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DS Exclusive: Dallas punks Morocco premiere new single “Livin’ in the City” from upcoming “Shitheds” EP

Big things are happening lately! Baseball season has begun, I just won the Dying Scene company Easter egg hut (3x consecutive champ btw), and today we’re premiering a new track from Dallas punk band Morocco! “Livin’ in the City” is the lead single from the band’s forthcoming Shitheds EP. Check it out: Here’s some background […]

Big things are happening lately! Baseball season has begun, I just won the Dying Scene company Easter egg hut (3x consecutive champ btw), and today we’re premiering a new track from Dallas punk band Morocco! “Livin’ in the City” is the lead single from the band’s forthcoming Shitheds EP. Check it out:

Here’s some background on the song, provided by drummer Forrest Cook:

“Livin in the city was written by our bass player Bob over the course of a decade through the really traumatic breakup of his last band, involving heavy drug use, hospital visits and jail time for the parties involved, through alcoholism and homelessness and followed him to his current state of sobriety, employment and being the rockin fucking bassist he is in our little band Morocco. As for me Forrest the drummer, Livin’ in the City was the reason I wanted to get back to jamming with Bob in the first place. I am soo incredibly happy that we were finally able to record this song, and that it is going to see some light. It is incredibly meaningful and always was to me and especially for my friend Bob.”

This premiere is brought to you in part by Punk Rock Radar. If you’d like your band’s music video to be premiered by Dying Scene and Punk Rock Radar, go here and follow these instructions. You’ll be on your way to previously unimagined levels of fame and fortune in no time!

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DS Exclusive: Danish melodic punks Dungeon Days premiere music video for new song “Missing Out”

If you’re a fan of blazing fast melodic skate punk, Copenhagen, Denmark’s Dungeon Days are right up your alley, and what better introduction than their brand new single “Missing Out”? We’re premiering the music video for this short but sweet lil’ ripper – check it out below! “Missing Out is about the mask we often […]

If you’re a fan of blazing fast melodic skate punk, Copenhagen, Denmark’s Dungeon Days are right up your alley, and what better introduction than their brand new single “Missing Out”? We’re premiering the music video for this short but sweet lil’ ripper – check it out below!

“Missing Out is about the mask we often put on during our twenties and thirties in order to cope with our own expectations of ourselves. It’s about realizing how little control you actually have over your own life when it comes down to it. And that you sometimes have to miss out on certain things in order to maintain your mental energy.” -A profound quote from an unknown member of Dungeon Days, sent via email

This premiere is brought to you in part by Punk Rock Radar. If you’d like your band’s music video to be premiered by Dying Scene and Punk Rock Radar, go here and follow these instructions. You’ll be on your way to previously unimagined levels of fame and fortune in no time!

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DS Exclusive: Detroit punks Middle-Out release video for “It’s Not You, It’s Me” from upcoming self-titled LP on Punkerton Records

Have you heard the good news? Detroit punk three piece Middle-Out will be releasing their self-titled debut album on May 24th through Punkerton Records. A few weeks ago we brought you the music video for the album’s awesome lead single “Ballerinas”, and today we’re following that up with an exclusive premiere of the perhaps even […]

Have you heard the good news? Detroit punk three piece Middle-Out will be releasing their self-titled debut album on May 24th through Punkerton Records. A few weeks ago we brought you the music video for the album’s awesome lead single “Ballerinas”, and today we’re following that up with an exclusive premiere of the perhaps even more awesome new single “It’s Not Me, It’s You”.

Check out that brand fuckin’ new music video below. And after you’re done doing that, click this link to pre-order Middle-Out’s new record on one of five(!) color variants; or buy all five if you’re sick in the head like yours truly. Succumb to your inhibitions.

This premiere is brought to you in part by Punk Rock Radar. If you’d like your band’s music video to be premiered by Dying Scene and Punk Rock Radar, go here and follow these instructions. You’ll be on your way to previously unimagined levels of fame and fortune in no time!

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DS Exclusive: Dutch melodic punks Toska Fall premiere new EP “A Little Advice”

Dutch melodic punks Toska Fall are gearing up to release their new EP A Little Advice this Saturday, March 18th on White Russian Records, Cat’s Claw Records and Punk Rock Radar. But you don’t have to wait another second to listen to this six-song ripper, because your buddies at Dying Scene (hey, that’s us!) are […]

Dutch melodic punks Toska Fall are gearing up to release their new EP A Little Advice this Saturday, March 18th on White Russian Records, Cat’s Claw Records and Punk Rock Radar. But you don’t have to wait another second to listen to this six-song ripper, because your buddies at Dying Scene (hey, that’s us!) are bringing you this exclusive premiere of the EP. Go ahead and check it out below!

My fellow collector nerds will be pleased to know that A Little Advice is getting released on colored vinyl. The red LP is limited to 100 copies and includes the band’s last EP It Falls Apart on the B-Side, so you’re basically getting a full-length album. Very cool! Grab the record here (EU), here (UK), or here (US). Or if you’re a 21st century digital boy, hit up Bandcamp and toss ’em a few bucks for that download.

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DS Exclusive: Dutch punks Ink Bomb premiere music video for their “Theme Song”

Dying Scene’s latest exclusive premiere comes all the way from the Netherlands! It’s a brand new music video from Dutch punks Ink Bomb, for their new single “Theme Song”. Check that shit out below! “I was working on a melody for a song and since I don’t write lyrics I was just singing the words […]

Dying Scene’s latest exclusive premiere comes all the way from the Netherlands! It’s a brand new music video from Dutch punks Ink Bomb, for their new single “Theme Song”. Check that shit out below!

“I was working on a melody for a song and since I don’t write lyrics I was just singing the words Ink Bomb over and over again as a demo for our singer Joost”, explains guitarist Quirijn Foeken. “Joost took this as a cue to write a theme song for the band.”

For the song’s music video, Ink Bomb worked with Edwin Willemsen of Ambivalent Aardvark Productions, who also produced the video for their last single “Human Remains“. The “Theme Song” video was shot in a so-called Instagram Museum called The Akwart Experience. Bassist Arina Banga says the museum was an obvious choice for the set, explaining: “One of the rooms there features a literal ink bomb. This was just the perfect place for the video.”

Ink Bomb is currently working on a new full-length album, which they plan to release later this year. Stay tuned for more on that and listen to their 2019 debut Fiction while you wait!

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DS Exclusive: Fine Dining (98 Mute, Eken Is Dead, etc.) releasing new album on Felony Records; check out their brand new music video!

Los Angeles punks Fine Dining have signed with the newly resurrected Felony Records to release their debut album No Reservations. The band consists of members from South Bay bands 98 Mute, Western Waste, NoBigDeal, and Eken Is Dead. Dying Scene is thrilled to bring you this exclusive premiere of their brand new single “Vacant Parts”. […]

Los Angeles punks Fine Dining have signed with the newly resurrected Felony Records to release their debut album No Reservations. The band consists of members from South Bay bands 98 Mute, Western Waste, NoBigDeal, and Eken Is Dead. Dying Scene is thrilled to bring you this exclusive premiere of their brand new single “Vacant Parts”. Go ahead, check out the music video for that bitch:

Fine Dining recorded No Reservations with the legendary Paul Miner (Death By Stereo, Adolescents, New Found Glory, etc.) at his own Buzzbomb Studios. The 12-song album is due out October 28th; you can get it on beautiful colored vinyl and/or CD here. There’s also an ultra-limited “Copper Smoke” color variant that’s exclusive to the Rare Punk Music Facebook Group. And, of course, the album will be on all your favorite streaming platforms as well.

On signing with Felony Records, guitarist Kevin Wells says, “It was a no brainer to go with Felony once we found out they were rising from their ashes. It was a long time coming, but we are stoked to be working with Felony. Ron McIntyre and the whole crew over at Felony really stepped up and I’m glad they made this happen. It’s nice to see smaller labels can still be active and affect change for bands in an ever growing corporate punk rock landscape.”

Fine Dining can be seen live October 7 at DiPiazza’s in Long Beach, October 28 in San Pedro at The Sardine, November 3 in Fullerton with Deviates and Chaser, and November 11 in Oceanside with Bad Cop/Bad Cop and many other bands for the Punk Rock Food Drive.

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DS Exclusive: Frank Casillas on The Hardyville Stranglers, leaving Voodoo Glow Skulls behind, Arizona, and Bicycles.

Frank Casillas founded Voodoo Glow Skulls with his brothers, Eddie and Jorge Casillas, along with Jerry O’Neill. He left the band in June 2017, making the announcement during a VGS performance at Long Beach, CA venue, Alex’s Bar. DS: Before we get to your new project, let’s go back to where you left off with […]

Frank Casillas founded Voodoo Glow Skulls with his brothers, Eddie and Jorge Casillas, along with Jerry O’Neill. He left the band in June 2017, making the announcement during a VGS performance at Long Beach, CA venue, Alex’s Bar.


DS: Before we get to your new project, let’s go back to where you left off with the Voodoo Glows Skulls. After so many years leading that band, how did the decision to leave come about at that moment in time?

FC: Well, I didn’t really plan a time and place to leave the band. It just kind of happened at a time when we were doing some weekend gigs here and there along the west coast, close to home, and some incidents that had occurred from within the band (ongoing arguments within the three brothers, differences between other band members, etc.) during this time just prompted me to just quit on the spot.

DS: How long did it take to make the decision to leave? Was there anything in particular prompting it?

FC: I had actually been thinking about leaving the band for at least five years prior to me actually doing it. For me personally, I was just burned out on the whole thing. We weren’t really being productive with writing new material, and it seemed like it was taking forever to record a new album. I didn’t really like the direction of the new material either. It just seemed like we were getting further away from the VGS style and sound that we were known for. Since we started the band, I was pretty much the main guy handling just about everything in the band business wise since day one, even when we had high profile management and everything. There’s always got be at least one person speaking for the band and making decisions on behalf of the band, and that was me for the longest time. Not only that, but I wore many hats besides just being the front man. I drove and maintained the vehicles, I was the tour manager, I organized and ordered the merch on top of also being a performer in the band. I also had a family with children, and I sacrificed a lot just to keep the band going when other guys in the band didn’t really care about anything else but playing and getting paid. We were constantly on the road being ran by a booking agent and it just became very routine. After a while, it just sucked everything out of me. Especially the creativity, and productivity aspect. I just wasn’t into it anymore and I felt like the band wasn’t really being productive and progressive like we used to be. I didn’t exactly leave on the proper terms and that struck a nerve with the remaining members in the band and some fans. But then again, I have never really heard of anyone giving a two weeks’ notice when they leave a band. My gut instinct just said it was time to leave and focus on me personally.


DS: Was there ever a time, either in the immediate aftermath of leaving the band or in the years since where you have had regrets about that decision or doubts that it was the best thing for you?

FC: “I helped start this band with my two younger brothers, and a neighborhood friend who was pretty much considered a brother. It obviously wasn’t an easy decision to leave after 27+ years. We accomplished a lot for just being a high school backyard party band that happened to tap into the youth of that era and play music that suburban kids could relate to. It was something that came natural to us, and we were just a product of our environment. It was hard for sure, and yes, for the longest time there were some mixed feelings of regret and guilt for just leaving like I did. But I also had my mindset of just moving on with my personal life and pursuing just me for the sake of the long-term, personal satisfaction, and personal well-being.


Photos bv Stoned Spider Photography

DS: Is there anything you miss about being on the road with the VGS / with your brothers specifically or just being on the road and in a band?

FC: I miss the fans! I don’t really miss the travel aspect, or anything related to that. When you’re young, that shit is cool! But as you get older, it gets harder to accept some of the accommodations that are handed to you on tour. Of course, I miss my brothers. But at the same time, I can’t help but feel some sort of betrayal by them. I fully understand that I didn’t exactly leave on the best of terms. But I wasn’t okay mentally and physically and instead of being concerned about me possibly not being okay, they pretty much slandered me on the band’s social media and made me look an unstable person to our fans. I think that I deserved better than that regardless of the situation. I had done so much for our career, and I feel like my efforts and sacrifices as not only the front man, but a managing member went totally unappreciated and disrespected after all these years.


DS: How aware were you of the reactions from the fans of the band?

FC: The fans have always been great to me. Of course, I got some mixed reactions after leaving. Especially after I was blasted on the band’s social media for quitting. But I still get fans asking me to return. I get feedback from fans telling me that that it’s just not the same anymore without me, etc. There are also a lot of ex-fans who wrote me off. But that is to be expected, I guess.


DS: You spoke of great legacy when you announced you quit the band, how would you describe that legacy?

FC: We started off as just kids learning how to play instruments along with our vinyl records. We managed to tap into suburban kids and relate to their lifestyle through music that was pretty much inspired by our environment. This came at a time when we didn’t exactly have social media or the internet at our fingertips to help get exposure. It was all done organically and by word of mouth for the most part. Not only that, but we managed to transcend underlying racial boundaries and write bilingual ska/punk songs that Mexican, Chicano, and Anglo-American kids could relate to equally. We managed to do that for at least a couple of decades strong. If anything, I’m proud and happy that the band is still going strong without me. They have managed to reinvent themselves with a new front man and continue with their own version of VGS. It’s a different band for sure now.


Frank Casillas by Photo by Dana Krashin

DS: Please tell us about Tiki Bandits. What was it like to go from VGS to the TB? What were some of the most interesting differences you found, and any similarities?

FC: Tiki Bandits were never really a serious project for me. I started TB with some local friends in Arizona while I was still very active with VGS. It was just a side project for me, playing “punked up” cover versions of 50’s & 60’s tunes and an opportunity for me to stay somewhat creative and keep my musical chops up. I never really compared the band to VGS, as it was strictly just another musical outlet for me to just have fun and play gigs with no strings attached to a record label, a booking agent, or the industry in general. Sadly, we no longer exist as of 2021.

DS: Please tell us a bit about the origin of The Hardyville Stranglers.

FC: The Hardyville Stranglers are my newest and current band that came together in 2022 between myself and some local friends who share musical interests in Punk Rock music. Nick Fielding, our bass player has a strong punk rock musical history and played in the band Narcoleptic Youth for 6 years before moving out to the desert like me. The guitar players Steve Blanks and Bobby Narmaki have musical roots in the So Cal punk scene and have also played in several local bands. Jose Ibarra, our drummer has played in some local area bands and was also my drummer for Tiki Bandits. Somehow, we all ended up meeting and coming together musically out here in our area where we all reside. We all live in the Bullhead City area, and Hardyville is what Bullhead used to be called back in the old Wild west days. That’s how we came up with the name of the band.

DS: How much, if any, of your work in this band has been affected or influenced by the decades with the VGS?

FC: I don’t really think about that to be honest. My experience obviously helps with logistical things like organizing stuff for the band. But we don’t really consider ourselves a real working band or anything. We’re just having fun making music without any boundaries. It’s a breath of fresh air being able to play music just for fun and without any expectations from anyone. It’s reminiscent of when I first started playing with VGS, and that makes it fun and exciting for me again.


DS: Are there any songs on this record you personally connect with.  “Nobody Likes” for instance, is a song I think we all can relate to at different points of our lives.  Even if our self-perception may not be accurate.

FC: “Nobody Likes” is just a song poking fun at how it’s so easy for people to just complain about anything nowadays on platforms like YELP or leave negative reviews, and just be a Karen or whatever. No real strong meaning behind it. Just a stupid observation, I guess. Lol

DS: How did some of the other songs on the EP come to fruition?

FC: Nick our bass player had some songs in his back pocket that he wrote years ago, and we brought them to life. That motivated us to start figuring out our own sound and go from there, to write a few of our own tunes collectively as a band.

DS: What was the inspiration for this album?

FC: Just a group of four guys getting together on Sunday evenings to play music and see what comes out of it. That’s really all it is!

DS:  What are you looking forward to with this new group record.

FC: We really don’t have any set goals or anything. We can’t really tour extensively or anything because guys have jobs and families to feed. We are doing this just for fun and if we happen to gain some sort of popularity or success with it, I don’t think anyone in the band will be upset.

DS: What has the early reception to the record and the Hardyville Stranglers been?

FC: The reception has been great so far. We all commonly agree that punk rock has gotten soft nowadays. Punk used to be aggressive, anti-establishment a rough around the edges. Now it just seems polished, sensitive, and woke. So that pretty much influences us to just write stuff off the top of our heads and not really care about how it’s going to be received. So far, I think that it’s been working in our favor. We have gotten some good reviews claiming that we are a breath of fresh air for the punk scene.


DS: What is in the immediate or long-time future for The Hardyville Stranglers as far as you know right now?

FC: We are just playing locally right now with no real expectations or plans. Luckily with social media and the internet we can share our music to a much broader audience without having to go on tour or anything else. However, we are not opposed to doing a weekend here and there or traveling if the opportunity is there and most importantly, worthwhile for us.

DS: How has age and family/having children affected your approach to performing and all the related elements of being in a band.

FC: It gets harder as you get older. I don’t see how some of these guys are still out there doing this fulltime well into their 50’s and 60’s. I had small children and a family for a majority of my career in VGS and that made it extra hard to be gone all the time on tour. That was the hardest thing to deal with.

My kids are grown now, and I went through a divorce. I am just recently married again, and I have two step daughters that I am helping raise. I couldn’t see myself being able to leave on tour nowadays. Not only because of my new family, but my business as well.

DS: The final lyrics to “Disappear” are “Don’t Give A Fuck If I Live Or Die, I’ll Drop a Gear and Say Goodbye.” Again a sentiment it seems many people have had at some point in their lives. How do you relate to this sentiment, and does it bring you back to any specific moments or feelings in your life?

FC: I am and have always been a motorcyclist and enthusiast. I currently own three motorcycles and I live in a place where outlaw bikers are for real and part of the history here.  That song is a biker song mainly, but it is also highly relatable to other non-bikers, I guess. I never really thought it that way to be honest.


DS: Why Arizona? Specifically, Bullhead? What went into the decision to leave CA for AZ?

FC: I left my hometown of Riverside, California for Bullhead City, Arizona in 2000 mainly so my kids could grow up in a safer and less influenced environment. I felt like California was just getting overpopulated, dangerous and super expensive. Pretty much how it is today! In my eyes, Bullhead City is paradise and still far enough, yet still within arm’s reach of my roots in California. We have the desert, mountains, the Colorado River running through town, and you just have more access for outdoor, recreational opportunities here in general.

DS: What are the differences you have experienced between the two states and the similarities. Same goes for Riverside v Bullhead?

FC: There is quite a bit of similarities between the two here. Most residents here have roots in California and have just ended up here to live by default. I have felt more sense of freedom living in Arizona and it seems like there are far less restraints living in Mohave County. The cost of living here is generally less and you don’t have as many outside influences living in the desert. Even though, things are rapidly changing because of the sudden high influx of people leaving California and moving here. It still has that small town and tight knit community vibe.

DS: You operate a bicycle shop – Rad Stop. Why bicycles?

FC: I grew up on my bicycle and they have always been a passion of mine.

DS: Please tell us about the business? Is there a story behind the founding of the business?

FC: I  got my 4-year-old son involved in BMX racing as alternative to organized team sports. He took a liking to it immediately, he became very good at it, and when the local BMX track here in town opened, we had already been racing for a few years in nearby Lake Havasu. Parents at the newly opened track saw that my son was already advanced in the sport, and they started approaching me about helping them get their kid set up with the proper bicycle and equipment. After a few years of doing that, I realized that there was a need for a credible and reliable bicycle shop in the area. The rest is history, and I have been the longest and only operating shop here in my immediate area and within a 60-mile range for over a decade.

DS: Have there been fans of yours not aware that you run this business, come to the shop as customers and what has the reaction been if that has happened?

FC: Yes, it happens almost daily, and I have even had fans come through on vacation just to stop by, say hello, take photos and get an autograph.

DS: How often do you get out on a bicycle, and when did you learn? Do you remember your first bicycle and what kind was it? Banana seat, as was mine?

FC : I honestly do not ride a bicycle very much at all anymore for leisure or recreation. However, I test ride customer bicycles daily after repairing them. But I spend so much time working on them, that it’s the last thing I want to do on my limited spare time. My first real bicycle was a Schwinn Stingray with a banana seat and a stick shifter that I got at the age of 10.

DS: What went into opening this shop up and running it?

FC:  I opened my shop on a shoestring budget of one thousand dollars and a plan to set myself up with a backup plan to have something to fall back on after my musical career. I took on a job as a bicycle assembly technician for Kmart during some downtime with VGS and gained most of the knowledge from that, and a friend that was already in the business. I was running my shop via satellite while still actively touring with VGS and relying on others to help. It just never really got off the ground until I decided to leave the band in 2017 and pursue it fulltime by myself.

DS: Is there anything running a business has in common with leading a band.

FC: Yes, you must have leadership, management, and communicative skills to run any business. Being the leader and main negotiator for the band most certainly taught me how to be self-employed and take risks involved with being successful.

DS: You also ride motorcycles?

FC: Oh god yes!

DS: What is your main ride currently?

FC: I currently own 3 motorcycles. I had 5 up until just recently. But my favorite is my 2000 Kawasaki Ninja ZX750R sport bike.

DS: How often are you able to ride and do you take longer trips on it?

FC: I ride at least a few times a week, weather permitting. Which is pretty much year-round here where I live.

DS: Ride solo? How often in a group?

FC: I do ride solo occasionally, and that seems to be the most therapeutical. But I prefer to ride with a buddy for safety reasons, and no more than 2-3 people because group rides can be dangerous in my opinion.


DS: Please tell us anything you want to about family life and what you like to do when away from both music and the shop.

FC: Life is uneventful and slower paced nowadays. My bicycle business is a labor of love and a passion. I get pure enjoyment seeing people react when I can get their bicycles looking nice a working properly once again. As I mentioned before, I am recently remarried, and I am thoroughly enjoying being a family man again. I look forward to Sundays when we get together at my shop to rehearse and create new music with my friends in this new band.

DS: Does your son Cid play music or shown interest in performing?

FC: My son is a very talented independent hip hop artist. He’s a finance manager for FORD and that consumes most of his life and cannot pursue his music full time. But look him up! I have been to a couple of his local shows. El Cid or NTFB, on Spotify

DS: Cid is an advanced BMX rider. Were you a BMX rider at any point in your life?

FC: I grew up riding my BMX bike in the late 70’s and early 80’s when the sport was just getting started. I was fortunate to grow up in the same neighborhood and go to school with a lot of the early pros who went on to become legendary in the sport. My son is a natural and still races at the age of 24. He is a mentor at the local track and in my eyes a local BMX legend.

DS: Thank you.

FC: Thank you.


Hardyville Stranglers performance photos by Stoned Spider Photography LV. Other Frank Casillas performance photo by Dana Krashin as indicated. All other photos courtesy of Frank Casillas.

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DS Exclusive: French punks The Traders premiere comeback single “Grandiose” from first new album in 10 years

Call it a comeback! Ten years after the release of their debut album, French punk rock three-piece The Traders have returned with a new lineup and a new record. We’re stoked to bring you this exclusive premiere of the album’s lead single “Grandiose”. Check out the new song below, and pre-save it on your favorite […]

Call it a comeback! Ten years after the release of their debut album, French punk rock three-piece The Traders have returned with a new lineup and a new record. We’re stoked to bring you this exclusive premiere of the album’s lead single “Grandiose”. Check out the new song below, and pre-save it on your favorite streaming platform here.

Here’s some backstory on the song, courtesy of the band:

“This song is the first we wrote with the actual line up in a rehearsal room, in maybe one or two hours. Maybe that’s why there’s so much energy to it. We never changed it, re-wrote it, re-structured it or anything. It might sounds silly or cliché, but that’s what we like about this song.

The lyrics are mostly about self-esteem, confidence, and also selfishness and stubbornness. Somehow, the line seems more and more blurry nowadays, as some people let their ego ruin any kind of human relationship instead of introspection. On that note, stay positive!”

Be on the lookout for The Traders’ sophomore album, due out this September. It’s being co-released by a bunch of awesome labels, including White Russian Records, Nasty Cut Records, La Agonía de Vivir & more.

Upcoming shows :

21.04 – BOURG EN BRESSE @ La Tannerie
22.04 – SALAVAUX @ Piquette Skatepark
15.06 – AMIENS @ La Taverne Elektrik
16.06 – LE HAVRE @ Le Mac Daid’s
17.06 – TOURS @ Le Jericho

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DS Exclusive: Get a sneak peak of Coffin Curse Records’ NOFX tribute album “I Heard They Broke Up!!”

The friendly people at Coffin Curse Records have announced plans to release a NOFX tribute album called I Heard They Broke Up!!, and we’re pleased to give you an exclusive sneak peak of what’s to come. The comp’s gonna feature a shitload of NOFX covers, including the one we’re premiering today; check out Reckless Threat‘s […]

The friendly people at Coffin Curse Records have announced plans to release a NOFX tribute album called I Heard They Broke Up!!, and we’re pleased to give you an exclusive sneak peak of what’s to come. The comp’s gonna feature a shitload of NOFX covers, including the one we’re premiering today; check out Reckless Threat‘s take on “Hobophobic” down below.

I Heard They Broke Up!! is due out on March 29th – a few of the other bands contributing tracks include Latte+ (from Italy!), New Clear Future (from West Virginia!), and The Kutoffs (from the exotic land of Lakeland, Florida!). It’ll be getting a physical release on vinyl (pre-orders starting February 23rd) and CD, as well as a digital release on Coffin Curse’s Bandcamp. That snazzy picture at the top of this post is the cover art. Take a brief moment to admire it in all its glory.

This premiere is brought to you in part by Punk Rock Radar. If you’d like your band’s music video to be premiered by Dying Scene and Punk Rock Radar, go here and follow these instructions. You’ll be on your way to previously unimagined levels of fame and fortune in no time!

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DS Exclusive: Good Friend debut “Tell Me Ma” video just in time for St. Patty’s Day

Good Friend, everyone’s favorite Northern Irish punk rock trio, have got a super fun video for your viewing enjoyment and your friends here at Dying Scene are fired up to share it with you. The video is for the track “Tell Me Ma,” a Northern Irish classic which if you’re like me, you have committed […]

Good Friend, everyone’s favorite Northern Irish punk rock trio, have got a super fun video for your viewing enjoyment and your friends here at Dying Scene are fired up to share it with you.

The video is for the track “Tell Me Ma,” a Northern Irish classic which if you’re like me, you have committed to memory from your Nana’s old Dubliners and Clancy Brothers tapes. The lads have given it a fresh spin, just in time to pregame for your St. Patrick’s Day festivities. Here’s what guitar player and two-time Super Bowl winning coach* Andy Reid had to say: “Anyone could have covered this song, to be honest. I fucking hate it, but if anyone is gonna butcher this tune it might as well be us!

“Tell Me Ma” appears as part of a two-song digital single, being released by our comrades at Red Scare Industries. It’s due out this Friday (March 10th). Here’s where you can buy your very own copy. Here’s what ye olde label had to say:

We like to rib Good Friend about being from Ireland, but the truth is we love them for it.  Well, now the joke is on Red Scare, because they’ve turned the tables and given us a couple Celtic punk songs to release in time for St. Patrick’s Day. Fans of The Pogues and Flogging Molly will enjoy this pair of rollicking ditties… Sláinte!

Check out “Tell Me Ma” below!


*obviouly he’s not THAT Andy Reid…we think…

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