Killing My Time”, it felt like the […]</p>
<p>The post <a href="https://vanyaland.com/2025/10/03/v3-weekend-g-flip-bobcat-goldthwait-the-texas-chainsaw-massacre/">V3 Weekend: G Flip, Bobcat Goldthwait, ‘The Texas Chainsaw Massacre’</a> appeared first on <a href="https://vanyaland.com">Vanyaland</a>.</p>