Tours: The Hives announce North American tour

The Hives have announced North American tour dates for this fall. Tickets go on sale on Friday. The Hives will be touring Europe starting in September and will be releasing their new album The Death of Randy Fitzsimmons on August 11. The band released Lex Hives in 2012. Check out the dates below.

Clairo reimagines her catalog with new ‘Live at Electric Lady’ EP

<p>Allow Clairo to reset how you think of her music before she hops aboard the Re:SET concert series. The Massachusetts singer and producer just dropped her Live at Electric Lady EP, a reimagining of five favorites from the Clairo catalog: “Bags,” “Amoeba,” “Zinnias,” “Partridge,” and “Blouse.” (Who didn’t invite “Sofia?”) The highlights from 2019’s Immunity and 2021’s Sling embrace a full-bodied, groovier sound inside the hallowed Manhattan studio, which fans explore via a new YouTube playlist that compiles the live […]</p>
<p>The post <a rel="nofollow" href="https://vanyaland.com/2023/05/15/clairo-reimagines-her-catalog-with-new-live-at-electric-lady-ep/">Clairo reimagines her catalog with new ‘Live at Electric Lady’ EP</a> appeared first on <a rel="nofollow" href="https://vanyaland.com">Vanyaland</a>.</p>

J Navarro and the Traitors release new song “Holes”

J. Navarro and the Traitors have released a new song. It is called “Holes” and is off their upcoming album All Of Us Or None which will be out on May 19 via Bad Time Records. J. Navarro and the Traitors will be touring the US and Mexico with Omnigone and Stop The Presses in June. Check out the song below.

Gorilla Biscuits to play CO and CA shows

Gorilla Biscuits have announce four shows in late July. They'll play Colorado before doing three shows in Cali. You can see the dates below.

Earl Wyvern: "Class War"

Earl Wyvern has released a new song called “Class War”. The song is the first single off their upcoming EP Billionaire Dinosaurs Turned Me Gay which will be out on June 15. Check out the song below.

OFF! Announce more European tour dates

OFF! has announced more Euro dates. The jaunt kicks off in June. You can see the shows below. OFF! released Free LSD in 2022.

DS Record Radar: This Week in Punk Vinyl (The Vandals, Operation Ivy, NOFX, Diesel Boy & more)

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly* column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. Kick off your shoes, pull up a chair, crack open a cold […]

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly* column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. Kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, because it’s go time. Let’s get into it!

Check out the video edition of this week’s Record Radar, presented by our friends at Punk Rock Radar:

The Vandals‘ 1998 classic Hitler Bad, Vandals Good is getting a 25th Anniversary reissue on blue/white splatter colored vinyl. Amazon is the cheapest place to pick this one up, so hit my boy Bezos up and save a few bucks!

Next up in a long line of reissues announced this week, we’ve got some new pressings of Operation Ivy‘s Energy and the Hectic EP. Two sets of variants on this one: ‘Merica gets both records on clear/black splatter wax (1,000 copies each). Our European friends get more limited (500 copies) “black & white galaxy” colored LPs. Links to buy are here.

Look! Another reissue of a Lookout! Records release! The Groovie Ghoulies‘ Travels With My Amp is back in print for the first time since Y2K, remastered by Mass Giorgini with all-new artwork courtesy of Tom Neely. Pirates Press Records is reissuing the album on “neon green & cyan galaxy” colored vinyl (1,000 copies). Get yours here.

Having recently returned from a lengthy hiatus, New Jersey pop-punks Midtown are continuing to repress their back catalog (they’ve also been putting out some new singles lately, so that’s cool, too). Save the World, Lose the Girl and Living Well Is the Best Revenge are back in print once again (both got reissues last year). Head over to the band’s webstore to get these before they’re gone.

Let’s take a lil break from all the reissues and talk about a new release, shall we? Quebec City melodic punks Downstater will be releasing their debut album Cruelest Defeats on June 2nd. Check out the latest single “Call Me When You’re Dead” below and head over to People of Punk Rock Records‘ webstore to pre-order the record on orange or blue colored vinyl (each variant is limited to 100~ copies).

Speaking of our friends at People of Punk Rock Records… they also have an awesome compilation LP out now! The 18 song tracklist is stacked with bangers from 30FootFall, Ten Foot Pole, Colorsfade, Bridge The Gap, and a bunch of other great bands. Grab a copy here.

Diesel Boy just announced their long-awaited comeback album Gets Old will be released on July 28th through SBÄM Records. Check out the first single below and pre-order one of the five(!) color variants (or get multiple if you’re weird like that) here (US) or here (EU).

Aaaaand back to reissues/represses. NOFX‘s The Greatest Songs Ever Written… By Us gets its fifth repress in the past year (no, I’m not exaggerating). 1,000 copies on “spring green with sky blue splatter” colored vinyl. Get it here.

Fat Wreck Chords has repressed two Avail records, One Wrench and Front Porch Stories, for the first time in over 20 years. We’re late to the party on this one, so the limited color variants have already sold out. But both records are still available on black wax and $17 is a lot less than first pressings go for on Discogs. Pick ’em up here.

The Bouncing Souls have a “band variant” of their new album Ten Stories High up on their webstore. Limited to 300 copies on this sweet clear w/ yellow, green & blue splatter color variant. By the way, have you read my review of this album? It’d be cool if you did.

Well, that’s all, folks. Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, leave us a comment below, or send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs (or do, I’m not your father). See ya next week!

Wanna catch up on all of our Record Radar posts? Click here and you’ll be taken to a page with all the past entries in the column. Magic!

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Navel Gazing for May 14, 2023

Welcome to Navel Gazing, the Punknews.org commenter community's weekly symposium, therapy session, and back-alley knife-fight. Chime in below with your latest playlists, record store finds, online time wasters, and site feedback.

DS Photo Gallery: Frank Turner, The Interrupters and Chuck Ragan from MGM Fenway in Boston (5/7/23)

If you search back through the annals of Dying Scene history, there exists the very real possibility that Frank Turner and The Interrupters and Chuck Ragan would each individually rank pretty high on a retrospective “top ten most photographed artists” list. I’m pretty sure I’ve shot them a collective two-dozen times myself. And so obviously […]

If you search back through the annals of Dying Scene history, there exists the very real possibility that Frank Turner and The Interrupters and Chuck Ragan would each individually rank pretty high on a retrospective “top ten most photographed artists” list. I’m pretty sure I’ve shot them a collective two-dozen times myself. And so obviously when it was announced that the trio would not only be touring together but that that tour would find its way to Boston’s MGM Fenway Music Hall on a Sunday night, of course yours truly would be there! (Editor’s note: Laura Jane Grace was slated to appear on this bill as well but had to bail semi last-minute. Jesse Malin was a late add as a replacement and an even later cancellation due to an unexpected injury.) Unexpectedly chaotic traffic-related issues aside (seriously…not entirely sure who made the executive decision to sync up the ending time of Northeastern University’s graduation ceremony inside Fenway Park with the doors-open time at the MGM outside Fenway Park, but that person should be fired into the sun), the evening was about as enjoyable and high energy as you’d expect.

Accompanied on pedal steel by long-time wingman Todd Beene (of Glossary and Lucero and Tim Barry fame), Chuck Ragan got the evening’s festivities started off in fine fashion. When an event is co-headlined by not one but two high-energy, full-band acts, particularly when it’s a venue as cavernous as the shiny new 5500-capacity MGM Fenway, you never really know how well an acoustic-based opener is going to translate. Rest assured, Ragan’s trademark road-worn growl was more than enough to not only grab the attention of the decent-sized crowd that showed up so early but to shake the sparkly new building to the rafters.


The bulk of Ragan’s ten-song set was culled from his 2011 release Covering Ground and its 2014 follow-up, Till Midnight, both of which included Beene on pedal steel and backing vocals as a member of The Camaraderie. Coupled with a holler that could raise the dead, Ragan plays his trusty Martin acoustic with the ferocity of John Henry’s hammer, so the subtleties and soaring notes of the pedal steel make for a unique sonic balance. The one “cover” in the set was of the Ragan-penned Hot Water Music staple “State Of Grace,” a nod to the Hot Water fans in the crowd and to the band’s thirtieth anniversary, which will be coming next year!


The Interrupters stormed the stage next for their co-headlining slot on the bill. They kicked off their set with “Take Back The Power,” the biggest single from their self-titled 2014 debut full-length, and spent the course of the next seventy-five minutes in a constant barrage of frenetic energy and positive vibes. The band’s dynamic lead vocalist, Aimee Interrupter, rarely spent a full verse in the same place, instead dancing her way back and forth across the width of the stage, engaging with – and feeding off – the joyous crowd every step of the way.


Not to be outdone, guitarist Kevin Bivona and his bass-playing younger brother Justin frequently danced their respective ways back and forth across the stage and spent as much time airborne as they did with their feet planted to the ground. Jesse Bivona is about as rock-steady a drummer as you’ll find in the scene, serving as the band’s gas pedal and providing harmonies-on-harmonies-on-haronies with his brothers. Touring “fifth Interrupter” and pride of Dover, NH, Billy Kottage amps up the band’s live presence and coolness factor on keys and trumpet.


Spreading the love for the band’s four studio releases pretty evenly throughout their sixteen-song set, there’s the sense that the band could have easily played twice as long and still kept the audience in the palms of their collective hands. In spite of the high-energy nature of the band’s set, a particularly high note was their performance of “Alien,” from last year’s In The Wild album. The down-tempo song is a bit of a sonic outlier, and is also probably the most personal song on an immensely personal album, and so there are those among us who wondered aloud if it would make it into the band’s set. Yet Aimee’s voice not only never faltered but soared to new heights by the time the song reached its sonic crescendo.


And then it was time for the evening’s closing act, the inimitable Frank Turner and the Sleeping Souls. Obviously Boston is not a hometown show for the Wessex boy himself, but at the very least Boston has become a home-away-from-home over the course of the last decade-plus, as many a US tour have started or ended – or both – in the city proper or in other nearby New England cities. Wielding a Gibson SG as his main axe on this run, Turner and crew (longtime sidemen Tarrant Anderson on bass, Matt Nasir on keys and Ben Lloyd on guitar now joined by Callum Green on drums) immediately ripped into “Punches” from last year’s FTHC album, a clear sign that this was very much going to be a high octane rock-and-roll set.


Turner and crew have played their fair share of epic long shows or, on numerous occasions played two-a-days like a high school football team in the dog days of summer, so being able to play a 75-minute, 17-song headlining set allows them to condense all of that energy into a solid, blistering set. As a result of the countless miles together, the band has long been one of the most locked-in groups around, and that was on full display at MGM. It is probably tempting for some bands to play “just the hits” in such a situation, but The Sleeping Souls did a pretty solid job of featuring the more punk-rock-tinged FTHC (including a scorching rendition of “Non Serviam”) amidst a setlist that featured tracks from eight of his nine studio albums spanning back to 2007’s Sleep Is For The Week. Sorry No Man’s Land…maybe next time.


Check out more photo galleries from the three killer performances below!

Chuck Ragan and Todd Beene Slideshow


The Interrupters Slideshow


Frank Turner Slideshow

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V3 Weekend: Somerville Porchfest, Lewis Black, ‘…Blood, Sweat and Tears’

<p>Editor’s Note: Welcome to V3 Weekend, Vanyaland‘s guide to help you sort out your weekend entertainment with curated selections and recommendations across our three pillars of Music, Comedy, and Film/TV. It’s what you should know about, where you need to be, and where you’ll be going, with us riding shotgun along the way. Music: Somerville Porchfest Spring 2023 is a pill with a time-release, but it finally feels safe to venture outside with the preferred kind of seasonal chill. This Saturday (May 13), Somerville Porchfest gives […]</p>
<p>The post <a rel="nofollow" href="https://vanyaland.com/2023/05/12/v3-weekend-somerville-porchfest-lewis-black-blood-sweat-and-tears/">V3 Weekend: Somerville Porchfest, Lewis Black, ‘…Blood, Sweat and Tears’</a> appeared first on <a rel="nofollow" href="https://vanyaland.com">Vanyaland</a>.</p>