Many Eyes part ways with guitarist Charlie Bellmore, announce album release shows

Many Eyes has announced that they have parted ways with touring guitarist Charlie Bellmore. He will be replaced by Craig Vittorio from Tzarina. The lineup is now Keith Buckley, Nick Bellmore, Sean Vallie, and Craig Vittorio. The band announced this in a statement on Instagram that reads in part, We have parted ways with Charlie Bellmore, but we just want to thank him again for everything. We could not have gotten this project off the ground without him. We wish him nothing but the best with all of his current and future projects and look forward to the possibility of writing with him again when the time comes. Craig is just as pumped to join us, saying, “Getting to jump in with Many Eyes was unexpected, to say the least. That being said, I’ve known Nicky for a long time and I’ve worked with him on a number of past projects, so when I got the call to come in on guitar, there wasn’t any question. Working with Keith has been unreal in all the best ways. I may not have been on any of the written material for this first album, but he respected my interpretation of how to perform it live, and it’s my hope that it’s what will continue to make this lineup gel!” Charlie Bellmore released his own statement on Instagram which reads in part, Some time ago Keith called me and informed me I was no longer involved with Many Eyes. Does it suck? Yes, it absolutely does…..in reality what can ya do? Keep moving forward. With all bands you’re supposed to be a team, and if you have a person that’s for some reason effecting the team that person has to go unfortunately. Nobody else understood it, but that’s what needed to happen in order for Many Eyes to continue. I hope everyone loves the album when it comes out. I truly adored writing it the entire album with my brother Nick and with Kieth, and I’m completely heartbroken I’ll never play the songs live again. The band has also announced that they will be opening for Sum 41 on their upcoming fall US dates of their final world tour as well as announcing a handful of headlining dates and album release shows. The band has not announced any details about their album yet but according to the same Instagram post quoted above, more details will be coming next week. Many Eyes released three singles in 2023. Check out the posts in full and their headlining dates below.

The Downhauls and Duck & Cover take the ‘Trash Fest’ out to Medford

<p>They say Medford is the new Somerville, and tonight (August 2) a couple of Boston’s finest rock and roll bands prove it as perennial Vanyaland faves The Downhauls and Duck & Cover team up for the Trash Fest 7-inch release party at Deep Cuts. Featuring four blistering new tracks, two apiece, from the melodic punk and garage rock bands, the music — either via streaming or the physical product from Rum Bar Records — doesn’t drop until next week, but […]</p>
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Videos: Desert Mambas: "Hot George Costanza"

Desert Mambas have released a video for their new song “Hot George Costanza”. The video was directed and edited by Guillan Leonardo. The song is off Desert Mambas’ new EP Pastel Southwestern which is out now via Kill Rock Stars Nashville. Desert Mambas will be playing some US shows starting today. Check out the video below.

Danzig releases "Black Hell" single

Danzig is releasing a physical version of "Black Hell" for the first time. The song was originally on the Hangover II soundtrack, but has been unreleased otherwise. The song is now available on a 12-inch and 7-inch single, out in October via Cleopatra records. The b-side is "Thirteen," which Johnny Cash also recorded. The version on the single is presumably the version taken from Danzig 6:66 Satans Child.

Tours: The Last Mile / The Corps (Europe)

The Last Mile and The Corps have announced European tour dates together for this fall. The Last Mile released their split with PEZZ in 2023 and released their album Respect The Frequency in 2021. The Corps released their album Fractured Protocol earlier this year. Check out the dates below.

DS Interview: Catching up with Motoblot founder Lawrence Fletcher

Lawrence Fletcher founded Motoblot, the motorcycle rally and music fest in Chicago. The three-day festival melds music, motorcycles, and a nod to the 1950s. Professionally, Fletcher works in Marketing and Events for Royal Enfield. Royal Enfield began production in 1901in Redditch, England, and is the oldest continuously manufactured global motorcycle company. I caught up with […]

Lawrence Fletcher founded Motoblot, the motorcycle rally and music fest in Chicago. The three-day festival melds music, motorcycles, and a nod to the 1950s. Professionally, Fletcher works in Marketing and Events for Royal Enfield. Royal Enfield began production in 1901in Redditch, England, and is the oldest continuously manufactured global motorcycle company.

I caught up with Fletcher during and after the festival as he reflected on how his passion for motorcycles and love of punk converged to create Motoblot.


Mer Gold: Let’s start with the basics. Where are you from if not from Chicago? When did you come to the city?

Lawrence Fletcher: I am from Germantown, Wisconsin, just North of Milwaukee. I moved to Chicago in 1984.

How did you get into motorcycles and what do they do for you?

I rode motorcycles growing up in Wisconsin. I started on Mini Bikes and Dirt Bikes on trails around my house in Germantown. “On Any Sunday” came out in the Summer of “71” and was definitely a big influence on me.

I know it is a cliche, but it has always about freedom, when I was young, and it still gives me that feeling today.

(Pictured: Lawrence Fletcher, L, and Kevin Dunworth, Motoblot MC)


How and when did you decide to start Motoblot?

Motoblot basically evolved from an event called Mods vs Rockers Chicago which started in 2005 on Lincoln Avenue in front of Delilah’s. It began as a Motorcycle and Scooter show where like-minded enthusiasts gathered to salute the rival youth cultures of early 60’s England. The event steadily grew over the years and we basically outgrew being a renegade street party. In 2014 we rebranded as MOTOBLOT to be more inclusive of all things Moto and I teamed up with the legendary Sean McKeough and brought the fest to Fulton Street and Cobra Lounge. This year’s MOTOBLOT was the 20th anniversary of the first Mods vs Rockers Chicago.


Where does the name of the festival come from? 

BLOT” is a Norse/Pagan word which loosely translated means “a Gathering with Sacrifice”. I borrowed Blot from my friends in the Ton Up Club London who host a WINTERBLOT every January.

What was your original vision for it and has it changed since the first festival? 

The early years, we were just hosting your basic Motorcycle and Hot Rod Show and we slowly added more vendors and bands and it really evolved into a lifestyle event where the music and fashion are as big a part of the festivities as the machines.


Was Miss Motoblot and a nod to the 50’s always part of it?

Yes, the Pin-Up contest has always been a nod to the 40’s & 50’s… and we also consciously knew we needed to reach a wider audience and attract more female attendees. The Pin-Up contest has always brought a bit of color and glamour to the festival. It wouldn’t be MOTOBLOT without it!

(This year’s crowned Miss Motoblot is Carla Panico.)


Music-related, many punk and punk sub-genre bands are always on the schedule. Does that reflect your own musical tastes? 

Punk is in my DNA. I was a teenager when Punk broke in the mid seventies and it was the soundtrack of my High School years. I always strive to book the best Punk, Psychobilly, Country Punk and other sub-genre bands that I think our moto-community will enjoy.

(Dozer also won the Valhalla Custom Motorcycle Show. As a trophy, Dozer was awarded the GUNGNIR (The spear of Odin) forged by Marcin Matlakowski.)


Why do you think punk music and motorcycles go so well together? 

Punk music and motorcycles are both inherently rebellious, Punk rockers, hot rodders and bikers share similar tastes in music, fashion and attitude. It is what makes Motoblot a unique festival.

Dream bands to play Motoblot?

Social Distortion has always been on my mind.


This year, Rick Dozer, an extra in the acclaimed film The Bikeriders was at Motoblot. How cool was that?  Another cool coincidence was that the movie about a Chicago motorcycle club opened the weekend of Motoblot.

It was an awesome coincidence. The Bikeriders book has always been highly regarded in the motorcycle community. The photojournalist/author, Danny Lyon is legend, and his book perfectly captured a unique moment in motorcycle culture.

Funny story, When I first heard that the movie was opening Motoblot weekend, I originally contacted the Music Box Theater to try and set up a screening. I was speaking to Rebecca, a very nice woman who works in events and programming at the theater.

We were having a conversation about a potential Bikeriders screening and she drops “Danny Lyon” is my Dad”… I said “WHAT!” I was blown away that I was talking directly to his daughter. The Bikeriders screening didn’t work out with The Music Box so we set up the “Quadrophenia” screening in honor of the 20th Anniversary of Mods vs Rockers Chicago. Later, I was contacted by the studio behind The Bikeriders and I was also able to work with them on a Chicago screening of the film during Motoblot week. It made for a fantastic kick-start to the festivities!

(Pictured L- R: Builder Josh Longfellow/Gashawk Customs, Kevin Dunworth (Motoblot MC and Valhalla Coordinator) Rick Dozer (Valhalla Winner), Lawrence Fletcher, Brett Conway of Torc Helmets (Valhalla co-sponsor), and Marcin Matlakowski.)


Back to your love of riding motocycles. Your favorite rides and destinations? 

I am very lucky that I am able to ride motorcycles for a living. My job with Royal Enfield takes me all over North America doing demo events and marketing rides. Every corner of the country has great and unique riding opportunities. From California’s Pacific Coast Highway to the Blue Ridge Parkway in North Carolina / Virginia and everywhere in between.

Do you prefer riding solo or in groups? How do they differ and what does each do for you?

Nothing is better than riding in a group with your friends, that feeling is actually very well depicted in a scene in The Bikeriders.


Were you ever part or are you a part of a motorcycle club? 

I started a Chicago chapter of the Ton Up Club back in 2005 with a few of my friends and it has grown to 30 plus members. The Ton Up Club is an international enthusiast club inspired by the Rocker era of 1960s England and the motorcycles of that era.

What bikes do you own and how often do you ride?

Like most of my friends, I have a garage full of motorcycles and projects. My favorite bike is a 1960’s era Triton, a London-built custom cafe racer that features a Triumph 650 motor in a Norton frame. It is considered a Unicorn in Rocker culture.


You have family in the Motobot biz as well correct? Your daughter?

Motoblot is definitely a family business. I couldn’t do it without the help and support of my wife [Marya Fletcher] and daughter [Tenley Fletcher]… and they put up with me and my obsession to host a great fest and the 365 days I spend planning for next year.


Finally, Other than The Bikeriders, what do you believe are some of the best films, about motorcycle riders/culture?

The obvious classics are The Wild Ones, Easy Rider, and On Any Sunday. The Wild One, in particular, inspired all of motorcycle culture that came after it. One gem that has always been below the radar is The Loveless (1981) directed by Katherine Bigelow and starring Willem Dafoe. Check it out if you can find it.


The annual Motoblot weekend is not the only motorcycle and music-related event Fletcher organizes. He also organizes Motorcycle Mondays, a monthly event, at O’Donovan’s; Pints & Pistons, a monthly event, at Montrose Saloon… and Hexe Moto, once a month at Hexe Coffee. He also is working on a Motoblot Holiday Party on December 13th at Cobra Lounge. Bands have not been announced but he has confirmed Hillbilly Casino and The Rumours. You can find the schedule of upcoming events here.


Thanks Lawrence! We’ll see you at Motoblot 2025. Cheers!

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On Sale @ Paradise and Brighton Music Hall: Katie Gavin, Porridge Radio, eaJ, and more

<p>Editor’s Note: Welcome to On Sale @, a weekly series from Vanyaland alerting concertgoers to the best shows coming to The Paradise Rock Club and Brighton Music Hall. Check in each week for a highlighted look at each show, and how to access the best tickets as soon as they go on sale. Katie Gavin, December 14 There were lots of music highlights in July, but few got us worked up like news of Katie Gavin going solo. The singer […]</p>
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On Sale @ Citizens House of Blues: Blxst

<p>Editor’s Note: Welcome to On Sale @, a weekly series from Vanyaland alerting concertgoers to the best shows coming to Citizens House of Blues. Check in each week for a highlighted look at each show, and how to access the best tickets as soon as they go on sale. Blxst, I’ll Always Come Find You Tour, October 15 Blxst is about to get his Brian Mills on. The Los Angeles rapper, singer, songwriter, and record producer just dropped new concept […]</p>
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This Show Is Tonight: The Mountain Goats graze past n’ present in Boston

<p>There’s a been a whole lot of The Mountain Goats news lately, in both past and present form. After releasing 22nd studio album Jenny From Thebes last fall, John Darnielle and the dudes reissued 2000 album The Coroner’s Gambit in June via Merge Records, setting up a short burst of North American dates that brings the band and Field Medic to Citizens House of Blues tonight (August 1). Here’s what Darnielle has to say about the reissue: “There are few records in the Mountain Goats catalog that […]</p>
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Philamoca and Punknews to host two days of unreleased '77-'81 punk footage Sept 29-30

Punknews is THRILLED to sponsor an event from the GoNightclubbing Archive. On September 29 and 30, Philadelphia's Philamoca will show a TON of classic punk, new wave, and no wave footage shot in NYC between 1977 and 1981. The footage includes performances, interviews, and skits from bands including Dead Kennedys, Iggy Pop, Dead Boys, Go Gos, Bad Brains, John Cale and a TON More. The videos were shot by Pat Ivers and Emily Armstrong and represents the largest collection of NYC punk shows anywhere. A lot of the footage is never before seen. Night One will feature two 45 minute programs plus a Q&A moderated by WXPN’s Robert Drake: “Greatest Hits” features live performances from Dead Boys and Divine, Richard Hell and the Voidoids, Cramps, Bad Brains, and many more! “New Wave” features live performances from Go-Go’s, Pylon, The Plastics, Bush Tetras, and more! Night One tickets available here! Night Two will feature the two 45 minute programs and a Q&A moderated by Punknews.org's John Gentile: “Punk” features live performances from Iggy Pop, Dead Kennedys, Dead Boys, Johnny Thunders, and more! “No Wave” features live performances from Teenage Jesus and the Jerks, John Cale, James Chance and the Contortionists, DNA, and more!Night two tickets are here! See you at the show! Here's more info for ya!: The Gonightclubbing Archive is an unparalleled collection of 82 bands videotaped during 112 performances, as well as 27 on-camera interviews, video art installations and thousands of photographs and pages of ephemera that chronicle the era. It is housed at New York University’s Fales Library/Downtown collection. Pat Ivers and Emily Armstrong began documenting punk music together in 1977. Shooting in clubs from CBGBs to Irving Plaza to Mudd Club, they amassed a huge body of work and produced a cable program, “Nightclubbing”, the first weekly tv show to feature bands like The Cramps, Richard Hell and the Vodoids and the Dead Kennedys. In 1980, they created the Video Lounge at Danceteria, a video installation that became a permanent feature at the club and pioneered the concept of the video DJ. They have screened their work in museums, independent cinemas and universities, nationally and internationally. In 2010, New York University, Fales Library /Downtown Collection acquired and digitally restored their archive, where it is available for study and research by scholars and interested parties.