Matt Skiba, Atom Willard, Hunter Burgan, and Randy Moore form new band called Lektron

Matt Skiba has announced via an Instagram post that he is in a new band called Lektron along with Atom Willard, Hunter Burgan of AFI, Randy Moore of SpiritWorld and Dan Andriano and The Bygones, and Mark de Salvo. Matt Skiba’s post reads in part, ”LEKTRON by @markdesalvo starring @atomwillardisme @hunterburgan @bones_shredder . Coming soon on @asianmanrecords Lektron has created their own Instagram page but haven’t posted yet. Check out the announcement below.

Videos: The Darts: "Bring It Back"

The Darts have released a video for their song “Bring It Back”. The video was directed by Matt Eskew. The song is off their album Snake Oil which was released earlier this year. The Darts will be touring Europe starting today. Check out the video below.

Festivals & Events: Thursday, Descendents, Less Than Jake, more to play Fest

Florida-based music festival Fest has announced its first wave lineup for this year. Thursday (playing War All The Time in full), Descendents, Less Than Jake (playing Hello Rockview in full), Quicksand, Gorilla Biscuits, The Wonder Years (playing two sets]], Dillinger Four, Lucero, Gwar, Sparta, ALL, Laura Jane Grace, Against All Authority, Samiam, JER,Mustard Plug (playing two sets), Braid (playing Frame & Canvas in full), Strike Anywhere (playing two sets), The Pietasters (playing two sets]], Smoking Popes, Cloud Nothings, Amygdala, Eve 6, Saetia, Prince Daddy and the Hyena, Jermones Dream, Gutless, Tim Barry, Brendan Kelly, Folly, We Are The Union, I Am The Avalanche, Free Throw, Fat Heaven, No Trigger, Gel, Tsunami Bomb, Middle-Aged Queers, Chris Gethard (two sets), Direct Hit! (playing Brainless God in full), Zeta, and The Bollweevils (playing two sets), are among the bands playing the festival. More bands will be announced on June 1. Fest will take place October 27-29 in Gainesville, Florida. See the full first-wave lineup below.

Miya Folick fuels her personal truths on the dramatic ‘So Clear’

<p>Miya Folick is about to level up. The Los Angeles-based singer-songwriter, who plays Boston this Friday, opening for Aly & AJ’s With Love From tour stop at MGM Music Hall, releases new album Roach in May via Nettwerk before hitting the road later in the summer with The Head and the Heart and Father John Misty. As Folick takes her music out to the masses, she’s now armed with one of the more vibrant and enchanting songs in her growing arsenal, […]</p>
<p>The post <a rel="nofollow" href="https://vanyaland.com/2023/04/17/miya-folick-fuels-her-personal-truths-on-the-dramatic-so-clear/">Miya Folick fuels her personal truths on the dramatic ‘So Clear’</a> appeared first on <a rel="nofollow" href="https://vanyaland.com">Vanyaland</a>.</p>

This Show Is Tonight: Bodywash grip a dream-pop Monday in Allston

<p>It’s Patriots’ Day here in Massachusetts, and there’s a heavy mist in the chilly pre-spring air, typical of the transition from our long cold winters into something a bit more vibrant and colorful. Which all makes a rather compelling backdrop for the music of Bodywash, who pull into town to play O’Brien’s Pub in Allston this evening (April 17). The Montreal dream-pop duo of Chris Steward and Rosie Long Decter arrives fresh off the release this past Friday of sophomore album I Held […]</p>
<p>The post <a rel="nofollow" href="https://vanyaland.com/2023/04/17/this-show-is-tonight-bodywash-grip-a-dream-pop-monday-allston/">This Show Is Tonight: Bodywash grip a dream-pop Monday in Allston</a> appeared first on <a rel="nofollow" href="https://vanyaland.com">Vanyaland</a>.</p>

Videos: Bruise Control: "HMRC" (Live)

Bruise Control have released a live video for their new song “HMRC”. The video was filmed at the Star and Garter in Manchester, UK by Daitan Films. The song is off their upcoming album Useless For Something which will be out later this month via TNS Records. Bruise Control released their EP HMRCEP in 2021. Check out the video below.

DS Exclusive: French punks The Traders premiere comeback single “Grandiose” from first new album in 10 years

Call it a comeback! Ten years after the release of their debut album, French punk rock three-piece The Traders have returned with a new lineup and a new record. We’re stoked to bring you this exclusive premiere of the album’s lead single “Grandiose”. Check out the new song below, and pre-save it on your favorite […]

Call it a comeback! Ten years after the release of their debut album, French punk rock three-piece The Traders have returned with a new lineup and a new record. We’re stoked to bring you this exclusive premiere of the album’s lead single “Grandiose”. Check out the new song below, and pre-save it on your favorite streaming platform here.

Here’s some backstory on the song, courtesy of the band:

“This song is the first we wrote with the actual line up in a rehearsal room, in maybe one or two hours. Maybe that’s why there’s so much energy to it. We never changed it, re-wrote it, re-structured it or anything. It might sounds silly or cliché, but that’s what we like about this song.

The lyrics are mostly about self-esteem, confidence, and also selfishness and stubbornness. Somehow, the line seems more and more blurry nowadays, as some people let their ego ruin any kind of human relationship instead of introspection. On that note, stay positive!”

Be on the lookout for The Traders’ sophomore album, due out this September. It’s being co-released by a bunch of awesome labels, including White Russian Records, Nasty Cut Records, La Agonía de Vivir & more.

Upcoming shows :

21.04 – BOURG EN BRESSE @ La Tannerie
22.04 – SALAVAUX @ Piquette Skatepark
15.06 – AMIENS @ La Taverne Elektrik
16.06 – LE HAVRE @ Le Mac Daid’s
17.06 – TOURS @ Le Jericho

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DS Record Radar: This Week in Punk Vinyl (Blink-182 “The Mark, Tom & Travis Show” repress, Pennywise, Richie Ramone & more)

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. After taking a one week hiatus to observe the resurrection of our […]

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. After taking a one week hiatus to observe the resurrection of our lord and savior Jesus H Christ, we’re back in action with a ton of awesome colorful plastic music discs on tap. So kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, because it’s go time. Let’s get into it!

If you don’t feel like reading, check out the video edition of this week’s Record Radar, presented by our friends at Punk Rock Radar:

At long last, Blink-182‘s classic live (but not actually live) record The Mark, Tom and Travis Show is back in print! I think it’s been 7 years(?) since this was last repressed. Finally, you can get your hands on this bad boy for less than the $100 it fetches on Discogs. If you wanna grab a copy of this new pressing, this eBay listing looks like the cheapest option.

Also new from Blink this week: Buddha gets its like 30th color variant, thanks to Cleopatra Records. There’s an undisclosed number of copies on Blue w/ Red Splatter colored vinyl (it looks pretty sweet honestly). Get it from the label’s webstore; everything on there is 20% off right now, so this is only like $22.

Pennywise‘s 1993 classic Unknown Road turns 30 this year! Naturally, Epitaph is marking the occasion with a 30th Anniversary reissue. There’s a bunch of color variants; here‘s where you can get all of them.

German skate punk veterans Not Available are getting in on the reissue action, with a new pressing of their 2001 LP V8. They made 99 copies of this new Orange Marbled color variant, get yours here. Very underrated band.

Left Alone‘s debut album Streets of Wilmington is getting a 20th Anniversary reissue! There are 300 copies on Coke Bottle Clear colored vinyl – and 20 test pressings – available here.

The reissue train rolls on! (we’ll get to this week’s new releases soon, I promise). Striped Music has issued a second pressing of the 30th Anniversary Screeching Weasel Anthem For A New Tomorrow reissue. The first pressing on hot pink colored vinyl is long sold out, but now you can get it on blue wax here.

One of the most critically acclaimed releases of 2022, Soul Glo‘s Diaspora Problems, is back in print once again. 500 copies are available on this new Gold / Transparent Green / Pink Split color variant. This LP moves fast (I think this is the sixth pressing in just a year), so act fast and get it here if you want a copy.

Last reissue / repress, I pinky swear! Anywho, Chuck Ragan‘s 2016 solo album The Flame in the Flood is getting repressed. There’s a few variants: “Sunshine” (Canada), “Swamp Green” (US), “Flame” colored, and of course, black wax.

Alright you’ve all been patient, time for some NEW releases! First up is Italian skate punks Wasei, who just put out their awesome new record Vulgar Misplay of Burkett. 100 copies on black wax, 100 copies on colored vinyl. Listen below and grab the LP here.

Suicide Machines singer Jay Navarro’s side project (one of many) J Navarro and the Traitors have a new album coming soon on Bad Time Records. Check out the first single below and pre-order All of Us or None here.

My favorite Ramones drummer Richie Ramone is putting out a new solo record! It’s called Live to Tell and it’s due out on April 21st. Listen to the title track below; get the record here. Available on black wax, as well as 250 copies on autographed, clear colored vinyl.

Teenage Bottlerocket has a new four song 7″ coming soon on Pirates Press Records. There are three color variants: Hot Pink (1,200 copies) and “Evergreen & Blue Jay” (500 copies) are available on the label’s online store. Kelly Green w/ Black splatter (300 copies) is the tour variant. Check out the A-Side title track “So Dumb” below.

California punk supergroup Versus The World (members of Good RiddanceLagwagon, etc.) has a new album due out May 26th on SBÄM Records. Listen to the latest single below and pre-order The Bastards Live Forever here (US) / here (EU).

Another awesome upcoming release from SBÄM: The Dead Krazukies have announced their new album From the Underworld will be released on June 16th. Check out the first single “Maniac” below and pre-order the LP here.

Juno Award winning Canadian rockers The Dirty Nil have also thrown their hat into the ring with a new record called Free Rein to Passions. The album is due out May 26th on Dine Alone Records. Check out the lead single below; pre-order here.

Michigan pop-punks the Zoanoids are releasing their long awaited sophomore album Effigy on Hey Pizza! Records. You can check out a handful of tracks below and grab the LP here; also available on cassette here! For fans of horror / sci-fi themed pop-punk like the Lillingtons.

Asian Man Records has launched pre-orders for the debut LP from Doki Doki (members of Dog Party, Grumpster, etc.). Check out one of the singles below and pre-order the record here.

And last but most certainly not least, former Face to Face, No Use For A NamePulley, etc. bassist Matt Riddle’s new band Fire Sale has launched pre-orders for their new 7″ A Fool’s Errand. Listen to the EP below and pre-order the record here.

Well, that’s all, folks. Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, leave us a comment below, or send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs (or do, I’m not your father). See ya next week!

Wanna catch up on all of our Record Radar posts? Click here and you’ll be taken to a page with all the past entries in the column. Magic!

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DS Show Review & Gallery: The Return of Sludgeworth! Tightwire and Permanent Residue join in on the fun (Chicago – 04.08.2023)

Sludgeworth, the1990’s beloved Chicago punk band, returned to the stage on a recent Saturday night. With support from Chicago’s Permanent Residue, and rapidly ascending Minneapolis band Tightwire, it was an incredible night on stage and a helluva fun one offstage at Cobra Lounge. Longtime fans who were there at the start and have been waiting […]

Sludgeworth, the1990’s beloved Chicago punk band, returned to the stage on a recent Saturday night. With support from Chicago’s Permanent Residue, and rapidly ascending Minneapolis band Tightwire, it was an incredible night on stage and a helluva fun one offstage at Cobra Lounge. Longtime fans who were there at the start and have been waiting decades to see them play again were thrilled. Some even expressed disbelief that this was even happening. Others in the crowd, whether not born yet at that time, too young to remember them, or not from Chicago, instantly became new fans. Cobra Lounge was packed at this sold-out show. This was a momentous show, but this night also helped demonstrate why, though Chicago may be called the Second City, for some many it is #1 when it comes to its punk rock community.


First, a note about that community: It is a tight-knit one. Like a family, there are many different personalities and perhaps not everyone gets along. But far more often it is easy to witness the support those in the community have for each other, including most musicians, most of the venue owners and staff, other behind-the-scenes people, and yes from my experience most of the photographers and writers covering the shows. This night was no exception, though it did seem to be an all-star event. Tobias Jeg, founder and owner of Red Scare Industries returned to the Windy City to support one of his label’s band, Tightwire, do business, and hang with so many good friends. There were some heavy hitters among the punk rock musicians on hand to celebrate the return of Sludgeworth. Among those spotted at the event were Naked Raygun‘s Jeff Pezzati, Daryl Wilson and Ken Fitzner from The Bollweevils, Joe Principe of Rise Against, Deanna Belos aka Sincere Engineer, Brendan Kelly from The Lawrence Arms and The Falcon, Steev MF Custer from Death and Memphis, 88 Fingers Louie‘s Denis Buckley, and Joe Sowinski, currently of Static Age, but formerly of The Evictions, Major Threat, and The Old Comiskeys. Dave Simon, of Deal’s Gone Bad, The Crombies, and Anger, a popular bartender at Cobra, was on the job this night but is definitely a prominent member of the Windy City punk rock family. I would be remiss if I did not mention him. I’m guessing there were others but in the cozy confines it was sometimes hard to see much else around me as I documented the festivities.


For a smaller venue, such as the case with Cobra Lounge, that’s quite an impressive turnout. Witnessing this amount of support for each other is one of the biggest reasons this Long Island born and raised, Chicago transplant, who spends a good deal of time each year traversing the Lower East Side of NYC, loves the Chicago punk rock scene. Oh, and the oftentimes very good, sometimes great and occasionally, phenomenal music factors in too.


Ok, now that the scene is set, on to the show. I moved to Chicago in March of 2009, so I had no idea of Sludgeworth until very recently. However, in the weeks leading up to it, I was repeatedly told I had to be at this show by various friends They argued that this was going to be an important one. Fortunately, this came from close friends who were on the ground during the first Sludgeworth era. So of course I had immense trust in them. All I can say is damn! Well, that and thanks to those who insisted I attend. And of course, all that I am about to say in this piece. Because, wow! Sludgeworth is straight-up phenomenal, both in music and performance. Oh and there was the live performance debut of a future punk rock star. More on that in a bit.


Having documented Dan Schafer as the lead singer for Dan Vapid and The Cheats multiple times and also seeing him front another of his groups, The Methadones, I knew going into this event that he is a dynamic performer and musician. But with his Sludgeworth bandmates, this was taken up a notch. He worked the cozy stage, engaged the fans about as much as one can without actually jumping into the crowd. Schafer spent much of the time extending his arm, microphone wielded tightly in his hand into the upfront scrum. Yes, this is a common movement in shows. Yet the frequency with which it was done here, coupled with the frenzied glee from fans who seemed to remember every lyric to all of the songs from long ago, surely set this apart. No doubt Schafer and bandmates were having a blast.


Mike Hooten on bass, Adam White and Dave McLean on guitars, and drummer Brian McQuaid aka Brian Vermin behind the kit, each commanded their spots on the stage individually. Collectively, they powered the music against which Schafer’s vocals were set.


Red Scare Industries recently re-issued the band’s 1995 record, “Losers of the Year.” They opened with, the appropriately titled for this event, “Never Say Never.” From there Sludgeworth drove through an electrifying set that included fiery renderings of “Follow,” “Another Day,” “She’s Not Disposable,” “Waste It Away,” “Angry Man,” and “Two Feet on the Ground.”


Every band member appeared very glad to be together on the stage again. McQuaid, with Yankees cap (per McQuaid “It’s 100% Jay-Z and 0% baseball.” That said, Let’s Go Mets!) turned backwards on his head, spent most of the set with a giant grin on his face as he slammed through, in the very best way, the setlist. McQuaid was also celebrating a very special moment on stage, and he had reason to be proud.


Brian McQuaid’s 13-year-old son, Max McQuaid, made his live performance debut when he took over on the drums for the song “Anytime.” The kid crushed it. This is no generous hyperbole to encourage Max, who has been playing drums for five years. He legit killed it on the the song “Anytime.” Fans showered the younger McQuaid with some of the loudest cheers of the night, immediately adopting him in a sense as the newest member of their beloved band. Almost jumping into a bear hug with his Dad on stage just added another verklempt-inducing moment. Later, Max stage-dived, and crowd-surfed, the only one to do so this night and Schafer jokingly put the kibosh on him invading the stage to try it again. Instead, Max had to make do with rocking out on the shoulders of a family friend named Mikey. Max signed a drumstick for me after the show. I’m going to hold onto it because this young man is a drummer who we should all keep an eye on. He is part of the next generation of great Chicago punk musicians preparing to take over. I have no doubt about that.


As great as the show was, I was curious as I am sure many or most of the fans old, and new were. The obvious question being, how did this event happen?

I caught up with Schafer by DM a few days post-show to get some answers.

We had the reissue of “Losers of the Year” on Red Scare records, and I believe, if memory serves me correct, the idea was floating during various Zoom interviews back in December. It was met with a resounding no, which turned into a maybe, into a yes, and into an enthusiastic, hell yes. How? I’m not exactly sure. There were some problems to work out, but we did.”


And the welcome news: “Yes. We will be playing again in 2023 and will have a new single.

Indeed the band, played a new tune called “Together, Not Together.” Fans were euphoric.

Schafer shared the genesis of the new song,

Through the excitement of playing again, they suggested it to me. I was dead set against it. They sent a riff to me, and I was like, “Hmmmm…”

He continues, “Next thing I know, words pop into my head, and we go back and forth with voice memos. We made the final touches on it the day before the show.

So Schafer’s verdict on the show?

I couldn’t have asked for it to go any better. I felt well-rehearsed, relaxed, in good spirits, great camaraderie, enthusiastic fans.

 “The passage of time was a mind trip. It’s been 30 years since we broke up. Aside from a handful of reunions over the years, the thought of these songs being in somewhat of a demand in 2023 is pretty incredible.”

Incredible? Yes. Incredible news that there is more to come this year from Sludgeworth? Absolutely.


When you have such a major event headlined by a beloved band, you better make sure the two support bands measure up to the importance of the night. The organizer of this show hit the jackpot.

Playing in the middle spot was Tightwire, a band on a rocket ship to greatness, ready to blast off. I have covered the band a few times for Dying Scene since our resurrection and know that there are plenty more to follow. The Minneapolis quartet are big fans of the Windy City, and the Windy City has many big fans of the band.

The group, on the Red Scare Industries label, had the energy to match the headliners. Singer Tane Graves shredded his vocal chords, and his bass. Both guitarists Noelle Stop, often in close proximity to Graves, and Paul Mullaney, lurking in the darker corner of the small stage, contributed powerful vocals whilst driving the music. Drummer Parker Thompson seemed to be happily destroying his kit in proper service of the music.

Tightwire kicked off its set with the appropriately titled for this night, “Party,” and ended with “AYL.” In between they jammed through “Six Feet Deep,” “Told Yah,” “Hidden Planet,” “Spell On Me,” and “Anyone But You.”

I look forward to seeing them again in short order. I’d hazard a guess anyone else who has witnessed them live feels the same way.


Another band I had the pleasure to document previously, as support for The Brokedowns a few months back, is Chicago’s own pop-punk Permanent Residue. It’s a fun crew led by singer, guitarist, and harmonica player Kate Manic, also from Fuck You Idiot. Her bandmates are Jake Levee of Canadian Rifle, on bass. drummer Victor Lord Riley, and guitar player, Vince Miller. The band, off the Long Island label, Dead Broke Rekerds, provided a great opening for the show. Its music is played at a full-throttle pace, with the songs clocking in under two minutes long. The speedy set started with “Ogden Avenue,” the title referencing a well-known street named for Chicago’s first mayor, William B. Ogden. It was followed by “O Well,” “Resignation,” and “I Don’t.” The last song in the set was the delightfully titled “David Gilmour Girls.” I expect the band to be headlining more and bigger shows. But wherever they are on the bill, make sure you check them out.


This was a top-shelf night of great music, equally great friends, and massive talent amongst the fans. Please see below for more photos. Cheers!


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DS News: Surprise Blink-182 Fans! Mark, Tom and Travis reunite at Coachella!

So obviously as astute Dying Scene readers, you all know that the three-headed pop-punk monster known as Blink-182 were finally slated to play some long-awaited reunion shows later this year. Then of course one leg got postponed for…reasons…but now… THEY’RE BACK! Mark and Tom and Travis played their first set together as a trio since […]

So obviously as astute Dying Scene readers, you all know that the three-headed pop-punk monster known as Blink-182 were finally slated to play some long-awaited reunion shows later this year. Then of course one leg got postponed for…reasons…but now…

THEY’RE BACK!

Mark and Tom and Travis played their first set together as a trio since 2015 in a surprise set at Coachella last night. So hip and edgy!

Check out a couple videos of “I Miss You” and “What’s My Age Again?” below!



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