’65’ Review: It’s Adam Driver versus Dinos, with unexpected charm
<p>If January and August are when the months in which studios dump the product that they’re genuinely skeptical about yet contractually required to release, then March is the time that they toss out the high-concept genre stuff that might actually make a buck. If you look back over the release schedule over the years, you’ll find an interesting collection of bona fide hits (300, Limitless, Us), near-misses (Life, Repo Men, Noah, Battle: Los Angeles), and straight-up disasters (Sucker Punch, Chappie). […]</p>
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