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Dying Scene Photo Gallery: A Giant Dog,Trouble in the Streets, and Avantist: Empty Bottle, Chicago (10/24/2023).

A Giant Dog and Trouble in the Streets stopped by the Empty Bottle while on tour. Chicago’s own, the Avantist was the opener and Dying Scene was there to cover it. Austin’s own A Giant Dog put on a killer show that was full of energy and their fans danced into the night. Band consists […]

A Giant Dog and Trouble in the Streets stopped by the Empty Bottle while on tour. Chicago’s own, the Avantist was the opener and Dying Scene was there to cover it.


Austin’s own A Giant Dog put on a killer show that was full of energy and their fans danced into the night. Band consists of Sabrina Ellis- vocalist, Andrew Cashen- vocalist/bassist, Vince Delgado – bassist, Danny Dilion – guitarist, and Daniel Blanchard – drummer. Special guest Hanna “Hazard” Johnson of Hitter and LilTits, came onto the stage and sang a song with the band. Towards the end of the show AGD performed Only Time by Enya and it was a huge hit with the crowd. Find them here.


Trouble in the Streets accompanied AGD on the tour, hailing from Austin, Texas. The band consists of Nnedi Nebula – vocalist/lyricist, Andy Leonard – sound designer, and Kenny Schwartz – drummer. TiTs played their own version of Rage Against the Machine’s Bulls on Parade. Find them here.


Avantist is a Chicago band consisting of brothers Fernando Arias – vocalist, Luis Arias – drummer, Erick Arias – bassist, and David Arias- guitarist. Find them near you when new dates are available on their site.


A Giant Dog photo gallery.


Trouble in the Streets photo gallery.


Avantist photo gallery.

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Dying Scene Photo Gallery: Re-TROS, Liars, and Lifeguard, Thalia Hall (04/13/2024).

Headlining band Re-TROS continued their killer North American tour with their longtime friends Liars at the historic Thalia Hall in Chicago’s Pilsen neighborhood. The Windy City’s own Lifeguard opened the show and they did not disappoint. Fans came out and supported this tour with open arms. Hailing from Beijing, China, post-punk band Re-TROS, also known […]

Headlining band Re-TROS continued their killer North American tour with their longtime friends Liars at the historic Thalia Hall in Chicago’s Pilsen neighborhood. The Windy City’s own Lifeguard opened the show and they did not disappoint. Fans came out and supported this tour with open arms.

Hailing from Beijing, China, post-punk band Re-TROS, also known as Rebuilding the Rights of Statues, formed in 2004. Since then, they have developed a unique sound. They showcased their musical talents using percussion, synth, cowbells, bass, guitar, and their haunting melodic voices with a beautiful hazy backdrop that complemented the mood. Re-TROS surpassed everyone’s expectations and ended their tour with a bang. Find them here next.

Liars is a New York experimental band with hints of post-punk and electronic that formed in 2000. They brought their eclectic energy and set the stage for Re-TROS. Find them here next.

Chicago’s own trio Lifeguard is as a punk/indie rock band that formed in 2019. They have been making a name for themselves and are preparing for their 2024 summer tour in the U.S. and UK. Be sure to catch them near you here.

Re-TROS attracted fans from across the Midwest who celebrated their rare Chicago performance by singing along, dancing, and screaming. Among them was Jason Zhu, who has seen Re-TROS in Beijing, drove in from South Bend, Indiana for the show. Zhu says the band has influenced his own post-punk band, Boys in the Tub, and he couldn’t pass up on seeing them in Chicago.

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Dying Scene Photo Gallery: The Rumble Fest 2023, Cobra Lounge, Chicago, Illinois (07/21-22/2023).

Chicago’s Cobra Lounge hosted The Rumble with all you could expect from Midwest hospitality. This was a Midwest Hardcore Marathon spread out between two days, two parking lots and twenty-one bands. The event was an excellent combination of hardcore, post hardcore, metal, and surprisingly love. The festivals creators celebrated their engagement at the show. The headliners were […]

Chicago’s Cobra Lounge hosted The Rumble with all you could expect from Midwest hospitality. This was a Midwest Hardcore Marathon spread out between two days, two parking lots and twenty-one bands. The event was an excellent combination of hardcore, post hardcore, metal, and surprisingly love. The festivals creators celebrated their engagement at the show. The headliners were Cro-Mags and Killing Time and all of the bands rocked it! The weather teased us with dark clouds and a bit of rain but overall it was a great couple of days at Cobra Lounge.


Cro-Mags were the first headliner closing out the show Friday night and they did not disappoint. Be sure to see the gallery below for more photos. Check them out here next.


Chicago’s own, Conservative Military Image always seem to have crowd band of followers. Be sure to check them here.


Killing Time hailing from New York closed out the show Saturday night and they were the perfect band to end the festival. Find them here next.


The show began with Turquoise, World I HateSpacedMissing LinkCMI, SectorRestraining OrderThe Killer, and Cro-Mags closing the first night. I’ve seen Conservative Military Image (CMI) before, but they brought the energy to the event even though it felt like 100 degrees.

The second day the doors opened at noon and the show started at 12:30 with Dazy LostBig LaughWishKind EyesOzoneDomainBuried DreamsFugitiveRaw BrigadeDead HeatMilitarie GunTake Offense, End It200 Stab Wounds, and Killing Time closed the show with crowds dancing into the night.   

Check out our slideshows below!


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Dying Scene Show Review and Photo Gallery: Windy City Sensation w/ Flesh Panthers, Criminal Kids, Some Hearts, RMBLR and more

Story and Photography by Meredith Goldberg Windy City Sensation returned in Chicago over the weekend of July 16-17, taking over Liar’s Club for two nights of a loud and rowdy rock cocktail with a twist of punk and hardcore. The iconic bar/venue on West Fullerton Avenue played host to a multitude of bands all competing […]

Story and Photography by Meredith Goldberg

Windy City Sensation returned in Chicago over the weekend of July 16-17, taking over Liar’s Club for two nights of a loud and rowdy rock cocktail with a twist of punk and hardcore. The iconic bar/venue on West Fullerton Avenue played host to a multitude of bands all competing for title of most hyper-energetic set.

Of course, the music was pretty damn good too.

Jump starting the weekend were some well-liked sons of the Windy City, Bad Sons. The Chicago born and bred street punk crew has two modes working in conjunction “Fast. Loud.” The band hit its targets on both. 

Though no exact stats available at the moment, Milwaukee might be the non-Chicago city with the highest number of bands having played at Liar’s Club. Convert, the first of the weekend’s several Milwaukee bands, followed Band Sons. Convert made up of musicians from two different hometown scenes: punk rock, and electronic music.  Somewhat obscured through a very dense layer of blue fog its performance nonetheless broke through strong and clear.  

Some Hearts is based out of both Tulsa, OK and Los Angeles, CA, which one member, Niah Bervin, joked was “weird, I know haha,” found its way into the heart of the opening night crowd with its energetic set. 

Criminal Kids has around for a while and has deservedly developed a reputation for rollicking sets. From the regularity of the band’s appearances at Liar’s, it is obvious this is a favorite spot for them. It even recorded a live record at the venue in September 2021. All of this contributed to a sense the band was very much at home, among friends, on the compact stage at 1665 W. Fullerton. Its performance did not disappoint. 

From Criminal Kids immediately to a crime of another sort. Crime Line comes out of Norfolk, one of the cities making up Hampton Roads, a metropolitan area in southeastern Virginia. (Note: it is also where I lived for several years so I know the area well) Along with its Naval facilities, Hampton Roads might be musically best known for homegrown hip-hop legends Missy Elliott and Pharrell Williams. As shown in the documentary, “Hardcore Norfolk: The Movie” (2011) it also has a strong punk rock legacy. The most well-known of which is likely Waxing Poetics.  Crime Line carries that legacy forward with its rambunctious performance. Lead singer Ray Braza might have been purposefully or perhaps subconsciously but bloodily inspired by   Jack “Choke” Kelly from legendary Boston hardcore band Slapshot.  Braza smashed up his own head with the resulting blood running down his face and garishly mixing with sweat to soak his white t-shirt failed to stop him. Alas, it was difficult to determine if tears completed the metaphorical holy trinity symbolizing the hard work it takes to succeed. 

Capping off night 1 was Dinos Boys out of Atlanta Georgia. Chase Tail pulled triple duty for the weekend. Tail is the lead singer for both Dinos Boys and RMBLR, with each band at the top of its respective night’s bill. In addition, Tail organized the event. However, if he was exhausted at any point, it did not show. 

Aces, from Milwaukee, got the Sunday session off to a pummeling start with its no flash all thrash set. The band appeared to be buoyed by its latest EP, released this year, “Raw Deal,” which includes the single, “Outta Time.” 

Flesh Panthers are vets of the Second City punk scene. Revrend Zombotron led the group with an enthusiasm which led the crowd to slam against the stages and the walls surrounding the compact stage. Flesh Panthers’ lively performance was a highlight among many highlights during the Windy City Sensation 2022 weekend. 

And then there was Baltimore’s BBQT. The 5-piece crew from Charm City delivered an especially exciting set. Gabbie “Sleaze-E-G” Torres dominated both the stage and the floor. At times she appeared ready slither right off the stage. Thankfully, the stage is built fairly low to the ground.  Her bandmate,  guitarist Alex Briscoe, brought to mind a whirling dervish with his nearly continuous spins. He remained in perpetual motion for the duration of the BBQT set. 

Closing out the weekend, RMBLR left the crowd panting and exhausted. Event organizer Chase Tail growled into the mic, slashing across the stage. At one point he dropped to the floor of the stage and proceeded to easily do one-handed push-ups.

Despite a few brief technical glitches with sound gear and guitar straps, the weekend was a bit of chaotic glory. If there is a Windy City Sensation 2023 there will be high expectations to meet. I have little doubt that organizers can and will exceed those expectations. 

Please see below for more images from Windy City Sensation.

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Enter Shikari

Enter Shikari are an English four-piece rock band formed in St Albans, Hertfordshire. They are known for their crossover style incorporating post-hardcore and various heavy metal sub-genres, such as metalcore and alternative metal, with elements of various electronic genres, such as industrial, dubstep, trance, and occasionally drum and bass, creating a very distinct sound.

Fall Out Boy

Chicago’s biggest pop-punk band. The band has millions of followers and streams. They’re are known for hits like “Sugar We’re Going Down”, “Dance Dance”, and “Thnks fr th mmrs”. Fall Out Boy is on the Mount Rushmore of emo, playing a pivotal role in the popularity and rise of the pop-punk scene. They helped introduce an entire generation of kids to guitar driven music.

Fever 333

Out of the ashes of Letlive’s breakup, Jason Aalon Butler sought to create a new band. A more politically charged punk band with a nu metal sound. Fever 333 combines elements of hardcore, rap, funk, and dem into the music. It’s an extremely exciting experimental band that is beloved by everyone in the punk community.

Fleshwater

Fleshwater paint in broad strokes of alternative, shoegaze, electronic, post-hardcore, and off-kilter pop splashed against a tight sonic canvas awash in vibrant colors and visceral textures.

Godspeed You! Black Emperor

The instrumental multimedia Montreal group Godspeed You! Black Emperor create extended, repetition-oriented chamber rock.