DS Gallery: Pierce the Veil embarks on their largest headlining tour yet with support from Sleeping With Sirens (Chicago, 6/7/25)

History was made for Pierce the Veil in Chicago as they played their largest headlining show ever – a sold-out amphitheater of 26,000 people. The post-hardcore band from San Diego, California was joined with Sleeping With Sirens and Beach Weather at the Credit Union 1 Amphitheatre on June 7th as part of their I Can’t […]

History was made for Pierce the Veil in Chicago as they played their largest headlining show ever – a sold-out amphitheater of 26,000 people.

The post-hardcore band from San Diego, California was joined with Sleeping With Sirens and Beach Weather at the Credit Union 1 Amphitheatre on June 7th as part of their I Can’t Hear You World Tour. Baby and elder emos alike flocked to the Tinley Park venue, keeping the resurgence of emo music alive and well.


Indie rockers Beach Weather opened the evening, best known for their hit song “Sex, Drugs, Etc.” Sleeping With Sirens hit the stage next to a now packed amphitheater with more fans still trickling in. 



Sleeping With Sirens has long cemented their place as a gold standard in the world of screamo and metalcore, making them the perfect fit to tour with Pierce the Veil (and it wouldn’t be their first time). Frontman Kellin Quinn’s vocals are unmatched, reaching high pitches that are powerfully emotional.  




Pierce the Veil truly has had a phenomenally dedicated fan base since the release of their breakthrough album, Collide with the Sky, in 2012. If you’ve ever been to Warped Tour, there’s a good chance you have seen Pierce the Veil play. Only this time they aren’t playing in the parking lot; they’re selling out the entire amphitheater.


After a long hiatus the band released their fifth studio album The Jaws of Life on February 10th, 2023. The I Can’t Hear You World Tour supports all of their studio albums, featuring songs from each one.

Whether you are an old fan from their Warped Tour days, or a new one just discovering their music, this tour is not one to miss; they are back and better than ever.



Check out the full galleries below!


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DS Gallery: Energetic, angsty and chaotic Die Spitz conquers Chicago with local art-punk band Edging (Schubas, 5/31/25)

Die Spitz is taking the world by storm one city at a time already selling out Chicago’s Schubas Tavern, and they only just started. Chicago’s own Edging opened the show with an equal amount of fun and fury. Just like Die Spitz, you can count on Edging to become a legendary punk band to bless […]

Die Spitz is taking the world by storm one city at a time already selling out Chicago’s Schubas Tavern, and they only just started.


Chicago’s own Edging opened the show with an equal amount of fun and fury. Just like Die Spitz, you can count on Edging to become a legendary punk band to bless your city by playing there.


Already having opened for Amyl and the Sniffers, this fall they will be touring with one of my all time favorite bands, Lambrini Girls (so excited!).



I love it when I see female bands conquer the scene.

Die Spitz was first formed in 2022 in Austin, TX and released their first EP, The Revenge of Evangeline, in the same year. Their follow up EP, Teeth, was released in 2023 and won Austin Music Awards’ Album of the Year. They also recently signed with Third Man Records with plans to release their debut LP with them later this year.


Die Spitz live is a totally rowdy and wild experience, complete with band members crowd surfing and audience participation. At one point they called for all girls to the front and on stage; you can tell they thoroughly enjoy what they are doing and put their all into every moment.

For a band that has not been in the scene for very long they are very quickly, and well deservedly, making a name for themselves. 



Check out the full galleries below and support the bands!


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DS Show Review & Galleries: Nerf Herder; Diesel Boy; Keep Flying; and Capgun Heroes. Chicago (05.23.2025)

The best spot to be on Friday, May 23, 2025 in the p.m. was Reggies Rock Club. It was the place to get your geek on. Geek Punk, that is. Nerf Herder returned to the Chinatown neighborhood adjacent venue. The Santa Barbara faves were joined on the bill by fellow Californians in Diesel Boy, Keep […]

The best spot to be on Friday, May 23, 2025 in the p.m. was Reggies Rock Club. It was the place to get your geek on. Geek Punk, that is. Nerf Herder returned to the Chinatown neighborhood adjacent venue. The Santa Barbara faves were joined on the bill by fellow Californians in Diesel Boy, Keep Flying from the other coast, New York State specifically (and one New Jersey resident), and Capgun Heroes from the night’s host city of Chicago.

Check out what went down and hit the band names to view the galleries on Instagram.

Nerf Herder gets its name from a little old sleeper hit of a sequel called The Empire Strikes Back. Formed out of Santa Barbara, CA in 1994, the band, composed of singer Parry Gripp/guitarist, bass player Ben Pringle, drummer Steve Sherlock, and Linus “Linus of Hollywood” Dotson on guitar, knows how to bring the fun. This evening was no exception. Blasting through a set including “We Opened For Weezer,” “Mr. Spock,” “Pantera Fans,” Nosering Girl,” “Van Halen,” and “Golfshirt.” Nerf Herder also set off something akin to squeals of delight when it performed its theme from the television series Buffy the Vampire Slayer.

The aforementioned fun is a bit of an understatement when it comes Nerf Herder shows. As was the case the last time the band played in the rock club at Reggies, the show was an impressively entertaining one. One difference, however, was the absence of an on-stage Malört tasting. Done once, there is no need to repeat that part of what is now known as the Chicago Handshake.

Oh, and of course, I had to let Parry Gripp in on the fact that I have already been spreading the inspiring joy of his Baby Monkey (Going Backwards on a Pig). The ditty paired with footage of exactly what its title says went immediately viral more than a decade back and spawned numerous takeoffs. I recently played the charming earworm for the three-month-old baby of a close punk rock musician friend. My now 89-year-old mother first introduced me to it roughly a dozen years ago (I was not 3 months old). But whatever our ages, we can all learn from the spirit of that baby monkey as described by Gripp:

The world has gone insane
And you don’t know what is right
You’ve got to keep on keepin’ on
Get on that pig and hold on tight-ight (Yeah!)


Santa Rosa, CA’s Diesel Boy self-describes as “underwhelming audiences since 1993.” Whilst modesty is swell and all, that statement is arguably false. During the bill’s penultimate set, the band gave a full-throttle performance. Diesel Boy motored through a set including “Cock Rock,” “Emo Boy,” “A Literary Love Song,” The Finnish Line,” “Melanie Banks Where Can You Be?” “Adria’s Warhol” and “Punk Rock Minivan.” The band capped off its set with an excellent cover of one of my favorite tunes, The Dead Milkmen classic “Punk Rock Girl.” Diesel Boy clearly still has plenty left in its tank.


East Coast-based Keep Flying played Chicago just this past April, and I was immediately looking forward to seeing the group again. That two members live on Long Island, where I was born and raised, and the drummer being a fellow diehard Mets fan, is cool, but only a smidge of why I dig them.

Keep Flying is infectiously upbeat, and a band whose every member is a winning presence on stage. It was obvious the members were sincere in their excitement to be back in the Windy City.

As for the music, it’s pretty darn good as well. Keep Flying romped through a set list including “High Cholesterol” and “Surviving The Night.” The band also performed “Stormchaser,” “Delusional, and “Death Is The End,” off its 2025 record Time & Tide.

For those in the Chicago area who have now missed two recent chances to get on board with Keep Flying, don’t strike out next time. Hopefully, that next time is sooner than later. The crew’s many Chicago fans would agree. That goes for fans across the country and elsewhere as well.


Capgun Heroes, the hometown band on this night’s bill, once again delivered solidly. Kicking off the show with a bang, the Chicago-based band knows how to engage the crowd.

Capgun Heroes’ rollicking performance was short but potent. The set list, including “Stuck With You,” Back It Up,” “Night Like This,” and “Better Off Alone,” showcased the band’s muscular punk rock.

But the band is not composed merely of good musicians, but also great people. Capgun Heroes plays host to what’s been an annual event, T1 Fest, which raises awareness of and funds to fight for a cure for Type 1 Diabetes. Frontman Joe Capgun has two children with Type 1, so it is an issue close to the hearts of the members of this tight group. The fest always has a terrific lineup. The next T1 Fest is scheduled for April 2026, so keep an eye out for related announcements. Hope to see you there!

Yet another cool evening on State Street. Thanks and Cheers!

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DS Show Review – Half Past Two, Tiny Stills, Chase Long Beach, Chudson at Chain Reaction, Anaheim, CA on 5/17/2025

It had been at least ten years since I had been to a show at Chain Reaction. Most of the bands that come through are not my style, but every once in a while, something comes through that should not be missed. Since the time I’ve been there, the venue has been revamped a bit. […]

It had been at least ten years since I had been to a show at Chain Reaction. Most of the bands that come through are not my style, but every once in a while, something comes through that should not be missed. Since the time I’ve been there, the venue has been revamped a bit. They added a bar, made a dedicated space for merch tables, and repainted it. It seems they have removed some of the shirts that lined the walls from past bands that have played there, but they did seem to retain some of the more enduring acts that have graced their stage with music.

The five-piece, straight-edged Chudson were the dose of energy needed to jolt this show awake. After a short intro, the two members of the horn section jumped into the pit and got it started. Their set was frantic and untethered. They perfectly ended their set with a cover of Wesley Willis’s “Rock n’ Roll McDonald’s.”  Chudsion seemed to have a nice, dedicated fan base that showed up for them. If they keep at it, I wouldn’t be surprised to see them higher up on the bill.

Chase Long Beach was second. While it’s great to see ska bands at Chain Reaction as a fan, it’s awfully cramped on the stage, limiting their movement, but singer Karen Roberts made do. They were much calmer than Chudson, but still kept the crowd going. Opening with a pair of old songs, they pivoted to newer material for the rest of the night. It had been at least twenty years since I’ve seen them, and it’s great to see how they have progressed in that time. It was a fun set for a band that has definitely paid its dues.

One of these things is not like the other, and that’s the Tiny Stills. Despite that, they were welcomed with open arms. Lead singer Kailynn West led the band in a set consisting of past favorites, like “Downgrade Baby,” and newer tracks like “What’s the Point of Anything?” and “We Really Felt Something,” from the album of the same name. They closed their set with their 2019 song, “Everything is Going Great.” It would have been nice to get a longer set from them, but it was just great to see them play. This was my first time seeing them, and they did not disappoint. I will definitely be keeping an eye out for more sets.

This was a hometown show for Half Past Two, having recently been on a Spring tour with Omnigone earlier this year. Tara Hahn and crew came out with a lot of energy and kept it going for sixty plus minutes. Their set was a good mix of their discography. During their song “Heart of Gold” they threw out a bag full of gold heart balloons that were bounced around the crowd for the duration of the show. Towards the end they handed out kazoos to most of the crowd so they could join in on some of horn parts. They threw in a couple of covers (Tiny Still’s “Am I Dead, Yet?” and Scowl’s “Shot Down”). While Tara had the crowd in her hands for the majority of the set, the energy coming off the stage when she sang “Shot Down” was fantastic. There is some great potential for her to be the lead singer of a hardcore band. 

I had a great time. I forgot how loud it can get in there and remembered that it is probably part of the reason why I’m going deaf. I also remembered that for small shows like this, sometimes it’s worth it. This show’s line up was stylistically different enough to be distinct from each other, but cohesive in their love for what they do and what each brings to the scene. It made me want to go back to Chain Reaction every weekend. 

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DS Show Review and Photo Gallery: Smoking Popes “Born To Quit” and Off With Their Heads “In Desolation” from Arts At The Armory in Somerville MA

It was a double-whammy night for the punkers of a certain age a week ago Thursday when a two-headed monster of beloved Midwestern-area bands – Smoking Popes and Off With Their Heads – brought their tour of full-album sets to the northeast for a stop in the metro Boston area. The tour marks the fifteenth […]

It was a double-whammy night for the punkers of a certain age a week ago Thursday when a two-headed monster of beloved Midwestern-area bands – Smoking Popes and Off With Their Heads – brought their tour of full-album sets to the northeast for a stop in the metro Boston area. The tour marks the fifteenth anniversary of the release of the OWTH staple In Desolation and the thirtieth (?!?) of the Popes’ classic Born To Quit, and so it was a perfect time to double up on the back pain medication and head out into the monsoon that spent a full day bludgeoning the area for some punk rocking good fun on a week night.

Located in the metro Boston suburb of Somerville, the venue – Arts At The Armory – is essentially exactly what it sounds like: the old drill shed of a 122-year-old armory that was an active National Guard outpost through the 1970s and now serves as a unique multi-purpose arts and education space in the vibrant community just a few miles from the center of Boston. It’s the kind of place that, depending on the day of the week and the time of day, hosts farmers markets and poetry slams and a regular Joe Strummer-inspired ukulele slam and speed-dating for the polyamory-curious (yes, really). Oh, and punk shows! In some ways, the building’s history and its utilization as a repurposed space for creating art and community might be perfectly symbolic of the community of Somerville as a whole, tightly packed and tightly-knit and ever-changing, from old multicultural blue-collar urban factory center to newer multicultural hub of education and art and innovation. Maybe that’s a not-fully-formed think-piece for another time… In any event, it really is a great spot for a show. Sure, parking sucks (especially in the driving rain), but it’s a big open room with great sightlines and much-better-than-expected sound and lighting and a full video screen behind the stage. It was yours truly’s first time, and it certainly won’t be the last.

ANYWAY, the two-band bill meant that OWTH took the stage at the old punker-friendly time of 7:30pm (seriously!). The three-piece – the inimitable Ryan Young on guitars and vocals, Kevin Rotter on bass, and the return of longtime drummer Ryan Fischer on, well, on drums – ripped into “Jackie Lee” from 2006’s Hospitals to kick things off. The band chose to forgo the traditional band-logo artwork backdrop and instead utilized the video screen to advertise a pretty sweet deal on twin lobster rolls from D’Angelo for the duration of their set, albeit a deal from seven years ago. (Side note – Romaine lettuce doesn’t belong on a lobster roll, but I suppose if you’re in New England and you’ve opted to get your lobster rolls from D’Angelo, you’ve long since thrown caution to the wind.) After a few more crowd favorites, it was into the business at hand, celebrating In Desolation cover-to-cover. Ryan made a few comments about how In Desolation is the album nobody actually likes, which may have just been Young taking the piss as he is wont to do. In fact I hope it was him taking the piss, in no small part because In Desolation is probably my favorite OWTH record. Its raw emotion holds up extraordinarily well after a decade-and-a-half, “Just Breathe” and “Old Man” and obviously “Clear The Air” especially. Young has obviously had time and distance between the events that went into the album’s writing, but from a performance standpoint, the material is as haunting as ever and Young channels every bit of the same visceral reaction night in and night out. It’s a lesson in startling intensity, balanced with plenty of inter-song banter (and lobster rolls) to keep things from overdosing on bleakness.

Then, around about 8:30pm, it was time for the headliners to take the stage (accompanied by an actual Smoking Popes backdrop). The foursome – frontman Josh Caterer and longtime drummer Mike Felumlee accompanied by touring bandmates Reuben Baird on bass and Jack Sibilski on guitar at stage right and stage left respectively – ripped into “Golden Moment” to kick off their portion of the festivities. The lead single from their latest album, last month’s Lovely Things, is a perfect, uptempo shredder that sets a pitch-perfect tone for what’s to come. Then it was on to the matter at hand, Born To Quit start-to-finish. The band released an updated and recorded live-in-studio version of Born To Quit last year – here’s our interview with Josh about it and it’s fair to say that both that version (which included lifelong Popes Matt and Eli Caterer on their traditional bass and guitar duties) and this version demonstrate that the album itself has legs. It’s songs of falling in and out of love (sometimes in back-to-back songs, a la “Mrs. You & Me” and “Just Broke Up”) performed with such sincerity and earnestness that they belie the sometimes juvenile nature of many of the similarly themed albums written by the Popes pop-punk scenemates of the early and mid 1990s.

When Caterer and I chatted about the new album a month or so ago, I made an off-hand comment about how for some of us for whom organized religion had fallen out of favor, we replaced that sort of connection and worship for lack of a better word with live music. I don’t necessarily mean to suggest that seeing the Smoking Popes live circa 2025 is a religious experience…but it’s not far off. The band is tight as a drum live, anchored by the lockstep connection between the rhythm section. The stretched out length of the headlining set (compared to the last time we shot the Popes, on their opening slot supporting Get Up Kids last year) gave Caterer and Sibilski the space to constantly take turns trading lead guitar licks, with Sibilski maintaining a sense of constant motion on his half of the stage, endlessly jumping, head-banging, and perfecting his Townshend-esque windmill. We’ve spoken before on these pages about Caterer’s ability to write songs of love and heartbreak in a way that still holds up over the decades without turning sappy (at best) or overly cringey (at worst). That’s certainly true on record, but it’s especially on display in a live setting whether on classics like “Need You Around” and “Megan” or on more recent jams like “Madison” and the post-Lovely Stuff anthem “Allegiance.” The Popes brought the evening to a close with a full-crowd singalong version of their 1997 classic “I Know You Love Me” that found Caterer shedding himself of his gorgeous sunburst Coronado II (which somehow sounds even better than it looks, which is a high bar) and singing with the crowd from the front of the stage. It felt perfect; a cathartic, revivalist moment acknowledging that we’re all in this fight together and that if we stay pulling in the same direction in the face of all the bullshit and focus on love and community, we just might be alright.

Flip through our IG galleries for more shots from the evening below!


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DS Photo Gallery: Sessanta V2.0 (Primus, Puscifer, and A Perfect Circle) Eagle Bank Arena, Fairfax, Virginia (05/18/2025).

On Sunday, 18 May 2025 Primus, Puscifer, and A Perfect Circle brought their Sessanta 2.0 tour to EagleBank Arena in Fairfax, Virginia. These bands came together at the first Sessanta tour in 2024 (covered by DS head honcho Jay Stone) to celebrate Maynard James Keenan’s 60th birthday. The bands had so much fun that they […]

On Sunday, 18 May 2025 Primus, Puscifer, and A Perfect Circle brought their Sessanta 2.0 tour to EagleBank Arena in Fairfax, Virginia. These bands came together at the first Sessanta tour in 2024 (covered by DS head honcho Jay Stone) to celebrate Maynard James Keenan’s 60th birthday. The bands had so much fun that they decided to do it again in 2025!

The bands started off with short sets, then transitioned to mixing it up with different band members joining in on each other’s songs. All three bands came together for the final song, “Grand Canyon“, where everyone was onstage and rocking out together. The collaborative format was teased in the Sessanta promos, which dubbed the bands “Primifer, A Primus Circle, A Puscifect Primcle, and A Prifmect Puscicle.” The final song was also the only time fans were allowed to use their phones to photograph the moment for themselves, as there was a “NO Photo Policy” during the show. Maynard James Keenan has said he feels it’s important for people to be present and /enjoy the show without the use of technology.

Act I

A Perfect Circle: The Package, Disillusioned, Blue

Primus: Here Come the Bastards, Groundhog’s Day, Duchess and the Proverbial Mind Spread

Puscifer: Man Overboard, Horizons, Indigo Children

Act II

Primus: Little Lord Fentanyl (w/ Maynard James Keenan and Carina Round), Welcome to This World, My Name is Mud, Jerry Was a Race Car Driver

Puscifer: Flippant, No Angel, Bullet Train to Iowa, The Algorithm

A Perfect Circle: The Contrarian, The Doomed, Weak and Powerless, The Outsider

ACT III

Puscifer: The Humbling River (w/ Les Claypool), Polar Bear, The Remedy

Primus: Pablo’s Hippos, Too many Puppies

A Perfect Circle: The Noose, Kindred Judith

Primus: Southbound Pachyderm

Puscifer, Primus, and A Perfect Circle: Grand Canyon

This night was an extra special night because A Perfect Circle founder and guitarist Billy Howerdel celebrated his 55th birthday on stage in front of fans.

Speaking of legendary musicians, while traveling through Cottonwood, Arizona in October 2024, my hubby and I stumbled upon a cool new record store that had just opened up called “Queen Bee Vinyl,” only learning it was Maynard’s record store once inside. Be sure to check it out!

We also stopped by Merkins Vineyard, and highly recommend snagging your own bottle of Maynard’s wine. 

Go see the show if you haven’t and experience it for yourself.

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DS Show Review & Photo Gallery: Gouge Away Plays Cobra Lounge in Chicago with Gumm and Smut

Gouge Away is back since their pandemic hiatus with their first album since 2018. The hardcore band out of Ft. Lauderdale, Florida, split ways to pursue different things in life. It seems that their break brought the band members together newly inspired, pulling from different influences as they push their sound beyond the realm of […]

Gouge Away is back since their pandemic hiatus with their first album since 2018. The hardcore band out of Ft. Lauderdale, Florida, split ways to pursue different things in life. It seems that their break brought the band members together newly inspired, pulling from different influences as they push their sound beyond the realm of traditional hardcore. They teamed up with legendary producer Jack Shirley, who has previously worked with Deafheaven, Jeff Rosenstock, and Gulch, to put together an album that is energetic, and well-rounded with post-hardcore, indie, and shoegaze songs mixed in with their old sound. Many more traditionally hardcore bands, most notably being Turnstile, have explored new sounds while paying homage to their roots and Gouge Away is no exception. This has pissed off a certain segment of hardcore fans as bands move away from their old sound but honestly who cares. 

Deep Sage tackles a lot of themes that were prevalent during the pandemic and relate to life on the road. As time goes by it starts to feel more like some part of our imagination but songs like “Stuck in a Dream” bring me back to a time when every day blended together and where all were pushed to our mental limits. It really speaks to a place of complete and total burnout with no escape. One of their softer songs, “A Welcome Change,” pulls you in multiple directions and is a reminder that sometimes no change at all is the change you need the most. The second half of the album brings out their heavier sound combining frequent heavy riffs and powerful, driven vocals. From the second half of the album No Release and The Sharpening are more reminiscent of their sound on Burnt Sugar.


Gouge Away played to a sold out Cobra Lounge and their show was worth the long wait. The crowd was surprisingly tame for a hardcore show and the band picked up on it pretty quick, switching to their faster songs after starting with a few of their more indie/shoegazey inspired tracks. Christina Michelle’s vocals were amazing relaying the passion and emotion that went into every lyric while waves of fuzzy guitar riffs oppressed the crowd.


Gumm played the middle set. Admittedly I haven’t had my finger on the pulse with hardcore bands outside of the Midwest but I need to expand my listening map because Gumm crushed. Based out of Chattanooga TN, Gumm is fresh off of their most recent album “Slogan Machine”. Their new music is laced with heavy break beats and thoughtful lyrics that dissect current the current political culture that treats politics as a religion. “Give You Back Your Youth” speaks to me as an introspection, begging to go back to a time when we were could be free before the weight of societal realities crushed our youthful innocence. They brought a good element to the set list with their brand of melodic hardcore. 

Opening the night was local Chicago shoe-gaze breakouts Smut. Smut has been around nearly a decade but has made waves in the local scene as they count down to the release of their second album Tomorrow Comes Crashing set to release on June 27. They were a perfect opener setting the tone for the rest of the show with their punchy, distortion driven riffs and Tay Roebuck’s clean, echoey vocals reminiscent of a 90’s Slowdive-esq sound. You can catch Smut on their upcoming tour with SPELLING. 

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Dying Scene Show Review: “Home Grown, Limbeck, and Reckoner – Santa Ana, CA 5/16/2025

Home Grown is back, everybody! After being gone for almost twenty years, the pop-punk band has been making the rounds. After opening for a few shows in the surrounding area, the Orange County band was greeted by a sold-out crowd in a set that felt like a homecoming for both the band and the crowd.  […]

Home Grown is back, everybody! After being gone for almost twenty years, the pop-punk band has been making the rounds. After opening for a few shows in the surrounding area, the Orange County band was greeted by a sold-out crowd in a set that felt like a homecoming for both the band and the crowd. 

This was my second time seeing Reckoner, and they are becoming one of my favorite bands to see live. Given that they only have a handful of songs, so you can pretty much hear all of them in one set. Starting with the pop punky “One Size Fits All” they transitioned to the moody, but optimistic “My Year.” The Jennie Cotterill led band powered through the set, which seemed to get a good reaction from the early birds in the crowd. It was great seeing them keep their cover of Elvis Costello’s “What’s So Funny About Peace, Love, and Understanding” in their repertoire. We also got a chance to hear their newly dropped single, “Photo Booth.” I love the sound this band creates and only wish they played more often.

It was great to see Limbeck on the lineup. Despite their slight pivot to an alt-country sound, many forget that the band has done splits with both Motion City Soundtrack and Home Grown. I wasn’t the biggest Limbeck fan growing up. It didn’t click for me until I got into the Replacements and Wilco. I feel like Limbeck is Orange County’s answer to those bands. I forgot how infectiously catchy their songs are; even the few punk rockers in jackets and battle vests who had shown up were into it. They played a set consisting of songs like “Making the Rounds,” “Silver Things,” and “Everyone is in the Parking Lot,” but also took requests. When Robb MacLean got onstage and asked for requests, someone yelled “Julia,” and they jumped right in. Partway through, it seemed like they were just choosing songs on the fly. They sounded great, but at some point, the crowd got a little too talkative. I get why Home Grown had them on the bill, even if some of the crowd didn’t.

I hadn’t seen Home Grown play in twenty years. When I interviewed them a while back, they said they had some great things planned for this show, and they weren’t kidding. After walking out to “In Your Eyes” by Peter Gabriel, the band tore into a good chunk of tracks from their phenomenal album, Kings of Pop. Throw a rock at the track list on that album, and you’ll hit a great one. Home Grown knows this, too. Most of the set’s time was dedicated to it, but it doesn’t mean the rest of their albums were left in the dust. Quite the opposite. They spent plenty of time on each of their albums, including their debut, That’s Business. There wasn’t one song the crowd didn’t lose their minds over. If that didn’t make it feel like the old days, they even threw in their cover of “Barbie Girl,” improving Aqua’s novelty dance hit into the hardcore punk rock song it deserves to be. Despite having an album called Act Your Age, the band seems to have more energy now than they did twenty years ago.

Home Grown’s show at the Observatory marked their first and only Orange County appearance this year, although they have a few festival dates listed it seems they are working on new music, which is never a bad thing.  Many in the crowd were parents with their teenage children, showing these bands still have appeal. This was hands down one of the best sets I’ve seen all year, in terms of energy and song choices.  In time, I can see this becoming one of my top shows ever.

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Dying Scene Show Review: Ministry, Nitzer Ebb, Die Krupps, Baltimore Soundstage, Baltimore. ND (05/12/2025).

On Monday, 12 May 2025, Ministry brought their industrial rock carnival to a sold-out show at Baltimore Soundstage in Baltimore, Maryland. The band was out promoting their latest album, The Squirrely Years Revisited, featuring reworked versions of songs from their early post-punk and synthpop days. At one point during the show, Ministry founder and vocalist […]

On Monday, 12 May 2025, Ministry brought their industrial rock carnival to a sold-out show at Baltimore Soundstage in Baltimore, Maryland. The band was out promoting their latest album, The Squirrely Years Revisited, featuring reworked versions of songs from their early post-punk and synthpop days. At one point during the show, Ministry founder and vocalist Al Jourgensen praised the city for being home to both Edgar Allen Poe and John Waters, two influences on full display as Ministry delivered dark and flashy take on the band’s early music. German industrial rock and electronic body music (EBM) band Die Krupps and English EBM band Nitzer Ebb opened the show. 

Some may be wondering why you’re reading about these bands in a punk rock publication, let me explain. Ministry, Nitzer Ebb, and Die Krupps emerged in the wake of the first-generation of punk and post-punk bands, inspired by the social, economic, political, and stylistic characteristics of these musical subcultures. In a sense, these bands represent another branch of the punk rock family. And, for you electronic and industrial curious listeners, you may find they’re a great place to begin exploring these punk adjacent genres.  

Ministry walked on stage decked out in wild and crazy 1980’s inspired sequenced jacket, an homage to the reworked songs from their post-punk inspired synthpop and EBM early days. Led by founding member and vocalist Jourgensen, the band included John Bechdel (synthesizers), Cesar Soto (guitar), Monte Pittman (guitar), Paul D’Amour (bass), and Pepe Clarke Magaña (drums). The set included many songs from Ministry’s debut album, With Sympathy, which Jourgensen had disowned for years. The new versions of the songs brought in elements of rock, glam, and post-punk that really showcased Jourgensen’s songwriting and gave a glimpse of a version of Ministry and might have been possible in some alternate universe. So, while Ministry didn’t play staples and fan favorites from their industrial rock catalog, they did celebrate rarely performed songs with fans old and new. They ended their set with two covers – Fad Gadget’s “Ricky’s Hand,” available on their 2024 album, “HOPIUMFORTHEMASSES,” and Rod Stewart’s “Da Ya Think I’m Sexy?” as done by Ministry side project Revolting Cocks on their 1993 album Linger Ficken’ Good … and Other Barnyard Oddities. It was my third time to see them, and it was a great experience each time. Be sure to check them out near you here.

Ministry’s Set List:

“Work For Love” 

“Here We Go” 

“All Day” 

“I’ll Do Anything For You” 

“Same Old Madness” 

“‘Cause We’re In Love Again” 

“I’m Falling” 

“Just Like You” 

“Over The Shoulder” 

“We Believe” 

“Effigy (I’m Not An)” 

“Revenge” 

“Everyday Is Halloween” 

“Ricky’s Hand” 

“Da Ya Think I’m Sexy?” 

Nitzer Ebb hit the stage and launched their passionate set of post-punk inspired EBM. This was my second time to see them, and they didn’t disappoint. Vaughan “Bon” Harris (programming, synthesizers, drums, vocals) assumed vocal duties and David Gooday (drums) covered down on synthesizer while their lead vocalist Douglas McCarthy was off the road and in recovery for cirrhosis of the liver. Harris sang his heart out almost as if he was singing for both himself and McCarthy as he paced along the stage in a wild frenzy. It was Nitzer Ebb’s last night of touring, but will resume touring with Front Line Assembly, Lead into Gold, and others in September 2025! Find them here.

Nitzer Ebb’s Set List:

“Control I’m Here” 

“Hearts And Minds” 

“Blood Money” 

“Lightning Man” 

“Captivate” 

“Once You Say” 

“Join In The Chant” 

“Murderous” 

Die Krupps opened the show and performed a powerful set of EBM and industrial rock. Founding members Jürgen Engler (vocals and percussion) and Ralf Dörper (synthesizers) were joined by Paul Keller (drums) and Dylan Smith (guitar). Engler led the show with his energetic and charismatic performance, singing his heart out to the audience and punctuating songs with classic industrial flare by banging metal rods on his custom stahlophon (steelophone), a custom xylophone made from steel pipes. Dörper kept the songs on track with this focused stoicism while Keller and Smith kept the energy up and the crowd moving. This was my first time seeing Die Krupps and I look foraward to seeing them again. Find them here.

Die Krupps Set List: 

“Nazis auf Speed” 

“Der Amboss” (The Anvil) 

“Fatherland” 

“Metal Machine Music” 

“Robo Sapien” 

“To The Hilt” 

“Bloodsuckers” 

It was a great night to witness these three great bands rock and dance and into the night with an amazing crowd and venue. I look forward to hearing more from these bands and seeing them back out on the road. Die Krupps recently partnered with Cinnamon Babe to create a raucous cover of Neil Young’s “Cinnamon Girl,” which came out on 22 April 2025. We wish Nitzer Ebb’s Douglas McCarthy good health and the ability to join them back out on the road. And, we can’t wait to hear what Ministry cooks up on their upcoming final album with former longtime member, Paul Barker, back in the fold. And, for you hardcore fans, Ministry’s new drummer, Magaña, also plays for California hardcore band Strife. Enjoy! 

Check out the links below to for photos.

See you in the crowds!!

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DS Gallery: Teen Mortgage & Upchuck light up Chicago in true punk fashion (Cobra Lounge, 5/8/25)

Teen Mortgage just debuted their first Roadrunner Records album Devil Ultrasonic Dream on April 11th and are wrapping up their headlining tour with support from Babe Haven, Spoon Benders and Upchuck. Check out what you might have missed from their stop in Chicago! Opening act Upchuck set the tone with their own brand of punk rock. […]

Teen Mortgage just debuted their first Roadrunner Records album Devil Ultrasonic Dream on April 11th and are wrapping up their headlining tour with support from Babe Haven, Spoon Benders and Upchuck. Check out what you might have missed from their stop in Chicago!


Opening act Upchuck set the tone with their own brand of punk rock. Hailing from Atlanta, Georgia, the band leads with a commanding presence as vocalist KT scowls relentlessly on stage.


Upchuck released their second LP in 2023, Bite The Hand That Feeds, which was produced by Ty Segall. The album goes hard and has all the high energy you would expect from a punk band.


You can catch them at a host of music festivals this summer, starting with Punk Rock Bowling at the end of the month!



Chicago got a taste of what happens when you light up a garage punk Molotov cocktail in an intimate sold out music venue as Teen Mortgage took the stage; chaotic, loud, and filled with defiant energy. 


The duo boasted their signature sound at Cobra Lounge, blending abrasive guitar riffs with implacable thunderous percussion. The mosh pits were non-stop as well with zero signs of slowing down. Seeing Teen Mortgage live is a sharp reminder of exactly what punk should feel like.  


Their newest album Devil Ultrasonic Dream is filled with fuzz-drenched grinding tracks that you would definitely hear on Tony Hawk’s Pro Skater. Highly recommend listening to this album!

Teen Mortgage has a host of upcoming shows, including a summer tour supporting The Descendents and the recently announced CBGB Festival in New York.

Check out the pics from the show and support the bands!




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