
Toronto melodic punks Family Meeting have released their final EP Walk Left/Stand Right, which is out now Thousand Island Records. The band announced recently that they were to split after the release.
Have a listen on Spotify.
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Toronto melodic punks Family Meeting have released their final EP Walk Left/Stand Right, which is out now Thousand Island Records. The band announced recently that they were to split after the release. Have a listen on Spotify. .

Toronto melodic punks Family Meeting have released their final EP Walk Left/Stand Right, which is out now Thousand Island Records. The band announced recently that they were to split after the release.
Have a listen on Spotify.
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Dutch melodic punks Screw Houston have released a new single. “Hospital Beds” is out on White Russian Records and will be on their upcoming, as-yet-untitled album. The band will celebrate ten years together with the release. Have a watch of the lyric video that accompanies the single below.
Dutch melodic punks Screw Houston have released a new single. “Hospital Beds” is out on White Russian Records and will be on their upcoming, as-yet-untitled album. The band will celebrate ten years together with the release.
Have a watch of the lyric video that accompanies the single below.
Milwaukee ska-punks Something To Do have released a video for “That Good Life”, a track from their Design For Living album, which came out back in June. You can have a watch below.

Milwaukee ska-punks Something To Do have released a video for “That Good Life”, a track from their Design For Living album, which came out back in June.
You can have a watch below.
Philadelphia pop-punks Goalkeeper have released their new EP. Bad Times Don’t Last is a five track affair, including recent video “Nothing At All“. Have a listen on Spotify now; upcoming tour dates are below.

Philadelphia pop-punks Goalkeeper have released their new EP. Bad Times Don’t Last is a five track affair, including recent video “Nothing At All“.
Have a listen on Spotify now; upcoming tour dates are below.
Horror-pop-punk act Horror Section officially release their debut full length on December 7th. The self-titled, 16 song LP is out on Eccentric Pop Records, with physicals up for pre-order now. The album is up on Spotify now.
Horror-pop-punk act Horror Section officially release their debut full length on December 7th. The self-titled, 16 song LP is out on Eccentric Pop Records, with physicals up for pre-order now.
The album is up on Spotify now.
Perth, Australia pop-punkers Alex The Kid have released a new, four song EP on Pee Records. Straight Outta Luck is up on Bandcamp now, with various physical order options up too. Have a listen below.

Perth, Australia pop-punkers Alex The Kid have released a new, four song EP on Pee Records. Straight Outta Luck is up on Bandcamp now, with various physical order options up too.
Have a listen below.
AFI are to release a new EP, The Missing Man, on December 7th. The EP will be the follow up to last year’s self-titled album. You can have a listen to “Trash Bat”, the opening track from the five song offering, below.
AFI are to release a new EP, The Missing Man, on December 7th. The EP will be the follow up to last year’s self-titled album.
You can have a listen to “Trash Bat”, the opening track from the five song offering, below.
After a decade long hiatus, Montreal’s Twenty2 are back with a new EP Nice Knowin’ Ya. Picking up where they left off, 2006’s Defective, this album is full of emo-tinged pop punk delivered with a familiar angsty sneer and melodic rage. Nice Knowin’ Ya blasts out of the gates with “Intro(vert)”, a sub-minute explosion of […]

After a decade long hiatus, Montreal’s Twenty2 are back with a new EP Nice Knowin’ Ya. Picking up where they left off, 2006’s Defective, this album is full of emo-tinged pop punk delivered with a familiar angsty sneer and melodic rage.
Nice Knowin’ Ya blasts out of the gates with “Intro(vert)”, a sub-minute explosion of frenzied guitars and intense anger. “I don’t care if you don’t get it, it’s ok if we have to end it here and now, because I have no time and alone I’m just fine” Jon yells with a sense of defiance.
Like the inevitable sense of quiet dread sets in after an explosion, the emotional side of this album kicks in after the first song. Perhaps showcasing that “alone I’m just fine” is not entirely accurate. “Won’t Hate” has distinct change of energy, stepping down the rage and giving it a melancholic feel. “I’ll never be the same without you, I know I’m better off without you, I will turn around and leave you behind” is delivered in a way that is difficult to figure out if he is talking to someone else, or attempting to convince himself. This self doubt is layered over a driving rhythm and soaring vocal melodies.
“Radio Mind” continues the punchy instrumentation and soaring melodies found throughout this album, but also double-downs on the emotional response to “Intro(vert)”. “I haven’t been here long enough, I hate to look back but it’s tough to move on” opens the song “Can’t Hold on, Can’t Let Go” who’s title alone suggests that there is a distinct sense of regret involved in the situation this album is presenting.
There are a couple of stand out tracks featuring guests. The first one being Stephen Egerton from the Descendents on “I’d Rather Die”. This song puts the anger back on display and the guitar work has a more frenzied feel. When Jon’s vocals come back in after the guitar solo there is such anger and resentment, it’s a palpable chill-inducing moment. This song definitely explores the angrily-accepted side of the emotional spectrum on display in this album.
The other guest track features Al Nolan from Canadian punk band Almighty Trigger Happy. The last and titular track “Nice Knowin’ Ya” is the perfect example of a band creating highs and lows in the exploration of emotions. The guitars are aggressive and in your face, the drums explode and make you feel every hit, the bass line driving and complementary, all of which on fire with angst but then drop off so quickly in the breakdown it’s a free fall of energy that ends with a primordial scream. The call and answer vocals, as well as the harmonies are executed perfectly. “Fuck you and everything you want from me. Got no time for anything but my need, I gave you even my own sanity, what’s left is just for me.” screamed on the verge of a breakdown shows that “Alone I’m just fine” was definitely not true.
Nice Knowin’ Ya leaves a little to be desired, I wish there were more songs like the title track and “I’d Rather Die” as some of the other songs start to blur with similarity. However this album shines because of the honest lyrical look at the feelings we all experience after an emotional fallout. The rage-fueled things we say, in a sub-one minute song, versus the depth of the feelings we experience afterwards, in five songs across fourteen minutes.
3.5/5 Stars
With so many pop punk bands coming out of Australia at the moment, it’s becoming harder and harder to stand out from the crowd. Loose End from Melbourne make their attempt to have an impact with their second EP ‘Overthinking Everything I Know’. The release, recorded by Chris Vernon from Belle Haven, is a follow […]

With so many pop punk bands coming out of Australia at the moment, it’s becoming harder and harder to stand out from the crowd. Loose End from Melbourne make their attempt to have an impact with their second EP ‘Overthinking Everything I Know’. The release, recorded by Chris Vernon from Belle Haven, is a follow up to their self-titled effort in 2017.
The EP opens with ‘Cracks in the Curtains’ with dropped-D crunchy riffs coming straight in followed by familiar (and welcome) chugging guitars under an upbeat verse melody. The chorus here is one of the strongest on offer from this release and almost becomes an ear-worm. The new single ‘Hiding in Someone Else‘ follows with shouting vocals that come in without warning followed by the melody. This method can work on a pop punk song but it needs to be more thought out (they would do well to listen to Senses Fail‘s song “Is It Gonna Be The Year?” from earlier in 2018).
Third track ‘Doesn’t Matter’ flows quite nicely to begin with but the chorus falls a bit flat, it feels like it is missing a big hook, in fact the best parts of the song are the ‘woahs’ after the second final choruses. ‘The Stress & The Envy’ picks things up somewhat with a bouncy riff and well thought out chorus. This is a song that could easily be found on a WSTR album (a band they unsurprisingly cite as an influence).
On ‘Identity’ Loose End push things in a slightly different direction with a somewhat heavier sound than the other tracks. Given they listen to Comeback Kid and Trapped Under Ice, it makes sense that they delve into this territory. I cannot help but feel like this song is lost in the middle, not quite working as a heavy song nor a pop punk one. Closer ‘Jordan Street‘ is the first single of the EP, and is a decent enough pop punk effort with cliched but genuine sounding lyrics, the transition from the verse to the chorus is quite impressive and shows what this band are capable of.
‘Overthinking Everything I Know’ is certainly a more interesting and enjoyable listen than their last effort. I could be wrong, but the press release simply states that they recorded the songs with Vernon, so as far as I’m aware they only engineered the release and did not produce it. I feel like the band could really do with a seasoned producer to come in and help define their sound and craft some stronger hooks. Given that this is only their second release, Loose End have time to keep pressing forward, and these skills may come with time. Their sound is still blending in too much with their pop punk peers from their home country as well as their counterparts from the US and UK. They have some way to go before they have crafted a sound as interesting as someone like Trophy Eyes (another influence they nod to).
Not so much ones to keep an eye on, more a band to keep checking up on every now and then to see how they have developed. They do, however, deserve a bonus point for not singing in a fake American accent like many other UK and Australian bands in their genre.
2.5/5 Stars
Philadelphia Speed-Punk outfit Riverside Odds has signed to New York/Austin based punk imprint Altercation Records. Both are planning on an early Summer release of a new full length album produced by The Supersuckers Eddie Spaghetti. Front man and Riverside Odds ringleader R.W. Hellborn commented; “We are extremely excited to announce our signing to Altercation Records […]
Philadelphia Speed-Punk outfit Riverside Odds has signed to New York/Austin based punk imprint Altercation Records. Both are planning on an early Summer release of a new full length album produced by The Supersuckers Eddie Spaghetti.
Front man and Riverside Odds ringleader R.W. Hellborn commented;
“We are extremely excited to announce our signing to Altercation Records and we want to thank Travis and JT for supporting what we do, and can’t wait to bring our style of speed punk rock & roll to even more fans as we get set to release this next album in 2019”
Travis Myers, Co-Owner of Altercation had this to say;
“We at Altercation are very happy to have signed Riverside Odds, we have been watching them grow since they had released their last record [Let The Mayhem Begin] and have become big fans of their sound …Their live show is must see and is truly second to none, and their in your face sex, drugs, rock & roll, approach to the music is a perfect fit for our label, and we look forward to working with them for years to come.”