DS Photo Gallery: Hail The Sun – Gramercy Theatre, New York City 7/28/2023

The post-hardcore band Hail The Sun return to New York City on the Divine Inner Tension Tour to celebrate the release of their highly-anticipated sixth studio album, Divine Inner Tension, slated for release on August 11, 2023 via Equal Vision Records. On July 28, Hail The Sun rocked the Gramercy Theatre with a setlist spanning […]

The post-hardcore band Hail The Sun return to New York City on the Divine Inner Tension Tour to celebrate the release of their highly-anticipated sixth studio album, Divine Inner Tension, slated for release on August 11, 2023 via Equal Vision Records. On July 28, Hail The Sun rocked the Gramercy Theatre with a setlist spanning nearly their entire discography, including the tracks “Made Your Mark”, “Rolling Out The Red Carpet”, and “Chunker”. This coast-to-coast tour has Hail The Sun playing to some of their biggest crowds yet, and their forthcoming album is sure to propel them even further; deservedly so.

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Dying Scene Photo Gallery: Three Bad Jacks and The Krank Daddies, Brauer House Live, Lombard, Illinois (07/16/02023).

Three Bad Jacks headlined and The Krank Daddies was the opening band. Brauer House was full of fans to check out the show and a FREE Car & Bike show! This show was full of rock, rockabilly, and fun! Three Bad Jacks drove in from South Sioux City, NE to play an rockin’ show! The […]

Three Bad Jacks headlined and The Krank Daddies was the opening band. Brauer House was full of fans to check out the show and a FREE Car & Bike show! This show was full of rock, rockabilly, and fun!


Three Bad Jacks drove in from South Sioux City, NE to play an rockin’ show! The trio consists of Bassist Andy Hernandez, Drummer Scott Churilla, and Singer/Guitarist Elvis Sussia. Find them here next.


The Krank Daddies are a fun rockabilly band with rock and roll. Learn about the group here. See if they will be in your area here.


The Krank Daddies Photo Gallery

Car Show Photo Gallery

Three Bad Jacks Photo Gallery

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DS Original Material: Top Nine Queer Songs for Straight Old Punks

Hello everyone. This is my first feature for Dying Scene. So, to break things in gently I thought I’d do a simple listicle. A Top Ten type thing. They’re easy, right? I can just do a list of links to some stuff that I’m into right now and try to link it with some sort […]

Hello everyone. This is my first feature for Dying Scene. So, to break things in gently I thought I’d do a simple listicle. A Top Ten type thing. They’re easy, right? I can just do a list of links to some stuff that I’m into right now and try to link it with some sort of loose theme? That’s playing on Easy Mode. Yeah. Let’s go.

Except… fuck… this is a punk site and I made it through the initial gatekeeping process for contributors by pretending I got the site editors’ jokes about Pennywise, I’m really out of the loop about most punk bands and music that’s around right now. Are Pennywise even a right-now thing? I mean… I’m pretty sure I’ve seen them play at a festival when I was so wasted I was ordering slushies from the ice-cream van and then taking them to the bar and asking them to add vodka. Fuck. Now I want a vodka slushie again.

Anyway – point being, I’m an old straight dude that’s into punk rock but also kinda out of touch. But maybe I can write something for other guys like that about some aspect of music that I love as a sort of highly subjective one-oh-one, instead of some bullshit about best songs for drinking vodka slushies to (The answer is Jaya the Cat, by the way).

As I’ve mentioned, I’m a straight dude, but I feel a lot more at home in queer spaces than most straight ones. A sports bar is *not* my idea of a good time. I actively avoid places where there’s sports playing on TV screens. The homoeroticism of most male contact sports notwithstanding, I’m far happier in a gay bar or fetish club than any standard social third-space that men normally gravitate towards. I live in Britain where we don’t really have the titty-bar or lap-dance club scene that there seems to be in the USA, which American friends talk about as if normal, but the thought of a place like that horrifies me. However – I’ve been quite comfortable in places where puppies are led about on leashes by bears and the only answer to any question about how many genders there are is ‘infinite’. 

And one point to make – most old straight punks can relate to the idea of sitting in their bedroom, listening to music on your own, and feeling misunderstood. Now, just imagine what it’s like to have parents, or a school, or a general social or home situation that’s actively hostile to something that’s at the core of who you are, and who you love, and not *just* your questionable choices of t-shirt. 

Buuuut… how and why do I – or any straight old dude – relate to that? Or show that we’re cool and not a tourist or potential threat in queer spaces?

Music.

The answer is always music.

I’m not about to attempt some sort of overview of queer music, as that’ll take far longer than I’ve got the attention span for, and it’s not really for me, as the aforementioned old straight dude, to do.


But here’s *something* for you. Some places to start. Some feet in the door.

And you’re gonna realise you probably already know more than you think you do.

9.  Laura Jane Grace – “SuperNatural Possession” 

You maybe are aware of Against Me! already. Laura Jane Grace is the singer in Against Me! and I coulda chosen one of their songs as an example of modern queercore, but “SuperNatural Possession” is a fucking tune and I love it juuuuuuuuust a tiny bit more than “True Trans Soul Rebel.” So that’s why it gets in there as an example of fairly contemporary queer music that’s got an international profile. 

8. Tuffragettes – “Tuffragettes Against Terfs

This is a track that’s at the other end of the scale of awareness levels. The Tuffragettes are a band I saw when drunk at a festival, in that way I discover most of the new bands I end up liking, and they reeked of queer violexcellence. I think the band nearly broke up during their second song, as they fought on stage, but decided they couldn’t recruit another bass player in time for the final chorus, so had to make up and keep playing. I felt all protective of them in a way they’d hate, because they were like angry tiger cubs. We must defend bands like Tuffragettes at all cost. But, uh, in a way that doesn’t piss them off. As they bite and scratch. 

7. The Menstrual Cramps – “Body Politics” 

I’m gonna say this is more of the same as the Tuffragettes, but that’s in no way intended to be an insult. Or even accurate. They’re coming from the same place except not at all. Young. Queer. Pissed off. I also saw them when drunk and loved them. It might even have been at the same event. Fuck. I can’t remember. Listen to them. Love them. 

6. Sharon Needles – “666” 

Drag. Leather. Spikes. Electro beats. Satanism. Fetish clubs. Boa Constrictors. Hearses for taxis. Licking bloody knives. Now, *this* is what it feels like when I go for a night out with some of my friends. Or at least, it’s what the filtered memories are like anyway. This is exactly what I mean when I’m talking about the kinds of queer spaces I feel right at home in. There is just so much here that crosses over with who I am that the gender and sexuality aspects are minor. Maybe that’s the same for you?

7. Dahli – “Cvrsed Images” 

Okay, Dahli might need a little bit of context. Dahli won Dragula, also known as The Greatest Reality TV Show Of All Time. But also, in a past incarnation, was half of an emo/crunkcore (okay, I don’t even know wtf crunkcore is, but anyway) band who were kinda a thing for a while, but whose other member was a sexual abuser and who also prevented Dahli from getting the HIV medication he needed to, you know, stay alive. Fuck that guy. He belongs in prison. I’m not even gonna name him. But Dahli survived it and has become a wonderful independent artist and performer who embodies a kind of queer culture that’s the alternative to even the alternative. Go look up Dahli and Dragula and The Boulet Brothers, as I’m not gonna do any sort of big intro to them right here, but they’ve probably got way more in common with a Dying Scene reader than they have with RuPaul. 


###


Okay, now I’m gonna help you out a little. One straight old guy to another – and let’s face it, statistically that’s who you are, reading this site. Apologies if not. And a fuck yeah to you if you’re not just another one of those old straight guys too. We will defend your right to be here and in punk spaces.

However – talking of spaces, I’ve mentioned feeling happier in queer spaces than most straight ones. But – what if some queer person calls you out and questions if you’re a poseur and does the equivalent of pointing at your t-shirt and asking you to ‘name three songs’ by the band that on it?

Fuck people that do that, by the way. They’re arseholes. But anyway…

Let’s change the hypothetical situation then. Let’s, instead, say you’re in a queer space with a jukebox, and you’ve been asked to put in some coins and select some tracks that aren’t gonna mark you out as a clueless infiltrator, and which *may* get you some nods of approval.

If you went for Kylie or Gaga or generic Disco, then you *might* be okay. But let’s do a bit better, so here we go, your Cliff Notes, and the next tracks in my Top Nine Queer Songs for Straight Punks:


8. Divine – “Walk Like A Man” 

Almost too obvious. But still the right way to go. Divine is naaaaaaaasty but also a total fucking icon. And. Punk. As. Fuck. Don’t even try to argue with me that Divine isn’t punk rock as you will lose and I got a few thousand words why that I’m not gonna type here and am saving until you come for me.

9. Crucified – “Army of Lovers” 

Now this is something that might not be expected from an old straight punk but, despite the boobage on show in the video, is gay as hell. It’s so not gonna be expected of you to put this one on the jukebox, but it’s a total power move to do so. 

10. Robyn – “With Every Heartbeat

And here’s one for the ladies. Robyn’s ‘Call Your Girlfriend’ is basically the lesbian national anthem. But I like this one better, which is why I’m suggesting it instead as it’s close enough. And despite not being rock, it rocks, and does something to your brain to make it release shitloads of serotonin or dopamine, like a thousand Grindr or Tinder matches suddenly pinging into your phone at once. There’s something about it that hooks into our mental wiring to make us feel good. That stuff is something that the ravers have understood for a while, which punks sniffing glue behind the bike sheds didn’t really get, but don’t diss it. Just enjoy the happies and take note that if you’re in a queer space where there’s more girl-looking people than muscle bears, you’ll be safe putting Robyn on the jukebox. And if there are muscle bears about, they’ll probably be into it anyway. 

23. Cyndi Lauper – “True Colours”  

Talking of releasing brain chemicals that make you feel good, this’ll do it too. Maybe you’ll cry as well, as it’s just so lovely. And Cyndi is punk as fuck. Hard to believe maybe, but it was one of her songs that was cited in the list of degenerate filth that led to the need for the ‘Parental Advisory’ label on records. 

Aren’t you reassured that children are protected from Cyndi Lauper songs by a sticker? Oh yeah, the people that campaigned for that shit sure had their priorities right, didn’t they?

I won’t hear for a fucking parsecond that Cyndi is anything but sweet and pure and also to be defended at all costs. In terms of her quiet activism and support for vulnerable people, she’s really up there with Dolly. If they come for Dolly or Cyndi, we fight hard, yeah? 

vi. Bronski Beat – “Smalltown Boy

Alright, moving away from the Jukebox recommendations, and going back to that bit in the intro about feelings of alienation and being misunderstood, this is the distilled essence of that sentiment poured into a sweet gay kid’s search for a place. In the original video, the moment where the dad pushes whatever little cash he’s got in his pocket into the hand of his kid, and then declining his offered handshake, is heartbreaking.

Remember, this was back in the 80s, in Britain, when the government tried to ban any discussion of homosexuality in schools and the prime minister wanted to eradicate it ‘except as an abstract concept’ and attacked people who suggested that anyone ‘had a right to be gay’. Yeah, really. That’s the background of this song, and the link between this and punk was how it used stripped back, simple instrumentation – even though it was electronic not guitar-based – to make political art. Heartbreaking, and thank fuck we’ve moved on somewhat from people writing songs about feeling like this.

42. Soft Cell – “Sex Dwarf

However – at the same time, there were some people who decided not to give a fuck and just lean right into being unaccepted and unacceptable. I’m gonna try and link to the original video for this, which tends to get taken down when it’s posted on youtube, for its general DGAF wrongness. I fucking love it and again, it’s punk rock because the cheap and simple Boss DR-55 beat and one-finger synth was as accessible as three-chords on a Squier.

69. Judas Priest – “Breaking the Law

This is the sound of a guy that’s mastered a genre that’s not ready for him to come out yet, giving us a million clues about his sexuality. 

Again, a reminder that this is queer songs for old straight punks, not queer punk songs. Unlike some of his peers (Ozzy, I’m looking at you) Rob Halford’s voice and performances have stayed wonderful, and it’s lovely to see how accepted and comfortable being a gay metal god – THE metal god – he is nowadays.

Okay – a slight digression to make a point. In Rob Halford’s superb autobiography, he mentions his last meeting with Lemmy, just before Lemmy’s death, when he clearly wasn’t feeling good at all but was pushing on with touring regardless.

Now, once again, I’m not gonna give much of an argument as to why Lemmy is punk as fuck. He was in The Damned for a while, and no one’s gonna argue they’re not punk, so any other arguments are unnecessary.

Anyway… Rob mentions that he saw Lemmy waiting at an airport and went to have a chat with him. But he found Lemmy uncharacteristically subdued and not doing good at all. So Rob just sat with him and held his hand and kept him company.

Point being – if you’re a fucking metal god but your friend isn’t doing well and doesn’t want to talk, you can still just sit and hold their hand, even if there’s nothing else you can do.

And even if you’re a maelstrom of hard-living hetero-hellsangelhero-rocknfuckingroll legendary badassery like Lemmy, and your gay friend offers to hold your hand in public, you can set an example to literally the rest of the world that isn’t Lemmy, by just holding his hand and hanging out, to show you love and appreciate the support.

That shit made me tear up almost as much as Cyndi singing “True Colours,” or the Iron Giant saying ‘Sooooooperman’ or Robocop telling the old dude his name’s Murphy.

Holding your gay friend’s hand in public – punk as fuck. But shouldn’t be. It should be nothing notable at all. 

8. Kiss – “I was Made for Loving You” 

This is the sound of a guy that’s mastered a genre that’s not ready for him to come out yet, giving us a million clues about his sexuality.

9. Buzzcocks – “Ever Fallen In Love (With Someone You Shouldn’tve)

I told you you already knew more than you thought you did.


Oh? So what did you think this song was about? 

Falling in love with someone you shouldn’t? Sure, it’s perhaps a statement that can apply to all sorts of situations, but again, this was Britain in the seventies, not ten years since the laws against homosexual acts were repealed. For context, that’s less time than from now back to when the Avengers movie came out, or the Batman movie with Bane, or Teenage Bottlerocket’s Freak Out!. People in general were still not okay with gay stuff. Pete Shelley, of Buzzcocks, wasn’t gay. But he did fall in love with a man. And he felt he shouldn’t have. Or was made to feel that way anyhow. Punk rock was his was of turning that feeling into art. “Ever Fallen In Love (With Someone You Shouldn’tve)” is one of the seminal punk tracks. And it’s about being queer. Which, yeah, brings me right back to the point I was making originally about just how closely linked punk and queerness have always been, and how, although you should still be as respectful as fuck (and this is kinda what that’s about – giving you some notes on that) you’re already more of an ally than you even thought you were, if you’ve internalised this song and sympathise with the dude singing it.

So there you go. I lied about it being nine tracks. I lost count along the way. Whatever. But I hope this helps. However – ignore the fuck outta me if anyone that’s not just an old straight dude tells you I’ve got something wrong here. I’m fine with that. 



NOTE:

Progress Pride Flag

Created in 2018 by nonbinary artist Daniel Quasar, the Progress Pride flag is based on the iconic 1978 rainbow flag. With stripes of black and brown to represent marginalized LGBTIQ+ people of color as well as the triad of blue, pink and white from the trans flag, the design is meant to represent diversity and inclusion.

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DS Show Review & Gallery: Return of Blue Meanies, with The Tossers and Weaker Youth Ensemble (Chicago – 07.22.2023)

Carbondale’s famous sons of ska returned to a rousing welcome back to a home state crowd at Concord Music Hall. They were supported by Chicago’s Celtic kings The Tossers, and by Weaker Youth Ensemble. My first knowledge of Blue Meanies came shortly after I moved to Chicago in 2009. I noticed cool-looking ink on my […]

Carbondale’s famous sons of ska returned to a rousing welcome back to a home state crowd at Concord Music Hall. They were supported by Chicago’s Celtic kings The Tossers, and by Weaker Youth Ensemble.


My first knowledge of Blue Meanies came shortly after I moved to Chicago in 2009. I noticed cool-looking ink on my new friend Anthony’s arm. It was a Blue Meanies tattoo. Flash-forward 14 plus years and I got my first chance to document the group. I am so happy I was in the photo pit for its return.

The band, founded in 1989, reunited for a rare performance. It was packed; a palpable excitement buzzed through the venue.

The band gave the crowd a night to remember as they tore through the set, playing in their 1995 album Kiss You Ass Goodbye in its entirety. Highlights included “Acceleration 5000,” “Vote No,” “Grandma Shampoo,” “Polka in the Eye,” and “An Average American Superhero.” Blue Meanies also covered Naked Raygun classic “Rat Patrol.” The hyper-kinetic Billy Spunke on vocals and megaphone, changed from a crisp all-white Perry Ellis suit to a more traditional but sharp-looking black suit during the show. His performance, however, remained consistently entertaining with quite a bit of playful banter between Spunke and his bandmates. Hopefully, this will not be as one-off reunion, a sentiment I can safely say most of the crowd likely shared.


Chicago’s The Tossers are one of the most popular Celtic punk bands in the United States. The group’s headliner St. Patrick’s Day performances are legendary for being fun celebrations, lasting hours. The group is far more than a holiday band though and this raucous performance made that clear.

Lead singer Tony Duggins was playing injured with one finger securely bandaged. A week prior to the show, he accidentally severed part of a finger on his left hand. Duggins referenced the incident with humor as some in the crowd showed expressions best described as in the aghast neighborhood. Lest anyone wonder if that would negatively affect his performance, they soon found the answer: no, it did not. Duggin’s growling vocals were as strong as ever, as was his mandolin playing.

The Tossers drove through “Rocky Road of Dublin,” The South Side of Town,” “Emerald City,” “Siobhan,” “Buckets of Beer,” and “Sláinte.” The performance was a lovely complement to returning headliners on this night.


Weaker Youth Ensemble, a two-tone group out of Madison, WI, kicked off the evening with a blaster of a set. It was far more than just the warm-up act as the group kept the crowd in rapt attention. I look forward to seeing this group again!


Please see more images from the show. Thank You and Cheers!


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DS Band Spotlight: Introducing Dutch pop-punks Lone Wolf; new album “Haze Wave” out now on Stardumb Records!

Welcome back to the Dying Scene Band Spotlight! Our latest installment brings us to Rotterdam, Netherlands, where we meet Dutch “post-pop punk” band Lone Wolf! They have an awesome new record called Haze Wave out now on Stardumb Records. If you like songs about the overwhelming existential dread of daily life tinged with bubblegum pop […]

Welcome back to the Dying Scene Band Spotlight! Our latest installment brings us to Rotterdam, Netherlands, where we meet Dutch “post-pop punk” band Lone Wolf!

They have an awesome new record called Haze Wave out now on Stardumb Records. If you like songs about the overwhelming existential dread of daily life tinged with bubblegum pop hooks, you’ll wanna check this record out. Songs like “Ready to Break”, “Meet Me in the Middle”, and “Terrible Heartache” will have you bouncing around while simultaneously on the brink of tears. Quite the dichotomy, isn’t it?

Anyway, this record kicks ass and I haven’t heard enough people talking about it. Check it out below and buy the LP here (US) or here (EU). Also, Lone Wolf will be paying us a visit here in the states this fall; catch them on their east coast tour and at The Fest! Dates are below.

See Lone Wolf on tour!

Sep 15 MJC Lillebonne – Nancy, France
Oct 19 Faces Brewing Co. – Malden, MA
Oct 20 The Broadway – Brooklyn, NY
Oct 21 The Skid Row Garage – York, PA
Oct 22 Pie Shop – Washington, DC
Oct 27 Fest – Gainesville, FL

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DS News: Punk Rock Saves Lives Launches Fundraising Campaign to Help Repair Tour Van

Punk Rock Saves Lives has been a part of our community for a while now and through their Health and Wellness and Bone Marrow Transplant programs have probably saved numerous lives. Part of their success centers around being embedded into the scene as much as possible, literal boots on the ground! Odds are, if you’ve […]

Punk Rock Saves Lives has been a part of our community for a while now and through their Health and Wellness and Bone Marrow Transplant programs have probably saved numerous lives. Part of their success centers around being embedded into the scene as much as possible, literal boots on the ground! Odds are, if you’ve been to any larger shows or Fests over the past few years, you’ve seen one of their booths or tables swabbing for possible marrow donors, offering free earplugs to us forgetful types or educating people on how to use Narcan.

That level of omni-presence is not possible without their incredibly hardworking van which has logged mucho miles. A van which broke down pretty badly about a month ago on the way back from a long, nationwide tour. In an effort to get the van back in operating condition, the non-profit has set up an online campaign to help raise funds for the repair bill. If you’re in a position to donate, please take a few minutes to check out their campaign website, here. Let’s find a way to keep these awesome people mobile enough to keep doing equally awesome things for our community. We’re all we have!

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DS Record Radar: This Week in Punk Vinyl (MxPx, Suicide Machines, Reel Big Fish & More)

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly* column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. Kick off your shoes, pull up a chair, crack open a cold […]

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly* column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. Kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, because it’s go time. Let’s get into it!

Check out the video edition of this week’s Record Radar, presented by our friends at Punk Rock Radar:

New MxPx record! Find A Way Home is due out August 25th. There are a bunch of color variants, including one with a die cut cover, and a picture disc. Pre-orders are live now on mxpx.com and they seem to be shipping immediately (mine did, at least). Check out the new single “Stay Up All Night”:

The Suicide Machines are celebrating the 20th Anniversary of their 2003 album A Match And Some Gasoline. In addition to playing the album in full on a brief tour with Against All Authority and Kill Lincoln this December, they are also releasing it on vinyl for the first time ever! SideOneDummy has a few color variants on their webstore, and Zia Records has an exclusive blue galaxy variant limited to 300 copies.

Reel Big Fish‘s Candy Coated Fury is getting a Deluxe Edition reissue, with five bonus tracks and a gatefold jacket with glow in the dark cover art. Enjoy the Ride Records pressed a bunch of sweet color variants, but the only one still in stock is the Alternative Press exclusive variant, limited to 200 copies. Get it here before it’s gone, too.

On an unrelated note: word on the street is Turn the Radio Off will be getting a repress of its own in the near future. Stay tuned for more on that!

Austrian punk veterans 7 Years Bad Luck are back with a new album. No Shame is due out August 4th on Monster Zero Records. Their last album Great, Big, Nothing is a hard act to follow, but the first single “I’ll Forget You” makes me think they’re up to the task. Check that out below and get the record on aquatic blue colored vinyl here.

The Gaslight Anthem announced their new album History Books will be released on October 27th. This is the band’s first new record in almost a decade. There are like a trillion color variants of this thing and I’m not gonna bother trying to name them all. Here‘s where you can get some of them.

Five Iron Frenzy is releasing a full-discography box set called Put Your Waste In Its Place. You get 10 records for $250 in a box that looks like a flaming dumpster. That’s a value that can’t be beat, folks! Get it here (you can also grab the individual records here).

Portland, Maine pop-punks Borderlines‘ debut album Keep Pretending is out now on Hey Pizza! RecordsMom’s Basement Records, and Memorable But Not Honorable Records. Check out my favorite track “The Greatest Resignation” below and get it on vinyl here, CD here, or cassette here.

SACK‘s Get Wrecked is getting a new pressing from Clearview Records, limited to 300 copies on canary yellow colored vinyl. This goes up on the label’s webstore Wednesday, July 26th at 6pm Eastern Time.

Me First and the Gimme Gimmes‘ latest album Are We Not Men? We Are Diva! is getting its first new pressing in nearly a decade. There are an undisclosed number of copies on red w/ black splatter colored vinyl (as seen in this very poorly cropped image). Get yours here.

Asian Man Records is reissuing the TaxpayersGod, Forgive These Bastards: Songs From The Forgotten Life Of Henry Turner. The 2xLP on red and black swirl colored vinyl features b-sides, demos, and interviews with band members. Get it here.

Agnostic Front‘s Victim in Pain is back in print, with a fancy new embossed cover. There are a bunch of variants exclusive to different retailers, including Generation Records (red, 200 copies), Revelation Records (yellow, 1,000 copies), and Revolver Magazine (black platinum swirl, 500 copies). Bridge Nine has the blue and silver color variants on their webstore.

Well, that’s all, folks. Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, leave us a comment below, or send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs (or do, I’m not your father). See ya next week!

Wanna catch up on all of our Record Radar posts? Click here and you’ll be taken to a page with all the past entries in the column. Magic!

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DS Festival Preview: Rob’s Punk Rock Holiday Must-See Sets

Festival season is in full swing, and one of the biggest European fests of the Summer is just around the corner. Punk Rock Holiday is an annual event held in Tolmin, Slovenia, a small but beautiful European country nestled between Italy and Croatia. PRH, contained on a site near The River Soča, attracts thousands each year […]

Festival season is in full swing, and one of the biggest European fests of the Summer is just around the corner. Punk Rock Holiday is an annual event held in Tolmin, Slovenia, a small but beautiful European country nestled between Italy and Croatia. PRH, contained on a site near The River Soča, attracts thousands each year for its unique blend of camping in natural beauty, a tight-knit community of regular attendees, and fantastic lineups that features some of the biggest names in punk rock, as well as a batch of some of the most exciting up-and-coming bands from around the world. This year’s edition is back, featuring another behemoth lineup from August 7-11 in what will surely be another PRH for the ages.

As a person who has been regularly attending punk and other music fests and shows for roughly a decade, PRH has always been on my radar. In 2023, I will finally be able to attend and take in the music, the sites, the community and hopefully provide the Dying Scene readers with coverage of some classic names, and bands you may have never heard of! Before packing up for Slovenia, here are some bands I’m most looking forward to seeing.

Rob’s Must-See Punk Rock Holiday Sets

Pennywise

Pennywise is a veteran of the festival scene, but seeing them at Punk Rock Holiday seems like a completely different beast. One of the trademarks of the festival is that the stage features no barrier, instead opting for a connected mini stage where fans can stage dive off of and interact with the band. This feature comes into the spotlight whenever Pennywise plays as the crowd devolves into absolute bedlam. Just check out their last performance at PRH 2019, featuring road flares, circle pits, and a full-on invasion of the stage.

Even for those who have seen Pennywise many a time, myself included, a performance at Punk Rock Holiday is must-see.

Maid of Ace

One of my most anticipated sets from a band that may be under the radar for some is the excellent band of Hastings, UK natives, Maid of Ace. The band, which consists of sisters Alison Cara Elliott (Lead vocals/Guitar), Anna Coral Elliott (Vocals/Guitar), Amy Catherine Elliott (Bass/Vocals), and Abby Charlotte Elliott (Drums), has been releasing ferocious music and putting on fantastic shows since 2014. Their most recent release, Live Fast or Die, was named the 6th best album of the year by Vive Le Rock in 2020. If you haven’t checked out this band, give them a try! 

With the band releasing a few singles in recent years, hopefully we aren’t too far away from a full release. Either way, I’ll be checking them out on the beach stage at Punk Rock Holiday.

Cigar

Who doesn’t love a good skate-punk set? Cigar, one of the underappreciated acts of the 90s skate punk boom is hot off the release of their comeback album The Visitor in 2022 (read our review here) and has been hitting the road touring. Cigar is a band I’ve never had the chance to see live and I’m excited to see the band play a set of their trademark fast, fun and ferocious tunes. Let us know in the comments if you’re into Cigar, if you’re happy they’re back and if you’ve checked out the latest release from the pioneering group.

Scowl

One of the best parts of music festivals is checking out bands who have just recently released an exciting new project. The group that fills that niche for me at this year’s PRH is Scowl, who is fresh off their release of a new EP titled Psychic Dance Routine which saw the band generate a fair amount of buzz. This buzz has resulted in an odd but momentous past year for the band which has seen them play big live shows like Coachella and opening for Limp Bizkit, but also performing at a Sonic Drive-In in New Jersey. Check out one of their recent music videos to see if it’s up your alley.

It has been a wild ride for a band that released their first set of material in just 2019. If it continues they may be more regular performers of mainstream festivals like Coachella and Lollapalooza. It should be interesting checking them out at PRH to see if their hype will translate to a triumphant set in Slovenia.

The rest of the Punk Rock Holiday Lineup

While this is just a short list of some of the bands I’m most looking forward to, there are of course a number of other exciting acts, including but not limited to H20, Frank Turner and the Sleeping Souls, Pulley, Dropkick Murphys, etc. If you were attending PRH, who would be your can’t-miss sets? Let us know in the comments and stay tuned for coverage of the event from yours truly.

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DS EP Review: Yellowcard – “Childhood Eyes”

Before we start the review…let me take you back to a venue in Copenhagen in 2015. We are in Pumpehuset, and Less Than Jake just left the stage. After a break, Yellowcard appears, and I’m fangirling as if it was 2004 (yes, I know Ocean Avenue was released in 2003… But I was 12 in […]

Before we start the review…let me take you back to a venue in Copenhagen in 2015. We are in Pumpehuset, and Less Than Jake just left the stage. After a break, Yellowcard appears, and I’m fangirling as if it was 2004 (yes, I know Ocean Avenue was released in 2003… But I was 12 in 2003. I didn’t get a computer until 2004.)
The friends I went with aren’t, to this day, Yellowcard fans. But hell, through breakups, reunions, and shitty albums, I stand by them. But that was the night Ryan Key informed us that Yellowcard was breaking up. In my world, eight years ago, that would be the first and last time I saw Yellowcard in action. I was in tears.
Eight. Years. Later. Guess who is taking pictures of Yellowcard in the photo pit at Slam Dunk? ME!! And that was a dream come true, and also the weekend that Dying Scene got me out of my retirement, so I’ll take pictures at your child, best friend, sister’s wedding. Guess who is seeing them live again, and in my opinion, better than ever? ME and my truly amazing friends.



That intro was a bit long, but let’s admit it. You come for my witty backstories and stay for my sassy opinions – and I will deliver. Just keep ready, babes.

CHILDHOOD EYES

Yellowcard returns – TODAY – with a new EP… And well, let’s start from the top.

“Three Minutes More” doesn’t exactly show Yellowcard‘s full potential. It’s not a bad song because Vic Fuentes from Pierce The Veil is on it… Will I be hanged for this comment? But this song was stronger than the whole The Jaws Of Life album. Vic, if you read this, pull the band in this direction.

“Childhood Eyes” brings in the full force of Yellowcard and what they are capable of. As someone who grew up with Yellowcard and has now become my own person, this song did hit a certain place in my heart. The lyrics are weak, but the delivery of them is actually flawless.

“Hiding in the Light” intro reminds me of early Yellowcard, and for a second, Ryan’s vocals took me back. I actually find this song to be the biggest stand-out on the EP. It reminds me of early Yellowcard, but not in a “we didn’t grow” way. No, no, it’s clear from the lyrics that they, in fact, have grown.

“Honest From The Jump” “WE WERE JUST DISTANT STARS…” tell me more; this song actually caught my son’s attention. Yes, I turned a seven-year-old into a Yellowcard fan. But he convinced me to give it a chance. And I want to say the chorus is definitely one of my favorites on the EP. I’ve screamed the lyrics 100 times. But Keys’ delivery makes me shiver and get goosebumps each time I hear it. And the violins break my heart each moment on this song… “You were not honest from the jump”… Shit.

“The Places We’ll Go (feat. Chris Carrabba of Dashboard Confessional)“… the awful guitar intro… You know this song will pull teeth. I truly find this song annoying, and I get tired each time I hear it. Like, Yellowcard “wants to show they’ve grown,” but the fact this song lacks everything I need to be convinced… It sounds like some shit a guy from Nordsjælland (for those in America, just your average fuckboy. But we have them in one location) could tell me. I’m not into it. I’m actually over it.

Despite that one song… Yellowcard is back and I’m here for it, although this makes me tired because of that one song. Buuuuuuuuuuuuuut, I’m also hesitant about it, you know? Bring me something better than Ocean Avenue and I’ll admit defeat.

Friends…It’s new release day – let’s discuss this because I’m here for it!

  1. The Places We’ll Go is my favorite on this. Dashboard Confessional are amazing.

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DS Show Review and Gallery: Subsonics, Fantasy, The Seagulls, Johnny Maraca and The Marockers (Stork Club, Oakland, CA 7/15/23)

Veteran glam punks Subsonics from Atlanta, GA are on a West Coast tour. We caught them at Thee Stork Club in Oakland with a varied lineup of local bands. First up were Oakland’s Johnny Maraca and The Marockers, high energy punk, highly entertaining. They have a cassette/digital LP from last year on their Bandcamp. The […]

Veteran glam punks Subsonics from Atlanta, GA are on a West Coast tour. We caught them at Thee Stork Club in Oakland with a varied lineup of local bands.

First up were Oakland’s Johnny Maraca and The Marockers, high energy punk, highly entertaining. They have a cassette/digital LP from last year on their Bandcamp.

The Seagulls from San Francisco, fronted by British songwriter Jon Brooder play solid garage punk. They have a new (March 2023) release “This Time Next Year” on Bandcamp.

The penultimate band, Fantasy, are a bit of a mystery. We didn’t catch up with them at the show and we’re not sure if they have an online presence. They were more pop-y punk rock. We will update if we track down more information.

Atlanta, GA’s Subsonics have been around since 1992 and have 8 full-length releases under their belt. Signed to Slovenly Records, they deliver stripped down, minimal rock’n’roll.

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