Teenage Bottlerocket Kick Off 2026 by Announcing The Invisible Man EP – Available For Pre-Order Now!

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<h1 class="elementor-heading-title elementor-size-default">Teenage Bottlerocket Kick Off 2026 by Announcing The Invisible Man EP – Available For Pre-Order Now!</h1> </div>
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<p style="margin-top: 0pt; margin-bottom: 0pt; word-break: break-word; color: #000000; font-family: 'Helvetica Neue', Helvetica, Arial, Verdana, sans-serif; font-size: 16px; font-weight: 400; line-height: 1.38; direction: ltr; font-style: normal;"><span style="color: #000000; font-size: 12pt; font-family: Helvetica;">Pop-punk veterans <strong>Teenage Bottlerocket</strong> are kicking </span></p></div></div></div></div></div></section></div>…

Four Records Episode 10 – Year End "Best Of 2025" Wrap Up

<p>Welcome to Four Records! Each episode we feature one guest as they go over four records at four different times in their life. This week is a little different. Forrest and Karina are joined by Dying Scene Editor Jason Stone and we are going over our top four records of the year. That's twelve records for the price of one free podcast! Also top four records of the year from DS contributors and past guests!</p>
<p>Jason’s Top Four Records of the Year</p>
<ol>
<li style="font-weight:400;">Tim Hause – Pre-Existing Conditions</li>
<li style="font-weight:400;">Ways Away – I'm Not You / Smoking Popes – Lovely Stuff</li>
<li style="font-weight:400;">Dave Hause …and the Mermaid</li>
<li style="font-weight:400;">Weakened Friends – Feels Like Hell</li>
</ol>
<p>Forrest’s Top Four of the Year</p>
<ol>
<li style="font-weight:400;">Slaughterhouse – Sick and Tired</li>
<li style="font-weight:400;">Chudson – The Future of Unemployment </li>
<li style="font-weight:400;">Sleep Pod Two – Rehearse Your Future</li>
<li style="font-weight:400;">Home Front – Watch It Die</li>
</ol>
<p> </p>
<p>Karina’s Top Four of the Year </p>
<ol>
<li style="font-weight:400;">DJO- The Crux</li>
<li style="font-weight:400;">Pool Kids – Easier Said Than Done</li>
<li style="font-weight:400;">Hayley Williams – Ego Death at the Bachelorette Party</li>
<li style="font-weight:400;">Post Animal – Iron</li>
</ol>
<p> </p>
<p><a href='https://bothlaugh.podbean.com/'>Listen on Podbean</a></p>
<p> </p>
<p><a href='https://youtu.be/ZGd2ske_QQA'>Listen on YouTube</a></p>
<p> </p>
<p><a href='https://open.spotify.com/show/1a6z5Y4CCTbXL0BDlB7SaQ?si=Ml-9MMIbQoe5tA-zxJQgqw'>Listen on Spotify</a></p>
<p> </p>
<p><a href='https://podcasts.apple.com/us/podcast/dying-scene-radio-presents-four-records-with-karina/id1841124985'>LIsten on Apple Podcasts</a></p>
<p> </p>
<p><a href='https://music.amazon.com/podcasts/0765e779-6415-4348-9916-32745bba9a60/dying-scene-radio-presents-four-records-with-karina-and-forrest?ref=dm_sh_FWzWs5iETKhBTrkAlqYCu7mSX'>Listen on Amazon Music</a></p>
<p> </p>
<p><a href='https://www.iheart.com/podcast/269-dying-scene-radio-presents-295601782/'>Listen on iHeartRadio</a></p>
<p> </p>
<p>Follow us on <a href='https://www.instagram.com/fourrecordspodcast?igsh=MzRlODBiNWFlZA=='>Instagram</a></p>
<p> </p>
<p>Email: <a href='mailto:fourrecordspodcast@gmail.com'>fourrecordspodcast@gmail.com</a></p>
<p> </p>

New Review Update: New Reviews for January 1, 2026

It is now time for the most important article of the year. Our staff's "Best of the Year" lists. You can check them out below. Best of 2025 – John G's PicksBest of 2025 – Sammies B's picksBest of 2025 – Em's PicksBest of 2025 – Sam Houlden's Picks< l>You can check out any of our reviews right here. 

DS Book Club: James Palazzolo and James Donnel’s “All I Really Need to Know I Learned from Punk & Hardcore”

Everyone has their own stories and experiences when it comes to punk rock. While it’s the music that brought many of us together, the way people discover it can be deeply personal. Whether it be through a friend, older sibling, or some divine intervention, when you hear the right chords, it sets something off in […]

Everyone has their own stories and experiences when it comes to punk rock. While it’s the music that brought many of us together, the way people discover it can be deeply personal. Whether it be through a friend, older sibling, or some divine intervention, when you hear the right chords, it sets something off in your brain. This is part of what makes All I Really Need to Know I Learned from Punk & Hardcore a great collection of essays.

Edited by James Donnel and James Palazzolo, this first edition collects essays about different punk rock and hardcore bands and what they meant to each author. In the introduction, Palazzolo explains that the idea comes from a book he read by Robert Fulghum, All I Really Need to Know I Learned in Kindergarten, but he felt it was more accurate to track his progress into adulthood through punk rock. After some prodding and encouragement from a friend, this project was born.

The writers cover a wide range of bands throughout punk and hardcore, from staples like the Ramones and the Misfits to early hardcore pioneers like Minor Threat and Gorilla Biscuits. The book also includes bands that are on the fringe of punk rock, like the Talking Heads, The Replacements, and The Butthole Surfers. Each one of these essays is presented differently in tone, structure, and perspective. The format and how it affected the author’s life vary from piece to piece.

The essays are written by people from all walks of life. For some, this is the first piece they’ve had professionally published. Contributors include a vegan chef (Damon Brasch), a filmmaker (Vinay Chowdry), a college professor (Zack Furness), and other writers or musicians who have an affinity for punk and hardcore. Each essay is full of love for the genre and shares personal memories or feelings about its chosen subject.

With an endless list of bands, everyone’s reason for latching onto a band, song, or album makes for some great writing. Damon Brasch’s take on 7Seconds is about how their music helped him undo years of the toxic masculinity that had been ingrained in him. Jeremy Broyles tells of his hesitancy to go see Coheed and Cambria due to his hearing loss and possibly being deaf by the time the band comes through town. Other authors wax poetic about their favorite albums and how they came to be. Most of these feel like a conversation you’d have with someone you’ve just met for the first time at a punk rock show.

The last chapter contains short reflections written by the contributing authors about PMA and DIY, two cornerstones of punk rock and hardcore. Similar to the essays, each author gets about 250 words to discuss what each means to them and their journey into punk rock. The section shows how punk rock still lives in these individuals and has affected their lives in a positive way.

James Palazzolo and James Donnel have put together something truly special. The idea may not break the mold, but the content certainly does. This volume covering punk and hardcore, is the first in what will be a series covering other genres like Metal, Ska, Jazz, Country, Blues, and more. It seems that if there’s a genre, Palazzolo and Donnel want to hear your story. This is a well put together collection and deserves to be on your bookshelf. Pick up All I Really Need to Know I Learned from Punk & Hardcore at Screams Internally Publications.

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Screeching Weasel announce Hawaii shows

Screeching Weasel have two Hawaii shows. Those are at the end of February and they will be on Honolulu. You can see the details below.

Morrissey signs with Sire, announces new LP

Morrissey has been without a label for three years, following a nasty break with Captiol records. Well, now he has signed with Sire. On Christmas day, Moz uploaded the tracklist of his new album. He did not give a title, but the new album appears not to be the previously announced Bonfire of teenagers. rather, the new LP appears to be a second, different record to which Moz has previously alluded. You can see the tracklist below.

In Memoriam: Perry Bamonte of The Cure has passed away

Perry Bamonte, guitarist and keyboardist for The Cure, has passed away. Perry passed away at age 65 after a short illness. The band announced this in a statement on their website which reads, ”It is with enormous sadness that we confirm the death of our great friend and bandmate Perry Bamonte who passed away after a short illness at home over Christmas. Quiet, intense, intuitive, constant and hugely creative, ‘Teddy’ was a warm hearted and vital part of the Cure story. ‘Looking after the band’ from 1984 through 1989, he became a full time member of the cure in 1990, playing guitar, six string bass and keyboard on the Wish, Wild Mood Swings, Bloodflowers, Acoustic hits and the Cure albums, as well as performing more than 400 shows over 14 years. He rejoined the cure in 2022, playing another 90 shows, some of the best in the band’s history, culminating with the show of a Lost World concert in London 1st November 2024. Our thoughts and condolences are with all his family. He will be very greatly missed.”We send our condolences to Perry Bamonte’s family, friends, and fans.

Harley Flanagan has re-recorded all of 'Age of Quarrel'

Harley Flanagan has re-recorded the entirely of the Age of Quarrel album. Originally, he meant to record a few instrumentals of the classic tracks to be used for the Wired for Chaos documentary. (As you likely know, the rights regard AoQ are famously in dispute, so it is likely that the original tracks were unavailable for use in the doc). However, Flanagan stated at a Q+A in NYC that the sessions were going so well that he re-recorded the entire LP. Being that AoQ turns 40 in 2026, Flanagan suggested that the new version will be out next year.

DS Book Club: James Burns’ “Let’s Go To Hell” Captures the Chaos of the Butthole Surfers

What can you say about the Butthole Surfers that hasn’t been expressed on a bathroom stall of a dive bar? If you’re James Burns, who runs the Butthole Surfers Anal Obsession archive for the band, the answer is Let’s Go to Hell: Scattered Memories of the Butthole Surfers. He has archived nearly every piece of […]

What can you say about the Butthole Surfers that hasn’t been expressed on a bathroom stall of a dive bar? If you’re James Burns, who runs the Butthole Surfers Anal Obsession archive for the band, the answer is Let’s Go to Hell: Scattered Memories of the Butthole Surfers. He has archived nearly every piece of information for the Butthole Surfers since the mid-1990s and initially released Let’s Go to Hell… in 2015. For the book’s tenth anniversary, Diwulf Publishing has released an expanded and updated version of Burns’s tome about one of Texas’s most infamous bands.


James Burns begins by providing a brief history of punk rock. He provides a primer of what our two heroes,  Paul Leary and Gibby Haynes were into when they formed the band. We learn about their meeting at Trinity College in the early 1980s. Well into their twenties, it wasn’t lost on the Buttholes that they might be too old to start a punk rock band, but that didn’t stop them. 

Descriptions of the Butthole Surfers’ shows range from debaucherous to legendary and sometimes both. Things like throwing handfuls of photocopies of cockroaches and vandalizing some of the equipment were tame compared to what the show eventually evolved into. This is a far cry from the band that would eventually have a number one radio hit about ten years later and two founding members who would go on to be revered for other endeavours.

Creating an art show closer to what Devo did in principle, but also nothing like them at all in execution, the Buttholes’ shows were always wild. It was due to this that they caught the eyes of bands like the Big Boys in Austin. They accumulated fans from outside Texas when the big hitters of other scenes would come through Texas, making them a hot commodity. Bands like TSOL, The Minutemen, and the Dead Kennedys would all demand to play shows with them. In Jello Biafra’s case, he would even release one of their albums through Alternative Tentacles.


Burns acknowledges that some of the stories told from the band’s memory aren’t as accurate as they believe, confirming that Butthole reality and objective reality are often at odds with each other. There’s almost a running gag of people quitting the band when they can’t handle the Butthole lifestyle. Most of them were bass players as Gibby, Paul, and drummer King Coffey have remained the core members of the group since 1983. Burns was able to get interviews with the members who had quit, whether on good terms or not, to share stories of their time in the band.

The pacing of Let’s Go To Hell moves fast only to be interrupted by the occasional song lyric and quote from people present during the band’s formation from past interviews. Don’t let the books near 300 pages and oversize dimensions scare you. This book has plenty of pictures.

Partway through the book Burns admits he was not the first one to try and write a book about the Butthole Surfers. His efforts took about twenty-five years and the results are phenomenal. Burns gets the story of the band straight from the Buttholes’ mouths and it’s a damn good one. 

As far as oral histories of bands go, this is one of the better ones. Burns’s ability to get interviews with nearly anyone who has ever called themselves a member of the Butthole Surfers or an adjacent supporter makes this an even more complete document of the band than the first go round. Let’s Go to Hell is essential reading for anyone fascinated by bands that blur the line between performance art and self-destruction.

You can purchase Let’s Go to Hell: Scattered Memories of the Butthole Surfers at Diwulf.com.

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