San Francisco’s Great American Music Hall was built in 1907 after the Great Fire and Earthquake of 1906. After many uses and incarnations, it opened as a music venue in 1972 and has been open since. This January, it hosted some veterans of the California punk scene for a night of great music. Frightwig started […]
San Francisco’s Great American Music Hall was built in 1907 after the Great Fire and Earthquake of 1906. After many uses and incarnations, it opened as a music venue in 1972 and has been open since. This January, it hosted some veterans of the California punk scene for a night of great music.
Frightwig started in 1982 as an all-woman San Francisco punk band with a distinctly feminist message. They released two albums in the ’80s which proved to be an enormous influence on the Riot Girl movement. After breaking up in 1994, they reformed in 2014 and released a new record, We Need To Talk, on Label 51 Records.
Kid Congo Powers has been making music since the ’70s including stints with Gun Club, The Cramps and Nick Cave & The Bad Seeds, before founding The Pink Monkey Birds in 1997. Since then, they have released four albums on In The Red Records with a new album, That Delicious Vice, coming this April.
The Avengers were among the first punk bands to form in California in 1977, famously opening for The Sex Pistols at Winterland. Their initial incarnation only lasted two years and produced two EPs, the second of which was produced by Pistol Steve Jones and released after the band had split. Original members Penelope Houston and Greg Ingraham reformed the group in 1999 and have been playing regularly since 2004.
Check out all our photos from the show below!
Frightwig at the Great American Music Hall, San Francisco, January 10th, 2024
Frightwig at the Great American Music Hall, San Francisco, January 10th, 2024
Frightwig at the Great American Music Hall, San Francisco, January 10th, 2024
Frightwig at the Great American Music Hall, San Francisco, January 10th, 2024
Frightwig at the Great American Music Hall, San Francisco, January 10th, 2024
Frightwig at the Great American Music Hall, San Francisco, January 10th, 2024
Frightwig at the Great American Music Hall, San Francisco, January 10th, 2024
Frightwig at the Great American Music Hall, San Francisco, January 10th, 2024
Frightwig at the Great American Music Hall, San Francisco, January 10th, 2024
Frightwig at the Great American Music Hall, San Francisco, January 10th, 2024
Frightwig at the Great American Music Hall, San Francisco, January 10th, 2024
Frightwig at the Great American Music Hall, San Francisco, January 10th, 2024
Frightwig at the Great American Music Hall, San Francisco, January 10th, 2024
Frightwig at the Great American Music Hall, San Francisco, January 10th, 2024
Frightwig at the Great American Music Hall, San Francisco, January 10th, 2024
Frightwig at the Great American Music Hall, San Francisco, January 10th, 2024
Kid Congo Powers and The Pink Monkey Birds at the Great American Music Hall, San Francisco, January 10th, 2024
Kid Congo Powers and The Pink Monkey Birds at the Great American Music Hall, San Francisco, January 10th, 2024
Kid Congo Powers and The Pink Monkey Birds at the Great American Music Hall, San Francisco, January 10th, 2024
Kid Congo Powers and The Pink Monkey Birds at the Great American Music Hall, San Francisco, January 10th, 2024
Kid Congo Powers and The Pink Monkey Birds at the Great American Music Hall, San Francisco, January 10th, 2024
Kid Congo Powers and The Pink Monkey Birds at the Great American Music Hall, San Francisco, January 10th, 2024
Kid Congo Powers and The Pink Monkey Birds at the Great American Music Hall, San Francisco, January 10th, 2024
Kid Congo Powers and The Pink Monkey Birds at the Great American Music Hall, San Francisco, January 10th, 2024
Kid Congo Powers and The Pink Monkey Birds at the Great American Music Hall, San Francisco, January 10th, 2024
Kid Congo Powers and The Pink Monkey Birds at the Great American Music Hall, San Francisco, January 10th, 2024
Kid Congo Powers and The Pink Monkey Birds at the Great American Music Hall, San Francisco, January 10th, 2024
Kid Congo Powers and The Pink Monkey Birds at the Great American Music Hall, San Francisco, January 10th, 2024
The Avengers at the Great American Music Hall, San Francisco, January 10th, 2024
The Avengers at the Great American Music Hall, San Francisco, January 10th, 2024
The Avengers at the Great American Music Hall, San Francisco, January 10th, 2024
The Avengers at the Great American Music Hall, San Francisco, January 10th, 2024
The Avengers at the Great American Music Hall, San Francisco, January 10th, 2024
The Avengers at the Great American Music Hall, San Francisco, January 10th, 2024
The Avengers at the Great American Music Hall, San Francisco, January 10th, 2024
The Avengers at the Great American Music Hall, San Francisco, January 10th, 2024
The Avengers at the Great American Music Hall, San Francisco, January 10th, 2024
The Avengers at the Great American Music Hall, San Francisco, January 10th, 2024
The Avengers at the Great American Music Hall, San Francisco, January 10th, 2024
The Avengers at the Great American Music Hall, San Francisco, January 10th, 2024
The Avengers at the Great American Music Hall, San Francisco, January 10th, 2024
The Avengers at the Great American Music Hall, San Francisco, January 10th, 2024
The Avengers at the Great American Music Hall, San Francisco, January 10th, 2024
The Avengers at the Great American Music Hall, San Francisco, January 10th, 2024
The Avengers at the Great American Music Hall, San Francisco, January 10th, 2024
Another day, another wonderful premiere gracing the pages of DyingScene.com. Today’s exclusive comes from the pride of Edwardsville, Illinois, Modern Angst! Check out the brand new music video for their latest single “Indigestion” below. Here’s what the band had to say about the new single: “Indigestion” is about struggling through resentments and coming to the […]
Another day, another wonderful premiere gracing the pages of DyingScene.com. Today’s exclusive comes from the pride of Edwardsville, Illinois, Modern Angst! Check out the brand new music video for their latest single “Indigestion” below.
Here’s what the band had to say about the new single:
“Indigestion” is about struggling through resentments and coming to the realization that there is no positive path forward without confronting your own contributions to those resentments. It’s about letting go in order to move forward with healing.
Stay tuned for much more to come from Modern Angst! A little birdie told me they’ll be releasing their debut full-length album this year on Punkerton Records.
John Benoit, founder of post-hardcore band Resilia, talks with Dying Scene about the band’s origins, influences, and what 2024 has in store for the band. DS: Who is Resilia? How and when did Resilia form? R: The band is me on guitar, Daisy Chamberlin on vocals, Ethan Cate on bass, Grant Dickerson on drums, and […]
John Benoit, founder of post-hardcore band Resilia, talks with Dying Scene about the band’s origins, influences, and what 2024 has in store for the band.
DS: Who is Resilia? How and when did Resilia form?
R: The band is me on guitar, Daisy Chamberlin on vocals, Ethan Cate on bass, Grant Dickerson on drums, and either Gray Trainer or Owen Robinson on guitar. Gray does a lot of work with pop artists writing and touring so we have Owen a lot of the time too and he also helps do a bit of writing so I consider him in the band.
I started writing/recording the first Resilia tunes right before moving out of Boston to LA in 2018. I sat on ’em for a while because I couldn’t find a singer, but then I recruited Gray and Ethan from my old band and put out the instrumentals for “Royal Flush” and “Gambit”. When the pandemic hit I put out feelers for guest vocals and discovered Daisy, who ended up singing on those tunes, and shortly after became a full member of the band. Grant came into the picture a little while later, I believe in early 2022 or late 2021 and we immediately knew he was the guy! I love everyone’s musical personality a ton and I’m super lucky to work with them through Resilia.
DS: What are some key musical influences that have shaped the band’s sound? Are there any specific artists or genres that have had a significant impact on your music?
R: I’m most influenced by Coheed and Cambria, The Fall of Troy and Van Halen. They all have so much personality in their music and playing which really speaks to me. I love all kinds of music though, stuff like Frank Zappa, Taylor Swift, video game music, etc. Pretty much anything can influence my writing. Jazz and even classic rock are definitely some big influences on the approach I try to take towards my guitar playing but at the end of the day it’s all filtered through Coheed and TFOT for me. The rest of the band also have really varied musical backgrounds too. Grant never really even played this kind of music before joining but has absolutely killed it. Daisy and Gray are both huge fans of The 1975, Ethan has a background in marching band bass and listens to everything imaginable, and Owen leans heavier and will someday maybe get us to sneak a blastbeat in there somewhere.
DS: Can you walk us through the band’s creative process for writing, composing, and recording Well Intentioned: The Name of the Game and more generally? How do you collaborate on creating songs?
R: The way it went for all the songs on the EP is I would write the entire instrumental on a music notation/guitar tab program called Guitar Pro. Most of the songs only have a handful of parts that I actually wrote on guitar first. Once I had drums, bass, and two guitar parts ready, I’d see what the band thinks and if we liked it we’d start working on the parts and everyone starts putting their own spin on things. We also had Brody Taylor Smith from Invent Animate and Satyr program the drums since we were already working on the album before Grant joined. Brody absolutely killed it and was a pleasure to work with.
DS: Tell us more about Well Intentioned: The Name Of The Game. What inspired it, and what can listeners expect in terms of themes or musical direction?
R: Musically I think it’s just grass-fed farm-to-table progressive post-hardcore. I wrote a lot of the music during the pandemic before most of the band fully came together and I was trying to blend a few things like classic rock in “Hey There Pretty Girl…”, the more Coheed approach in some parts of a few songs and other stuff into my general idea of what progressive post-hardcore is. As far as the title for the EP, that came from the demo title for “Bad Lemon/Anjou” and it doesn’t really mean much I just made it up when I was writing the song just to call it something, but I ended up getting attached to the title because I liked the sound of it and we eventually decided to make it the title for the EP.
DS: How do you approach the visual representation for your music? How did you settle on a Gator to serve as a symbol of the band?
R: All of our cover art has been made by one of my close friends from college, John Rego (@johnrego1234 on Instagram). I’ve always loved his art so I just reached out and asked him to do whatever he wanted and he came back with the gator art for “Royal Flush” and “Gambit”. We all loved the gator so much and they’re actually Daisy’s favorite animal so we wanted to keep him involved. Later on when we were looking for art for Well Intentioned it seemed natural to go back to him. We definitely want to continue working John as much as we can for future releases.
DS: What do you enjoy most about performing live? Are there any memorable or unique experiences from your live performances that have made a lasting impact?
R: Performing live has pretty much always been my favorite part of playing music but we’ve unfortunately not done a ton of gigging just yet on account of the band being split up in a bunch of different places. In the two tours we’ve done so far the best part has been seeing people really enjoying our music and singing along to songs I wrote sitting alone in my bedroom in Boston unsure of what I was doing with them. Since we don’t get to do it super often it’s always really special to get to play with the whole band so I think that’d have to be my favorite part overall.
DS: If Resilia could collaborate with any artist, who would it be and why?
R: Some more “in genre” collaborations that would be a dream come true for me would be Claudio Sanchez from Coheed and Cambria, Thomas Erak from The Fall of Troy or Anthony Green from Circa Survive/Saosin. But, to be honest, my real dream is to get Yung Gravy to rap over a post-hardcore breakdown.
DS: What are Resilia’s plans for 2024? Can we expect any new music or tours?
R: I moved to Florida a few months ago so Daisy and I could write the next batch of tunes and we’ve got some stuff cooking! We’ll hopefully start recording some of it soon and start putting out singles at some point in 2024. We don’t have any concrete tour plans at the moment but we’re interested in trying to play some local shows in or around Orlando in 2024 too!
From the depths of the Bay (Tampa Bay, that is) arises a mysterious new two piece punk rock studio project (also featuring an Australian citizen): Ladies and gentlemen, allow me to introduce Crash Code! These guys just released their very first single, a bad ass melodic punk song called “So Long”, a few months ago. […]
From the depths of the Bay (Tampa Bay, that is) arises a mysterious new two piece punk rock studio project (also featuring an Australian citizen): Ladies and gentlemen, allow me to introduce Crash Code!
These guys just released their very first single, a bad ass melodic punk song called “So Long”, a few months ago. I loved that song and told them I wanted to premiere the next single from their upcoming album. So here we are, they’re back with another new single “Sayonara Hitomi”, which is a complete change of pace in the most refreshing way. We’re exclusively premiering the song today – check it out below!
Crash Code will be releasing a full-length album at some point this year, so stay tuned for more to come on that. I already have a feeling this record’s probably gonna be one of my favorites this year just based on what I’ve heard so far. Here’s what the band had to say about it:
“We really try hard to be creative and not follow any templates. Every song is different and unique. No rules perspective. Only important if we like it. Some may not??? They all have special attributes to them to make them interesting. For example, one song that will be on the album is called “Skips a Beat” and, it quite literally skips a beat in the measure. It was a bitch to play and record that one. Just a melting pot of so many influences. We hope people find it refreshing, creative, and different.”
Vægtløs hails from across the Atlantic in Denmark! After playing their first show in June 2022 the band started to take off. Less than 30 days after their first show, they were asked to play support for shoegaze legends Nothing, and word about the band started to creep out. It resulted in a few interviews […]
Vægtløs hails from across the Atlantic in Denmark! After playing their first show in June 2022 the band started to take off. Less than 30 days after their first show, they were asked to play support for shoegaze legends Nothing, and word about the band started to creep out. It resulted in a few interviews and features from different magazines around the world, and when their first single dropped, it got more than 2000 streams in one month on YouTube. This band’s unique sound has them with a fan pool who would also like Lightbearer, Pianos Become the Teeth, Oathbreaker, Deafhaven and Lack. They’ve taken the world by storm and will have 46 record labels around the world simultaneously drop their album on Feb 2nd this year. This album has such a huge and deep impact for the band members and I can only hope the lyrics hit for some of you as they did for me. The world needs more music such as this to be able to relate and trudge through our dark times and be reminded that there is still light.
What do you do when one of your best friends gets diagnosed with cancer? How do you handle losing someone close to you? Vægtløs are trying to wade into questions like these on their upcoming album, which solely includes songs about people close to the band who died or suffered deadly diseases.
They focus on a vulnerability and openness that are lacking in the music scene, but also in society as a whole. Life is fleeting and fragile, and they’re taking it upon themselves to act as a bridge to close the gap between the monumental emotional dread underlying the fact that all beauty will eventually die, and the cathartic strength found in music.
Jumping into this record, it really doesn’t have too many songs; four of them to be exact, but don’t let that fool you. The lyrics and the heaviness of their stories more than make up for the unusual number of tracks. Not to mention each track is between 9-10 minutes long. The music very much reminds me of a chaotic and stressful environment with someone screaming to their unknown entity, “Why things have happened the way they have”, mixed with “I’m not letting this take me out, no matter how bad this hurts”. Each song was paired with a small explanation of the tracks and their stories. Knowing these little tidbits of information may even bring the song to life in a way we haven’t experienced before. Many artists tend to leave songs open to interpretation, and I love that these guys have shared their tragic and deep stories behind these tracks.
“Ingenting kan forhindre, at små struber skælver en forårsnat” (“Nothing Can Prevent the Small Throats from Shaking on a Night of Spring” in English) is the first track on Aftryk. Coming in at about 10 minutes long, its story is the one that touches my heart the most, having myself lost family members to cancer. This track was originally written to be a fight song for the vocalist Troels’ sister-in-law who had been diagnosed with cancer for a second time. When she ended up succumbing to the disease before the release, it took on a new meaning. They’ve written this song for her daughter, to explain that life is beautiful, even if it hurts sometimes. They make sure to stress the importance of letting the memories of our loved ones remain in our hearts forever, which I couldn’t agree with more.
“Først da vi bar din kiste gik det op for mig, hvor meget tungt du skulle igennem, før du blev så let” (“Only When We Carried Your Coffin Did It Dawn On Me How Much Heavy You Had To Go Through Before You Became So Light” in English) is the second song on this album and runs for 9 minutes. This track is a letter to Troels’ father, taken too soon with fond memories left in his wake. The final lyrics are a beautiful homage to his father as he sings a direct translation of Bob Dylan’s “If You See Her, Say Hello” as it was his favorite song and what was played as his coffin was carried from his home. The beauty behind this track’s lyrics had my empathetic side struggling to get through it, yet I couldn’t stop listening.
“Her i vores hjerter bærer vi en ny verden” (“We Carry a New World Here in Our Hearts” in English) comes up as the third track on Aftryk and this encompasses the struggle with addiction, specifically alcoholism, although I feel it can be translated to any vice. It talks of the struggle to reject the vice and understand the struggle of the alcoholic and the young child that doesn’t understand it. The turmoil it can cause and the way humans need to be compassionate to those whose stories we don’t walk. Showing compassion and understanding to those that you may not even understand, and just being kind. Perfect representation of “you have no idea what someone else is going through or carrying around with them, so just be kind.”
“Tag dit knuste hjerte og lav det til kunst” (“Take Your Broken Heart and Make It Into Art” in English) brings up the end of the album in such a beautiful way. This 9-minute track gives us an intro that is calm and serene for about 4 minutes before it picks up into their usual chaotic instrumentals, and the lyrics just tie it together beautifully. This track tells the story of Troels’ good friend who has been diagnosed with terminal cancer, yet is still alive and kicking the godforsaken disease in its face to this day. It’s a song of unconditional love to help show life is too short. So, my advice to you is to take this song, hell, take this whole ALBUM, and blast it as a tribute to life and enjoy every minute we’re given on this hunk of rock we all happen to cohabitate on. Life’s too short to be angry, sad, disappointed, jealous, and any other bad emotion you can think of. Appreciate the day and appreciate each other and those you love most.
This record was written and recorded in their own studio, and mixed and mastered by producer Jacob Bredahl, who understood the direction the band wanted to go.
Aftryk will be released and available on all music streaming platforms on February 2nd, 2024!!
Black Flag are continuing to tour the US and Canada with a show that begins with a full performance of their second studio album, My War. After an intermission, continues with a lengthy ‘Best Of’ set. We caught up with the tour at San Francisco’s DNA Lounge for our first show of the year! Check […]
Black Flag are continuing to tour the US and Canada with a show that begins with a full performance of their second studio album, My War. After an intermission, continues with a lengthy ‘Best Of’ set. We caught up with the tour at San Francisco’s DNA Lounge for our first show of the year!
Check out our gallery below!
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
“An Evening with Black Flag” – DNA Lounge, San Francisco, 1/5/24
The Eradicator squashed out the winter blues the night before the day before the New Year. In support at Reggie’s Music Joint, was Mulva, a band whose name, like The Eradicator, has its roots in U.S. television from decades prior. Distants and Royal Dog were also on hand and on stage to round out the […]
The Eradicator squashed out the winter blues the night before the day before the New Year. In support at Reggie’s Music Joint, was Mulva, a band whose name, like The Eradicator, has its roots in U.S. television from decades prior. Distants and Royal Dog were also on hand and on stage to round out the night.
Chicago’s The Eradicator returned to Reggie’s Music Joint on a chilly late December evening. As we have noted previously in DS, Andy Slania’s on-stage persona was inspired by a famous 1989 Kids In the Hall skit of the same name.
The Eradicator was clad in his standard punk rock uniform of tennis shorts with white tennis shoes. A pink polo shirt, topped off by a ski mask covering his entire face completed the outfit. Waving a squash racket, The Eradicator paced back and forth on the small stage. Growling out tunes such as “You Can’t Play Me,” “The End of The Line,” “Can’t Play Well With Others,” and “Squash Queen.” Of course, The Eradicator also played his classics, “I’m A Squash Man,” and “Eradicator Out.”
Punk rock is so often ultra-serious as musicians belt out songs addressing issues of the day and relationship woes. These subjects make for some of the best songs.
But every once in a while, we need a respite from the darkness, to counter it with light. The Eradicator serves (pun intended) that well. There’s no trickle boost at an Eradicator show, just straight drives to your funny bone.
Distants visited Chicago from its relatively not-so-distant hometown of Grand Rapids, MI (just 179.1 miles between the two cities). The rambunctious set included “12 St. Beach,” “Forfeiture,” “To Roost,” and “Odds and Ends.” Distants gave the crowd a terrific performance which perfectly complemented the band’s bill-mates on this evening.
Royal Dog, another Chicago crew was founded as a solo project in 2018. However, it grew into a full band just this past year. Royal Dog drove through a rowdy set, including,” “Pickle, “All Your Shit,” “Haha Fer Sher Fer Sher,” and “Crabbed.”
Royal Dog has both bark and bite. Hopefully, it will unleash more treats in the near future.
Mulva’s moniker was inspired by the infamous Seinfeld episode, “The Junior Mint” (but to be fair, can’t most of the show’s episodes be described as infamous?). The Milwaukee/Chicago group self-describes as “Indie-ish /Punk-ish DIY.” But whatever the name and labels, the band, first to hit the stage, performed a lively set, blasting out “Stay With Me (Forever),” “Believe,” “I Can’t Wake Up,” “Hypocrite,” and “I Keep Fucking Up.” The band certainly woke up the crowd whilst doing anything but fucking up.
Please see more photos from the show below. Thanks and Cheers!
Having recently hopped aboard the Punkerton Records roster, Detroit pop-punk trio Middle-Out is gearing up to release their self-titled debut LP in 2024. Dying Scene is stoked to bring you this exclusive premiere of the band’s brand new single “Ballerinas”. Check out the music video below! “Ballerinas” has a familiar story to tell; being so […]
Having recently hopped aboard the Punkerton Records roster, Detroit pop-punk trio Middle-Out is gearing up to release their self-titled debut LP in 2024. Dying Scene is stoked to bring you this exclusive premiere of the band’s brand new single “Ballerinas”. Check out the music video below!
“Ballerinas” has a familiar story to tell; being so set in your ways, that you’re in EVERYONE’S way. When your friends and loved ones grow tired of your stubbornness and blunt nature, to the point that they must modify themselves around you, tip-toeing on the eggshells.
The video, filmed at a local ballet studio and featuring mostly non-experienced performers, provides the allegory for this attitude. Your friends and family walking so daintily to avoid upsetting you, but that facade can only be kept up so long until they burst in anger, leaving you alone – the last ghost in a ghost town.
Dying Scene caught up with Diskount Vodka in Pueblo, Colorado for a short interview and visited them at the practice space that they share with The Dead End. We also visited Land of Ozz and Bishop Castle for all of the cool happenings in the Pueblo area. This interview has been edited for length and […]
Dying Scene caught up with Diskount Vodka in Pueblo, Colorado for a short interview and visited them at the practice space that they share with The Dead End. We also visited Land of Ozz and Bishop Castle for all of the cool happenings in the Pueblo area.
This interview has been edited for length and clarity.
Dying Scene: Tell me about Diskount Vodka. Who’s in the band and what kind of music do you play?
Diskount Vodka: I’m Pickle, I play the drums. I’m Ellie Blackbird, I play guitar and sing. And I’m Cuauhtli Gome, I play bass guitar.
Ellie Blackbird: We formed a bit over a year ago.
Cuauhtli Gomez: We’re a punk rock and roll band.
DS: Tell me, how did you guys come up with the name Discount Vodka?
Pickle: We were in Center, Texas at David Gardner’s (the Coffin Boys, Trash Idols, Horror Movie) house and David started talking about Discount Vodka somewhere and Ellie liked the name. We formed a band and we took the name. That’s how that name came about.
DS: Are any of you in any other bands? What is your connection to The Dead End?
P: I play the drums in The Dead End, a psychobilly band. We’ve done it for eight years. We have new material coming out next year sometime. We’ve been a working band this whole time doing big things. We did a bunch of stuff with Three Bad Jacks. We just got done doing another tour out to Californiia and back.
CG: Carlos, the singer and guitarist, is my older brother and L.J., the bassist, is my cousin.
EB: Cuauhtli and I aren’t in any other bands. This is our thing, our main thing.
DS: How would you describe your music to someone?
EB: It’s more old-school punk sounding. And, it’s not strictly one thing. I think there’s more…you can tell there’s influences of, you know, like rock and roll and hardcore but it’s just punk, you know, it’s just punk rock.
DS: Who are your biggest influences or inspirations?
P: I don’t know. I have all kinds of influences. I started off being influenced by the Ramones. Before that, it was like Gorilla Biscuits and Youth of Today and all those bands from my friend, Burt (…And We All Die). And, actually, he’s the one that got me into punk rock all those years ago. Him and those records, like Fearless Iranians From Hell and all that stuff. Angry Samoans. That stuff’s still good to this day. I like a little bit of everything. I like Rancid. I like The Casualties. I like Hank Williams but, then again, I like psychobilly stuff like Mad Sin, The Brains, and Rezurex. I could go off in millions of directions.
CG: The Pretenders inspired me to want to play in a band.
DS: Are you guys working with a record label? If so, who?
EB: Nope, we’re all by ourselves.
P: Well, we have a split seven-inch coming out on a record label, which is Split Personality Records, in mid-January 2024. It’s a split seven-inch with Tv Tragedy from Phoenix. They’re a good punk rock band. They’ve been around for 10 years. But other than that we’re not on a label but we are looking.
DS: Perfect. I was just about to ask if you have recorded anything. So tell me about it.
P: Well, right now there’s one song called “Time is Now” we just released on November 11th. We (released) another single called “Victim” on December 1st, then a cover song called “Gacked on Anger” (by Amyl and the Sniffers) on December 30th, and then we’ll have that split seven-inch that’s coming out on January 13th. And then in February we’ll put a full-length album.
EB: Currently, we’re working on releasing that first album called Punk Salad. That should be out by February.
DS: Will it be with the same record label?
P: No, the full length will just be us putting it out independently. So, if somebody wants to pick us up, they can. We’re going to play a seven-inch release show in Las Vegas on January 13th.
DS: Have you been playing any local shows? Where have you been performing lately?
EB: Mainly we like to play at a little DIY venue here called The Bombshelter. It’s an all ages venue. It’s cool. A lot of people come out. We’ve also played in Colorado Springs at the Triple Nickel a few times. We also hit Denver. Lately we’ve been playing at Bar Bar.
P: We’ve played at The Crypt up there, too. We’ve also played at The Black Sheep in Colorado Springs.
DS: What is the music scene like in Pueblo, Colorado?
EB: It’s growing. Mainly it’s been mostly metal and that kind of stuff but, as of recent years, it’s been like growing into more like…people are interested in punk and…
CG: It’s more diverse now than it was at one time.
P: Goths. There’s a bunch of gothic kids now.
EB: Goth uprising.
P: The punk rock scene. You’re looking at it. But there’s like, there’s high school kids that do come and there’s old school people like around my age who do come to shows too that are like old punk rockers. But we’re the only punk rock band in Pueblo besides The Dead End. The Springs (Colorado Springs) is weird. It has punk rock bands but they’re all younger. They’re fun to play with. They dance the whole time. It’s fun playing places where people just dance all the time.
DS: Have you achieved what you sought out to?
P: We have over-achieved and become more than what we even expected, to be honest with you. So, we’re just gonna keep going that direction.
EB: Yep.
P: Some people must like it I guess.
DS: So, what’s next for Diskount Vodka?
P: More songs and bigger shows. Maybe some bigger festivals. Maybe a tour.
DS: If you were to play a festival, which one would you like to play?
P: Any of them.
EB: Any of them, honestly. I love it.
P: Yeah, there are fests all over the place. That C.Y. Fest looks like it’d be fun. And then there’s 40 Fest in Georgia.
P: I watched a video with Rancid playing the other day. Tried to get some inspiration off of it. Sometimes, I don’t listen to anything…I just listen to the radio, like oldies.
DS: So, do you have anything else you’d like to share?
EB: Check us out. Hope you like our stuff. Get us traveling, you know.
P: Bring us to your city.
EB: Yes. Bring us to you.
CG: Take me to your leader.
It was great catching up with Diskount Vodka. It looks like 2024 is going to be a really exciting year for them! If you are in Las Vegas on January 13th check out Tv Tragedy and Diskount Vodka for the Split Record Release Show.
A pre-New Year’s Eve rock’n’roll night at San Francisco’s best dive bar…Benders! The BPMs are so new that the paint is still drying on their logo. We believe that this was their 2nd show. However Eric, Atom and Mic are all veterans of the Bay Area music scene, and bring tight poppy punk. Flexx Bronco […]
A pre-New Year’s Eve rock’n’roll night at San Francisco’s best dive bar…Benders!
The BPMs are so new that the paint is still drying on their logo. We believe that this was their 2nd show. However Eric, Atom and Mic are all veterans of the Bay Area music scene, and bring tight poppy punk.
Flexx Bronco don’t play so often anymore, as one of the members moved to Southern California. They’ve been around since 2001, and consistently bring driving hard rock, so we catch them when we can.
See a gallery of all photos from the show below:
The BPMs at Bender’s Bar & Grill, San Francisco, 12/30/23
The BPMs at Bender’s Bar & Grill, San Francisco, 12/30/23
The BPMs at Bender’s Bar & Grill, San Francisco, 12/30/23
The BPMs at Bender’s Bar & Grill, San Francisco, 12/30/23
The BPMs at Bender’s Bar & Grill, San Francisco, 12/30/23
The BPMs at Bender’s Bar & Grill, San Francisco, 12/30/23
The BPMs at Bender’s Bar & Grill, San Francisco, 12/30/23
The BPMs at Bender’s Bar & Grill, San Francisco, 12/30/23
The BPMs at Bender’s Bar & Grill, San Francisco, 12/30/23
The BPMs at Bender’s Bar & Grill, San Francisco, 12/30/23
The BPMs at Bender’s Bar & Grill, San Francisco, 12/30/23
Flexx Bronco at Bender’s Bar & Grill, San Francisco, 12/30/23
Flexx Bronco at Bender’s Bar & Grill, San Francisco, 12/30/23
Flexx Bronco at Bender’s Bar & Grill, San Francisco, 12/30/23
Flexx Bronco at Bender’s Bar & Grill, San Francisco, 12/30/23
Flexx Bronco at Bender’s Bar & Grill, San Francisco, 12/30/23
Flexx Bronco at Bender’s Bar & Grill, San Francisco, 12/30/23
Flexx Bronco at Bender’s Bar & Grill, San Francisco, 12/30/23
Flexx Bronco at Bender’s Bar & Grill, San Francisco, 12/30/23
Flexx Bronco at Bender’s Bar & Grill, San Francisco, 12/30/23
Flexx Bronco at Bender’s Bar & Grill, San Francisco, 12/30/23
Flexx Bronco at Bender’s Bar & Grill, San Francisco, 12/30/23
Flexx Bronco at Bender’s Bar & Grill, San Francisco, 12/30/23
Flexx Bronco at Bender’s Bar & Grill, San Francisco, 12/30/23
Flexx Bronco at Bender’s Bar & Grill, San Francisco, 12/30/23
Flexx Bronco at Bender’s Bar & Grill, San Francisco, 12/30/23
Flexx Bronco at Bender’s Bar & Grill, San Francisco, 12/30/23
Simon M
????Hell yeah!!!????