Chixdiggit is a Canadian pop punk band formed in Calgary, Alberta.
Search Results for: alberta
Search Archives Only
DS Introductions: Characters of Riot Fest 2023
One of my favorite quotes in photojournalism is from the legendary William Albert Allard. He famously said, “I think the best pictures are often on the edges of any situation, I don’t find photographing the situation nearly as interesting as photographing the edges.“ It has long been a sort of mission statement for me in my career as […]
One of my favorite quotes in photojournalism is from the legendary William Albert Allard. He famously said,
“I think the best pictures are often on the edges of any situation, I don’t find photographing the situation nearly as interesting as photographing the edges.“
It has long been a sort of mission statement for me in my career as a photographer. One I try to apply every time I have my camera with me. This year, I decided to forgo the photo pits and let my fellow DS Team Chicago member Mary handle those duties. First time since we started documenting Riot Fest I was not in the photo pit. I missed being in the photo scrum but being able to cover all the other wild, cool, fun and compelling parts of the festival was well worth it. A few of the following Characters of Riot Fest I knew already and am friends with some. But I also met so many more fantastic people. A few I’d like to introduce to you dear DS readers.
The Son also Rises
As Riot Fest’s main focus is music, let’s start with one of the great bands. Sludgeworth had the Rebel Stage with a time slot in competition with Foo Fighters. Yet, the Chicago band first founded in 1989, held its own. The band is comprised of singer Dan Schafer aka Dan Vapid, in the front, Brian McQuaid aka Brian Vermin, on drums in the back, and their bandmates, Adam White and Dave McClean on guitars, and Mike Hootenstrat on bass, long-time Sludgeworth fans were ecstatic. McQuaid, who was in Screeching Weasel prior to Sludgeworth, told me,
“We played RF with Bad Brains back when it was at the Congress, but this time was just bigger and more exciting. It was an amazing experience to be part of such a massive production. +-This time was more special because the first time was a one off, and this time we’re gonna keep going.“
The band returned this year earlier, taking the stage at Cobra Lounge and garnering newer fans and introducing a new part-time member, Brian McQuaid’s 13 year old son Max McQuaid. The younger McQuaid has been playing for 5 years but at Cobra, he made his live performance debut. It was fun to document that performance and see the warm welcome the young musician was given. Not just because his dad is in the band but because the kid has a legit talent with the sticks. Did not have to be a drummer to understand that when the Max smashed his way through “Anytime.”
“Max has played both Cobra and Riot Fest. He worked really hard and played like a pro both times, I can’t express how proud I am. He’s gonna go places I never have with his work ethic and indoctrination into this music scene.”
Riot Fest is the Pits
Another person making his Riot Fest debut its Kamran Khan. Rather than on the stage though, Khan was stationed near the stage, He worked as a member of the team regulating the photo pits. Among, the duties, making sure photographers in the pit had the proper credentials and providing instructions to the shooters as to the general protocols, as well as the individual mandates of the various bands. The team ensures that we photographers get the best images we can, at the same time making sure everyone stays safe. Khan was pretty confident he could handle the job.
“I’d never worked a press pit before but I’ve been a bartender, a teacher, a bouncer, a real estate agent, a minister, a waiter at a Russian bath house, an editor/publisher, a ditch digger, a secretary, a babysitter, a writer, and I even lasted one day as a line cook. So, I figured he thought I’d have the skill set covered.“
And his impressions?
“Well, besides the fact I got to see some of the most badass musicians around performing at the top of their game from just several meters away, the best thing about it was meeting all the heroically hardworking and talented people that keep the Fest going that also happen not to be wearing artist wristbands. There’s so many moving parts to get this many acts going on in front of this many people smoothly, and so many people trying to do their best to make sure everybody’s safe and having a good time, and you gotta do that gig amongst the constant shifting demands and constraints of all the different emerging variables, pivoting and adapting on the fly. Working a fest is kinda like being Harrison Bergeron, (from that Kurt Vonnegut Jr story) trying to dance in a metal suit, and pulling it off.
But so many cool hardworking folks pull it off and it was great to have a killer weekend with them all. I also got a kick outa watching all the press do their work, the elegant yet clumsy dance of the “Where’s a damn angle where I can get a transcendent shot before I have to run across a city park dodging drunk grey bearded punk rockers between rain soaked lakes without twisting my ankle or breaking the strap on my camera (which can be fixed with a zip tie if it happens I learned) in order to hopefully get a shot that may or may not get cut depending on what somebody in an office 2000 miles away thinks. And getting to sit in the press tent and jaw with you about old pictures. That was a blast.“
Describing his experience with vivid and poetic details is not surprising for a person whose Instagram handle is “Punks With Books”. And Khan’s last statement about pictures was actual a reference to 1970’s cinema. Khan, with headband and his style of facial hair, appears to be straight out of central casting for a Sidney Lumet or Alan J. Pakula directed film. It was a blast to be able to discuss, in general, cinema’s greatest decade, and specifically, Al Pacino. I need to go watch Dog Day Afternoon now. “Attica! Attica!”
Shoot to Thrill
One person who did not make his Riot Fest debut this year is photographer Mike “MXV” Vinikour. While a good portion of photographers, including myself for DS, have covered multiple Riot Fest, only Vinikour has wielded his camera and his vision at Riot Fest every year. The Downers Grove, IL-based photographer and Associate Game Developer at Stern Pinball runs his own site called The Punk Vault.
Vinikour described to me how he got started shooting Riot Fest, how it has changed over the years, and what it has meant to him.
“Back in 2005 I saw a flier for this two day punk festival at the Congress Theater called Riot Fest. I saw the lineup of bands and it was full of all these great old punk rock bands I grew up with, some of them still mostly intact and some of them a fraction of what they were with different/new singers. I had only been shooting shows for about a year or so at that point and was still pretty green. I didn’t know who the promoter was at the time, but I had connections through a couple of bands that were on the bill. One of the days I think I got my passes from the Dead Kennedys’ publicist, and the other day I either got in through The Effigies or Channel 3.
It was a really fun two days and there were so many great bands both old and new, though it was the old punk bands of my youth that got me to go to it.
After the fest I had posted my show review and photos on my site. I was the only photographer at that first Riot Fest. A few months later, Riot Mike [Michael “Riot Mike” Petryshyn, founder and owner of Riot Fest] came up to me at a show and thanked me for the nice review of his show and giving him some exposure and he liked my photos. He told me of his plans for the second Riot Fest and that got me really excited. He invited me to come shoot it again and that started a long relationship I’ve had with Riot Fest. I haven’t missed shooting a single one and Mike, Luba [Vasilik], Heather [West of Western Publicity], and everyone in the organization have been wonderful to me over the years. I can’t say enough good things about all of them.
I liked it when they were just in the Congress Theater because I loved shooting at that venue, and it had a lot of space. When they added that second stage in the lobby though it made navigating in and out of there more difficult. That club had great lighting and the barricade had enough room in there to drive a car inside of it. The rest of the place was falling apart though.
When they moved it to the different clubs, it really made it difficult to try and shoot multiple shows, and many times I had to make a difficult choice of what ones to do because as good as modern technology is, I was never able to clone myself to be in two places at once. Driving between the venues was difficult too, having to find parking, going through traffic if you had only a short window of time to get from one club to another, and some venues were harder to shoot in than others due to their size, lack of barricade, etc.
I was pretty happy when they moved past the multi-club thing (which was always an exhausting week) and moved it to the big outdoor festival. I was blown away at that first one at Humboldt Park with how massive it was and what a huge undertaking it was on Riot Fest’s part to do something that big, but it turned out awesome and to this day it’s the only outdoor festival I like or want to participate in. They adapted well over the years of being a huge fest to make the layout more user friendly and I think the last few years have been even better than ever with how they’ve managed it all.
It was kind of a neat parallel with how Riot Fest grew over the years and how I grew and honed my craft at photography. We both started close to the same time and have both gotten way better over the years. I definitely own a part of my growth as a concert photographer to Riot Fest.
I started taking photos around 2004 for my website The Punk Vault. I had been writing about music since 1985 when I started a fanzine called Spontaneous Combustion. That ran until 1997, then a few years later I did a web version of that which then morphed into The Punk Vault site that I’ve been doing the last 20 years.
RE: the way shooting bands has changed at the fest over the years: Well in the old Congress Days I was allowed to shoot the full sets of every band and had all access passes, so I had the full run of the place. I was pretty spoiled, and Mike made me feel really special and appreciated. When they became a big outdoor fest, I understood the logistics of that wouldn’t work anymore. I was just happy that when the fest became huge, they. never forgot me and told me that I’ll always be welcome to come shoot the fest as long as I want. It went from me being the only one there, to being in a pretty small group of photographers sharing the pit, to now being one of probably 100 that shoot the fest every year. It can be challenging at times being in there with so many people all vying for the same three spots to shoot though those giant speaker stacks that are blocking most of our view, but I’ve been so many awesome photographers over the years at the fest that it feels like a family. There’s a core group of us that have been shooting the outdoor fest for so many years now that it really has become the most fun weekend of shooting bands of the year and the one I look forward to the most. It’s like a brotherhood of photographers and we all laugh and have a great time.
Sometimes being crammed in there with so many people can be hard on me because I have anxiety and that can trigger me, but it’s always been manageable and in a way it’s good for me to challenge myself. Also, there’s been times where instead of 3 songs, we only get 1 due to them splitting us in groups, or certain bands may have restrictions that only let us do one song. That has made me a more efficient photographer so when those situations happen I can roll with it a lot easier than ever now.
I almost never just watch a band unless I’m shooting them. The enjoyment of shows for me is shooting photos, I won’t go to shows unless I’m shooting them. I’ve made exceptions at the fest for bands I really love that may not allow any photography, (The Misfits for example) but typically if a band won’t let me shoot them, I won’t stick around to watch them, and I’ll go shoot someone else.
Having a Senior Moment
AnnaBelle “Bee” Pant, is a 12th grader at what her mother Monica described to me as a “progressive-ish” high school in a small, conservative Michigan town. AnnaBelle wanted something a little different from the typical senior portraits she had seen with classes coming before hers,
“I’m 17, and I live in southwest Michigan, which is basically just a bunch of cornfields. I wanted to get my senior pictures somewhere a little more “me.”
AnnaBelle and her parents – Ben & Monica Pant – and her 11th grader brother Trey, made it a family affair.
“This is our third year at Riot Fest, and I’ve always loved going with my family seeing concerts. I know it’ll be some of my best memories with my parents.”
As for the family’s favorite sets? AnnaBelle spoke on behalf of the quartet,
“For sure Bowling For Soup!! and The Used were awesome, we were camping at the barrier for both.”
Oh and the Pants also brought along a friend named Ryan, whom the Pant family befriended at the festival in 2021. Well, sort of. The actual Ryan was unable to attend this year so family carried “Flat Ryan,” inspired by the Flat Stanley travels the word idea. This is just one of the many long-lasting friendships formed at Riot Fest every year.
Maker of the Mosh
Nik Simmons describes himself this way,
“Stay at home dad and drumming for Exegesis until Rod Tuffcurls and the Bench Press needs me.“
But Simmons is also a man with an annual mission to organize the best Riot Fest mosh pits, or at least the most unique.
Over the years, it has become a Riot Fest tradition to have a gimmick pit. As soon as I read that Corey Feldman was playing, I knew he was the perfect act.
Feldman became famous as a child actor, including in the classic 80’s films, Stand By Me, The Goonies, and The Lost Boys. During the past few decades he has concentrated on music but has never really been acclaimed for his musical talents.
Still, Feldman elicited both enthusiasm and snickers from a good number of fest attendees. Simmons told me,
“His name stood out from the lineup so much that I had to see him perform. I’m sure many went for the irony. However, even those who went in with that attitude were soon won over by Corey Feldman’s performance.“
Simmons, who cited The Lost Boys as his favorite Feldman film, didn’t get to meet the star but does believe the actor was aware of the pit,
“I think he did. It was posted on one of his social media accounts.“
More importantly, the crowd seemed to enjoy it as Simmons described the result,
“Excellent. A bunch of people had a great time.“
This was not Simmons’ first such experience as he informed me,
“Yes, there was a wall of death for The Village People, corn dog pit for Sincere Engineer, and a pit for Devo. I’ve made a sign for each of those mosh pits too.“
Looking forward to witnessing what Nik Simmons comes up with at Riot Fest 2024.
Board with Riot Fest
Cooper Greenslade, 13, caught air and grabbed attention as he flew high above the Riot Pop! skate ramp set up against the Riot Fest Devil. Greenslade shared with me, via instagram, his first Riot Fest experience.
“Yes, this was my first time at RF, and as far as the experience it totally exceeded my expectations honestly. I didn’t really know how kool it was gonna be till I walked through the gates and saw all the people and heard the insane music I was immediately stoked about being there. I have not skated any other music fests but I definitely intend on going to more in my life.
I have been skating 5 1/2 years not pro (yet) but hopefully one day. I am sponsored by Character Skateboards, GROM USA, Static Hardware, Fargo. I would say my overall experience with RF is the bands were amazing and the stages were close enough to get to see a lot of bands quickly, and the people watching was amazing.
I always get super stoked riding with older dudes cause they have a lot of experience and all of them are super kool and they are always giving me tips and advice to get better, the Chicago skate scene is very positive and motivated. I’m super excited to have so many good influences around me.
Yes, I would love to make this a full time career, but for now I’m having a ton of fun and meeting a lot of amazing skaters all over the US. I’m just gonna keep hustling and see where it takes me.“
Punk Rock Nuptials
The wedding party wore t-shirts emblazoned with Cards Against Humanity style references to past (“Throwing Meat at Morrissey“) and present (Dave P., a Dave Grohl doppelgänger, wore a shirt with the Foo Fighters singers’ name on it) Riot Fests and the group’s all too often reaction whilst watching Chicago Bears games (“Shit Got Fucked”). The Bride and Groom wore t-shirts where the traditional “til death due us part” was wrapped around corpse hands, and Old Skool Vans with their initials and the wedding date printed on the heel. The corsage was made out of Riot Fest lineup cards, and there was a swarm of (fake) adorable bumblebees. For Angela Vetrovec-Schiller & Aaron Schiller, there was no doubt the chapel they would head to would be the Riot Fest Chapel.
“Riot Fest means so much to me. Music is a huge part of my life. I’ve been going to Riot Fest since the start. It’s basically a holiday weekend for me and my friends. Moving away from Chicago was a hard decision for me. Riot Fest has now turned into a yearly reunion. The random run ins are one of my favorite parts. I met my husband at a show, fell in love with him at a fest, he proposed to me at another fest, so getting married at Riot Fest was the perfect way to do in front of all of our best friends. I love being at Riot Fest, I love the people of Riot Fest, I love our scene. “
Punks Care
Punk Rock Saves Lives and Riot Fest have combined to save lives for years. PRSL founder Rob “Rover” Rushing explained why Riot Fest is so meaningful to him, his wife and board member Tina Rushing, and all involved in the beloved nonprofit.
“PRSL was formed in November 2019. As a continuation of the work that we did with the Love, Hope, Strength, Foundation. It Is my dream and my wife’s and quite a few others’ dream to use the positivity of the punk scene to make incremental differences in our lives every day.”
As LHS or as PRSL, I believe Since 2013, possibly before, and that includes all of the Denver ones as well, we were invited by Sean (McKeough), the co-owner of Riot Fest as a kind of a personal mission because he had beat cancer before his untimely death from a brain aneurysm. We’ve swabbed close to 400 every single year we’ve been at Riot Fest, if not more. Considering 1 in 100 matches to save a life, and 1 in 1000 of those make it to the donation, Riot Fest is way above normal averages for saving lives. Something about Riot Fest is just special because people not only come to have an absolute blast but seem to care.
Seems like that is the community and it’s even with, you know, years where it’s more punk rock, or it’s more rock or it’s more rap, it doesn’t change. The community of Riot Fest is pretty amazing.
One of my favorite moments of Riot Fest ever, and it’s kind of sad to say it this way, but the year Sean passed away. They went forth, obviously. Very, very sad. But also, they had his Gator, his golf cart type thing. And they brought it, and they displayed it as a memorial for him. And they came and got me at my booth. When I got there to set up, they drove by and took me to the Gator and had me put a sticker on the Gator because they knew how much our charity meant to him.
That just proves that the people of Riot Fest, it’s not only a business and obviously it’s that, but it’s also a community and they believe in it and seeing, you know seeing Mike’s article this year, where he came out as on the spectrum, it was a very inspirational and awesome article. So that’s just some of the cool things about Riot Fest. That makes it special to me and I will always, always be there as long as we exist.
“Going into it, I obviously thought it was more rock-centric than it had been in the past. But it ended up being just so widespread that I didn’t even realize that. It was so cool. And you know, having The Dresden Dolls on the main stage…luckily Amanda gave us an amazing shout out for the charity. And because of her, we probably signed up an extra 90 to 95 people within the next 15 minutes at our little pop-up booth, as well as people going into the booth.“
“Mr. Bungle doing thrash, which was incredible too. Learning about a whole bunch of new bands and just the community and the people embracing what we do. It just warms my heart, you know? It’s incredible. So, Punkers do give a fuck. That’s one of our slogans, punks give a fuck. And it’s true, right? Riot Fest is proof.“
Please check out more sights from Riot Fest 2023! Thanks and Cheers!
Skating in the Gloaming Viagra Boys Crowd Surfers Garren Skates the Riot Pop!! Ramp Sludgeworth Sludgeworth Sludgeworth Sludgeworth Sludgeworth Sludgeworth Sludgeworth Sludgeworth Sludgeworth Sludgeworth Sludgeworth Sludgeworth Sludgeworth Max McQuaid with his father Brian McQuaid are Sludgeworth Drummers Mike “MXV” Vinikour Mike “MXV” Vinikour Garren Skates the Riot Pop!! Ramp Annabelle Senior Class Photo Portrait? The Pant Family: Monica Pant, AnnaBelle Pant, Trey Pant, and Ben Flat Ryan with the Pant Family Tim and Junebug Atop the Riot Pop!! Ramp Skating in the Gloaming Nick Skates the Riot Pop!! Ramp Merry Christmas Everything is Terrible Punk Rock Saves Lives Has Many Fucks To Give Rob from Punk Rock Saves Lives Malort Fan Malort Toast Late Night Riot Fest with The Interrupters Late Night Riot Fest with The Interrupters Late Night Riot Fest with The Interrupters Late Night Riot Fest with The Interrupters Late Night Riot Fest with The Interrupters Late Night Riot Fest with The Interrupters Late Night Riot Fest with The Interrupters Late Night Riot Fest with The Interrupters Late Night Riot Fest with The Interrupters Late Night Riot Fest with The Interrupters Late Night Riot Fest with The Interrupters Late Night Riot Fest with The Interrupters Late Night Riot Fest with The Interrupters Late Night Riot Fest with The Interrupters Late Night Riot Fest with The Interrupters Late Night Riot Fest with The Interrupters Kamran Khan Photo Booth Fun Flogging Molly Crowd Surfer Aaron and Angela Got Married! Aaron and Angela Got Married! Wedding Bouquet Made of Riot Fest Line-Up Cards Till Death Do Us Part worn but the Bride and Groom Wedding Koozie Wedding Party t-Shirts Dave P is Dave G’s Doppleganger Cooper Skates the Riot Pop!! Ramp T-Shirts at Riot Fest Dan Skates the Riot Pop!! Ramp Insane Clown Posse Fan at the Corey Feldman set Corey Feldman Moshpit Corey Feldman Moshpit Corey Feldman Moshpit Corey Feldman Moshpit Moshpit Feldog Corey Feldman Moshpit Corey Feldman in the Press Tent Atop the Riot Pop!! Ramp Andrea Skates the Riot Pop!! Ramp About to Drop In at the Riot Pop!! Ramp A Different Approach to the Riot Fest Devil Photo Op On the the Riot Pop!! Ramp Rob “Rover” Rushing from Punk Rock Saves Lives Cooper Skates the Riot Pop!! Ramp
Post a Comment
DS Record Radar: This Week in Punk Vinyl (Frenzal Rhomb, Strung Out, Link 80, Alkaline Trio & More)
Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly* column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. Kick off your shoes, pull up a chair, crack open a cold […]
Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly* column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. Kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, because it’s go time. Let’s get into it!
Check out the video edition of this week’s Record Radar, presented by our friends at Punk Rock Radar:
17 years after its original release on CD, Frenzal Rhomb‘s Forever Malcolm Young is getting its first ever vinyl release. SBÄM Records has three snazzy splatter variants on their US and EU webstores. Our Australian readers (or anyone willing to pay a slight premium for shipping) can get the record on “Goon Wolf Red” colored vinyl from Artist First and/or very cleverly marketed “Johnny Ramone Punk Rock Black” vinyl from JB Hi-Fi.
Strung Out‘s Twisted By Design is the latest record in Fat Wreck’s 25th Anniversary reissue series. The original mix/master of this album has been out of print since 2010, so that’s notable as well. As always, Fat divulges absolutely nothing about the color variant because they know we’ll buy it regardless. So head on over to their webstore to grab a copy and find out what color the rekkid is when it shows up in the mail.
Needless to say, there were a lot of awesome reissues announced this week. Next up to bat is Asian Man Records with new pressings of both Link 80 albums, 17 Reasons and The Struggle Continues. Both are limited to 800 copies; the latter is back in print for the first time since its original release 20+ years ago. Get ’em here.
New release! Yes, we sometimes have those on the Record Radar. Matt Skiba attempts to steal the spotlight from his ex-Blink 182 bandmates with an announcement of his own. Alkaline Trio will release their 10th album Blood, Hair, and Eyeballs on January 26th, 2024. They’re pressing like 30 color variants for this fuckin’ thing and they’re all exclusive to different retailers… someone on Reddit was nice enough to make a post aggregating links to all the places you can buy each variant, so check that out.
Here’s another new release I’m really excited about; one of my most anticipated records of 2023, actually. Bri’ish skate punks Making Friends just launched pre-orders for their new album Fine Dying, which is due out November 3rd. Check out the new single “Broken” below and pre-order the record at one of these places: Punk Rock Radar (US), High End Denim Records (CA), Cat’s Claw Records (UK), Pee Records (AUS), Waterslide Records (JP).
Known for their recent reissues of some classic Pulley records, DustyWax Records adds another feather in their cap with a first ever vinyl release of 88 Fingers Louie‘s 88 Fingers Up Your Ass. Not much more to share on this right now; stay tuned for pre-orders coming soon on the label’s webstore.
Real Gone Music adds to their recent run of Donnas reissues with new pressings of Get Skintight and Turn 21. Each has an Indie variant (not so limited) and a webstore exclusive variant (very limited). These join the recently reissued self titled LP and American Teenage Rock ‘N’ Roll Machine, bringing all of The Donnas’ Lookout! Records catalog back in print for the first time in over a decade. All of the records are available here.
New Orleans ska-punks Joystick have a new record coming out November 14th on Bad Time Records. It’s a 12″ EP with four new songs on Side A and a “20 minute mystery side” on the flipside. Check out one of the new songs down there and get the record here.
Minneapolis’ Partial Traces (members of Banner Pilot, the Soviettes, Dead Landlord, Riverhead, etc.) just released a new record. It’s called Stay Dreaming and it sounds absolutely nothing like any of those other bands. Listen below, buy the record here.
Cal-gary, Alberta’s Territories have a new record out now on Pirates Press Records. Check out the latest single below and get it on neon orange (700 copies) and/or neon violet (300 copies) here. Only $18! (that’s USD, not CAD).
Revelation Records has an exclusive variant of the new Youth Brigade – Sound and Fury reissue from Trust Records. 1,000 copies on yellow colored vinyl; get it here.
Joyce Manor covered a Tigers Jaw song. Tigers Jaw covered a Joyce Manor song. Hopeless Records released a 7″ containing both of these cover songs and you can buy it here. There’s a tour variant, too, so if you’re one of the rich MFs at that When We Were Young Fest this weekend you can probably pay $20 for it at either band’s merch tent.
Speaking of When We Were Young Fest, during their performance at that very Las Vegas festival yesterday, New Found Glory allegedly announced their 2004 album Catalyst will be getting its first ever vinyl release, with pre-orders going live this coming Friday. These NFG reissues always sell out fast as hell, so keep your eyes on the band’s social media for an official announcement.
In a last minute addition to this week’s column, Chase the Glory Records has announced a big time repressing of SNFU’s 1996 FYULABA LP. There are 1,000 copies spread across four beautiful color variants. Pre-order just went up today; get your copy here.
Last order of business this week, I wanna give a quick shoutout to a longtime supporter of the Record Radar, Dan Jones aka @punkrock_vinyl on Instagram. Dan’s account was actually one of the main sources of inspiration for me starting this column. He recently launched his own distro with a bunch of awesome records (such as Love Equals Death‘s Nightmerica, which I snatched up with no hesitation, alongside the new Contra Code record Friday Junior). The prices are great and even though he’s based in the UK, shipping to the states is very reasonable. Head over there and check it out!
Well, that’s all, folks. Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, leave us a comment below, or send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs (or do, I’m not your father). See ya next week!
Wanna catch up on all of our Record Radar posts? Click here and you’ll be taken to a page with all the past entries in the column. Magic!
Post a Comment
Dying Scene Album Review: Trashed Ambulance “Future Considerations”
Imagine this if you will, the year is 1999, it is the beginning of Summer, and you’re surrounded by nothing but wilderness and beautiful landscape. You’re about to take a dive off of a 40-foot cliff into a lake, which is really living in the moment. Now the loud music you have blasting on your […]
Imagine this if you will, the year is 1999, it is the beginning of Summer, and you’re surrounded by nothing but wilderness and beautiful landscape. You’re about to take a dive off of a 40-foot cliff into a lake, which is really living in the moment.
Now the loud music you have blasting on your stereo smacks you back into reality. Some fine-tuned punk rock, heavy on the melody and heavy on the fun. You pull off your headphones and stand up to stretch. What was going on before? Were you dreaming?
I was a part of a school-sponsored trip to Canada the Summer before my Junior year of High School, and what was described above actually happened. This was my formal introduction to the wonderful Country of Canada. Fast forward some twenty or so years, and Canada isn’t just a vacation destination for those who love the outdoors.
Canada has become an epicenter for punk rock for the past ten to fifteen years, boasting such great bands as Propagandhi, The Flatliners, Belvedere, Mute, and Silverstein. That’s only naming a few of the many bands who have put Canada on the map for punk rock music.
Trashed Ambulance is a three piece skatepunk/pop punk band out of Red Deer, Alberta and Future Considerations is the band’s third full length album. It is also the first album with the current lineup.
For me being a relatively new fan, after giving Future Considerations a spin, it felt like I have been listening to these guys for years. The influences in their music is instantly apparent and adding their own sound is what drew me to writing this review.
The opening track “56” sets the tone for what is going to be a very loud, energetic, upbeat, melodic and fun album. “Menace” is a standout track, mixing elements of pop punk and skatepunk into a very jumpy and poppy rock tune. On one hand, I can hear Pennywise, specifically their sound from the album All or Nothing, and on another hand I hear NOFX on this track. I really love the dueling vocals with Emilie Plamondon and Robbie Moron on “Stalk in the Park,” it gives a vibe reminiscent of the cover of “Fairytale in New York,” by No Use for a Name. “Blip on the Radar” is my absolute favorite track on the entire album and can be considered a punk rock anthem. I can already picture the crowd singing this one aloud while pumping their fists and chugging their domestic beers. This is a really fun and catchy tune that will likely become a fan favorite.
Trashed Ambulance consists of three members: Josh Hauta – Guitar/Vocals, Jason “Ozone” Ezeard – Bass/Vocals and Riley Bourne – Drums/Vocals. “We tried not to make a paint by numbers skate punk record,” exclaims Hauta. “This album was a true collaboration of ideas between the band members and producer Casey Lewis. We are proud of how it turned out and while we’re under no illusions that we will change the world with a skate punk record in 2022, we are still stoked to be able to present an accurate representation of the band and how we operate in current times.”
They should be proud, this is another solid effort by a hard-working punk rock band. I am pretty confident it will be in heavy rotation among the punk rock scene and those of you reading this review. Do yourself a favor and give this one a spin!
Future Considerations is available on CD and Vinyl via Thousand Islands Records.
Post a Comment
Seth Anderson
Seth Anderson has spent his time on a journey; in search of his truth, purpose, and an understanding of the world around him and his place in it. His songwriting offers an honest view of life from a unique perspective that has stemmed from years of travelling, moving from town to town, city to city, highway to highway; the high peaks, the low valleys, and all the spaces in between. Through all of this, there maintains one common thread- a bellow for love and hope. A singer/songwriter with east coast roots who has called Canmore, Alberta his home since 2004.
The Tracys
From the rancid shores of the Gowanus canal rose a quartet of punk rockers called “The Tracys.”
Raised on 80’s punk with a side of maple syrup, Alberta native Dave Klym (The Mike Plume Band, The Populars, Itch) is the driving force behind the band’s monster hooks and blazing solos. On rhythm guitars, John Payne (Puppetbox) has been known to contribute harmonies as silky as his well-coiffed hair. Larry Mancini holds down the fort on the bass guitar with a little bit of whimsy, and a belly full of pizza. Anchoring this operation is drummer Matt Ernst, whose thunderous beats form the foundation for the group’s aggressive style.
With infectious melodies and gallows humor, The Tracys’ brand of pop punk holds true to the sensibilities of old-school west coast punk.
Tours: Good Riddance / Ignite / Brutal Youth / The Fizzgigs (Alberta, Canada)
Good Riddance have announced two shows this September with ignite, Brutal Youth and The Fizzgigs. The shows will happen in Alberta, Canada and tickets are available now. See below to check out the dates.
Trashed Ambulance
Canadian punk band from Red Deer, Alberta.