DS Show Review & Photo Gallery: Torture w/ Payasa, Prevention, and Primitive Rage (Chicago IL)

Torture brought the pain to Schubas Tavern in Chicago IL, with a loaded cast of Hardcore bands, Payasa, Prevention, and Primitive Rage. For those who haven’t heard, Torture are an up and coming slam band that hit the Hardcore seen hard after getting a last minute call to show up at Sound and Fury earlier […]

Torture brought the pain to Schubas Tavern in Chicago IL, with a loaded cast of Hardcore bands, Payasa, Prevention, and Primitive Rage.

For those who haven’t heard, Torture are an up and coming slam band that hit the Hardcore seen hard after getting a last minute call to show up at Sound and Fury earlier this summer. What began as the brainchild/solo project of the drummer and vocalist known as K.K. found its way around online forums and Reddit after the release of the fourth album 4-“Enduring Freedom”. Torture brings a strong anti-war message that can be heard throughout each song with drums that resemble helicopters and machine guns, and mean, chuggy guitar riffs that turn the cruelties of war into an attack on the crowd. They have a truly unique sound characterized by rapidly changing time signatures and K.K.’s vocals, which have no words. It all comes together as an extremely thought-provoking and outwardly violent experience.


When the project gained steam K.K. brought on his best friends to take up the other parts in the band. All the band members are from the Chicagoland area so playing at Schubas was somewhat of a homecoming. They have been notorious for drawing energetic crowds with violent mosh pits and the crowd here did not disappoint. A constant assault of heavy breakdowns had limbs and bodies, flailing and trash cans and beers getting tossed around the small, dark venue.


Playing before Torture was another band from the Chicagoland area, Payasa. Payasa absolutely rips. After listening to their first two EPs they became an instant favorite of mine and after getting the opportunity to see them live I’ll make sure I’m in the crowd for every show they play in Chicago. Lead singer Brittany Lane’s vocals are just awesome. They range from high and shrill screams to low and guttural and just all around angry in the best way possible. It provides an excellent balance to the sound the band is going for. She mixes all that range into delivering highly relatable lyrics that focus heavily on anxiety and depression. Their sound is rounded out by slow, creepy guitar riffs and big, heavy breakdowns that makes their live experience so satisfying.


Prevention Showed up repping Springfield IL, Straight Edge hard. Prevention are fresh off of their recent split EP with Anklebiter. Vocalist Drew Kodrich has a voice that reminds me Bryan Garris of Knocked Loose which gives Prevention a sound that you don’t hear too often in Hardcore. The band asks a lot of questions of society and our place within it. Their song “Don’t You Want To Be Free?” , I envision, asks that question of us as society blindly falls into line with overreaching capitalistic greed and the constantly growing surveillance state.


Primitive Rage, a Springfield Missouri-based power violence band, got things going. As the first opener they brought the energy, paced by a gorgeous, poppy, tight-wound snare and ferocious, biting vocals that does the band’s name justice. The vocals come through shrill and biting with a touch of desperation. They have gone on record that they want their music to “scary and insane” and they nail that perfectly with their own hybrid of metalcore and death metal.



Post a Comment

Your email address will not be published. Required fields are marked *

DS Photo Gallery: Bikini Kill and Sweeping Promises at Baltimore Soundstage in Baltimore, Maryland

On 11 September, Bikini Kill performed the first of two SOLD OUT shows at the Baltimore Soundstage in Baltimore, Maryland, joined by Sweeping Promises, which was the perfect supporting band. These shows marked the end of Bikini Kill’s North American 2024 tour – rumored to be their final.   Bikini Kill performed to a full house with the […]

On 11 September, Bikini Kill performed the first of two SOLD OUT shows at the Baltimore Soundstage in Baltimore, Maryland, joined by Sweeping Promises, which was the perfect supporting band. These shows marked the end of Bikini Kill’s North American 2024 tour – rumored to be their final.  

Bikini Kill performed to a full house with the original Riot Grrrls, Kathleen Hanna, Tobi Vail, and Kathi Wilcox were joined by guitarist Sara Landeau (The Julie Ruin), who has accompanied their last two tours. Fans spanning seven decades or so stood shoulder to shoulder, roaring out the lyrics to Bikini Kill’s empowering feminist anthems. The band ripped through their set with the guttural energy of their origins in the 90’s Pacific Northwest punk scene, and the tight sound of seasoned musicians (Tobi and Kathleen switched places on lead vocals and drums a few times – a fun role change of two legends). I stood in awe watching fans from 7 to 80 years old reveling as Bikini Kill sang “Suck My Left One” and it was GREAT!

Towards the end of the night, the band hinted that this might be their last tour, which, if true, would mark the end of an iconic era in the punk music scene. Bikini Kill changed the standard punk scenery in the early 90’s by calling out dangerous misogynist behavior from the stage, famously insisting on “girls to the front”. Three decades later, the band is still holding people accountable for bad behavior from the stage while motivating their audiences to make meaningful change in their communities.

Bikini Kill has paved the way for a ton of girl bands and feminism in general, and while I hope this tour is not actually going to be their last, the honor to photograph it was tremendous. 

How BK is influencing a new generation of fans – here are some amazing quotes from my teenage nephew and his friends who attended the Portland, Oregon (Forest Grove) show:

“I thought they were so energetic and entertaining to watch. I liked how they worked with the crowd a lot and their personalities which was fun to see in person”. – Pin A. 14

“It was THE BEST show I’ve ever seen”. – Anikka 17

“I love that the band spoke up about important issues. Kathleen asked all the trans people to scream as loud as they could, and I’m trans, so that was really cool. Everybody there was weird, which was great. You don’t have to worry about being looked down on for the way you’re dressed. I got compliments on my battle vest, and saw lots of other cool ones that inspired me. It changed my life. It was the best show I’ve ever been to”. – Moxxie B (15)

Sweeping Promises (SP) is a post punk band from Lawrence, Kansas that includes Lira Mondal (bassist/vocals), Caufield Schnug (guitarist), and Spenser Gralla (drummer). SP was a surprise to many who didn’t know what to expect with a distinct new wave sound that is compared to bands like Viagra Boys, B52’s, Devo, and more.

The band started the night with an amazing energy that was felt through the venue, especially when Mondal introduced her beautiful grungy harmonies, Schnug (tall and lanky) is mesmerizing to watch as he played the guitar, and Gralla killed on drums. While standing the midst of the crowd, I heard a lady next to me say, “I didn’t know I’d love them this much” as she danced with her friends the entire set. I think they’ve became instant fans. Be sure to catch them here.

Post a Comment

Your email address will not be published. Required fields are marked *

DS Gallery: Grime punk? Hip-hop? Grunge? You get a taste of it all with Bob Vylan and Jigsaw Youth at Chicago’s Subterranean!

Chicago got a truly unforgettable night of grime punk and grunge with the high-intensity raw power from both Bob Vylan and Jigsaw Youth at the Subterranean on October 1st. You know Dying Scene would not miss the Humble as the Sun tour! Joining Bob Vylan on their North American tour is my favorite nitty gritty […]

Chicago got a truly unforgettable night of grime punk and grunge with the high-intensity raw power from both Bob Vylan and Jigsaw Youth at the Subterranean on October 1st. You know Dying Scene would not miss the Humble as the Sun tour!


Joining Bob Vylan on their North American tour is my favorite nitty gritty city band, Jigsaw Youth.

Jigsaw Youth is non-stop working their asses off; since we last covered them at their show with Des Rocs at The Bottom Lounge on April 26th, the sludgy-grunge non-apologetic band from Staten Island, NY has released two more singles: “Waiting” and “Secret“.

They also played major festivals Louder Than Life in Louisville, Kentucky and Aftershock in Sacramento, California all while embarking on Bob Vylan’s Humble as the Sun North American tour. 


Jigsaw Youth’s gritty guitar riffs echoes of excitement, complete with angsty vocals; top that off with encouraging fans to form circle pits and you have the perfect storm of chaotic energy.

What is up next for Jigsaw Youth? East Coasters are in luck: on November 3rd they are playing with an absolutely sick line up at Gold Sounds in Brooklyn, New York with Skarhead and NEWCOMER plus a nearly sold-out show (if not sold out already!) in Philadelphia on December 14th at Creep Records. You can also get your vacation on at ShipRocked January 19-25th, 2025 and cruise with some killer bands.  

Meanwhile, I will be here waiting, wishing and hoping for a well-deserved Jigsaw Youth headlining tour and album. 😉 



The grime punk/hip hop hell-raising duo from London Bob Vylan took the stage next. Compromised of Bobby Vylan and Bobbie Vylan, they released Humble as the Sun on April 5th, 2024. They both put on an exciting, in your face performance every time I have seen them (check out our gallery of them from Riot Fest 2022 here!) and they cannot be missed. Their unique blend of genres creates a sense of urgency and action, but also comradery and tranquility. 


Bobby Vylan makes a connection with his audience at every show, engaging with fans and fearlessly crowd surfing, leaving everyone thrilled to be a part of the experience. His passionate energy while echoing social and political issues is nothing short of inspiring. The duo’s performances always knock it out of the park! 

The duo also played Louder Than Life and Aftershock this year in addition to several European music festivals. The Humble as the Sun tour continues to the UK right now, so if you are across the pond do not miss your chance to see them! 



Check out the rest of the gallery below!


Post a Comment

Your email address will not be published. Required fields are marked *

DS Album Review: Beastii – “Follower”

Chicago rockers Beastii have released Follower, their first album in seven years. Beastii has brought a genre-bending collection of songs to the table that blends garage rock urgency in a post-punk atmosphere. Beastii wears their influences on their sleeves for all to see, and holy crap, is it fun. The first half of Follower channels […]

Chicago rockers Beastii have released Follower, their first album in seven years. Beastii has brought a genre-bending collection of songs to the table that blends garage rock urgency in a post-punk atmosphere. Beastii wears their influences on their sleeves for all to see, and holy crap, is it fun.

The first half of Follower channels raw energy with precision and opens with the song “Justine.” Lyrics praise its titular hero for her intimidating coolness and being a fighting machine. The second track “The Limit,” who dares to join them, is equally a welcome and a challenge. “Cosmic Burner’s” mid-tempo is a nice transition into the surfy and note-bending “Spilt Milk.” 

“Evil Eye” channels Le Tigre with its drum machine driving the song. An eighty-second intro jumps into short lyrics about cutting ties with someone and repeating lines, “Don’t look at me! Don’t talk to me! Don’t think about me!” The meditative “Double-Sided Cig” is a Sonic Youth-like song about seeing the faults in the habits you’re cultivating. Its pre-chorus chant “Don’t fuck it up, don’t fuck it up,” gives us a sense that there’s a lack on confidence and frustration in the attempts to make these changes. “Sell Out” is a nice little pep talk on your own creating worth and reminds you not to sell yourself for cheap or discount your personality. 

The back half of this album is very post-punk. The Peter Gunn theme-styled bass line for “Butch Beach” is surfy and steady and feels like the long-lost child of the B-52’s “Planet Claire.” The drum-machined “Ghost Follower” is a driving synthy darkwave song “Subliminal” feels like it could fit well on a Pixies’ album. “In The Ground” is a moody romp before closing strong with the new wave “Trusted Mystik” and “Be Sweet.” “Be Sweet” seems to be the amalgamation of the sound cultivated by the band and might be my favorite closing song on a record this year.

I cite these influences of other bands not as a way to denigrate Follower at all. I think this is a well-made album. The best bands are the ones who can take their influences and meld them to create something new. This album succeeds because of this. 

Jen Dot’s vocals adjust well to whatever genre is thrown at her. Her and Jesse Fevvers’ guitars work congruently on the rock songs of the album. Maureen Neer shares bass and keyboard duty with Kai Black and Asha Adisa of the band Orisun. The nonchalant keys on the more rockier songs only enhance their sound, but the keys on the post-punk songs really stand out. Chris Lee sits behind the drums and the mixing board on this album and has created a unique sound for Beastii to bring together.

There are right ways and wrong ways to do this sort of album. I’ve always felt bands that did the whole garage rock revival thing take themselves too seriously, but with Beastii, there’s an element of fun and joy that comes through vividly in arrangements. This record is a great journey through music and moods. Don’t sleep on this album. Follower from Beastii is out now.

Post a Comment

Your email address will not be published. Required fields are marked *

Dying Scene Album Review – The Implants – “Annihilation”

The Implants have returned with their new album Annihilation. This just-over-forty-minute record sees the punk rock supergroup preach on a number of topics. Ken Conte, Rob Ramos, Chris Del Rio, and Chris Dalley have put together a twelve-song album with sounds reminiscent of the ones they put out years ago, but with updated emotions in […]

The Implants have returned with their new album Annihilation. This just-over-forty-minute record sees the punk rock supergroup preach on a number of topics. Ken Conte, Rob Ramos, Chris Del Rio, and Chris Dalley have put together a twelve-song album with sounds reminiscent of the ones they put out years ago, but with updated emotions in their lyrics. 

Opening track “Radio Out” features El Hefe of NOFX on guitar, which makes sense as the album was released on his label, Cyber Tracks. The song talks about mental illness and grappling with the thoughts that come from the highs and lows. “Radio Out” does this well. A line in the chorus, talking about how we are living on borrowed time, fits well on a punk album written by someone at this age, rather than a kid in his twenties. 

However, something that a punk of any age can relate to is distrust of the government. “Raise the Flag” and “Standard Issue” are a pair of songs about the distrust of the media and how it blindly leads to loyalty and submission to the government no matter what side of the aisle you sit on. “Shades of Black” navigates the complicated feelings of a breakup and asks the relevant questions in its bridge, “What were you fighting for? / What did you have to lose? / What are you running from?” 

“Never Know” and “Each Day” feel like songs about trying to move on, and that things will get better as time goes on and eventually fall into place. The back half of this album feels very influenced by bands like Rise Against, bands that probably were influenced by the members of the Implants’ other bands. “Paramnesia” has Conte singing about loneliness and anger, while “Burn Me” deals with the lingering feelings from a breakup. “Fight for Change” relates the sentiment that what we fought for when we were younger can change. Also, the causes were misleading, and the fear that was projected drove a lot of these thoughts, but this has changed as they have gotten older.

The last couple of songs on the album, “Lost Betrayal” and “Brand New You,” feel like they’d fit better on the front half of the album. “Brand New You’s” guitar goes back and forth between clean riffs and double bass pedal fast punk rock.

The album’s cover gave the impression this was going to be a much darker album, a Terminator-like dystopia with a pile of stacked electronics surrounded by skulls and an old TV with a satellite broadcasting from its screen. While there is plenty of questioning and distaste for the government, these songs, along with the songs about breakups and how to move on, can affect mental illness if you don’t know how to process those things. While there were always songs about those feelings with 1990’s punk rock bands, it’s always nice to see the other side of that struggle. I always felt I could relate those songs to whatever was happening in my life at the time and use them as advice, but once you figure those problems out, where do you go for the new batch of things that come up, especially if that band has broken up?

The album was produced and mixed by Chris Collier (Pulley, Prong) and mastered by Kyle Black (Comeback Kid, New Found Glory). “Annihilation” is a great combination of punk rock, government distrust, break ups, and processing anxiety and depression, and deserves a spot on your record shelf.

Post a Comment

Your email address will not be published. Required fields are marked *

DS Exclusive: Black Russians premiere new single “The Burning” from upcoming album on Punk Rock Vinyl & Memorable But Not Honorable Records

Ever-mysterious Soviet Ramonescore troupe Black Russians are preparing to launch their third full-length album – fittingly titled III – this Halloween. Our friends at Memorable But Not Honorable Records (US) and Punk Rock Vinyl (UK) are giving the album an ultra-limited vinyl release, with 100 copies on black wax available to pre-order on their respective webstores. Meanwhile, […]

Ever-mysterious Soviet Ramonescore troupe Black Russians are preparing to launch their third full-length album – fittingly titled III – this Halloween. Our friends at Memorable But Not Honorable Records (US) and Punk Rock Vinyl (UK) are giving the album an ultra-limited vinyl release, with 100 copies on black wax available to pre-order on their respective webstores.

Meanwhile, your friends at Dying Scene (aka we) are hosting the super duper top secret exclusive premiere of a brand new single from III. “The Burning” is a spine-tingling anthem of revenge that crackles with intensity. Based on a movie of the same title, this single follows a man scarred by a summer camp prank gone wrong, rising from the ashes to claim his revenge with garden shears as his weapon of choice.

Quit fucking around and that shit out below. And don’t forget to pre-order the new Black Russians record! In case you forgot already Memorable But Not Honorable‘s got my fellow statesmen covered while Punk Rock Vinyl will supply the Brits. 100 copies! Black vinyl! Ships October 31st! Black Russians! Fuck Yeah!

This premiere is brought to you in part by Punk Rock Radar. If you’d like your band’s music video to be premiered by Dying Scene and Punk Rock Radar, go here and follow these instructions. You’ll be on your way to previously unimagined levels of fame and fortune in no time!

BUY THIS RECORD!!

DO IT!!!!!

Post a Comment

Your email address will not be published. Required fields are marked *

DS Bonus Coverage: More Highlights & Happenings at Chicago’s Riot Fest 2024

As summer fades and the smell of fall fills the air, music fans from across the globe brace themselves for one of the most exciting and eccentric music festivals of the year: Riot Fest.  The iconic festival boasts some of the best punk and alternative artists, including the classics we grew up on and new […]

As summer fades and the smell of fall fills the air, music fans from across the globe brace themselves for one of the most exciting and eccentric music festivals of the year: Riot Fest.  The iconic festival boasts some of the best punk and alternative artists, including the classics we grew up on and new bands for fans to discover. Join us as Dying Scene revisits Riot Fest 2024; the bands, the fans, and the all new RiotLand! 


Day One

Despite the sweltering heat, fans turned up for day one to get the party started. Headliners included Sum 41, Fall Out Boy, The Offspring, New Found Glory, Cypress Hill, Public Enemy, The Marley Brothers and NOFX. With so many amazing bands it is hard to figure out where to go first but we headed to the NOFX Stage to see Get Dead.  


The San Francisco punk band formed in 2007 and joined forces with Fat Mike and his label, Fat Wreck Chords


We wound up at the Radical Stage afterwards for several bands; the layout at this year’s Riot Fest looked a little bit different from years past, now complete with all large stages and two sets of stages side by side. Super convenient! Thanks to that I was able to catch some of Jhariah’s set before Canadian post-punk band Home Front


Home Front’s performance was explosive, complete with an impressive amount of jump kicks, especially for this Chicago heat. They debuted their first studio album Games of Power on March 3rd, 2023. It is best described as a beautiful blend of post-punk synthwave and oi!  


Bay Area punks Spiritual Cramp followed Home Front on the stage with an equal amount of chaotic attitude and on-stage antics. The gritty yet delightfully polished swagger of frontman Michael Bingham easily won over the crowd. Spiritual Cramp also released their self-titled debut studio album in 2023 via Blue Grape Music


Post-hardcore band Drug Church took the stage next with overwhelming support from their fans who crowd surfed and sang along to every song. Their newest album PRUDE is set to be released on October 4th, 2024 via Pure Noise Records. You will also still have a chance to catch Drug Church on “The Prude Tour” this fall that features support from Modern Color, Soul Blind, and Pony. 



Day Two

The second day of Riot Fest was just as hot as the first! We started at the Radical Stage for Heart Attack Man, the Ohio-based pop punk band. In 2023, the band released their third full length album Freak of Nature.


Over at the AAA Stage I was fortunate enough to catch the end of Sir Chloe’s set, an indie rock band from Vermont. Another fan raced to the railings at the end hoping to get a drumstick as she was a drummer herself. We both managed to get drummer Palmer Foote’s attention who promptly threw us both a stick! The Hives then promptly started at the neighboring Cabaret Metro Stage. 

Finally, Health started, a band so many people have told me I just HAVE to see. The LA experimental-industrial rock band certainly is a vibe. Think cyberpunk meets nihilism meets sexy meets dark transcendentalism…yeah, hard to describe, but you can certainly groove to it at your next goth dark wave club night. 


After checking out the highly anticipated St. Vincent and L.S. Dunes (who are no strangers to Riot Fest, check out our previous coverage here), nostalgia brought me to the infamous Taking Back Sunday so I could sing along to all the emo songs that got me through high school. Adam Lazzara still has all the moves with microphone tricks galore.  


Day Three

In complete opposition to the previous days, the third and final day of Riot Fest was rainy and cloudy. It certainly set the mood for the bands of the day which tended to be more metal and hardcore, including the reunion of Slayer. 

GEL was everything you would expect from a hardcore band with a knockout performance. With the rain comes mud, and with mud of course there will be circle pits in it (and some mud wrestling). Their newest EP Persona was released on August 16th, 2024. 


A unique mash-up came to Riot Fest that could not be missed: Laura Jane Grace with ska greats Catbite performing a set of Operation Ivy.


Other noteworthy acts of the day included the metal greats: Mastodon, GWAR, Lamb of God and horror shock rock king Rob Zombie who always put on the best theatrical performance. 



RiotLand

New to Riot Fest this year is RiotLand, filled with old favorites like the Logan Arcade, wedding chapel and skate ramp but also the return of the Hellzapoppin Circus Sideshow Revue. RiotLand was great to walk around while waiting for your next favorite band to play or just for some good old-fashioned people-watching. You can pop inside the store replica of the convenience store in the movie “Clerks” for some quick essentials, stop at the Riot Fest Historical Society made in collaboration with the Punk Rock Museum (those familiar with the Fireside Bowl will recognize the exterior!), and even watch some NWA wrestling.



Most importantly the RiotLand experience would not be complete if you did not take a picture with the giant butter sculpture of John Stamos…because why the hell not?  


Riot Fest 2024 may be over but there is still an abundance of Riot Fest Presents shows coming up in the Chicago and Milwaukee area. However, it is never too early to start your Riot Fest 2025 predictions and dream line ups! 

Keep an eye on Dying Scene for more in-depth coverage of all three days of the festival! 

Post a Comment

Your email address will not be published. Required fields are marked *

DS Show Review & Galleries: Riot Fest 2024 Day 3 featuring Laura Jane Grace & Catbite perform Operation Ivy; The Vandals; and Pennywise. Chicago (09.22.2024)

Rain had been predicted for several days in the week before the start of Riot Fest 2024. The first two days of the festival were sweltering but dry. Sunday morning, however, was greeted by heavy clouds and a torrential downpour. This meant gates had a delayed opening, and some of Douglass Park was taped off. […]

Rain had been predicted for several days in the week before the start of Riot Fest 2024. The first two days of the festival were sweltering but dry. Sunday morning, however, was greeted by heavy clouds and a torrential downpour. This meant gates had a delayed opening, and some of Douglass Park was taped off. As a result, we at Dying Scene had a lighter day. But sets from Laura Jane Grace & Catbite performing Operation Ivy, The Vandals; and Pennywise more than made up for the muddy grounds and having to carry a bunch of plastic bags in case camera gear needed covering. Read all about it and check out the galleries linked from Instagram below.


Laura Jane Grace & Catbite performing a full set of Operation Ivy tunes? Umm, hell yeah. I know I’m not alone in that thinking after seeing the Riot Fest 2024 lineup. The fabulous Philadelphia ska outfit Catbite joined the dynamic Laura Jane Grace as the rain began to ease up, and the result was jaw-dropping. “What’s up Riot Fest?” asked Laura Jane Grace. Grace followed it up with this pledge:

We’re going to do as many of these songs as we can.”

Rolling from one tune to another they did get to perform quite a few. Highlights of the exuberant set included not only the classic “Take Warning,” but also “Bombshell,” “Unity,“ and “Missionary.”  It ended with the defiant “Officer.”

Together, Laura Jane Grace & Catbite might not be on their “way to save the world.” However, they brought a lot of unity to the festival grounds, renamed four years ago in honor of legendary abolitionists Frederick And Anna Murray Douglass. There is something pretty poetic and pretty punk rock in that. Check out more pics!


Orange County, CA icons, The Vandals attacked the stage in a most impish manner. For those uninitiated, most band members decked out in more subdued tones. Not guitarist Warren Fitzgerald, in his vivid yellows and oranges. Wearing bright colors is part of his modus operandi.

Per usual, the ever-limber Fitzgerald was a photographer magnet. Twisting himself into poses that seemed painful to even look at, he provoked a fist bump and this exchange with lead singer Dave Quakenbush:

DQ: “That was rad Warren dude, you still got it.”

WF: “I got hurt…almost hurt so many times.

DQ: “And then you pulled it off, you looked cool.”

“WF: I’m not hurt yet.”

DQ: “You looked really good doing it too.”

WF: Thank you.”

Quakenbush, Fitzgerald, bass player Joe Escalante, and drummer Josh Freese played a rollicking set which included “Café 405,” ”Cowboy,” “It’s A Fact,” “N.I.M.B.Y.,” and “Anarchy Burger (Hold The Government.)”

As hoodie weather sets in, with the holiday season in the not-too-distant future, I look forward to blasting some “Oi To The World” on the regular. Lots more pics here.


Pennywise, my final set of the weekend, was an interesting experience. It seems appropriate that it was the penultimate band at the NOFX World Stage before NOFX played Riot Fest for the final time. For at least most of the photography allotted time, there were only two shooters in the photo pit. Perhaps due to Rob Zombie having a competing set, The other photographer informed me he was shooting for himself. With four cameras on his person, he jokingly acknowledged reminding people of the Dennis Hopper character in Apocolypse Now. A much nattier version, though. I also wondered which of the two of us, Pennywise singer Jim Lindberg would borrow a camera to take a photo of the crowd. It’s something I have seen him do in the past, but this afternoon, it was all about the music.

While the photo pit might have been a bit barren, the crowd was not. Whether the RF attendees were there for NOFX or Pennywise, or most likely both, did not matter. The Hermosa Beach, CA legends delivered a fusillade of songs starting with the recalcitrant “Fight Till You Die.”

Lindberg then looked to the sky, observing that “The clouds have parted for Pennywise, thank you very much Jesus.”

Pennywise also performed robustious versions of “Date with Destiny, and “Fuck Authority.” Fletcher Dragge prefaced that latter tune with a speech he described as the same one he’s been giving “for the last fucking 20 years.” But this has a special timeliness to it as he spoke to the crowd,

“Election year motherfuckers, who you voting for?”

Dragge was apparently pleased with the crowd’s response, continuing with, “A lot of boos, that’s good, that means you hate everybody right? That’s a good place.”

After adding that “they’re all motherfuckers, both sides are fucked,” and assuring everyone that “We’re all in this together,” the band launched into a ferocious version of the aforementioned “Fuck Authority.” It was a powerful battle cry and a much-welcome one to many of those on the lawn and surrounding the band on stage.

Pennywise also had a bit of fun covering just under a minute of NOFX’s “Bob.” The band ended with “Bro Hymn,” joined up front by all the friends, family, and fans watching the sides and rear areas of the stage. It was an exceptionally festive moment.

I know I’m amped up for the next chance to shoot this band. You wanna borrow my camera, Jim? Check out a bunch more pics of the PW set here!


You can again peruse Days 1 and Day 2 if the mood hits.

Once again, covering Riot Fest was abundantly fun, though extremely exhausting. And by the end of the festival I cannot wait to tear off the wristbands that tickled my skin all weekend long (I save them as mementos). When everything is complete I can finally breathe a sigh of relief. DONE!

Is it next year yet?

Post a Comment

Your email address will not be published. Required fields are marked *

DS Exclusive: Listen to St. Louis punks Vallencourt’s new EP “Five-Headed-Beast”

What do you get when you take 3 songs, 7 minutes, a dash of Tilt and a sprinkle of early AFI and throw it all together? St. Louis punk band Vallencourt‘s bad ass new EP Five-Headed-Beast, of course! This fine piece of musical artistry releases into the world tomorrow, but you, the discerning readers of […]

What do you get when you take 3 songs, 7 minutes, a dash of Tilt and a sprinkle of early AFI and throw it all together? St. Louis punk band Vallencourt‘s bad ass new EP Five-Headed-Beast, of course! This fine piece of musical artistry releases into the world tomorrow, but you, the discerning readers of Dying Scene, have the unique opportunity to listen to it a whole 24 hours early.

Check that shit out below and catch Vallencourt on the road this month:

10/17 – St. Louis, MO – The Sinkhole w/ SACK, The Raging Nathans & The Haddonfields
10/23 – Jacksonville, FL – Kona Skatepark w/ Off The Rails, Falling in Place & Pure Intention
10/24 – Orlando, FL – Uncle Lou’s Entertainment Hall w/ Hans Gruber and the Die Hards, The Remembrance & Pure Intention
10/25 – Lake Worth, FL – Propaganda w/ High Dose, RATH and the Wise Guys & Pure Intention
10/26 – St. Pete, FL – The Nest in St Pete Brewing Company w/ Low Cards, RATH and the Wise Guys & Pure Intention
10/27 – Gainsville, FL – SECRET PARKING LOT GIG(!!!)

This premiere is brought to you in part by Punk Rock Radar. If you’d like your band’s music video to be premiered by Dying Scene and Punk Rock Radar, go here and follow these instructions. You’ll be on your way to previously unimagined levels of fame and fortune in no time!

Post a Comment

Your email address will not be published. Required fields are marked *

HOOF Band Spotlight: Sweetie, The Daddy Sisters, The Cell Phones and Second City Seance

Rounding out our band interviews for HOOF we have The Daddy Sisters, frequent Dying Sceners Sweetie, The Cell Phones and Second City Seance who graciously hopped on the bill at the last minute! Be sure to check out our interviews with Sparkling Urbana, Carnivore Mommy and Peach Vomit plus an in-depth interview with Boybrain! Sweetie […]

Rounding out our band interviews for HOOF we have The Daddy Sisters, frequent Dying Sceners Sweetie, The Cell Phones and Second City Seance who graciously hopped on the bill at the last minute! Be sure to check out our interviews with Sparkling Urbana, Carnivore Mommy and Peach Vomit plus an in-depth interview with Boybrain!


Sweetie


First things first…introduce yourselves!

I’m Birdy Vee, organizer of HOOF (Hands Off Our Fest) and frontwoman of the Chicago lipstick-punk band, Sweetie!

What are you looking forward to the most at HOOF this year?

I am most looking forward to literally all of it- am I allowed to say that? The lineup this year is KILLER. The lineup of drag performers and our comedian is STELLAR. And tattoos by Teddi Garson AND a Halloween costume contest? I mean, cmon! Don’t make me choose.

What does HOOF mean to you?

HOOF to me is creating a community within the punk community of folks that have spent a lot of time feeling ‘pushed to the outside of the mosh pit’. A lot of the punk scene can have this very bro-ey and even aggressive vibe, which, don’t get me wrong, there is a time and a place for. But oftentimes, the women and queer people get pushed to the outskirts of the scene. 

Through the creation of this community, I want us to feel more emboldened to create, perform, and take up space; giving us a seat at the table as well. The punk scene wouldn’t be what it is today without the women and queer people.


Why should people go to HOOF?

So you know the fun, heartwarming, joyous vibes of a slumber party with your best friends? Yeah, it’s like that. Only with punk bands, a drag show, a costume contest, and tattoos.

Anything else you want the people to know? New music/show announcements? Favorite gum flavor or song to cry to?

Oh my FAVORITE song to cry to is “Trouble” by Cat Stevens. You know the one from the end of Harold and Maude? I’m crying right now just thinking about it. SO good.

Oh! And Sweetie is once again playing at the Rocky Horror Picture Show at the Egyptian Theatre in Dekalb, IL on Oct. 25th! What is the Rocky Horror Picture Show, you ask? Well, you better come and find out for yourself and until then I hope you shiver with anticipation.

And don’t miss us at Reggie’s in Chicago on Nov. 15th for the You Died music release show!

Keep punk rock queer, fuck the patriarchy, register to vote, and tip your drag queens!


The Daddy Sisters


First things first…introduce yourselves!

Hello, I’m Chick Falcon!  I play guitar and sing for The Daddy Sisters. Jack Quinn plays drums.

What are you looking forward to the most at HOOF this year?

I’m most looking forward to sharing the stage with some of the most rock n roll femme baddies in the area.

What does HOOF mean to you?

HOOF to me is a platform where the often overlooked voices femmes and thems can shine!

Why should people go to HOOF?

People should go to HOOF because femmes and thems kick ass.  Supporting these groups, help to better understand the undervalued and overlooked perspectives of the status quo.  As they say, “knowledge is power.”


Anything else you want the people to know? New music/show announcements? Favorite gum flavor or song to cry to?

We just released our debut album, Beast with two Backs.  It’s filled with studded leather, glam-rock hooks about being yourself, pansexual, a trans woman, thirsty, hot, etc.  For fans of Iggy Pop, T. Rex, and Joan Jett.  Oh yeah, “American Girl” by Tom Petty is my most recent favorite song to cry to. When you think if the song is being sang from the perspective of a trans woman the lyrics hit differently. “God it’s so painful, something that’s so close, but still so far out of reach”.  It gets me every time.

We are super pumped for HOOF!  


The Cell Phones


First things first…introduce yourselves!

Hello! We’re The Cell Phones, a Chicago-born power trio playing Girlpop Grindcore since 2008. We’ve been playing so long that we’re family. And despite this year being the year we all reach into our FORTIES, we still play hard and fast! The person answering these questions is Lindsey Charles, the frontwoman of this outfit. 🙂

What are you looking forward to the most at HOOF this year?

I’m most looking forward to hearing bands we haven’t heard before, chatting with fellow music makers, and trying very hard to get the boys to agree to a band tattoo!


What does HOOF mean to you?

HOOF means full-throated inclusion! The phrase HANDS OFF is there because music and the music industry is always trying to be pawed at and molded by the People in Charge, telling us that we want to listen to, I dunno, the Chainsmokers, or the next indie nepo baby or something. We’re over here playing the kind of music we love and trying to amplify the voices of our slice of the world, specifically the voices of women/femmes/thems. 

Why should people go to HOOF?

When people come to these fests, they’re bound to see bands they’ve never heard of, which opens one’s musical horizons and broadens one’s community. Supporting local bands is community care, don’t freakin’ forget it!

Anything else you want the people to know? New music/show announcements? Favorite gum flavor or song to cry to?

The Cell Phones are currently in winter mode, writing new music and digging into the archives. If you haven’t yet, check out our Halloween Album, full of scary sounds and tiny songs, available on Bandcamp!

Second City Seance


First things first…introduce yourselves!

Hi! We’re Second City Seance, were a pop punk trio from Chicago. We have dueling male/female vocals and are big into harmonies and a classic pop punk sound.

What are you looking forward to the most at HOOF this year?

We can’t wait to see all the other performers at HOOF this year!

What does HOOF mean to you?

HOOF is a fest we are super excited to be a part of as a female lead band. Getting to rock out with other women is a blast!


Why should people go to HOOF?

HOOF is an awesome opportunity to catch some truly awesome bands and performances all in one event.

Anything else you want the people to know? New music/show announcements? Favorite gum flavor or song to cry to?

We will be playing November 1st at the Outta Space and November 3rd at Reeds local!


HOOF is coming up FAST! Get your tickets now and we’ll see you there October 19th!

Post a Comment

Your email address will not be published. Required fields are marked *