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Dollar Signs – “Legend Tripping”

"Legend Tripping" - Dollar Signs

Release Date: October 27, 2023 Record Label: Self Aware Records Release Type: LPBandcamp Link: Listen on Bandcamp

HEY! There’s a new Dollar Signs rercord coming out in just a couple weeks. It’s called Legend Tripping, and since the press release was written waaaay better than I could do, here’s the skinny!

Known for their self-mocking sincerity, the Charlotte punks use the record as a means of getting back to their roots in every sense – earlier this summer, they crowdfunded over $25,000 to be able to release this album entirely independent. That support fueled a fire, and the result is a bombastic and heartfelt unpacking of what it means to go back home.

Amidst a bout of pandemic-fueled writer’s block, Erik challenged himself to examine the “hometown” rock album cliche in a different light. Instead of just talking about growing up in the South, he’d write about the nuances of revisiting it once you’ve grown beyond it––what it was, what it is now, and how time creates a bigger distance than any amount of mileage could.

Because Button loves horror films, Legend Tripping also frames “home” as a place that’s haunted, and examines change through the lens of mystery. And despite this nostalgia, his caustic wit still manages to lob neon green paint at every elephant in the room.

Erik says, “It was really important for me to think carefully about the subject matter. I didn’t want to approach this topic with rose-colored glasses, but also the south gets shit on constantly and I did want to reflect that good people do live here, good things happen here. It’s beautiful here and people live freely and joyfully here in spite of the systems of horror baked into our infrastructure.”

Here’s the video for the album’s first single, “Bless Your Heart”!

And now you can listen to the album’s titular track (heh – I said titular) “Legend Tripping.”

Don’t forget to pre-order the album in all the usual formats before its 10/27/23 release on Charlotte’s own Self Aware Records.

Don’t be soft on the ‘Dicks: The Musical’ trailer

<p>It’s been seven years since Larry Charles, a key component of the Seinfeld brain trust and the director of Borat and Bruno, released a movie, and even longer since one of his films got a proper theatrical rollout. Well, bitches, he’s back. He’s gonna serve you up a movie called Dicks: The Musical later this fall, which features the likes of Megan Thee Stallion, Nathan Lane, Meghan Mullally, and Bowen Yang in a musical about two long-lost brothers trying to […]</p>
<p>The post <a rel="nofollow" href="https://vanyaland.com/2023/08/03/dont-be-soft-on-the-dicks-the-musical-trailer/">Don’t be soft on the ‘Dicks: The Musical’ trailer</a> appeared first on <a rel="nofollow" href="https://vanyaland.com">Vanyaland</a>.</p>

downtalker

downtalker is a Boston-based post-punk disco project rooted in recovery, chronicled by struggle, and nurtured by love. A result of 20 years of collaboration and friendship between Massachusetts natives Darin Thompson (lead vocals, synth, bass, guitar) and Justin Mantell (synth, guitar, bass, backing vocals), 2021 debut album Post Junkie Selfish Millennial Single Father Field Notes landed in Brooklyn Vegan’s Year in Review series. In September 2023, with an overall sound now augmented by Matt Freake (drums, percussion, backing vocals), downtalker released two kinetic new dance-minded singles – “All My Friends Are Dead” and “Watch Your Heart Break” – via the resurrected Iodine Recordings, with their debut show arriving a week later, opening for Fiddlehead’s highly-anticipated record release party at Royale. More new music is set to come, opening up the creative world of downtalker and the difficult, yet hopeful, stories of addiction and recovery contained within.

Dropkick Murphys – “Okemah Rising”

Okemah Rising - Dropkick Murphys

Release Date: May 12, 2023 Record Label: Born & Bred Records

Dropkick Murphys had such a fun time recording (and touring) last year’s collection of songs featuring the unpublished lyrics of Woody Guthrie – This Machine Still Kills Fascists – that they’re back for another round! Due out May 12th, the new album is called Okemah Rising, and features ten more tracks for which the Dropkicks wrote music around a set of unpublished Guthrie words.

Okemah Rising finds them reuniting with Ted Hutt in the producer’s chair, and features guest spots from Violent Femmes, Jesse Ahern and Jaime Wyatt.

You can pre-save Okemah Rising here and pre-order it on CD/vinyl here, and check out the video for the first single, “I Know How It Feels,” below!


Dry Cleaning

Dry Cleaning are an English post-punk band who formed in South London in 2017. The band is composed of vocalist Florence Shaw, guitarist Tom Dowse, bassist Lewis Maynard and drummer Nick Buxton. They are noted for their use of spoken word primarily in lieu of sung vocals, as well as their unconventional lyrics.

DS Album Review: Anti-Flag – “Lies They Tell Our Children”

Our favorite Pittsburgh foursome, Anti-Flag, are 13 albums deep into their career that has spanned since the late ’80s. There was a long break and line-up change before they resumed their work in ’92, but they are still angry, and this album shows it. To be clear, Lies They Tell Our Children is Anti-Flags’ first […]

Our favorite Pittsburgh foursome, Anti-Flag, are 13 albums deep into their career that has spanned since the late ’80s. There was a long break and line-up change before they resumed their work in ’92, but they are still angry, and this album shows it. To be clear, Lies They Tell Our Children is Anti-Flags’ first concept album and is a collection of probably their finest and most forward songs since their ’96 debut album. The album is 11 tracks, and seven of them have guest features, from Ashrita Kumar from Pinkshift, Campino from Die Toten Hosen, Tim McIlrath, and Brian Baker from Bad Religion, to name a few. While I usually believed that too many guest features were a red flag, this album shows that if you have an idea, you have a clear message, and people believe in the message you’re trying to bring forth, the number of guest features does not matter.

Let’s rewind to 2020; what the fuck happened? Covid, the world stood still; Anti-Flag released an album like many others. Now let’s fast-forward to 2022: war, impending doom, and most of us have given up hope that the system will ever change. Here’s Anti-Flag with clear, straight-to-the-point messages. There’s no misinterpreting anything with their lyrics on this album. Happy New Year, all; I’ll let Anti-Flags point out what is wrong with the system in 2023. But Lies They Tell Our Children doesn’t hold back on any song, and it’s time to go in for the kill. Anti-Flag has tried to perfect the balance between catchy hooks, headbanging instruments, and meaningful lyrics for the past three decades. I thought 20/20 Vision was a masterpiece, but Lies They Tell Our Children has outdone it. So I’ll get on with my review, and I’ll tell you this: I’m a sucker for any album that takes open digs and trashes the Government in any country.

“Sold Everything is a solid album opener; the song starts slowly with the rhythm guitar taking the lead before Justin Sane jumps in with their much-appreciated political lyrics. “Neo-liberal white saviors, Murdoch and Fox News. Fuck the Pittsburgh police and our president too!” sings Justin Sane, backed by the rest of the band during the song. Next up is “Modern Meta Medicine” ft. Jesse Leach from Killswitch Engage taking their dig at Big Pharma, and I would like to say America’s significant consumption of pills and other things. Still, the fact is that it isn’t just a problem in America but everywhere in the world. While “Sold Everything” doesn’t set the tone for the album, this song does. It’s fast-paced with loud drumming and guitars but again highlights the catchy hooks. We’ve all heard this song for some time, so there’s nothing I can say that everyone else hasn’t caught on to. “Laugh. Cry. Smile. Die” ft. Shane Told of Silverstein was the first single to shoot off this album. “The lies we tell our children shaping everything we know/ Turning fact into fiction streamed on every single show” goes well into how the misinformation isn’t anything we can run from. Especially the younger generation has much more access to knowledge than the later generations had while growing up.

I’ll skip a bit because we’ve all heard most of the features, but let’s bring “Shallow Graves” ft. Tré Burt into focus. Now this song is probably one of the biggest standouts, in my opinion, and sad it wasn’t released as a single. This song sounds different, with heavy guitar riffs, rough vocals, and rapid drumming. But it has a more unpolished indie vibe before it goes into the classic Anti-Flag sound throughout the album. “Only In My Head” is another standout track, but this one is without guest features. “They are after me/ But no one’s free,” screams Justin Sane throughout the track, with the rapid machine drumming and simple “oh’s” from the band in between, concluding a great album. Things changed over the years, but Anti-Flag hasn’t that much, and that isn’t bad because this album feels like the beginning of something big to come.

Standouts to listen to: SHALLOW GRAVES, IMPERIALISM, SOLD EVERYTHING and ONLY IN MY HEAD

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DS Album Review: Bridge The Gap – “Secret Kombinations”

After months of hype and anticipation, Bridge The Gap have some serious expectations to live up to with their debut album Secret Kombinations. The 13-song LP was recorded at legendary Fort Collins, CO recording studio The Blasting Room. You may know the producer; I think he’s some drummer guy named Bill Stevenson? No big deal. […]

After months of hype and anticipation, Bridge The Gap have some serious expectations to live up to with their debut album Secret Kombinations. The 13-song LP was recorded at legendary Fort Collins, CO recording studio The Blasting Room. You may know the producer; I think he’s some drummer guy named Bill Stevenson? No big deal.

Secret Kombinations has all the hallmarks of the 90’s “Epifat” skate punk sound. The album serves up a heaping helping of everything from hard charging, Pennywise-ish sociopolitical anthems, to feel-good melodic punk songs in the vein of bands like No Use For A Name, Pulley, and the slightly more contemporary Chaser. Of course, there’s no shortage of whoas and oozin’ aahs sprinkled throughout the entire album.

The record starts strong with its title track, immediately followed by “Road Less Traveled”, delivering a solid 1-2 punch that grabs you right off the bat. “Over the Target” keeps things moving along at a brisk pace with its riffy guitar work and a driving, whoa-filled chorus. “Open Heart Purgery” and “My Creation” are much slower, but still manage to match the energy of the album’s fastest tracks. I’ve seen plenty of people comparing the latter to Pulley’s classic “Insects Destroy”, and I wholeheartedly agree with the comparison.

The back half of Secret Kombinations is where the band starts to really hit their stride; standout tracks include “Found in a Fire”, “Up”, and “Whippersnapper”. Lyrically, these are some of the album’s most introspecticive, personal songs. There’s a really earnest tone on these tracks that echoes NUFAN’s late-90’s output, somewhere between Making Friends and More Betterness.

This may be the band’s maiden voyage under their current moniker, but these guys are no greenhorns. Bridge The Gap’s lineup is comprised of members of long defunct Salt Lake City punk band Unfold, in which they released an album over 20 years ago. When paired with the warchest of knowledge Bill Stevenson brings to the table, that past experience pays dividends on Secret Kombinations. Bridge The Gap put their spin on the skate punk conventions of yesteryear, and the end result is an ultra-polished record with laser focused musical direction.

Super official review score: 4.25 out of 5 star emojicons ⭐⭐⭐⭐¼

Secret Kombinations releases March 24th on People of Punk Rock Records. Head over here to get the album on vinyl and/or CD. Digital download is available on Bandcamp.

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DS Album Review: Codefendants – “This Is Crime Wave”

Fat Mike is back with a new band called Codefendants, and they have released a debut album that might be one of the sickest debut albums this year; it’s called This Is Crime Wave, and funny enough, Crime Wave is the genre that’s made up in the minds of Fat Mike, Sam King from Get […]

Fat Mike is back with a new band called Codefendants, and they have released a debut album that might be one of the sickest debut albums this year; it’s called This Is Crime Wave, and funny enough, Crime Wave is the genre that’s made up in the minds of Fat Mike, Sam King from Get Dead, and rapper Ceschi Ramos. So it’s hip-hop, new wave, punk? There are some acoustic guitars and THE BEATLES! Trumpets? It’s everything and awesome. But let’s move on to the album.

Opening the album “Def Cons,” which isn’t a good song by any means. It’s uneven and doesn’t know what it’s doing. Ramos delivers on the raps, but it’s not a memorable song. This is odd because “Abscessed” featuring Onry Ozzborne and Get Dead, make room for each genre on this track; there’s no mismatch where the punk falls behind and sounds like it was added to justify the punk in the new made-up genre. Instead, the punk is heard loud and clear, with the raps coming faster than a groupie in the 70s. This song has everything I would want in a song when I hear punk, hip-hop, and new-age hip-hop mashed together in a blender. This song is the summer anthem for 2023. 

The D.O.C., yes, the actual D.O.C., a legend, is featured on the “Fast Ones,” and this song marks his return after nearly 20 years out of the game. The fact this legend came out of retirement to get involved in this song should be acknowledged because this is important for everyone. To those who were around in the 90s for hip-hop, I would say that this song sounds influenced by it but met with an updated sound that reminds me of the sound Lil´ Dicky spits out in his songs. 

“The last person I dated accused me of trauma dumping / and they were absolutely right” opening lyrics to “Disaster Scenes” featuring Stacy Dee from Bad Cop/Bad Cop is a strong song. Stacy Dee puts on a vulnerable display and opens up about the abuse she experienced early in her childhood. On “Suckers,” we finally get some trumpets and a somewhat jazz vibe over it. The pop-punk sound on “Brutiful” – yes, clever title – shows that a whole song doesn’t need one or the other but that there’s a natural progression from a Celtic folk vibe to a chorus with pop-punk chords throughout it. 

The album itself has minor flaws, but along the way, those flaws turn out to be what makes the album complete. The lyrics and the different instrumental arrangements we hear on the album work. And for a debut album, it can be worrying if they can keep the level of rawness throughout their following albums if they ever come. The themes that they tackle on the album; child abuse, trauma dumping, gang violence, racism, violence, and many more, definitely seems to show another layer of Fat Mike, but not surprising Sam King or Ceschi Ramos, who has had a first-hand experience with drugs and the prison system. This album highlights much darkness and blurs the line on what is genre-defying. This Is Crime Wave is raw and shouldn’t be taken lightly. I am pleased with the turnout, and all I have left to say is; I better wipe my fucking face (see what I did there?)

It gets 4 stars out of five from me.
I recommend the following songs: Abscessed, Fast Ones, Suicide By Pigs (It’s funny but not funny, you know?), Disaster Scenes, Coda-Fendants

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DS Album Review: Colorsfade takes you to Riff City on sophomore LP “Built From The Wreckage”

If there’s one thing Canada’s really fucking good at, it’s churning out some of the finest skate punk you’ll ever hear. Quebec’s Colorsfade find themselves in elite company with bands like Belvedere and Mute, and their new album proves they have what it takes to hang with the big boys. This record checks all the […]

If there’s one thing Canada’s really fucking good at, it’s churning out some of the finest skate punk you’ll ever hear. Quebec’s Colorsfade find themselves in elite company with bands like Belvedere and Mute, and their new album proves they have what it takes to hang with the big boys. This record checks all the boxes of what I look for in a skate punk record: Great songs with big choruses ✅ Excellent production ✅ Guitars taking you on a one-way trip to Riff City ✅ Built From The Wreckage earns my preliminary nomination for Shreddiest Album of 2023.

The first few songs Colorsfade premiered off Built From The Wreckage landed them a spot on Dying Scene’s Band Spotlight. After hearing those tracks – “Complaining”, “Roll of the Dice”, and “Open Book” – I knew this was probably gonna be one of my favorite albums released this year. And now that I’ve heard the seven remaining songs, I can say with confidence this album will make my year-end Top 10 list. There isn’t a single bad song in the bunch; everything on this thing is stellar. This record is right up there with the likes of Mute’s Thunderblast and This Is A Standoff‘s Be Disappointed when it comes to technically proficient, melodic punk rock.

Built From The Wreckage is much more than a barrage of guitar riffs; yes, there is a surplus of shredding, but it’s done quite tastefully so as not to overshadow the songwriting (which, by the way, is top fuckin’ notch in its own right). The album opens with a chugging bassline on “Line In The Sand”, and slowly introduces the rest of Colorsfade’s instrumental ensemble before kicking into high gear about a minute into the song. From then on, it’s a full speed ahead. Other standouts include “Reclaiming Your Own”, “We Won’t Fall”, “Society is Crumbling”, and the penultimate “Our Time to Shine”. Really, you could throw all these songs in a hat and wouldn’t risk drawing a stinker. All killer, no filler baby!

So there ya have it folks. Colorsfade fucking rules. Built From The Wreckage is an absolute scorcher of an album. I’m tired of hearing people proclaim punk is dead, because bands like these guys (and awesome labels like People of Punk Rock Records who put these records out) continue to prove time and time again that’s just not the case. Support this band. Buy the record.

I give Built From The Wreckage 5/5 Stars ⭐⭐⭐⭐⭐

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DS Album Review: Diesel Boy – “Gets Old”

Listen, I’ll be upfront. I was ten when Diesel Boy released their last album “Rode Hard and Put Away Wet”, and I initially didn’t hear it until I was 19. So that, for me, made this period of longing for new material a little shorter. I’m 31 now, so the period here isn’t as intense as […]

Listen, I’ll be upfront. I was ten when Diesel Boy released their last album “Rode Hard and Put Away Wet”, and I initially didn’t hear it until I was 19. So that, for me, made this period of longing for new material a little shorter. I’m 31 now, so the period here isn’t as intense as many have waited. But still, like many, I couldn’t help but wonder what had happened to the band. With Gets Old, Diesel Boy are back, and the past 22 years have benefited from their break.

If we look at the opener ‘Lost Decade’, it could come off as the average punk song. But they take the piss out of themselves and give fans a sense of what they’ve been up to since they’ve been gone. Is it a reunion if no one cared we were gone or that we’re back?” and those lyrics are funny.

This quickly became my favourite song. ‘Viking Funeral’ starts with what I imagine is Gjallarhorn, but I’m pretty sure it’s regular horns playing. The lyrics are heavy and could hint towards a break-up that left someone with a heavy heart afterward. ‘Corpse Paint Blues’ is a pretty pop-punk song about some nice coffee shop and dreaming about suburban life. I felt this song was grown up, longing for the earlier years when things seemed simpler. ‘Two Stones’ hits differently. Lyrically it seems somber, and while the rest of the album hasn’t been “light” on the lyrics, to be honest. The guitar solo and the sound overall remind me of an 80s song. Friends, this may very well be one of the nicest album-closers I’ve heard this year.

22 years is what it took for Diesel Boy to return, and I hope they don’t take another 22 years to release a new album. Because this was fun to hear from them, I think it’s a good comeback album, and no matter what they sing in ‘Lost Decade’ I care that they are back! And you should be too! Check out this album; if you’re at Brakrock this week, remember to check them out!

9/10

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