WEEN to release 14xCD live box set (and 2xLP highlights)

Ween is going to release a massive 14xCD box set. It's called Boognish Provides. The set collects seven full shows from Ween's Chocolate and Cheese Tour. The series includes shows selected by Ween soundman Kirk Miller and Ween archival producer Jason Jones. There is also a 2xLP version that collects highlights as chosen by Miller. Both versions are out via Ween directly on October 16.

Navel Gazing for September 27, 2026

Welcome to Navel Gazing, the Punknews.org commenter community's weekly symposium, therapy session, and back-alley knife-fight. Chime in below with your latest playlists, record store finds, online time wasters, and site feedback.

Chuck Varga of GWAR has passed away

Quite sadly, Chuck Varga, founding member of GWAR has passed away. Verga was the personal servant of The Sexecutioner, and worked on much of the band's visual design. Verga had been battling cancer for some time. He was 68 and passed away at home. GWAR's Casey Orr issued a statement: "He was one of a kind. As an artist, as a performer; as a scholar and a gentleman. I’m better for having known him and the world is lesser for his leaving. He is most likely being welcomed into Valhalla right now by Brockie and Smooty and all who went before. Raise your glass and tell his tales. Legends never die. Hail Varga! Hail Sexicutioner!”

DS Show Review and Photos: Brian Fallon and the Painkillers with Dave and Tim Hause, Somerville MA

A couple weeks back, Gaslight Anthem frontman Brian Fallon put out his latest solo record, Not Bad For New Jersey, easily his best release in a decade. Accompanied by his newest backing band, The Painkillers (Nick Salisbury on bass, Kurt Leon on drums, Chicago Music Exchange’s Nathaniel Murphy on guitar), Fallon has been out on […]

A couple weeks back, Gaslight Anthem frontman Brian Fallon put out his latest solo record, Not Bad For New Jersey, easily his best release in a decade. Accompanied by his newest backing band, The Painkillers (Nick Salisbury on bass, Kurt Leon on drums, Chicago Music Exchange’s Nathaniel Murphy on guitar), Fallon has been out on a US/Canada tour that included not one but two shows at Arts At The Armory, a concert venue just north of Boston that makes its home inside the repurposed light infantry drill shed in a 130-year-old armory. It’s a unique spot to see a show in 2026, an independent multipurpose stop that harkens back to the church basement/VFW hall shows that generations of old punks cut their collective teeth in. Because the evening show at the 395-capacity venue sold out so quickly, a matinee show that subsequently also sold out was added earlier in the afternoon. Due to a prior commitment, DS was only in the building at the evening installment. Two shows is a lot in a day once you reach a certain age; like the old punks that they are, Fallon & Co were more than up to the task.

The quartet took the stage at just prior to 9pm and immediately launched into the title track from Not Bad For New Jersey, an uptempo singalong that evokes the best of Gaslight run through an 80s album-oriented rock (read as: Bryan Adams) filter. The four Not Bad For New Jersey tracks fit nicely with the rest of the eighteen songs (no encores!) over the course of the next hour-and-a-half. Armed with his signature Fender Custom Shop Telecaster for the duration of the set, Fallon and Friends rocked through a set that spanned the bulk of his non-Gaslight oeuvre, including a couple Horrible Crowes tracks (“Ladykiller” and “Behold The Hurricane”) that some among us thought we’d not get the chance to hear live again. The plugged-in nature of the set created an interesting texture for some of the tracks that have traditionally been more acoustic in nature, particularly those from his last solo record (not counting the Christmas one), 2020’s Local Honey. The Painkillers are a trio of heavyweights. Salisbury creates an unassumingly intense groove. Leon is immensely fun to watch, effortlessly creating a compelling groove with octopus-like dexterity as he incorporated numerous percussion instruments into his traditional drum setup. And Murphy…well, he’s Nathaniel Murphy. If you’ve got a guitar and/or the internet, you’ve no doubt come across Murphy’s virtuosic videos. (Side note: it was a little strange to see Fallon backed by a band that didn’t include Ian Perkins for what I think was my first time ever? Maybe? Though he did apparently jump on stage for a few songs in Toronto a few nights later.) Ever the guitar nerd, Fallon seemed in great spirits throughout the night, making repeated reference to the special nature of this particular band having played two full-band shows in the same afternoon. He seemed especially happy watching – and guitar dueling with – Murphy and his iced tea burst Les Paul.


The Not Bad For New Jersey tour features a bunch of openers doing a week or so each; Ben Nichols and Tim Barry and Donovan Woods and Chris Farren all occupy the opening spot on certain legs; the northeast brought longtime Fallon friend and tourmate Dave Hause and his brother/wingman Tim to town. The Hauses opted for an all-acoustic set that started with “Look Alive,” one of a handful of cathartic singalongs from Dave’s latest full-length, last year’s brilliant Dave Hause…And The Mermaid. It was pretty much all singalongs, all the time for the Hauses and the crowd who seemed up to the task, especially on “Damn Personal” (inspired by and dedicated to Dave’s longtime friend, the late Mike Gill), “Autism Vaccine Blues” from 2013’s Devour, and “Cellmates,” also from the latest record. We also got treated to the new track “King Of Madness,” slated to appear on Hause’s recently recorded next full-length and inspired by his old friend and mentor, Sick Of It All’s Lou Koller. It was a heavy and unifying set that did a perfect job of setting a high-energy bar for Fallon and his merrymakers to meet.


Check out a bunch more shots from Brian Fallon and the Painkillers and the brothers Hause below!


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Four Records Episode 29: Author Tyler Sonnichsen (The Dead Milkmen, Postcards From Irving)

<p>Welcome to Four Records! Each episode, we feature one guest as they discuss the four records that helped shape them at four different times in their life. This week, Forrest and Karina speak with Tyler Sonnichsen, author of<a href='https://www.jcardpress.com/'> J Card Press</a>'s book, <a href='https://www.jcardpress.com/shop/p/dead-milkmen'>The Dead Milkmen</a>. Tyler also puts out <a href='https://postcardsfromirving.bigcartel.com/'>Postcards From Irving</a> every quarter, a zine that explores local history and deep dives into old music clubs. Keep up with Tyler at his blog, <a href='https://sonicgeography.com/'>Sonic Geography</a>.</p>
<p> </p>
<p>Tyler Sonnichsen's Four Records:</p>
<p> </p>
<p>0-10: The Cars – Heartbeat City </p>
<p>Teens: Ash – 1977 </p>
<p>Mid Twenties: The Afghan Whigs – 1965</p>
<p>Recent Record: Carolina Durante – Cuatro Chavales</p>
<p> </p>
<p><a href='https://bothlaugh.podbean.com/'>Listen on Podbean</a></p>
<p><a href='https://youtu.be/2Qg0UnXx1cA'>Listen on YouTube</a></p>
<p><a href='https://open.spotify.com/show/1a6z5Y4CCTbXL0BDlB7SaQ?si=Ml-9MMIbQoe5tA-zxJQgqw'>Listen on Spotify</a></p>
<p><a href='https://podcasts.apple.com/us/podcast/dying-scene-radio-presents-four-records-with-karina/id1841124985'>LIsten on Apple Podcasts</a></p>
<p><a href='https://music.amazon.com/podcasts/0765e779-6415-4348-9916-32745bba9a60/dying-scene-radio-presents-four-records-with-karina-and-forrest?ref=dm_sh_FWzWs5iETKhBTrkAlqYCu7mSX'>Listen on Amazon Music</a></p>
<p><a href='https://www.iheart.com/podcast/269-dying-scene-radio-presents-295601782/'>Listen on iHeartRadio</a></p>
<p>Follow us on <a href='https://www.instagram.com/fourrecordspodcast?igsh=MzRlODBiNWFlZA=='>Instagram</a></p>
<p>Email: <a href='mailto:fourrecordspodcast@gmail.com'>fourrecordspodcast@gmail.com</a></p>
<p><a href='http://www.dyingscene.com'>www.DyingScene.com</a></p>
<p> </p>
<p>Opening song: <a href='https://radskulls.com/'>Rad Skulls</a> – Loud as Shit</p>
<p>Closing song: Lucas Perea – Underneath Ashes</p>

Stiff Little Fingers re-release 'Nobody's Heroes'

stiff Little Fingers have re-released their second album, 1980's Nobody's Heroes. The new version is out via Sedgentoe/Parlophone and has a load of bonus tracks. The new version has all the b-sides from the original album two Peel sessions, and one Mike Reed session. that's out now.

Dying Scene Radio Presents: Four Records – Episode 29: Tyler Sonnichsen (Author of J Card Press’s The Dead Milkmen)

Welcome to Four Records! Each episode, we feature one guest as they discuss the four records that helped shape them at four different times in their life. This week, Forrest and Karina speak with Tyler Sonnichsen, author of J Card Press‘s book, The Dead Milkmen. Tyler also puts out Postcards From Irving every quarter, a […]

Welcome to Four Records! Each episode, we feature one guest as they discuss the four records that helped shape them at four different times in their life. This week, Forrest and Karina speak with Tyler Sonnichsen, author of J Card Press‘s book, The Dead Milkmen. Tyler also puts out Postcards From Irving every quarter, a zine that explores local history and deep dives into old music clubs. Keep up with Tyler at his blog, Sonic Geography.

Tyler Sonnichsen’s Four Records:

0-10: The Cars – Heartbeat City 

Teens: Ash – 1977 

Mid Twenties: The Afghan Whigs – 1965

Recent Record: Carolina Durante – Cuatro Chavales


Listen on Podbean

Listen on YouTube

Listen on Spotify

LIsten on Apple Podcasts

Listen on Amazon Music

Listen on iHeartRadio

Follow us on Instagram

Email: fourrecordspodcast@gmail.com

www.DyingScene.com

Opening song: Rad Skulls – Loud as Shit

Closing song: Lucas Perea – Underneath Ashes

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Your email address will not be published. Required fields are marked *

Teenage Fanclub to release new album

Teenage Fanclub will release a new album. Do Not Dare to Dream is out October 9, 2026 on Merge Records. The record was recorded at Black Bay Studio on the remote Scottish island of Great Bernera. You can hear the latest single, "There was you," below.

Miranda Armstrong of SO TIRED breaks down every track on 'DROP ME'!

Today marks the release of the debut album by Toronto-based post-punks SO TIRED. The album is called DROP ME and features nine kickass songs that explore self-sabotage, embrace autonomy, unleash anger, and delve into toxic relationships with cathartic lyrics. Drawing from post-punk, grunge, hardcore punk, and doom metal, each song is full of texture, creating sonic landscapes where the lyrics shine. We caught up with Miranda Armstrong to hear the stories behind each of the nine tracks. DROP ME is available digitally everywhere now and SO TIRED will be playing their album release show on October 1 at the Baby G in Toronto. Listen to DROP ME and read Miranda’s track-by-track breakdown below!

‘Primetime’ Review: Fear and loathing on must-see TV

<p>If the ‘20s are the manifestation of all that’s wrong with the United States, the Aughts were a preview of coming attractions. Things were falling apart, but the center held for another decade and change before the varnish painted over the neoliberal consensus fully wore off, when, in grief and fear, we squandered the opportunities presented to us by a unipolar world in which the US was in charge. Charlatans abounded in a make-believe fantasy of moral clarity and righteousness— with […]</p>
<p>The post <a href="https://vanyaland.com/2026/09/25/primetime-review-fear-and-loathing-on-must-see-tv/">‘Primetime’ Review: Fear and loathing on must-see TV</a> appeared first on <a href="https://vanyaland.com">Vanyaland</a>.</p>