Videos: Viagra Boys: "The Bog Body"

Viagra Boys have released a video for their new song “The Bog Body”. The video was directed by Eoin Glaister, edited by Jean-Philippe Blunt, and features prosthetics designed by Natasha Lawes. The song is off their upcoming album viagr aboys which will be out on April 25 via Shrimptech Enterprises. Viagra Boys will be touring North America, Europe, and UK starting in April and released their album Cave World in 2022. Check out the video below.

DS Interview: The Legend of Sam Ilich the Pirate and The Thrillkillers– A Punk Rock Shipwreck of a Journey

Sammy, Snake, The Punk Rock Priest, The Forrest Gump of Rock and Roll, and ‘Lil Ely’ I first met Sam at a small fundraiser. He wasn’t on stage yet, but you could already feel his presence, like the calm before a storm. There was undeniable energy about him— wild, untamed, like a punk rock pirate […]

Sammy, Snake, The Punk Rock Priest, The Forrest Gump of Rock and Roll, and ‘Lil Ely’

I first met Sam at a small fundraiser. He wasn’t on stage yet, but you could already feel his presence, like the calm before a storm. There was undeniable energy about him— wild, untamed, like a punk rock pirate who had somehow washed up in the modern world. He wasn’t just another face in the crowd; he was the guy you noticed, even before he grabbed the mic.

It didn’t take long for us to hit it off. Just two souls goofing around, shooting the shit like we’d known each other for years. But then, when he finally stepped onto that stage, the air changed. I’d never been serenaded in hardcore before and let me tell you, Sam had a way of making it real. Every scream, every riff, wasn’t just sound— it was a raw, primal truth. It was something deeper, something unfiltered, something real. That’s the magic of Sam: he makes you believe, not just in the music, but in the moment itself, in the madness of it all. In a scene that thrives on authenticity, he is authenticity incarnate.

But as much as Sam thrives in chaos, the story of who he is (and why he’s still standing) is a testament to survival. Sam didn’t just stumble into Punk rock; it was his salvation, his anchor. In his own words, “Music saved my life… literally.” Before Punk, his life was a struggle— a constant battle with darkness that could’ve easily ended in tragedy. But then came Punk, his lifeline, the force that pulled him from the edge.

Punk: A Lifeline

For Sam, Punk wasn’t just a phase or a passing interest, it was a lifeline. Growing up on the South Side of Chicago, Sam’s world was shaped by grit, struggle, and survival. His Yugoslavian immigrant family, always helping others, taught him the value of hard work. But Sam’s escape came in the form of music. Punk rock spoke to him in a way that nothing else did. The rawness, the rebellion, the noise, it clicked when nothing else had. Punk became his anchor, and in it, he found the courage to keep going.

Before Punk, life wasn’t easy for Sam. The streets of Chicago were tough, and his best friend, Mike Morales, was a constant in his life until tragedy struck. Mike, a star athlete, was lost in an accident, and it changed Sam forever. But Mike’s influence, particularly his introduction to Black Sabbath sparked something in Sam that never left. Metal became the catalyst that led him to Punk, the place where he would truly find himself.

A Childhood in the Streets: Running and Rocking

Sam’s childhood was filled with running. And I mean running. From rooftop jumps to snowball fights with the local cops, his youthful rebellion knew no bounds. But it wasn’t just about causing trouble, it was about living life on the edge; learning what it meant to be tough and developing a bond with the people around him.

It was Mike who introduced Sam to something that would shape his future: Black Sabbath. After one fateful afternoon smoking weed, Mike popped in an 8-track of We Sold Our Soul for Rock & Roll, and the rest, as they say, was history. Iron Man. War Pigs. Fairies Wear Boots. Sam was hooked. From that moment on, he was a metalhead for life, forever changed by the dark, heavy sounds of Sabbath’s genius.

But tragedy struck early for Sam. His friend Mike, a football star in the making, tragically lost his life when a homemade zip gun accidentally discharged. Sam never forgot the man who opened his eyes to rock and roll, and it was Mike’s influence that continued to drive him throughout his life.

The Thrillkillers: Born from Chaos

The Thrillkillers, Sam’s band, were forged from this chaos. But it wasn’t just about the music; it was about the spirit. Sam, with his raw energy and unapologetic Punk rock ethos, needed a crew to help him steer his ship and that’s how The Thrillkillers came together.

The name? It wasn’t just cool; it reflected their ethos. It was about living on the edge and constantly balancing destruction with transcendence. Early shows were chaotic, full of technical difficulties and all the messes Punk shows thrive on. But that chaos was what made it beautiful. The energy was pure magic, and they weren’t just playing music— they were living it. Sam, like the pirate he is, brought something that no one else could: authenticity and survival.

However, it wasn’t all easy. There were struggles with self-doubt and rejection, but Sam never stopped pushing. Through the highs and lows, from DIY shows to sold-out venues, The Thrillkillers carved out a place in the Punk scene. Sam’s relentless energy and drive turned obstacles into opportunities.

The Punk Rock Pirate Mentality

Sam’s pirate spirit isn’t just a gimmick, it’s him. The devil-may-care attitude, the charm that makes you believe in the madness— this defines both Sam and The Thrillkillers. Their sound is raw, fast, and unpolished, just like Sam’s spirit. There’s no safety in their music, no compromise. It’s part hardcore, part rock ‘n’ roll swagger, part bar fight. It’s for those who never fit in, the ones who need Punk to save them, just like Sam once did.

Punk, for Sam, isn’t just a genre; it’s a philosophy. It’s about survival in a world that doesn’t make it easy, about living out loud and unapologetically. It’s about making space for people who don’t fit the mold and building a community where the only rule is be yourself. Sam’s not just making music; he’s building a movement— a way of life.

The Future: A Legacy in Vista and Beyond

Sam’s journey has evolved far beyond just making noise. He’s now building something bigger, a space where the scene can flourish, create, and rebel with purpose. In Vista, California, he’s creating a home for music, a sanctuary where the chaos can breathe and the underground will thrive. With plans for his podcast, Sam aims to amplify voices that deserve to be heard, giving a platform to those who are often overlooked. But at the heart of it all, it always comes back to the music. For Sam, it’s about ensuring that no one else has to feel as lost as he once did. Punk isn’t just noise— it’s a survival instinct, a way of fighting back against the world and carving out a space to call your own.

Post a Comment

Your email address will not be published. Required fields are marked *

DS Show Review & Gallery: Movements, Citizen, and Scowl – New York City

On Friday March 14th, Movements delivered a stacked show to New York City. The band headlined the Brooklyn Paramount, with incredible openers such as Scowl and Citizen. It was a wonderful night that reminded us how wonderful it is to be alive. Every band delivered their best performance. The scene is very much alive and […]

On Friday March 14th, Movements delivered a stacked show to New York City. The band headlined the Brooklyn Paramount, with incredible openers such as Scowl and Citizen. It was a wonderful night that reminded us how wonderful it is to be alive. Every band delivered their best performance. The scene is very much alive and thriving.

The first band to go on was Scowl. Through Taco Bell commercials, opening for huge tours, being billed on worldwide festivals, this band is really blowing up. They were easily the heaviest and most punk band on the bill. Kat Moss (vocalist) was screaming their heart out on every track. The band was jumping around and thrashing their guitars while they shredded. They showed the crowd why hardcore and emo have always gone well together. 

Citizen was in a much more similar vein (musically) to Movements. Their songs are energetic for sure but also more emotional and somber. The band has written some of the best punk tracks to come out of the 2010’s with the darkest lyrics imaginable. They played a healthy mix from all their albums. I do wish we heard more songs from 2017’s As You Please record, but since they were opening I understand there are time limitations. Something interesting to note is how well the songs off their new record Calling All The Dogs translated live. Life In Your Glass world was in my top 5 albums of 2021. It was going to be very difficult to top. However, the newer tracks seemed to fit perfectly into their setlist. The band opened with the gut wrenching “The Night I Drove Alone”, it was a powerful way to open their set. A fantastic highlight of the night for sure.

Movements stole the show, as they typically do. Pat’s stage presence was strong and commanding. He didn’t need to jump around or go crazy to be the most interesting person in the room. His charisma and simple vocal tones were enthralling to listen to. Something that Movements does that makes them so special, is add energy to even the slower tracks. When they played “Tightrope” off the new album, an admittedly slower piece, the crowd was belting the words back to them. The band had complete control of their sound and the crowd. It was incredible to watch.

Last year, the band played their debut album Feel Something in full at When We Were Young festival. Seeing Movements headline Brooklyn Paramount really made me want to hear RUCKUS in full too. It’s truly a rare thing when a band’s newest album elicits the same emotions and longing as their first one. Tracks like “I Hope You Choke” got the entire venue off their feet dancing. The band even used 2 songs off RUCKUS in their first 3 played from the night. It shows how confident the band is in their new material. With how good it is too, they have every right to be!

Furthermore, something interesting to note was the stage design. The band had colorful lights of course, as every concert does. However, there weren’t any huge set pieces of screens typically seen in most rock shows. All the band had was an LED sign that hung above them that said, “MOVEMENTS” in all caps. This really showcased how important the musicianship was. It was a very punk rock ethos to their very sad music. 

The band even ended their set by stating after this final tour for RUCKUS, they were going to go back in the studio and write a 4th album. This was arguably one of the most exciting moments of the whole night. It’s clear Movements are still in their prime and have no intention of slowing down.

Post a Comment

Your email address will not be published. Required fields are marked *

Die Spitz signs to Third Man Records

die Spitz have signed to Third Man Records. Though details are sparse, the band stated that they are currently recording and will issue their debut LP on the label. That record is expected in late 2025. We'll keep you updated.

Turbulent Hearts to release 2xLP set

Turbulent Hearts are going to release a 2xLP set that collects their entire discography. All Out features all of the band's recordings and is out May 23 via Pirate's Press. You can see the band's video for "Crazy Girl" below.

East Bay Ray to release 'Sketchbook' album

East Bay Ray of Dead Kennedys has announced a new album. sketchbook will feature demos, exercises, and experiments. Notably, Ray says it will mostly not have a "punk" sound. Snakefinger, collaborator of the Residents, makes an appearance. We'll let you know when a label and release date are announced. You can see Ray's statement below.

Tours: Rebelmatic announce US tour dates

Rebelmatic have announced US tour dates for this spring. The band will start their tour on April 12 in Kingston, New York and wrap up this run on April 18 in Philadelphia. Rebelmatic will be releasing their new album Black Hole Eats the Tornado on April 11 via Say-10 Records. The band released their live album Rebelmatic Live at Fuzzfest WV in 2024 and released Mourning Dove in 2022. Check out the dates below.

Dead Pioneers: “The Caucasity"

Dead Pioneers have released a new song. It is called “The Caucasity" and is off their upcoming second album PO$T AMERICAN which will be out on April 11 via Hassle Records. Dead Pioneers will be touring Europe with Pennywise, Propagandhi, Comeback Kid, and The Iron Roses starting in May. The band released their self-titled album in 2023. Check out the song below.

Matty Grace: "(I Dunno) I'm Not a Therapist"

Matty Grace has released a new song. It is called “(I Dunno) I’m Not a Therapist” and is off her upcoming debut solo album Cheap Shame which will be out on April 1 via Dirt Cult Records. Matty Grace released her EPs The Breakdown of Progress and Start. Stop. Repeat. along with her collection album Blemishes and Scars in 2023. Check out the song below.

‘Final Destination: Bloodlines’ has a bloody mess of a trailer

<p>We’re gonna state an uncontroversial opinion (well, we hope it’s uncontroversial): the Final Destination movies absolutely fucking rock. 2 remains the best — that crash sequence straight-up scarred us back in the day — but they all have some worthwhile moments and absurdly creative kills. But for some reason, the hands of fate (or death) are back in the cultural consciousness: we had Osgood Perkins’ The Monkey earlier this year, which transformed Stephen King’s short story into a madcap, deeply […]</p>
<p>The post <a href="https://vanyaland.com/2025/03/25/final-destination-bloodlines-has-a-bloody-mess-of-a-trailer/">‘Final Destination: Bloodlines’ has a bloody mess of a trailer</a> appeared first on <a href="https://vanyaland.com">Vanyaland</a>.</p>