DS Album Review: Sleep Token – “Take Me Back To Eden”

Sleep Token. Everyone knows their name by now, as they’ve taken the world by storm with their latest songs. The first 5 singles that they dropped in anticipation of the full release of Take Me Back To Eden gave us all a teaser that still left us blindsided by the incredible taste of the main […]

Sleep Token. Everyone knows their name by now, as they’ve taken the world by storm with their latest songs. The first 5 singles that they dropped in anticipation of the full release of Take Me Back To Eden gave us all a teaser that still left us blindsided by the incredible taste of the main course. Before getting into the review, I’ve got to be honest, I re-wrote this at LEAST three times. The third time restarting being because I got to experience Sleep Token at Aftershock 2023 from the front bar. Their set was incredible and to experience 5 out of the 12 songs from Take Me Back To Eden was easily something I’m never going to forget. I had the absolute pleasure of hearing 2 of my 3 favorite songs on the album and will keep those memories forever. The album is incredible to begin with, but to now have heard some of them live and know that Vessel sounds just as amazing live as he does on track makes it that much better in my opinion.

Getting to the review now, overall, I love this whole album. Cover to cover, this album flows so beautifully and makes me wish I knew how to do production stuff like this personally. They opened the set at Aftershock 2023 with “Chokehold”, which is how the album also starts. Easily one of my favorite songs on the album, musically and lyrically. Having someone in your life that you’re so infatuated with that you can say they’ve got a “chokehold” on you is an incredible, yet unnerving, feeling. I’m sure some can listen and relate to the song on some level, whether it be a passion, person, hobby, place, etc. There’s typically ONE thing most people can say has a hold on their love and affection to this seemingly extreme degree.

“The Summoning” came further in the set at Aftershock, but hit just as hard as it did when it took the world by storm last year. The lyrics of the song still ring true to many and had the entire crowd at Aftershock screaming along to the lyrics. This song’s seductive and sexy vibe makes it a crowd favorite and I don’t see it leaving their setlist for live shows for years to come. “Granite” is the third song up on the album and it brings a different perspective lyrically than a lot of the others. Speaking of a person who chose to take advantage of their loved one and treat them as though they are just another body in their world, and not someone who is supposed to mean the world to them. It’s a song that I fear many can relate to and I can say I, too, have been there.

“Aqua Regia” is a smooth and vibey song that gives the listener a nice buffer between the heavy and intense instrumentals of the previous tracks. The intensity of most of the tracks are greatly appreciated by many, I’m sure, but having these breathers that give us a nice little break from the intense heavy topics, and into a chill and calmer vibe. Then they launch you into “Vore.” One of the heaviest songs on the album for sure. I love to go listen to this song when I need to just sit back and let the music scream for me. It’s got a slightly haunting, yet angry and broken, feel to the vocals and it genuinely seems to help relieve some of my anger when I’ve had a bad experience/interaction in life since it hit the streaming services.

“Ascensionism” is easily my top favorite song on the album. I have loved telling people that it’s been my anthem since the album was released. Not only did the lyrics speak volumes to me, but they more or less describe an individual who desires both redemption and ascension, but at the same time, a longing to escape from reality with a person who understands them, and potentially even one that shares the same dark desires they have. Asking who made them like this to have them feel so “broken” and trying to show they understand who the individual is at their darkest. Inviting them to dance in the darkness they find themselves in together and take to the broken skies with their soulmate, hand in hand. It may be a hopeless romantic outlook on it, but this depiction is a large part of why I love it and it’s been my anthem since it hit our ears when the rest of the album dropped on May 19th.

“Are You Really Okay?” I’m sure had thousands of people bawling their eyes out and eating their comfort foods. I know I was at least once since the full album’s release and I will shamelessly admit that. Getting vulnerable, slow, and all around deep into those feelings like they did for this song, really hit home for many of us music lovers. If I really need a good cry, but I can’t quite figure out how to get it all out without waiting around for something to make me cry. I just throw on this song, and by the time he says the title for the first time, I’m bawling. 10/10 recommend if you need a good cry or just a wholesome song to listen to.

“The Apparition” is about two-thirds through the album and I love the low-key aspect of it, giving us a two out of three song breather from the heavy and intense instrumentals. It’s got some good higher notes that have beautiful orchestral music behind it and is a perfect segway into the next song, “DYWYTLM” (Do You Wish That You Loved Me). The low-key sound of “The Apparition” flows into “DYWTYLM” with such ease and keeps that slow and less intense instrumentals while bringing the lyrics back to a bit more of a relatable feel. There is one line in this song that resonates with me, though. At the 3:14 mark there’s a line where he sings “But I cannot hope to give you what I cannot give myself.” That line alone had me replaying the song a few times and really sitting with it and wondering how many people heard it and did the same. It’s a powerful reflection to have two-thirds of the way through the song, if you ask me.

Moving on to my last favorite song of the album, “Rain.” This song is about finding your soulmate and having their touch wash away all your problems, getting hurt by them was something you could deal with because they’ve got their hooks in you. Knowing it’s a two-person game and wanting to give what they’ll take and take what they’ll give. Having this feeling that you’ve come together for a reason and seeing them in your future has to be a fateful sign of your unification. Acknowledging that it could all just be a part of life’s game, but looking forward, you can swear they’ll be there. I’m in a spot in my life I can confidently say I can relate to the feeling of finding a soulmate, and that feeling was only solidified further getting to experience this song from front bar at the festival.

Now for the title track… “Take Me Back To Eden” was such a rollercoaster of a song. Genre-wise and lyrically. I love the analogies and the cryptic messages that seemed to be sprinkled throughout it. The song seems to be about wanting to go back to the start when life wasn’t confusing. Losing yourself and not knowing where you’re going can be disorienting and will absolutely send many into feeling like if they could just go back to the start of a situation or experience, then all would be fixed. It’s such an incredibly produced song and I’m absolutely impressed with the instrumentals’ seamless transitions throughout the track.

Last, but absolutely not least, “Euclid.” This song was an homage and revisit to a previous song in a previous album. If you’ve been listening to Sleep Token long enough, maybe you’ve heard the song “Night Does Not Belong To God” from Sundowning. This song has a very deep and heavy meaning behind it. This struggle with his relationship with Sleep and wanting its eternal embrace, but also having that person that he doesn’t want to leave. The back and forth in his head in accepting eternal sleep or pushing forward to continue on. Finding the beauty in the darkness and he’s handed over the darkness to his love to survive. At least, that’s my interpretation of it.

Overall, this whole album was a banger and I absolutely loved that they wrapped it up with a song that references another previous album/song. I’m not sure I’ve known a whole lot of artists to do that and it’s refreshing to hear something uncommon. Their multitude of genres and the seamless transitions into each style is mind-boggling and I am constantly recommending Sleep Token to anyone who will give them a chance.

You can stream Take Me Back To Eden on all streaming services as of May 19th!!

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