Tours: Kill Lincoln, JER, and Bad Operation announced for 'Bad Time Records Tour' (US)

Kill Lincoln, JER, and Bad Operation will be touring the US on the Bad Time Records Tour this year. The tour has three legs; the first will take place in March, the second will take place in June, and the third will take place in August. The support bands have yet to be announced. Tickets for the tour go on sale on January 9. Check out the dates below.

Teenage Bottlerocket announce 'Invisible Man' EP

Teenage Bottlerocket have announced a new 7-inch EP. the release includes one new song each from Miguel, Kody, and Ray, plus “City At Night,” previously only available as a limited bonus 7-inch: "Invisible Man," "You Made Me Get Called A Poser," "Pembrey’s Face," "City At Night." That is out March 6 via Pirate's Press.

PONY release video for "Swallowing Stars"

PONY have released a video for their new song “Swallowing Stars”. The video was directed by PONY’s Sam and Matty and features animation by Nicolette Sara Alvarez and James Palko. The song is off their upcoming album Clearly Cursed which will be out on February 13 via Take This To Heart Records. PONY will be touring Canada and the US starting in February and released their album Velveteen in 2023. Check out the video below.

Gladie to release new album, share "Future Spring" video

Gladie have announced that they will be releasing a new album. It is called No Need To Be Lonely and will be out on March 20 via Get Better Records. The album was produced by Jeff Rosenstock and features twelve new tracks, including their single “Car Alarm” which they released in November. The band has also released a video for their new song “Future Spring” which was shot at The Tasty in South Philadelphia and was filmed and edited by Daniel Rosendale. The song features additional backing vocals by Allegra Anka, Kelly Olsen, Anika Pyle, Ava Fitzpatrick, Steve Ciolek, Matt Climer, Caeleigh Featherstone, Oona Hoey, and Jeff Rosenstock. Gladie will be touring the US and Canada starting in March and released their album Don’t Know What You’re In Until You’re Out in 2022. Check out the video, tracklist, and dates below.

SF venue Bottom Of Hill to close by end of 2026

Sadly, iconic San Francisco venue Bottom of the Hill plans to close at the end of 2026. The operators did not give one specific reason for the closure, but they allude to the challenges of running an independent venue in 2026, especially in San Francisco. You can see their statement below. You may recall that Thee Parkside, which is just a block or two from Bottom of the Hill, is facing similar challenges.

The Twilight Sad to release new album, share "Designed to Lose"

The Twilight Sad have announced that they will be releasing a new album. It is called It’s The Long Goodbye and will be out on March 27 via Rock Action Records. The album features 10 new tracks, including their previously released single “Waiting For the Phone Call” which features Robert Smith of The Cure. The band has also released a new song called “Designed to Lose”. The Twilight Sad will be touring Europe starting in April and will be touring with The Cure this summer. Check out the song and tracklist below.

Private Function announce final shows

At the end of 2025, Private Function abruptly announced that they were breaking up (despite announcing that they were working in new material just days prior). Well, the band has announced their final dates. As expected, they are all in OZ. You can see the dates below.

Festivals & Events: Vivian Girls, Pavement, and Wednesday to play Mosswood Meltdown pre-party

Mosswood Meltdown has announced the dates for this year’s festival. It will take place on July 18-19 at Mosswood Park in Oakland, California and will be hosted by John Waters. This year they will be kicking things off with a pre-party on July 17. Vivian Girls, Wednesday, and Pavement will be playing the pre-party. The poster was created by Dirty Clouds / Lortz. Check out the announcement in full below.

DS Show Review & Photo Gallery: Blood Incantation plays the Bohemian National Cemetery in Chicago

It’s been a crazy year, and things have gotten away from me a little bit, so apologies for the late review, but this one was too epic not to write it up. Blood Incantation teamed up with the Empty Bottle to put on one of most unique metal shows I have seen personally. For those of you […]

It’s been a crazy year, and things have gotten away from me a little bit, so apologies for the late review, but this one was too epic not to write it up. Blood Incantation teamed up with the Empty Bottle to put on one of most unique metal shows I have seen personally. For those of you not from Chicago, Empty Bottle is an iconic bar/venue located in the Ukrainian Village neighborhood on the near west side, and they run a concert series – Beyond The Gate – bringing outdoor shows to the Bohemian National Cemetery. The setting for this one could not have been better.


Blood Incantation is progressive death metal band out of Denver, Colorado, and they’re nothing like death metal I remember locking myself in my bedroom listening to in the late O’s . Since 2016, they have been pushing the limits of their sound, putting out massive 13-minute-long ballads that rocket you through time and space. Their new album, Absolute Elsewhere, is split into two 20-minute tracks, which for a photographer who’s usually only allowed to shoot the first three songs is a dream. The albums two songs, The Stargate and The Message, weave together heavy fantasy and sci-fi overtones that question the existence of extraterrestrial intelligent life juxtaposed to the purpose of life on earth.

As the sun was setting over the mausoleum Blood Incantation kicked it off with The Stargate [Tablet I]. As Tablet I transitioned out of its classic death metal intro, it opens up into a psychedelic interlude that sounds like it was written by Steve Vai, evoking the image of a Buck Rogers-esq explorer looking out on the vast expanse of outer space.

They worked through Absolute Elsewhere front to back and what really stole the show were frontman and guitarist, Paul Riedl, and Morris Kolontyrsky’s constant headbanging windmill guitar solos. The second half of the album “The Message” opens into a bridge that could have been straight out of Pink Floyd’s Animals and provides epic tension releasing contrast to the heavy death metal segments and still manages to build to a final crescendo that leads into a crushing final act before releasing into the void.

Absolute Elsewhere is a meticulously crafted and orchestrated album and the musical experimentation they leaned into culminated in one of my favorite albums of 2024 and favorite shows of 2025. I will sign up every time they’re in town to get my face melted off by insane guitar riffs, planetarium style lasers, and non-stop windmilling.

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