DS News: Dead Kennedys drummer D.H. Peligro passes away

Devastating news coming from the Dead Kennedys camp today, as the iconic California punk band has announced the passing of drummer D.H. Peligro. According to a statement released on their Facebook page, Peligro passed away in his Los Angeles home on October 28th after he sustained a head injury in an accidental fall. Peligro, otherwise […]

Devastating news coming from the Dead Kennedys camp today, as the iconic California punk band has announced the passing of drummer D.H. Peligro. According to a statement released on their Facebook page, Peligro passed away in his Los Angeles home on October 28th after he sustained a head injury in an accidental fall.

Peligro, otherwise known as Darren Henley, had been a member of the Dead Kennedys since 1981, and played on three studio albums: Plastic Surgery Disasters, Frankenchrist, and Bedtime for Democracy. He also had a brief stint in the Red Hot Chili Peppers, and co-wrote a few tracks that appear on their highly-influential 1989 album Mother’s Milk. The legendary drummer was 63 years young at the time of his passing.

Dying Scene’s condolences go out to the Dead Kennedys and D.H. Peligro’s family. We encourage you to blast some DKs in his honor.

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DS Festival Gallery: Riot Fest Day Three (9/18/22) w/ Less Than Jake, Save Face & Mom Jeans

The final day of Riot Fest 2022. What a journey it has been! Do you ever get that post-concert blues? Because I sure was feeling it after Riot Fest. Check out our photo gallery of Save Face, Mom Jeans. and long-time favorites Less Than Jake. Mom Jeans. is an indie rock/emo band from California. Time […]

The final day of Riot Fest 2022. What a journey it has been! Do you ever get that post-concert blues? Because I sure was feeling it after Riot Fest. Check out our photo gallery of Save Face, Mom Jeans. and long-time favorites Less Than Jake.


Mom Jeans. is an indie rock/emo band from California. Time to get your sad on!


Another first for me was seeing Save Face and I’m so glad I did. The red jumpsuit-wearing post-hardcore/emo band released their debut album Merci with Epitaph Records in July 2018.


If you’re a ska fan then you are well familiar with Less Than Jake. They formed in 1992 and been making waves ever since. Check them out in the full gallery below, along with some neat shots of their toilet paper shooter (yes, you read that correctly)!


Don’t forget to check out Riot Fest day one coverage and day two!


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Dying Scene Album Review: Jerry Only’s “Anti-Hero” is a steaming pile of garbage

Ladies and gentlemen, I’m not gonna beat around the bush here. This album fucking sucks. It’s terrible. It’s awful. I want to hop in a DeLorean and go 88 miles an hour back to last week and tell myself not to listen to this steaming pile of garbage. With a few exceptions, most of this […]

Ladies and gentlemen, I’m not gonna beat around the bush here. This album fucking sucks. It’s terrible. It’s awful. I want to hop in a DeLorean and go 88 miles an hour back to last week and tell myself not to listen to this steaming pile of garbage.

With a few exceptions, most of this record – Jerry Only‘s supposed “debut solo album” – sounds exactly the same as the last “Misfits” record The Devil’s Rain. If you enjoy listening to Jerry recklessly howling over miscellaneous backing tracks that sound like they were pulled from a royalty free hard rock music library, Anti-Hero is the album for you.

The record starts on a low note with “Fear the Walking Dead” and its weird, fucked up sounding synthesizer(?) intro. Then Jerry starts singing, and things take a turn for the worse. A few unremarkable tracks later, we reach “Taboo”. This is a really fun, bouncy punk rock ‘n’ roll song; definitely the best on the album. “(You’re So Square) Baby I Don’t Care” is a close second with its upbeat, Ramones-ish feel. And then we come crashing back to reality as Anti-Hero closes with its wet fart of a title track. Jerry’s wailing about “millions tortured, raped, and sacrificed” while some shitty little arena rock style guitar riffs that don’t match the tone of the lyrics in the slightest carry on in the background. What the fuck.

There are two things I’ll give Mr. Only major kudos on. 1) He didn’t call this a Misfits album (though I’m fairly confident Danzig gave him an ultimatum when they started doing reunion shows). 2) There’s only 8 tracks on this piece of shit, so while it’s quite the unpleasant experience, your suffering isn’t too prolonged.

And listen folks, I’m not some Jerry Only-hating, Danzig-era Misfits purist or anything like that. In fact, I think American Psycho and Famous Monsters are awesome. But even I have to draw the line somewhere, and Anti-Hero is where I draw that line. Actually I drew the line at Project 1950 and The Devil’s Rain, but I am drawing an even bigger, bolder line this time.

In closing: fuck this album. It’s irredeemably bad (two of the songs are alright though so that’s kinda cool). Don’t listen to it. Don’t buy it, unless it’s as a gag gift or something. Listening to Jerry Only’s Anti-Hero was the wost possible way I could have chosen to spend a Friday night, but I did it for you, the people! And I’m sure you’ll appreciate my sacrifice.

Official Review Score: 1.38 out of Five Crimson Ghosts

  1. Amen!

  2. At first I thought someone shit in your Cheerios, but then I realized it was your ears. It does NOT sound like Devil’s Rain at all… Totally different engineering and tone. His bass sounds like it always does I guess?

    I agree with your ranking of songs (except Fear the Walking Dead), but the good songs are good and the bad songs are ok. The engineering is my least favorite… But the original Misfits albums had terrible engineering.

    But hey you got clicks so good on you I suppose?

    You must be a riot at parties.

  3. Unfortunately, Jerry’s primarily issue is he is held to an unreasonable standard considering that he is a member of the Misfits. His music sounds different than what historic Misfits fans are used to and there’s nothing wrong with that. He is doing his own thing and that’s perfectly fine. Just because it isn’t aligned with what you’re used to listening to doesn’t mean it’s bad.

    The issue is clearly with OP. He demonstrates an inability to write an unbiased piece which his article is filled with indecent yet emotionally driven language. Why such rage? It’s like encountering an unhappy dimwit that hates his own life so he feels the need to dump on others because that is his only channel to his own self gratification. And really, that’s a very low level of living.

    Bottom line? OP isn’t a logical minded individual and his expressed views should be bypassed on all counts.

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Dying Scene Record Radar: This week in punk vinyl (Lagwagon, Riverboat Gamblers & more)

Hello, and welcome to the latest installment of the Dying Scene Record Radar! If it’s your first time joining us, thank you! This is a weekly column where we cover all things punk rock vinyl. So kick off your shoes, pull up a chair, grab a few beers, and break out those wallets, because it’s […]

Hello, and welcome to the latest installment of the Dying Scene Record Radar! If it’s your first time joining us, thank you! This is a weekly column where we cover all things punk rock vinyl. So kick off your shoes, pull up a chair, grab a few beers, and break out those wallets, because it’s time to run through this week’s new releases and reissues (and there are a lot of them). Let’s get into it!

Another week, another 25th Anniversary reissue from Fat Wreck Chords! This time around it’s Lagwagon‘s 1997 classic Double Plaidinum being reissued on some very pretty colored vinyl. You can get your hands on it here (US of A), here (EU), and here (Australia).

Misfits bassist Jerry Only has released a new solo album called Anti-Hero. He claims it’s his first release of the sort, but I’d argue some of “The Misfits” later output could be considered Jerry’s solo material. Whatever. Check it out below (spoiler: it fuckin’ sucks), and grab the record here if you dig it.

Fucked Up also just announced a new record. One Day will be their sixth full-length album, and it’s due out in January. Give the first single a listen, and go here to pre-order the LP.

Tim Barry recently released a new solo album titled Spring Hill. If that wasn’t enough for you, the Avail frontman also has a 7″ featuring some new b-sides. This one’s due out November 11th, and you can grab it here. Or if you’re in Gainesville this weekend for The Fest, these will be available at his merch table.

PUP is the second Canadian band to appear on this week’s Record Radar, with their 2016 LP The Dream is Over getting repressed on “Hot Pink/Violet” colored vinyl. SideOneDummy says this is this record’s 11th pressing; holy fuck! Get your copy here.

If you haven’t already exceeded your credit limit by purchasing tickets to Blink-182‘s upcoming tour, you’ll be happy to hear that Tom DeLonge’s other band Angels & Airwaves have repressed an assload of their records. Newbury Comics, Brooklyn Vegan, and The Hard Times have exclusive color variants of all these, along with a new pressing of Mr. DeLonge’s solo album To the Stars… Demos, Odds And Ends.

Also available at Newbury Comics: new exclusive color variants of two Gaslight Anthem albums. They have American Slang on “Clear Smoke” colored vinyl (600 copies), and The ’59 Sound on “Frosted Blue” colored vinyl (750 copies). Pretty colors! How many times can I use the word “color” in a paragraph?! A lot, apparently.

It’s been a minute since we heard from the Riverboat Gamblers, but they’re putting out a brand new 7″. Check out the title track “Two Little Hearts” below, and grab the wax here.

Against Me! fans, Red Scare has a fresh new pressing of Laura Jane Grace‘s debut solo album Bought to Rot. This is a very good record! Go here to obtain your own copy of this very good record.

Previously only available in the US, Anti-Flag‘s upcoming album Lies They Tell Our Children is now getting a European exclusive variant on cream colored vinyl. You can purchase it with whatever currency you guys like to use here.

Friendly reminder! Next Friday, November 4th, MxPx will be dropping brand new reissues of three classic records: Life in GeneralSlowly Going the Way of the Buffalo, and The Ever Passing Moment. These are limited to 1,000 to 2,000 copies each (depending on the variant), and they will be available on the band’s webstore at 10AM Pacific / 1PM Eastern time. Don’t miss out!

RECORD OF THE WEEK!

We here at Dying Scene are all about trying new things, so this week I’m challenging you, loyal reader, to listen to something new! This week’s Record of the Week comes from Northern Ireland’s No Matter. These guys kick fucking ass, and their latest album Bad Chemistry is great. Check it out below, and grab the LP here (US) or here (EU). You will not regret it!

And that’s all, folks! Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs. See ya next week!

*Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

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DS Exclusive Album Stream: Charlie Bit My Finger – “Back And Fourth”

Happy Thursday, comrades! Dying Scene is thrilled to be able to bring you yet another exclusive, and it’s a banger! Belgian party-punks Charlie Bit My Finger are releasing their third studio album, Back and Fourth, tomorrow via Thousand Islands Records in USA/CAN and Bearded Punk Records in Europe. BUT, they thought it would be swell […]

Happy Thursday, comrades!

Dying Scene is thrilled to be able to bring you yet another exclusive, and it’s a banger! Belgian party-punks Charlie Bit My Finger are releasing their third studio album, Back and Fourth, tomorrow via Thousand Islands Records in USA/CAN and Bearded Punk Records in Europe. BUT, they thought it would be swell if we could let you hear it a day early, and we agree! Give it a listen, and check out all of the places you can still get your hands on a copy of Back and Fourth right here!

If you happen to find yourself in Belgium on November 5th, you can make your way to the Back and Fourth record release show here. You can also check out their recent video, “Breaking Out,” right here.

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DS Exclusive Video Premiere: Warn The Duke – “Anniversaries”

Brooklyn based melodic punks Warn The Duke are releasing a video for the track “Anniversaries” which is on their upcoming, ten track LP All That’s Solid. That’s it, just thought you should know. ….just kidding! We wouldn’t be here if that’s all we had to feed you, baby birds! Although the video doesn’t hit the […]

Brooklyn based melodic punks Warn The Duke are releasing a video for the track “Anniversaries” which is on their upcoming, ten track LP All That’s Solid. That’s it, just thought you should know.

….just kidding!

We wouldn’t be here if that’s all we had to feed you, baby birds! Although the video doesn’t hit the public airwaves until this coming Saturday, we got our grubby lil hands on it early (100% legal means, promise) and wanted to share it with our readers! The band is celebrating the official debut with a Release Show at the Cobra Club in Brooklyn on 10/29. But they ain’t stoppin’ there! Right after the show, they’re loading up and heading to Bean Town to play with Big D and the Kid’s Table at Brighton Music Hall the very next night. So, if you’re in one of those ‘hoods, stop by, say “Hi”, have a drink and listen to some terrific tunes!

Now, on with the video! Slap that play button (the repeat button a few times, too) and enjoy, comrades!


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DS Photo Gallery: Lucero and L.A. Edwards return to Boston’s Paradise Rock Club (10/23/22)

This show was initially slated to take place a few days prior (Thursday the 20th, if you must know) but due to…reasons…the band was forced to cancel a few shows in Hamden, CT, and Buffalo, NY, and Titusville, PA, but thankfully the Boston show was able to be slid from a Thursday to a Sunday […]

This show was initially slated to take place a few days prior (Thursday the 20th, if you must know) but due to…reasons…the band was forced to cancel a few shows in Hamden, CT, and Buffalo, NY, and Titusville, PA, but thankfully the Boston show was able to be slid from a Thursday to a Sunday evening, which means instead of being yours truly’s first Lucero show in five days, it was his first Lucero show in eight days. Talk about first-world problems.

ANYWAY…the rescheduled show marked Lucero’s first trip to Boston proper in just over a calendar year, and it took place back at Paradise Rock Club, the legendary 900-ish capacity venue that’s become a bit of a regular stop on the Memphis five-piece’s fall tours. Due in part to the show being moved to a new date (which, in turn, happened to be a cool and drizzly Sunday night), the show was perhaps a little more sparsely attended than it otherwise would have been, but that just gave the attendees more room to dance and get rowdy as the band ripped through a two-hour, twenty-four song barn-burner of a set.


The band kicked things off with the trio of “For The Lonely Ones,” “Chain Link Fence” and “Sweet Little Thing” as has been as close to a script as you’re going to get at a freewheeling Lucero show. From there, at least a cursory level of attention was paid to a “setlist,” although a look at the printed game plan (see the slideshow below) and a look at the list of songs they actually played reveals numerous deviations from the course. It’s a Lucero show, after all – you can’t go off the rails if there were never rails to begin with!


The band ended up playing a pretty representative sample of tracks from across their near quarter-century career. Four tracks from the upcoming twelfth studio album Should’ve Learned By Now (lead single “One Last Fuck You,” “Nothing’s Alright,” “Buy A Little Time,” and “Macon If We Make It,” the latter of which sounds like the closest thing to a crossover hit that we’ve heard from them in some time) were spread out between such classics as “Watch It Burn” and “Smoke” and “Texas & Tennessee” and, of course, “The War.” Crowd requests are a normal part of a Lucero show and they would have spent four hours playing all the suggestions lobbed at them on this night, but some surprise yesses included “Darken My Door” and “Pull Me Close, Don’t Let Go” and “Little Silver Heart” and “No Roses No More,” the latter of which dates back to the earliest days of Lucero’s career but has become a massive, dual-guitar shred-fest of a song that could easily serve as a cathartic show closer on any given night.


L.A. Edwards once again served as formidable openers on this particular night. It marked the band’s first appearance in Boston, although it wasn’t the band’s frontman and namesake’s first time in town, as he regaled the crowd with a story of a night spent at the very same venue years prior working as a guitar tech for the one-and-only Lucinda Williams…only to have one of her guitars wind up stolen on that very night. (Don’t worry, he tracked it down on Comm. Ave after a few nervous moments. A particular high note on this night found the three Edwards brothers (Jay, Jerry and Luke from left to right in the picture here) gathered around a solitary mic to kick off a soulful rendition of the Townes Van Zandt classic “If I Needed You” before returning to their respective instruments and joining guitarist Landon Pigg to close things out.


The Lucero/L.A. Edwards fall tour runs through the rest of this week, winding down Sunday night in Bloomingon, Illinois. Check the full bitchin’ rundown here, and check out our photo slideshows below!

Lucero Slideshow


L.A. Edwards Slideshow

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DS Show Review & Gallery: The Eradicator, Bad Mechanics, Coronary (Reggie’s Music Joint – 10/14/2022)

Reggie’s Music Joint played Friday night host to a terrific trio of bands. The Joint is the smaller of Reggie’s music rooms but the energy explosion was no less than that of the Rock Club. The all-Chicago show was also the official celebration of The Eradicator’s new album. The Eradicator was inspired by a classic […]

Reggie’s Music Joint played Friday night host to a terrific trio of bands. The Joint is the smaller of Reggie’s music rooms but the energy explosion was no less than that of the Rock Club. The all-Chicago show was also the official celebration of The Eradicator’s new album.


The Eradicator was inspired by a classic Kids in the Hall sketch. As such, The Eradicator comes to the stage armed with a squash racquet, in a tennis outfit, and wears a ski mask. The character of The Eradicator may have been inspired by a comedy troupe, but its performance is itself inspired.

Because The Eradicator is an unmasked member of one of the earlier bands on the bill, it came on like a “hot ball” (no, that’s not a vulgar term). It also failed to stay within the service box that is the stage. But sometimes failure can be a good thing, especially when it produces an unshackled set which included “I Am The Eradicator,” “I’m a Squash Man,” “I’mma Be Me,” “One Rung at a Time,” and “Peak Eradicator.” The Eradicator also debuted tracks off of its new album, “Forever the Eradicator,” which is also billed as his final album, including, “Squash Stomp,” “Squash Bender,” “You Can’t Play Me,” and “Can’t Play Well With Others.”

The Eradicator may call this its final album, but un-retiring is a popular past-time in the USA so perhaps we will see The Eradicator on the court…err stage once again for a rematch with its fans.


Bad Mechanics is another band in the sub-genre of what I call humor-punk. It was in its full glory this night, eliciting smiles, laughs, and cheers from the crowd. The core duo of Ryan “Daddy” Durkin on vocals and Andy “Candy” Slania, were backed by touring band members, Danny Walkowiak on drums, and Scott Thomson on bass. The band tore through the chuckle-worthy set list, “You Drink LaCroix,” “Social Obligation,” “I Collect Stamps,” “Zine Festival,” “Donut in the Park,” DiCaprio Hit A Baby,” (hmm, I hazard to guess that last one could edge close to defamation but does not quite meet its standards) “USA Foods,” and “Must Be The Suburbs.”

That was the entire Bad Mechanics set. Not always possible to list a set list in full but here we are. Short, sweet, and please do a near future hometown repeat.


Coronary kicked off the hometown trifecta. The Windy City hardcore group jammed through a performance so intense, it required some tables near the small stage to be pushed back by venue staff members. Included in Coronary’s set list was “Victim of Truth,” I Quit,” “Bricks,” “Violent Era,” and “Scene Cops.” Coronary is as serious as a heart attack when it comes to expressing its collective opinions. Coronary will also get your blood pumping so catch one of its shows when next you can.


Check out more photos from the show below!


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Dying Scene Record Radar: This week in punk vinyl (MxPx, Transplants, Frenzal Rhomb & more)

Hello, and welcome to the latest installment of the Dying Scene Record Radar! If it’s your first time joining us, thank you! This is a weekly column where we cover all things punk rock vinyl. So kick off your shoes, pull up a chair, grab a few beers, and break out those wallets, because it’s […]

Hello, and welcome to the latest installment of the Dying Scene Record Radar! If it’s your first time joining us, thank you! This is a weekly column where we cover all things punk rock vinyl. So kick off your shoes, pull up a chair, grab a few beers, and break out those wallets, because it’s time to run through this week’s new releases and reissues (and there are a lot of them). Let’s get into it!


If you missed out on the full discography box set MxPx released last year, good news! The Bremerton pop-punk veterans are releasing standalone reissues for three albums – Life in General, Slowly Going the Way of the Buffalo, and The Ever Passing Moment. There are three variants for each record, and these will be available on the band’s webstore Friday, November 4th at 10AM Pacific / 1PM Eastern time.


The Transplants‘ self-titled debut album turns 20 this year, so naturally it’s getting reissued. There are two variants, each limited to 1,000 copies. The US exclusive version is available here, and the European variant can be bought here. Garnier Fructis shampoo not included.



If you completely lack self control and are collecting every color variant of the new Flatliners record for some reason, I have some good (or bad) news for you! A new “lava” colored pressing has popped up, and this is the only place you can get it.



Almost 20 years after its initial release on compact disc (otherwise known as “CD” by us in the trade), Frenzal Rhomb‘s Sans Souci is getting its vinyl cherry popped. This is only being released in Australia on “Russell Crowe Shit Brown” colored vinyl. Grab it here and use code “FIRST10” at checkout to save 10% on your order.



Fat Wreck Chords has signed a new band from the UK called The Meffs – no, not The Muffs; The Meffs – and they have a 10″ EP coming soon. Check out the first single below, and grab the record here.



New pressings of three Dwarves records have popped up on Jeff Bezos’ Amazon.com. Thank Heaven for Little Girls, Sugarfix, and Blood, Guts & Pussy are all available to pre-order right now. Get on it!



Two titans of pop-punk DeeCracks and The Manges have announced a new split 7″, due out on December 2nd. It’s not available to pre-order yet, but Mom’s Basement Records will be handling the US release, and our European friends can get it from Striped Music.



And because one pop-punk split simply wasn’t enough, here’s another one from The Huntingtons and Travoltas! This 8-song split LP is also due out on December 2nd, and it’s available to pre-order right now here (US) and here (EU). There’s also a CD version that you can grab here.



Now that we got all that pesky new music out of the way, let’s get back to the reissues of old shit! Here’s one from Alkaline Trio: it’s a new pressing of their 2011 acoustic album Damnesia. Limited to 750 copies on red and white marble colored vinyl, this is only available at Newbury Comics.



Smartpunk recently announced an exclusive reissue of Yellowcard‘s 2006 album Lights and Sounds. It was pretty limited, and inevitably sold out within minutes, so they’re doing a second run on another color variant. Grab it here. Or don’t.



And finally we have British punk legends The Damned have a new live album arriving just in time for Halloween. The 2xLP titled A Night of a Thousand Vampires was recorded live in London in 2019. Links to pre-order the different color variants can be found here.



RECORD OF THE WEEK!

We here at Dying Scene are all about trying new things, so this week I’m challenging you, loyal reader, to listen to something new! Or, in this case, something kinda old that is likely new to you! This week’s Record of the Week comes from NorCal skate punks Symphony of Distraction. I’ve been listening to their 2018 album Horse on repeat for a week now. If you like fast shit, this is the right band for you! Give it a listen below, and buy the record here. Check out their new album Horseshit as well!



And that’s all, folks! Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs. See ya next week!

*Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

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Dying Scene Album Review: Brian James Hoffman – “Fool’s Gold”

Before I start this album review I just want to make sure that we clear any conflicts of interest; I distributed this record through my “label”, but I made the label for my band and decided to also release my buddy Brian James Hoffman. Did I do it cause he’s my buddy? Totes. That being […]


Before I start this album review I just want to make sure that we clear any conflicts of interest; I distributed this record through my “label”, but I made the label for my band and decided to also release my buddy Brian James Hoffman. Did I do it cause he’s my buddy? Totes. That being said, I’ve always been a fan of Brian’s lyricism and the way he conveys a constant dull ache of existing in a space that doesn’t feel right. Fool’s Gold is only the latest release from Hoffman who has been releasing midwestern sad-dad folk rock for almost a decade.

The opening track “Nothing Left to Say” lilts in with soft strums of acoustic guitar. Hoffman’s voice croaks over the treble of the plucked high strings. As we join Brian in this verse, he laments, “If a man’s worth what’s in his pocket today I ain’t worth a fuckin’ dime” and the chorus is ushered in with an echolalic satisfying, “I always keep talking long after there’s nothing left to say.” Before the verse brings us back to unabated anxiety in lines like “nothing hurts more than the truth that I’m never gonna mean that much to you.”

“Fool’s Gold” is the thematic center, this is an album of steady acoustic guitar and painful memories. “Don’t give me no fool’s gold, don’t try to save my soul” is poignant from an artist who is from the middle of nowhere in South Dakota. There’s no shortage of people trying to “save” you in that area and so little actual help to found. “As I see these lines growing on our faces and I thought by now I would understand” shows the desperation of growing old without actually growing at all.

Out of Sight and Apathetic are two songs in Brian’s repertoire that always seem to find new meaning in each iteration. I remember these tracks from an album Hoffman released in 2016, Lessons in Losing, but the new recordings of them seem even more sparse, highlighting Brian’s trodden soul, “I’m tired of reaching out for feelings I don’t have, another day goes by and here I stand, I’m tired of getting walked all over on.”

One of the newer tracks that Hoffman includes in this collection of songs, Crumpled Up Poem, almost caps the record off with positivity. Sadly, when you’re a #sadboi like myself and my friend Brian, the closest we get to happiness is just nostalgia for a better time. The same pain that makes us aging punks feel like we might have a few years left in us, “these tattered spiral notebooks show my history and who I am, and a lot of parts are in pencil but some parts are in pen and there’s still another empty page waiting to be written.”

A cover of “Mama Tried” is the true ending to this album, and can’t we all relate to disappointing our mothers? I won’t presume to know how this album was recorded, it’s definitely a raw sound, a few P-pops, some inconsistent volume between songs, but as a whole I think the production of this album helps serve the emotion behind it. If we had the energy to be perfect we wouldn’t be who we are, right?

I think of Fool’s Gold as similar to the element that it’s named after; Brian James Hoffman may not be a gilded shiny star, but he’s trying to find his worth and that’s worth more than gold.

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