‘The Substance’ Review: A gross-out masterpiece
<p>I don’t know how ready American audiences may be for Coralie Fargeat’s The Substance, given that it’s perhaps the most European depiction of our culture to hit screens with this much buzz in a long, long time. That is to say that you’re less likely to get grossed out by the ample amounts of body horror – which, to be fair, are classically Cronenbergian in their sensibility and executed perfectly – but more by a scene in which Dennis Quaid, […]</p>
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