Band in the USA: Peter Hook & The Light air out 2024 ‘Substance’ tour

<p>By now we know the score, and that doesn’t make it any less awesome: Peter Hook & The Light are returning to our shores next year, bringing both Joy Division and New Order’s Substance compilation albums to North America. And included in the run is a September 3 romp in a familiar setting, Boston’s Paradise Rock Club. “It still amazes me how enjoyable it is to play the Substance LPs,” says Peter Hook. “The contrast between Joy Division and New Order is […]</p>
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Watch the new video by Ben Katzman!

Today we are thrilled to bring you the premiere of the new video by guitar shredder extraordinaire Ben Katzman! The video is for his song “EGODRIVER” and was created by Alec Jerome. Speaking to Punknews about the track, Ben said, ”'EGODRIVER' is my favorite song I've ever written. It's about commitment and discipline in using your passion and your craft to express yourself. The best way for me to silence the voices that say 'I'm not good enough' or 'I don't rock' is by practicing my ass off, working hard, and showing up for myself with the power of radical self-belief…and that's what EGODRIVER is about for me. In video form it's very much the slaying of the personal demons while climbing shred mountain. Shoutout to Alec Jerome for the wizard graphics!” “EGODRIVER” is off Ben Katzman’s upcoming album Transcendental Shreditation which will be out on December 15. Watch the video below!

Chastity Belt announce new album, release "Hollow" video

Seattle-based Chastity Belt have announced that they will be releasing a new album. It is called Live Laugh Love and will be out on March 29 via Suicide Squeeze Records. The band has also released a video for their new song “Hollow” which was directed by Nick Shively. Chastity Belt released their self-titled album in 2019. Check out the video and tracklist below.

Festivals & Events: Emma Ruth Rundle, Burning Love, KEN Mode, Dreamwell, more to play Prepare The Ground 2024

Prepare the Ground, the new art and music festival founded by Denholm Whale of Transmit Presents and KW Campol of Perpetual Flame Ministries and Vile Creature, has announced its initial lineup for 2024. 40 Watt Sun, Emma Ruth Rundle, Ragana (who will be performing Desolation’s Flower), Burning Love (who will be playing both their reunion and final show), Dreamwell, KEN Mode, Liturgy, Mares of Thrace, Marissa Nadler, Odonis Odonis, Planning For Burial, Sunrot, Terminal Nation, Thantifaxath, Uniform, and Vile Creature will be playing the festival. The festival will take place in Toronto on May 31-June 2 over multiple venues including the Phoenix Theatre, Lee’s Palace, The Garrison, The Baby G, and Bar Orwell.

Tours: Mannequin Pussy release "Sometimes" video, announce North American tour for 2024

Mannequin Pussy have released a video for their new song “Sometimes”. The video was directed by Millicent Hailes. The song is off their upcoming album I Got Heaven which will be out on March 1 via Epitaph Records. The band has also announced North American tour dates for 2024. Soul Glo will be joining them on all dates. Mannequin Pussy released their EP Perfect in 2021 and their album Patience in 2019. Check out the video and dates below.

DS Photo Gallery: Lucero’s big night live at Boston’s Big Night Live (w/Jason Boland & The Stragglers – 11/7/23)

For the first time in just over a calendar year, Memphis’ Lucero – better known as my favorite band of the last couple of decades – made their way to the northeast corner of the country. The headlining festivities on this occasion took place Tuesday evening at the cavernous Big Night Live – better known […]

For the first time in just over a calendar year, Memphis’ Lucero – better known as my favorite band of the last couple of decades – made their way to the northeast corner of the country. The headlining festivities on this occasion took place Tuesday evening at the cavernous Big Night Live – better known as not my favorite place to see a rock show. It’s not that it’s bad, it’s just that with the epic stage lights and sprawling VIP area and fancy bathrooms (are you supposed to tip that guy that hands you 2.5 paper towels?!), it’s more of a “night club” than a “rock hall.” But I digress; this is a review of the show and not of the venue, so without further ado…

Jason Boland and the Stragglers kicked off the evening in fine fashion. The red-dirt country sextet (Boland on vocals and guitar, Grant Tracy on bass, Nick Gedra on fiddle, AJ Slaughter on pedal steel/lead guitar, Andrew Bair on keys and Jake Lynn on drums who was allegedly on drums but not entirely visible from my vantage points) hail from various parts of Texas and Oklahoma. They’ve released ten albums and performed hundreds of shows over the last twenty years, but prior to last week, they’d never played a show in Boston.


And so given that my home turf is not exactly known for being a hotbed for country music of the “red dirt” variety – or really of any variety that isn’t preceded by the word “bro” – and given that the swanky venue is probably a better fit for the likes of Marshmello or Deadmau5 (both of whom are performing there over the next month) I have to say I was presently surprised by the number of people filling the place, primed and ready to sing along by the time Boland et al took the stage and dove in to “A Tornado And The Fool” from their most recent album, 2021’s The Light Saw Me. The band’s 65-minute set was pretty representative of their entire catalog, with a fun little revved-up section that included “Dee Dee OD’d” and “I Guess It’s Alright To Be An Asshole” – perhaps my favorite Stragglers song – in the middle for good measure.


Shortly after 9:30pm brought the familiar sounds of Chuck Berry’s rendition of “Memphis, Tennessee,” Lucero’s walk-out music for as long as I can remember. Rather than ease their way into their portion of the evening’s festivities, the fivesome ripped into “No Roses No More,” a snarling, barn-burner from their 2001 self-titled debut record. I’ve developed a very deep appreciation for that song over the years after seeing it live so many times, but I’ve never seen it kick off a set. It has show-closer energy, particularly when the bridge wanders into dueling guitar solo territory, and so it’s an incredibly high bar for a band to set for themselves, particularly on a Tuesday night.

Oh, but don’t worry…they met or exceeded the bar at every turn. “No Roses No More” led into “Buy A Little Time,” from the band’s most recent release, Should’ve Learned By Now, which dropped earlier this year on Thirty Tigers and their own Liberty & Lament label. The band played four tracks from Should’ve Learned By Now on this night (“Macon If We Make It,” “One Last F.U.” and “Nothing’s Alright” were the others) and while they did feature a few of those tracks on last year’s jaunt up to the Northeast, this was my first time hearing them in a live setting after having ten months or so to process the album versions. It’s safe to say they fit nicely amidst a twenty-two-song set that was pretty representative of their twenty-five-year career.

Speaking of which; this year marked the 20th anniversary of the band’s seminal That Much Further West record, and the band denoted the occasion not only by remastering and repressing the record on vinyl but by playing full-album show in Baltimore a couple nights before the Boston date. As such, the show staples “Tears Don’t Matter Much” and “That Much Further West” were joined by the less frequently played “When You Decided To Leave” and the almost-never-played “Coming Home” in the set, both of which were welcome additions. It’s pretty awesome when you’ve seen a band as many times as I’ve seen Lucero and they can still break out a song you haven’t heard live before, and that was certainly the case with “Coming Home” on this night.

Couple other non-sequitur notes…

Thankfully, the lighting guy took it down a notch or four during Lucero’s set. It was darker, sure, but about 250% less seizure-inducing, so that was helpful.

Due to an unfortunate pre-tour incident involving the Gibson SG that’s been his primary gig axe of late, this run marked the return of Brian Venable’s one-of-a-kind Perkins Flying V. What a majestic creature it is.

Speaking of BNV, the man himself had his own cheering section on this particular show. They were quite vocal for most of the night. I forget where we landed on a name for them…Those Venable Bros, maybe?

“And We Fell” into “I’ll Just Fall” made me chuckle.

John C. hamming it up during the intro to “On My Way Downtown” never gets old to me, and I wish he did it more.

Speaking of never getting old, Ben’s “she had a weakness for writers and I was never that good with words anyway” continues to hit like a sledgehammer, particularly coming from arguably my favorite songwriter.

Highly underrated moment, but the show getting out at the same time as the Romeo Santos concert at the adjoining TD Garden made for a super interesting cross-section of fans pouring out onto the street at the same time. Bachata fans go all out.

Check out more photos from Lucero and Jason Boland & The Stragglers below. This tour wraps up November 18th in Lawrence, Kansas. Ben Nichols heads to Florida for a few Bikeriders Tour makeup dates next month, before Lucero regroups in Memphis for the triumphant return of their Family Christmas Party at Minglewood Hall. More details available here.

Lucero Slideshow

Jason Boland & The Stragglers Slideshow

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Radio Compass let go of past restraints on the hypnotic ‘California’

<p>Back in the early ’70s, the great rock poet Robert Plant noted that “there’s a feeling” he gets when he “look(s) to the west”, and many here in New England have echoed those sentiments, particularly towards California, in the decades that followed. For some it could be a sense of embracing the unknown in order to realize their hopes and dreams, while for others it could be a simple desire to escape our cold and miserable winters. Radio Compass’ new […]</p>
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Watch Chris Pratt hate Mondays in ‘The Garfield Movie’ trailer

<p>The most obvious thing to say about this trailer for The Garfield Movie is that it sucks — it sucks a lot — that Chris Pratt is voicing yet another cartoon character for which he is not suited. But you know what? We’re gonna take it in stride and instead write about how much we loved Lorenzo Music. For a certain portion of millennials and extremely late Gen-Xers, Music was the voice actor who straight-up made this character come alive […]</p>
<p>The post <a rel="nofollow" href="https://vanyaland.com/2023/11/13/watch-chris-pratt-hate-mondays-in-the-garfield-movie-trailer/">Watch Chris Pratt hate Mondays in ‘The Garfield Movie’ trailer</a> appeared first on <a rel="nofollow" href="https://vanyaland.com">Vanyaland</a>.</p>

Nothing announce 10th anniversary edition of 'Guilty of Everything'

Nothing have announced that they will be releasing a 10th anniversary edition of their 2014 debut full-length album Guilty of Everything in 2014. It includes new packaging and a 7-inch that has their covers of Big Star’s “Holocaust” (which was originally recorded in 2015) and Concrete Blonde’s “Joey” (which was recorded as part of their NPR World Cafe Live Session in 2019). It will be out on March 8, 2024 via Relapse Records. A video for “Holocaust” that was written, edited, and directed by Clara Griot has also been released. Nothing will be releasing their collaborative album with Full of Hell, When No Birds Sang, on December 1 and released The Great Dismal in 2020. Check out the video below.