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DS Band Spotlight: Meet Sweetie, Chicago’s Local Lipstick-Punk Band

Sweetie is a Chicago-based lipstick-punk band with a femme fatale ferocity and a French influence. Voted a Top 5 Punk Band in the Chicago Reader two years in a row, Sweetie has found a niche in playing shows in the punk scene and drag shows alike, including venues such as the Metro, Green Mill, The […]

Meet Sweetie.

Joe

Bass

Birdy Vee

Guitar and vocals

Ryan

Drums

Sweetie is a Chicago-based lipstick-punk band with a femme fatale ferocity and a French influence. Voted a Top 5 Punk Band in the Chicago Reader two years in a row, Sweetie has found a niche in playing shows in the punk scene and drag shows alike, including venues such as the Metro, Green Mill, The Egyptian Theatre, Reggie’s, Cobra Lounge, Last Rites and Liar’s Club.

Dying Scene is thrilled to interview this local band and talk about drag queens, the queer community, new music releases and some hard-hitting questions that you do not want to miss.


What do you love most about being in Sweetie?

Joe: Honestly, I enjoy the spectacle of our live show. The band is always pushing ourselves to perform our very best and engage with our audience. So many rock songs are pretty simple 3 or 4-chord progressions, but it’s all about the raw power that you play those chords. And raw power is something that Sweetie brings to the table in spades!

Ryan: All the fantastic folks! Making friends with all these incredible bands, venues, and not to mention Birdy and Joe has been an absolute pleasure.

Birdy: I love the wide variety of opportunities to express myself creatively. Writing music is one of my favorite creative outlets, and it is an even bigger high when you take that song you wrote and perform it with your bandmates for the first time. The feeling of that tiny idea turning into such a big sound gives me goosebumps! Also, I ADORE performing. I really love being on stage and interacting with the crowd.

I also love finding new and creative ways for Sweetie to perform. We often perform in spaces that can be considered atypical for a punk band. We’re the house band for the Rocky Horror Picture Show in Dekalb and have performed at countless drag shows. I really like to find ways to take the idea of the typical punk show and elevate it: collaborating with a different variety of artists and performers and giving it that variety show feel.

I also love the connections I have made with people in the scene! I have made some really wonderful friendships with other musicians and performers in the scene, many of whom have been so supportive in so many ways. Sweetie would not exist today without the care and support of these people. AND I LOVE connecting with new people at our shows. I am a huge people-person and love to meet new folks.


How would you describe the music you typically create?

B: If Edith Piaf was reborn as a punk musician, that would be Sweetie. Our music is hyper-emotive, almost to a fault, and is often about love and longing through a female lens, with nods to subculture, queer culture, and the underworld nightlife. All just completely smeared in red lipstick.


Ryan, you were a music major with a heavy background in jazz music…did you ever picture you’d be playing in a glam lipstick punk band?

R: Well, I knew some type of rock band was inevitable, as that’s what came first in my life. I’ve been a jazz guy since high school, and I think that’s really influenced the way I play all styles of music in terms of style, phrasing, improvisation, etc.; so as far as the punk aspect goes, I see the jazz background as an asset to my playing. As far as the “glam lipstick” aspect goes, that’s a new one for me but I’m diggin’ it!



Birdy, you spearheaded the amazing local music fest Hands Off Our Fest (H.O.O.F.), can you tell me more about it, and will we expect it to come back in 2024?

B: Hands Off Our Fest is a music festival celebrating the women, femmes, and thems of the Chicago punk scene, featuring a drag show consisting of some of the area’s finest drag queens, kings, and things. I created this festival to help the women, femmes, thems, and queer folks in the local punk scene to bond with one another, network, and to create space. I have often felt stifled and uncomfortable as a woman in the punk scene, and the feeling can be very isolating. Also, there are so many local femme and queer acts locally that so often get overlooked and replaced with these cis-male fronted bands. I wanted to create a fest to celebrate these amazing talents and voices, while also just having as much fun as possible. The festival was such a success and every time I bump into a fellow HOOF performer when out and about, it’s always such a treat! I’ve definitely made many new friends as a result, and I ABSOLUTELY want to keep this festival going in the years to come. You can DEFINITELY expect HOOF to return in 2024.


Joe, you use an electric bass for your other bands but an upright bass for Sweetie. Any reason why?

J: One of the most important things that I have learned as a hired-gun/studio musician is that you should always serve the song. While there is definitely a level of flash to showing up to a rock gig with an instrument almost matching the size of the drum set, my intention is not to draw away from the songs and compliment them the best I can. I originally joined the group as a “fill in” for a few gigs for the band. When I was sent over demos and videos to learn the songs for these upcoming shows, Birdy was playing a 335/semi-hollow style guitar. This sound instantly brought me back to the classic rockabilly and Elvis records that I loved as a kid, while still being punk rock!

Of course, I showed up to the first band rehearsal/audition with all the songs learned on the electric bass, but I asked about what Birdy thought about me playing upright the next time we got together. I’m pretty sure that her response was, “I’ve never thought about how that would sound, but sure”. I fully believe that she was thinking that I was planning this only for the upcoming show to make it a large surprise spectacle, not that I was dead serious about taking the bass role on this instrument. I also don’t think this instrumental change took too much convincing after hearing it in application and has absolutely shaped some of our own Sweetie sound (even if Birdy changed over to her Flying V guitar).


At your show at The Metro with The Lawrence Arms, you brought out a drag performer (who was fantastic!) and I’ve noticed Sweetie does a lot of stuff related with drag performers. Any reason why?

B: That was my drag mother, Sindy Vicious! Since really early on, Sweetie has been collaborating with drag performers as often as we can. It all started out when we had a residency at a queer comedy variety show called T-Time at the Comedy Shrine (Rest in Peace Comedy Shrine). This was run by Penelope Torres and was a quarterly variety show that featured queer stand-up comedy, drag performances, and music by Sweetie, the resident band for this event. At our very first show, we met drag performer Sindy Vicious, who later approached me with an idea for a music video for our song ‘Devil Girl’. Her and I immediately began working together and this formed a creative collaboration and friendship that has persisted ever since. I am actually in the Haus of Vicious now (a Haus being a drag family in the community) and Vicious is where the Vee in Birdy Vee originates! She directed and edited the video for Devil Girl, Mamma, as well as the music video for our new single, Showgirl. The video also features drag performer and my dear pal, Kai Valentine. I love performing and collaborating with the drag community and hope to continue to do so in the years to come!



You are about to release a new single! What’s the inspiration behind the song?

B: The new single is called ‘Showgirl’, and there is so much inspiration behind this song. Firstly, the title is a nod to the movie Showgirls (1995) which is one of my favorite cult films of all time (after the Rocky Horror Picture Show, of course). At the time that I wrote the song, I was starting to feel the isolation and frustration that can come with being a performer. You are putting your whole heart and all of your energy into this thing, pouring your guts out on stage, and then when it’s all over, what’s left? The song also parallels a relationship that is in the same vein- something that you are pouring your heart into and from which you are getting very little back. But in the song, there’s also that tone of resilience, with a focus on women in the music industry. The stress that women in the music industry are under, and well as the constant criticism that they face can be shattering. The statement of ‘this will not break me’, which a lot of times is easier said than done, helps the song end on a high note. Ultimately, ‘Showgirl’ makes it through and comes out stronger in the end.

When can we expect the next album?

B: The new album is called La Vie en Rouge (which means Life in Red), which is a reference to Edith Piaf’s ‘La Vie en Rose’. The song La Vie en Rose is about being in love and seeing ‘life in pink’. The idea of La Vie en Rouge takes that idea but intensifies it. When you’re seeing life in red, there is passion, there is rage, there is fire. That is what I’m trying to channel in this album. Also, Sweetie’s most recognizable color is red, so the album title is a nod to that as well. We are so proud of this album and it is projected to come out in June 2024.


Now for the hard-hitting questions…would you rather fight one horse-sized duck or 100 duck-sized horses?

J: While I would ideally not like to cause any harm to these proposed majestical creatures. My gut instinct would be to choose the 100 duck-sized horses to see if we may be able to reach some sort of diplomatic resolution without violence. But on the other hand, a horse-sized duck head would look pretty sweet mounted over a fireplace mantle…

R: Horse-sized duck is out of the question. I’m already afraid of geese and they’re not much larger than ducks. On the other hand, what’s a duck-sized horse gonna do? Kick me? Okay.

B: Do I get some sort of weapon? I’m pretty sure I could fight off 100 duck-sized horses with a broom or a hammer or something. But one horse-sized duck? They’ve got all those little teeth and they can fly and hunt you down… But then the 100 duck-horses could kick you to death with their little hooves. If I get a weapon, I’ll choose the little duck-sized horses.

Lastly, if you went on a national tour, how many pairs of pants would you bring with you?

J: My serious answer would probably be 3 to have a solid rotation, but I would be an advocate for shorts (weather dependent) to require less fabric to dirty up and for a higher level of comfort.

R: We don’t believe in that sort of thing.

B: No.


Anything else you want us to know?

B: Women, femmes, thems, and queer folks in the punk and alternative communities need to take up more space in our scene. Keep punk rock queer.



Check out the gallery below for more live photos of Sweetie and be on the look out for their new song release and album!


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DS Bonus Coverage: More Highlights & Happenings at Chicago’s Riot Fest 2024

As summer fades and the smell of fall fills the air, music fans from across the globe brace themselves for one of the most exciting and eccentric music festivals of the year: Riot Fest.  The iconic festival boasts some of the best punk and alternative artists, including the classics we grew up on and new […]

As summer fades and the smell of fall fills the air, music fans from across the globe brace themselves for one of the most exciting and eccentric music festivals of the year: Riot Fest.  The iconic festival boasts some of the best punk and alternative artists, including the classics we grew up on and new bands for fans to discover. Join us as Dying Scene revisits Riot Fest 2024; the bands, the fans, and the all new RiotLand! 


Day One

Despite the sweltering heat, fans turned up for day one to get the party started. Headliners included Sum 41, Fall Out Boy, The Offspring, New Found Glory, Cypress Hill, Public Enemy, The Marley Brothers and NOFX. With so many amazing bands it is hard to figure out where to go first but we headed to the NOFX Stage to see Get Dead.  


The San Francisco punk band formed in 2007 and joined forces with Fat Mike and his label, Fat Wreck Chords


We wound up at the Radical Stage afterwards for several bands; the layout at this year’s Riot Fest looked a little bit different from years past, now complete with all large stages and two sets of stages side by side. Super convenient! Thanks to that I was able to catch some of Jhariah’s set before Canadian post-punk band Home Front


Home Front’s performance was explosive, complete with an impressive amount of jump kicks, especially for this Chicago heat. They debuted their first studio album Games of Power on March 3rd, 2023. It is best described as a beautiful blend of post-punk synthwave and oi!  


Bay Area punks Spiritual Cramp followed Home Front on the stage with an equal amount of chaotic attitude and on-stage antics. The gritty yet delightfully polished swagger of frontman Michael Bingham easily won over the crowd. Spiritual Cramp also released their self-titled debut studio album in 2023 via Blue Grape Music


Post-hardcore band Drug Church took the stage next with overwhelming support from their fans who crowd surfed and sang along to every song. Their newest album PRUDE is set to be released on October 4th, 2024 via Pure Noise Records. You will also still have a chance to catch Drug Church on “The Prude Tour” this fall that features support from Modern Color, Soul Blind, and Pony. 



Day Two

The second day of Riot Fest was just as hot as the first! We started at the Radical Stage for Heart Attack Man, the Ohio-based pop punk band. In 2023, the band released their third full length album Freak of Nature.


Over at the AAA Stage I was fortunate enough to catch the end of Sir Chloe’s set, an indie rock band from Vermont. Another fan raced to the railings at the end hoping to get a drumstick as she was a drummer herself. We both managed to get drummer Palmer Foote’s attention who promptly threw us both a stick! The Hives then promptly started at the neighboring Cabaret Metro Stage. 

Finally, Health started, a band so many people have told me I just HAVE to see. The LA experimental-industrial rock band certainly is a vibe. Think cyberpunk meets nihilism meets sexy meets dark transcendentalism…yeah, hard to describe, but you can certainly groove to it at your next goth dark wave club night. 


After checking out the highly anticipated St. Vincent and L.S. Dunes (who are no strangers to Riot Fest, check out our previous coverage here), nostalgia brought me to the infamous Taking Back Sunday so I could sing along to all the emo songs that got me through high school. Adam Lazzara still has all the moves with microphone tricks galore.  


Day Three

In complete opposition to the previous days, the third and final day of Riot Fest was rainy and cloudy. It certainly set the mood for the bands of the day which tended to be more metal and hardcore, including the reunion of Slayer. 

GEL was everything you would expect from a hardcore band with a knockout performance. With the rain comes mud, and with mud of course there will be circle pits in it (and some mud wrestling). Their newest EP Persona was released on August 16th, 2024. 


A unique mash-up came to Riot Fest that could not be missed: Laura Jane Grace with ska greats Catbite performing a set of Operation Ivy.


Other noteworthy acts of the day included the metal greats: Mastodon, GWAR, Lamb of God and horror shock rock king Rob Zombie who always put on the best theatrical performance. 



RiotLand

New to Riot Fest this year is RiotLand, filled with old favorites like the Logan Arcade, wedding chapel and skate ramp but also the return of the Hellzapoppin Circus Sideshow Revue. RiotLand was great to walk around while waiting for your next favorite band to play or just for some good old-fashioned people-watching. You can pop inside the store replica of the convenience store in the movie “Clerks” for some quick essentials, stop at the Riot Fest Historical Society made in collaboration with the Punk Rock Museum (those familiar with the Fireside Bowl will recognize the exterior!), and even watch some NWA wrestling.



Most importantly the RiotLand experience would not be complete if you did not take a picture with the giant butter sculpture of John Stamos…because why the hell not?  


Riot Fest 2024 may be over but there is still an abundance of Riot Fest Presents shows coming up in the Chicago and Milwaukee area. However, it is never too early to start your Riot Fest 2025 predictions and dream line ups! 

Keep an eye on Dying Scene for more in-depth coverage of all three days of the festival! 

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DS Exclusive: Already Dead unveil punked-up version of classic labor protest song, “Bread And Roses”

Happy Friday, comrades! Today’s Dying Scene Exclusive is not only timely, but it’s for a song and a cause that are near and dear to my heart. We’re fired up to bring you Boston’s Already Dead doing their take on an old classic. The song is called “Bread And Roses”, and in its original format, […]

Already Dead’s Dan Cummings w/ Bread & Roses Festival organizer Felipe Collazo

Happy Friday, comrades! Today’s Dying Scene Exclusive is not only timely, but it’s for a song and a cause that are near and dear to my heart.

We’re fired up to bring you Boston’s Already Dead doing their take on an old classic. The song is called “Bread And Roses”, and in its original format, it’s a 100+ year old hymn and poem dedicated to the women and children striking for better working conditions in the old mill city of Lawrence, Massachusetts. Eugene Debs himself referred to the “Bread & Roses Strike” as “the most decisive and far-reaching ever won by organized labor” at the time. This version is Already Dead’s punked up version, which is especially fitting given the band’s roots in Massachusetts’ blue collar trade unions. Here’s what Dan Cummings, who’s not only Already Dead’s vocalist and guitarist but is also a union pipefitter, had to say:

“It aligns with what I hope Already Dead projects as an ethos. And that’s standing up for yourself and for your fellow people and to fight for what is fair. In my opinion, there is evidence of that in all class struggles.”

I know that I tend to go a little heavy on promoting bands from the Boston area, but this one is especially cool to have a part in premiering because I spent close to a decade working in downtown Lawrence, give-or-take a hundred yards or so from the Washington Mill, which was the epicenter of the Bread & Roses strike, so I know the area and the story and the people and the cause very well. And oh-by-the-way, if you’re in New England anyway, you can catch Already Dead at this year’s annual Bread & Roses festival in Lawrence on Labor Day, September 4, alongside fest director and collaborator Felipe Collazo (who also appears on the track). 

Check Already Dead’s “Bread And Roses” below on Bandcamp or Spotify!

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DS Exclusive: Bradley Riot releases “Port to Port” Ahead of Full-Length “Dark Side of the Road”

Ahead of Bradley Riot’s upcoming full-length titled Dark Side of the Road, Dying Scene is pleased to bring you the second single titled “Port to Port”, an introspective tale of a great journey, not across seas to new lands, but of finding one’s self through first giving in to, then later abandoning, self-destructive behavior. “‘Port […]

Ahead of Bradley Riot’s upcoming full-length titled Dark Side of the Road, Dying Scene is pleased to bring you the second single titled “Port to Port”, an introspective tale of a great journey, not across seas to new lands, but of finding one’s self through first giving in to, then later abandoning, self-destructive behavior.

“‘Port to Port” is a song about being stuck in a loop of repeating the same negative habits, specifically when it comes to love. It’s about seeking external solutions for internal problems,” wrote Bradley. “I’d say one of my favorite lyrics in the song is: ‘I’m setting course for blacking out.’ It equates to me completely giving up and leaning into defeat, setting the intention of ignoring the issue instead of trying to solve it.”

One thing that’s become much more apparent since the Covid shutdown, at least in my own musical bubble, is the introspective nature of music both written and recorded during that time. Although as a concept this is nothing new, especially in the realm of punk-rock, when the world is forced into solitude, music lacking outward-looking themes is almost inevitable. I’ve found myself paying far closer attention to this idea, and usually try to question any artist I’m lucky enough to interview (Adrienne Rae of Plasma Canvas, Matt Goud of Northcote). Bradley was no different, and offered some unique insights that most likely resonate with much of what the punk-rock world was struggling with at that same point.

“Covid was definitely a major hurdle,” wrote Bradley. “I’ve lost count of how many times we’ve had to postpone recording sessions in order for someone to get well or test negative. It was a massive time killer.”

He then explains some of the other hurdles that were faced in writing and recording Dark Side of the Road, while also dealing with the overarching headache that was and still is Covid. Writing while simultaneously recording was highlighted, something that since talking with Sam King of Get Dead and Codefendants has become a trait I greatly admire. But the third struggle Bradley listed, that of sobriety, was what really amped me up and got me excited to hear the portrayed journey throughout this new record.

“Many of the vocals were sang between swigs of Jameson or after a night of heavy cocaine usage. Sometimes, that made for a fun vocal texture, but, more often than not, it was just problematic. After I decided to get clean, we revisited the album as a whole, took it back to square one, and I re-sang almost every line. Approaching the songs with a different mindset really opened them up and I’m grateful for (co-producer) Kevin Besignano’s compassion towards the process.”

In the short back-and-forth I’ve had with Bradley, “Port to Port” seems like a much more focused, direct version of what the full-length hopes to portray: “the idea of being a victim to oneself”.

Check out the brand new single below, and keep your eyes peeled October 13 for the full-length release of Dark Side of the Road.

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DS Exclusive: Chicagoland Bands Return to Punk Rock Paradise 2…Plus a Preview of H.O.O.F.! (Blue Island, IL 8/17/24)

Located about 16 miles south Chicago’s Loop, Blue Island has been home to two separate punk rock music festivals that showcase some of the best local punk bands. Punk Rock Paradise 2 took place in August at Riverside Tap and of course Dying Scene was there for it! Dying Scene’s favorite ska band Bumsy and […]

Located about 16 miles south Chicago’s Loop, Blue Island has been home to two separate punk rock music festivals that showcase some of the best local punk bands. Punk Rock Paradise 2 took place in August at Riverside Tap and of course Dying Scene was there for it!



Dying Scene’s favorite ska band Bumsy and the Moochers in attendance…catch them at THE FEST 22!


Southside-Chicago’s Fighting for Scraps brought the rowdy crowd in true street punk fashion.


Torch the Hive is one of many bands I’ve heard so much about but never had the chance to see for myself. The hype is absolutely real, they did not disappoint!


The F.E.D.S. are a tribute band to all things punk rock. A torrential downpour of rain did not stop them from playing!


Horror pop punk? Yes, it’s a thing, and yes, Won’t Stay Dead SLAYS at it!


Last but not least, Sweetie kicked some ass, as usual.

Sweetie’s Birdy V. is the mastermind behind H.O.O.F. (Hands Off Our Fest), a music fest celebrating the women, femmes, and thems of the Chicago punk scene and beyond. Come back out to Blue Island, this time at the Blue Island Beer Co., to check out this sick lineup!



Be sure to follow all the bands and give them some love!

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DS Exclusive: Dog Park Dissidents unleash “Out With A Bang,” lead single from their upcoming Say-10 Records double LP “Magnificent Bastards”

Happy hump day, comrades! We’ve got another super rad debut for you today. It comes to us from everyone’s Long Island/Philly/New Orleans-based queer punks, Dog Park Dissidents! The five-piece are slated to put out a mammoth double LP on Say-10 Records later this year. It’s called Magnificent Bastards, and the lead single is a ripper […]

Happy hump day, comrades!

We’ve got another super rad debut for you today. It comes to us from everyone’s Long Island/Philly/New Orleans-based queer punks, Dog Park Dissidents!

The five-piece are slated to put out a mammoth double LP on Say-10 Records later this year. It’s called Magnificent Bastards, and the lead single is a ripper called “Out With A Bang” that’s due out this Friday, but we get to bring it to you bright and early! Here’s what the band has to say about the track, which serves as the closer of the double album:

“Out With A Bang” is the final song off our upcoming concept album and comic book about queer supervillains trying to stop the climate crisis. It’s a song about a future Nuremberg trial for fossil fuel barons where they all get executed in the flooded streets. We’re putting out the ending track as an introduction, because it sums up all the themes we’re going for: the rage and the grief we feel when we stare down a future that’s been stolen from us, the tightrope we walk between desperate hope and cynical nihilism, and the fucked up question of how long it’ll be before extreme violence is actually the only reasonable way to save the world. We don’t see this as a departure from our work as a queercore band, because we can’t be free to be queer if we’re all dead in an apocalypse. That’s why we’ve made this video of a campy, green, glamorous post-apocalypse with an aesthetic inspired by comics and Mad Max.

Stay tuned for more info about Magnificent Bastards in all its glory. As a fun teaser, we can tell you that it’s being released along with a companion comic book crafted by the one-and-only Mueritos!


  1. Love you pups and am excited for when I can preorder! #ShutUpAndTakeMyMoney

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DS Exclusive: Fine Dining (98 Mute, Eken Is Dead, etc.) releasing new album on Felony Records; check out their brand new music video!

Los Angeles punks Fine Dining have signed with the newly resurrected Felony Records to release their debut album No Reservations. The band consists of members from South Bay bands 98 Mute, Western Waste, NoBigDeal, and Eken Is Dead. Dying Scene is thrilled to bring you this exclusive premiere of their brand new single “Vacant Parts”. […]

Los Angeles punks Fine Dining have signed with the newly resurrected Felony Records to release their debut album No Reservations. The band consists of members from South Bay bands 98 Mute, Western Waste, NoBigDeal, and Eken Is Dead. Dying Scene is thrilled to bring you this exclusive premiere of their brand new single “Vacant Parts”. Go ahead, check out the music video for that bitch:

Fine Dining recorded No Reservations with the legendary Paul Miner (Death By Stereo, Adolescents, New Found Glory, etc.) at his own Buzzbomb Studios. The 12-song album is due out October 28th; you can get it on beautiful colored vinyl and/or CD here. There’s also an ultra-limited “Copper Smoke” color variant that’s exclusive to the Rare Punk Music Facebook Group. And, of course, the album will be on all your favorite streaming platforms as well.

On signing with Felony Records, guitarist Kevin Wells says, “It was a no brainer to go with Felony once we found out they were rising from their ashes. It was a long time coming, but we are stoked to be working with Felony. Ron McIntyre and the whole crew over at Felony really stepped up and I’m glad they made this happen. It’s nice to see smaller labels can still be active and affect change for bands in an ever growing corporate punk rock landscape.”

Fine Dining can be seen live October 7 at DiPiazza’s in Long Beach, October 28 in San Pedro at The Sardine, November 3 in Fullerton with Deviates and Chaser, and November 11 in Oceanside with Bad Cop/Bad Cop and many other bands for the Punk Rock Food Drive.

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DS Exclusive: Riot Fest 2022 – Day 2 (Yellowcard, Bad Religion, 7Seconds, Yungblud, Gogol Bordello and more)

Day 2 of Riot Fest 2022 took place on September 17th. The temperatures rose and because it was a Saturday, so did the crowd size. It was a day of both music and expressions of solidarity with one nation under attack. Red Scare Industries’ No Trigger was assigned to the smallest music stage in the […]

Day 2 of Riot Fest 2022 took place on September 17th. The temperatures rose and because it was a Saturday, so did the crowd size. It was a day of both music and expressions of solidarity with one nation under attack.


Red Scare IndustriesNo Trigger was assigned to the smallest music stage in the park, the Rebels stage. However, that did not stop the boys from Boston from giving a powerful performance, including the tunes “Antifantasy,” “Holy Punks,” “No Tattoos,” and “Neon National Park.” There is little doubt in my mind, or at least lots of reason to hope, that No Trigger will be promoted to a larger stage at its next Riot Fest appearance. I’m not much of a gambler but I’ll take the bet that they will indeed be back at the festival, and sooner than later.


Fans of Bully were fortunate to not only see one of their favorites treat them to a fantastic set, but they did so from the Radicals Stage. That stage provided the most shade and the coolest setting on an otherwise boiler of a day. Rolling through “Trash,” ”Where to Start, ”Stuck in Your Head, ”Kills to Be Resistant, ”Milkman,” “Hate and Control,” “Lightsabre Cocksucking Blues” Bully gave the crowd what it was looking forward to and needed.


A formidable amount of joy was felt as The Joy Formidable took over the Roots stage. That line might be of questionable quality, however, the performance by the pride and the Formidable Joy of Mold, Flintshare, Wales (ok, I’ll stop now) was quite palpable.  The band, presently based in London, and composed of Rhiannon “Ritzy” Bryan, Rhydian Dafydd Davies, and Matthew James Thomas performed solidly a set that included “The Greatest Light Is the Greatest Shade,” “Y Bluen Eira,” “Sevier,” “CSTS (Come See the Show),” and “Whirring.”


The Get Up Kids were one of the 2022 Riot Fest bands doing an “album play” set. The album in this case was its classic Four Minute Mile on its 25th Anniversary. Though not dedicated to running legend Roger Bannister, as the title might suggest to near-lifelong runners (such as myself), it does feature track runners on the cover. More importantly, the band’s debut studio album transformed the members of the group into stars of the emo punk sub-genre. For attendees who became fans at the album’s first release and those just discovering its music, it was great to hear the full track listing, including, “Stay Gold Ponyboy,” “Lowercase West Thomas,” “Washington Square Park,” “Michelle With One “L”,” and “I’m a Loner Dottie, a Rebel.”


7Seconds announced their retirement in 2018, citing health issues as the primary reason. For that reason, the band appearing at Riot Fest this year was especially compelling. The band returned to touring earlier this year as support for Circle Jerks, alongside Negative Approach. Sammy Siegler sat in the drum chair in place of Troy Mowat, whose health issues continue to keep him sidelined. Kevin Second’s voice was strong and the setlist featured many entries from the band’s classic 1984 album The Crew. The album was remastered and reissued in deluxe style by Trust Records in 2021. Among them: “Here’s Your Warning,” “Definite Choice,“ Not Just Boys Fun,” “This Is the Angry,” “Here’s Your Warning,” “Definite Choice,” “Not Just Boys Fun. 7Seconds also played “We’re Gonna Fight,” plus covered “99 Red Balloons” by Nena.


For those who might not know, Alexisonfire is from St. Catharines, Ontario, Canada and named after an American porn actress. There was some controversy surrounding that latter fact but let’s move now to its Riot Fest appearance. It was a crowd pleaser, featuring in the setlist “Accidents,” Boiled Frogs,” “Sweet Dreams of Otherness,” “Pulmonary Archery,” and “Drunks, Lovers, Sinners.” For a hot late summer day, near that stage was a pretty cool place to hang.


Yungblud is an excitable boy (a nod to Warren Zevon there) and an exciting performer. Dressed in black dress pant style shorts held up by a single suspender over a long sleeve black and white striped shirt added up to him looking a bit like a post-modern day Pinocchio sans the pointy cap. Yungblud’s infectious charm was obvious, as he bounced across the stage almost nonstop through “The Funeral,” “superdeadfriends,” “parents,” “Tissues,” “I Love You, Will You Marry Me,” among others. His set ended with a show of support for the Ukrainian activists at the festival as the English rising star brought a group of them onstage. The Ukrainian flag being held high by said activists demonstrated again the solidarity for the war-torn nation on display at Riot Fest 2022.


Bad Religion is yet another of what I call FORFs — Friend of Riot Fest. As in, the band is a regular part of the festival’s lineups over the years. This should continue ad infinitum. They are a brilliant group every bit deserving of the word legend which has long been attached to them and the innumerable tattoo tributes across the globe. One crowd member expressed their love with the BR symbol shaved into and painted onto his skull. Meeting Greg Graffin for the first time, in the media tent, he exuded humility and kindness. Graffin: “Hi I’m Greg.” Me, in an attempt to be professional and not fan girl the PhD Punk icon from one my top 5 bands: “Thanks, I gotta go shoot 7Seconds now.” Yes, I’m a dork. But I’d hazard a guess Graffin was ok with that awkward bailing out. Back to their performance though. When the music kicked in Graffin, Jay Bentley, Brian Baker, Mike Dimkich, and Jamie Miller got straight to the point with “Recipe for Hate.” That was followed by “New Dark Ages” and “Fuck You.” With so many classics over the decades of its existence, the band couldn’t possibly hit all of them. However, it did a pretty good damn job of getting in a lot of them. Among those they drove through were “Dept. of False Hope, “We’re Only Gonna Die,” “Suffer,” and “21st Century (Digital Boy),” They concluded the set with “Fuck Armageddon… This Is Hell,” “Sorrow,” and my personal favorite, “American Jesus.” Whew and Wow. That about sums up Bad Religion in general and its Riot Fest performance in particular.


Gogol Bordello returned to Riot Fest as a replacement for Bauhaus which had to cancel its American tour due to lead singer Peter Murphy entering rehab. The Gypsy Punks released their latest album, Solidaritine, just one day before its set at Douglass Park. It appeared clear a priority for the band was to continue increasing and solidifying support for Ukraine and its efforts to fight back against Russian Vladimir Putin, his government, and the Russian military (Putin, of course, directed the military invasion of Ukraine on February 24, 2022). Earlier in the day, Eugene Hutz, the Boyarka native singer of Gogol Bordello, participated in a moving tribute to his homeland in a performance alongside a Ukrainian dance troupe. The full band known for its rousing performances did not disappoint as they ran through “Immigrant Punk,” “Wanderlust King,” ”My Companjera,” “Immigraniada (We Comin’ Rougher),” “Think Locally, Fuck Globally,” and “Mishto!”


Yellowcard was one of the three Saturday Night headliners. The band performed in full, its fourth album, also its major label debut, 2003’s Ocean Avenue. Way Away,” released as the album’s first single, and credited as Yellowcard’s injection into the realm of mainstream popularity, started off the set. Title tune “Ocean Avenue,” was followed by ”Empty Apartment,” and “Life of a Salesman.” The rest of the album including “Miles Apart,”  “Twentythree,” “View From Heaven,” “One Year, Six Months,” “Back Home” took diehard Yellowcard fans on a nostalgia trip. But what a trip!


See more Riot Fest 2022 day 2 photos below!


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DS Exclusive: Trailer Swift debut video for “Cross My Heart” from upcoming album, “Variant”

Happy Friday, comrades! Dying Scene is stoked to get to bring you yet another kick-ass video debut today. It’s from Boston-based progressive post-punks Trailer Swift, and it’s for a track called “Cross My Heart,” which is slated to appear on their upcoming album Variant. The video was filmed at the Midway Cafe, one of the […]

Trailer Swift!

Happy Friday, comrades!

Dying Scene is stoked to get to bring you yet another kick-ass video debut today. It’s from Boston-based progressive post-punks Trailer Swift, and it’s for a track called “Cross My Heart,” which is slated to appear on their upcoming album Variant. The video was filmed at the Midway Cafe, one of the last great dive bar venues in their rapidly-gentrifying hometown and a place that’ll always occupy a special place in yours truly’s cold, dead heart.

Here’s what the band has to say about the clip:

“Cross My Heart” was shot at our favorite local club/watering hole in Boston. The idea behind the video was simple, make the viewer think we are the band, but then sit at the bar and ignore what’s going on, complain about life, and underappreciate the younger band getting label attention. Basically, to poke a little fun at ourselves and the way the music we grew up on (and love to write) is finding a new audience, but maybe, it’s not finding us.”

“A little meta, a little humor, and a lot of sarcasm. At one point in the video, you can clearly see that we might be changing our minds, but that moment quickly passes as we make fun of our own logo and cringe.”

Check it “Cross My Heart” below!

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DS Gallery: OFF!’s Final Farewell Show in Chicago Sells Out PLUS a “Free LSD” Movie!? (Lincoln Hall 7/18/24)

Hardcore punk supergroup OFF! played a short stint of farewell shows to promote their studio album and movie of the same name Free LSD. Stopping in Chicago, New York City, and still to come in Los Angeles, consider yourself lucky if you manage to attend one of these legendary shows. If not, do not fret, […]

Hardcore punk supergroup OFF! played a short stint of farewell shows to promote their studio album and movie of the same name Free LSD. Stopping in Chicago, New York City, and still to come in Los Angeles, consider yourself lucky if you manage to attend one of these legendary shows. If not, do not fret, we got you covered. Check out our recap of their first stop in Chicago on July 18th at Lincoln Hall!


Chicago’s own moody art-rock band FACS stepped in to open the show after Shellac was originally slated on the bill. Those are not easy shoes to fill but FACS did an amazing job, even dedicating a song to Steve Albini.


According to their Sub Pop Records page, “Chicago band FACS was formed in 2017 by Brian Case, Noah Leger, and Jonathan van Herik, following the dissolution of their previous band Disappears. Informed by stark rhythms, space, and minimal arrangements, the group has recorded five albums of dubby and dreamy art rock through the lens of 21st century Chicago. Named after the catalog numbering system for Factory Records, with a nod to present day facial action coding systems, FACS marries the energy and ideas immediately following the disintegration of punk with the uncertainty and tension of the modern world.”



Before OFF! starts, Keith Morris enters the stage, taping up a mile-long set list that could have been written on a CVS receipt. Great news for fans to see such a stacked set list.

Despite a rocky start with some guitar amp issues, attendees were unfazed and waited patiently while other band members played some jazzy music till everything was fixed. OFF! brought it right back from the start and it was like nothing ever happened.


A sea of people was constantly moshing, jumping, and enthralled to be a part of this sold-out show. During breaks in their set Keith Morris did spoken word, talking about the political climate, the strange times we are in and Free LSD.



Besides the kick-ass album we get an equally kick-ass movie. Now, I will not get into too much detail about it because we have some awesome Dying Sceners who are reviewing it, but here is a brief synopsis:

“Elderly sex shop owner, Keith, falls for a younger customer, but struggles with performance. Seeking help from a strange doctor, he discovers an experimental drug leading to renewed vitality and a journey into a parallel universe where he’s a rock star targeted by an advanced AI set on stopping his band’s album, crucial for human consciousness awakening.”

The punk rock comedic sci-fi movie is directed by OFF!’s Dimitri Coats and features performances by David Yow (Jesus Lizard), Davey Havok (AFI) and many others.


If you find yourself in California, you can see an advanced screening of Free LSD with a Q&A; you can also pre-order to stream on Apple TV.



Check out all the photos from the unforgettable Chicago performance below!



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