DS Album Review: Hayley & The Crushers – “Modern Adult Kicks”

It’s summer in 2002 and it’s about to be golden hour while you lay on your bed staring at the ceiling. You are dwelling on some fight you had with your mom. Every friend you have is out having fun or on vacation- unreachable by phone and you’re swearing off each and every one of […]

It’s summer in 2002 and it’s about to be golden hour while you lay on your bed staring at the ceiling. You are dwelling on some fight you had with your mom. Every friend you have is out having fun or on vacation- unreachable by phone and you’re swearing off each and every one of them. Your last ditch effort of hope points to a Walkman and a bike while you ride the familiar streets of some suburban Midwestern town with headphones filled with relief.

Flash forward to 2022 after a pandemic and a half has washed over you and you’re still sitting with the same feeling of being grated by life, but you have time to step into the Crushverse and kick it with Hayley & the Crushers. Modern Adult Kicks is an album that houses singles released from 2021 and some fresh new tunes from the band and most have adult themes paired with power pop fun that are sure to ride with you from your morning coffee to a late-night vinyl dance sesh. By the way, this album comes in a limited edition blue raspberry for those vinyl aficionados.

Modern Adult Kicks starts off strong with the single “Taboo” which offers this hefty guitar riff as Hayley’s dark and devious voice coaxes you melodiously to the stranger side of power pop. You’re gonna follow her and you’re gonna love where it’s headed. In the 2nd verse, the first four lines are delivered such a mood of heavy desperation and need. You hear it in the annunciation of T’s and the beaks in guitar. “Taboo” connects this memory of that feeling while looking out of the window in The Lockdown of 2020. You wanted to go out, but you know it was taboo.

The album goes on to carry The Crushers’ more polished sound for your tender punk heart. The band has described this album as an example of “how to grow up without growing jaded.” Nothing could be more rightly said about it. The death of the ego really prevails in the sound of Hayley’s sharp guitar playing, lyrics, and titles of songs in this album. Songs like “She Drives”, “California Sober”, and “Overexposed” bring out this perfect mixture of sunny pop-tempo painting this scene of punks enjoying life knowing full well everything around them is burning (this is fine). Which is just the kind of macabre sense of fun that most of us who survived the past few years may need right now. Don’t worry for all you tough guys out there the album still houses the familiar punk sound echoing the frustration and need to thrash around that resides in most of us.

In her own words on Sound Digest, Hayley has written a little year in review which gives insight into what this album may mean to her. It is in this touching honesty as she writes about being a musician during the pandemic, getting her shit together, and driving to really refine her career as a musician. All the touring she wanted to do for the band’s last album which was released in 2020 never got to come to fruition. All that hard work and self-reflection came to be in March of 2021 when the band was signed by Josie Cotton to her record label Kitten Robot Records. The band got to work with Paul Roessler remotely as well as in person for Modern Adult Kicks and the album was mastered by Mass Giorgini (Squirtgun). The band is gearing up for a tour that begins September 23rs, 2022 and it is one that you may not want to miss out on.

Modern Adult Kicks is available for purchase

Tour Dates & Locations

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DS Photo Gallery: Dave Hause and the Mermaid, Jordyn Shellhart in Nashville, TN 8.17.22

I’ve been hooked on Dave Hause for several years now. It was Hause and Brian Fallon that both opened a whole new world of punk that I previously had no idea even existed. The folk/ Americana genre, comprised of Tim Barry, Dan Andriano, Chuck Ragan and the likes, that I have now come to love […]

I’ve been hooked on Dave Hause for several years now. It was Hause and Brian Fallon that both opened a whole new world of punk that I previously had no idea even existed. The folk/ Americana genre, comprised of Tim Barry, Dan Andriano, Chuck Ragan and the likes, that I have now come to love was completely unknown territory about 5 years ago until I made a monumental discovery. It was Fallon’s record Elsie and Hause’s single “We Could be Kings” that really pulled my heart strings and broke me into listening to anything that wasn’t hard, fast punk-rock.

The real game-changer for me was seeing Hause play the historic 95-person capacity Bluebird Cafe in 2018. Over the years, Bluebird has seen shows from notable punk greats Garth Brooks and Taylor Swift (I hope you pick up on my sarcasm here), as well as a wide plethora of other Grammy-winning artists. To my knowledge, Hause (joined briefly by Northcote) was the first punk act the grace the Bluebird’s historic stage. After a Brian Fallon performance there a couple months later (a show that still haunts me to this day for not being able to make), no other punk-rocker has played since. The raw intimacy grasped me and made me a fan for life.

This show differed in that Hause was joined by a full band rather than just his brother Tim, but the small-venue intimacy had not disappeared. This time taking place at the Basement with a rough capacity-estimate of around 100, Dave Hause and the Mermaid damn near blew the fucking roof off the place.

Nashville-native Jordyn Shellhart kicked things off and man was I impressed. She reminded me of the sheer cesspool of songwriter talent that calls Nashville home. After her performance, there seemed to be hope after all that something may come out of Nashville other than shitty pop-country and hot chicken.

So, we meet again Mr. Hause. This reunion has been long overdue but the anticipation made the performance even more worthwhile. In all honesty, when Dale Doback said “You sound like a combination of Fergie and Jesus“, he wasn’t talking about Brennan Huff; he was talking about good ol’ Dave Hause (I hope you get this reference).

In all seriousness, this had the feel of an old school punk show: the shoulder-to-shoulder audience packed into a literal basement dive-bar, running into old buddies from around town that I hadn’t seen in ages, seeing a songwriter hero of mine play 10 feet in front of me. This show was about as perfect as it gets, and only got better when fellow Nashvillian Will Hoge hopped on stage to close the set.

From a photography perspective, this was a nice challenge. Up until now I’d had little to no success shooting shows at small, dimly-lit venues, especially when my options are limited by the crowd like this one was. Overall, I’m happy with how these turned out and I’m happy to share them with whomever has made it this far through the article. As always, your time is much appreciated and help spread the word that Dying Scene is back and firing on all cylinders. Cheers!

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Laura Jane Grace Live 1

DS Photo Gallery: Laura Jane Grace w/Planning for Burial & Everlasting Light – The Raccoon Motel, Davenport, IA (9/4/22)

Laura Jane Grace is best known for her punk rock band Against Me! and being one of the first well-known punk rock musicians to publicly come out as transgender. Grace released her powerful folk punk debut solo album Stay Alive in October 2020 through Polyvinyl Record Co. and her second solo EP At War with the Silverfish in September […]

Laura Jane Grace is best known for her punk rock band Against Me! and being one of the first well-known punk rock musicians to publicly come out as transgender. Grace released her powerful folk punk debut solo album Stay Alive in October 2020 through Polyvinyl Record Co. and her second solo EP At War with the Silverfish in September 2021. She kicked off her solo Canadian tour in September, but not without stopping at The Raccoon Motel in Davenport, Iowa first.


Laura Jane Grace Live 2

The name of the music venue alone was enough for me to make the trek from Chicago…but Grace playing there, too? Count me in.


Everlasting Light

The sold-out show included two openers, the first being Everlasting Light, a black metal band with piercing vocals native to the Quad Cities. 


Planning for Burial

Next up was Planning for Burial, a musical project from Thom Wasluck based in Wilkes-Barre, Pennsylvania. His solo act featured killer distortions with sounds that span across shoegaze, doom, and post-metal.


Grace was soon welcomed to the stage with roaring applause. Armed with her acoustic guitar, Grace’s outspoken songs and powerful voice completely captivated the entire room, along with her melodic yet raw sound. Check out more photos below!


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Dying Scene Record Radar: New punk vinyl releases & reissues (Less Than Jake, The Manges, No Fun At All & more)

Hello friends, and welcome back to the Dying Scene Record Radar! If you missed me, sorry – things have been a bit crazy lately, between Dying Scene undergoing continued renovations, and my miserable job pulling me away from my extracurricular efforts. But I’m back again, with a bunch of new colorful plastic discs you may […]

Hello friends, and welcome back to the Dying Scene Record Radar! If you missed me, sorry – things have been a bit crazy lately, between Dying Scene undergoing continued renovations, and my miserable job pulling me away from my extracurricular efforts. But I’m back again, with a bunch of new colorful plastic discs you may be interested in purchasing with the money your miserable job has deposited into your bank account! Let’s get into it.

First up is something I’m very excited for: Less Than Jake‘s In With The Out Crowd is finally getting reissued! This has been out of print since 2006, and prior to this there were only 1,000 copies in existence. It’s available on purple vinyl here, and I’m certain other variants will be popping up elsewhere very soon. Is this my favorite LTJ record? No. Is it the flaming pile of dogshit people make it out to be? Absolutely not! This is a solid album with some of the band’s more introspective lyricism.

Also from Less Than Jake: a new Deluxe Edition of their latest album Silver Linings. This reissue features two brand new tracks, and four acoustic versions of existing songs. It’s a 2xLP on beautiful colored vinyl, with a screen print of the cover art on Side D. Pre-order yours here.

Italian pop-punk veterans The Manges have a new record coming soon. It’s called Book of Hate for Good People, and you can listen to a few of the singles below. The record is available on blue vinyl here, and yellow vinyl here.

Skate punk fans, listen up! No Fun At All‘s new album Seventh Wave will be available to pre-order Friday, September 17th from SBÄM and DustyWax Records. There are a ton of variants – the white with black splatter will be exclusive to DustyWax, and limited to 200 copies.

Mustard Plug’s iconic 1997 album Evildoers Beware is getting the 25th Anniversary treatment. Hopeless Records has the yellow w/ red splatter LP pictured to the left (or above if you’re on mobile) on their webstore. The band has a silver variant on their own store. Grab an essential piece of third wave ska!

Speaking of third wave ska… Asian Man Records is repressing a bunch of MU330 records! This is the first time these have been in print for a while. Head over to their webstore to get your hands on these.

As always, our Canadian friends at Thousand Islands Records have some awesome stuff on the way! First up, they will be releasing California melodic punk band Sic Waiting‘s comeback album A Good Hill To Die On this fall. Check out the first single “Uncommon Veins” below, and pre-order the record here.

Also from Thousand Islands, a brand new record from German skate punks Straightline. The whole album is available to stream right now (check it out below, it’s fucking killer), and the LPs should start shipping this winter. Head over to their store to get your pre-orders in.

SideOneDummy is reissuing the Swingin’ Utters compilation album More Scared: The House of Faith Years in honor of its 25th Anniversary. Pre-order yours here.

Fat Wreck‘s 25th Anniversary reissue train rolls on, with the latest installment being Me First and the Gimme GimmesHave a Ball. One of the finest punk cover albums of all time, if I do say so myself. You can get it here (US), here (EU), and here (AUS). Yeah!

I am a steadfast supporter of underrated 90’s pop-punk bands, and Cletus is one of those bands. Hey Pizza! Records is releasing their 1999 album Horseplay Leads to Tragedy on vinyl for the first time. The record has been remastered by Mass Giorgini, and it’s available on three color variants. Grab it here.

And last but certainly not least, we have Dan Vapid and the Cheats announcing their fifth studio album Welcome to Dystopia. The official release is months away, but Eccentric Pop Records has announced a special “test pressing edition”, limited to 100 hand numbered copies on black wax. This will be available on their webstore Friday, September 16th at Noon Eastern.

And that’s all, folks! Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs. See ya next week!

*Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

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DS Show Review and Gallery: Ruido Fest (Cypress Hill; Los Fabulosos Cadillacs, Bruses, Cardiel)

Ruido Fest 2022 took place last month, August 19-21, in Chicago’s Union Park. The event is billed as the area’s largest Latin alternative music festival. The bands and performers came from the Windy City, across North America, and from all around the world. Amongst the forms of music presented are punk, post-punk, hip-hop, electronica, psychedelic, […]

Ruido Fest 2022 took place last month, August 19-21, in Chicago’s Union Park. The event is billed as the area’s largest Latin alternative music festival. The bands and performers came from the Windy City, across North America, and from all around the world. Amongst the forms of music presented are punk, post-punk, hip-hop, electronica, psychedelic, and more. All with a Latin American flavor. 

Whilst a few bands, such as Beach Goons, Siddhartha and Maldita Vecindad, had to drop out, the remaining lineup brought three days of fun and energy to large and enthusiastic crowds. Being that this was alternative music festival taking place in the US, it was not surprising that one of the most prevalent band shirts was that of grunge band Nirvana. Everywhere you looked, people of all ages wore shirts dominated with the band’s name, and often the iconic melancholy expression of the late Kurt Cobain.


Cypress Hill, the CA hip-hop legends might be characterized as punk adjacent. Singer Dr. Greenthumb aka B-Real and percussionist Bobo took the stage after about 30 minutes, give or take, introduction by DJ Lord. By that time, a thick wall of smoke connected the stage to the audience via smoke machine with a bit of thinning out above the photo pit. Some of that was the due to the smoke machine on stage. Of course the group’s advocacy for the use of cannabis for both medicinal and recreational purposes, is a major theme in its songs. B-Real paced the stage with a rather long blunt in his left hand along with the microphone as he gestured with his right hand.  The group tore through its standards such as “Dr. Greenthumb”, “I Ain’t Going Out Like That”, “Hits From the Bong”, “How I Could Just Kill A Man”, and many others. By the time they got to what is arguably their biggest hit, Insane In the Membrane, Cypress Hill had complete control of the large crowd. Capping off its set was a rollicking cover of House of Pain’s most famous tune, Jump Around.  B-Real called for everybody “standing up to get down like this here” and advised that those with a Fitbit or Apple watch the this was going to fill up their activities category. Indeed the crowd, exponentially larger than any other set that weekend, with many members attending only for Cypress Hill, was jumping around almost completely in unison.


Bruses had a smaller crowd than Cypress Hill but the Tijuana native was no less enthralling. She was clad in a variation of a business suit. A black jacket covered with numerous hand painted looking designs in white, black raggedly cut off just below her knees and sporting on each leg two belts. Clunky black shoes, a black tie white shirt completed the outfit. Almost. Rising above, from behind, each shoulder blade were several, what I can only describe as, glittery black stuffed horns. Her hot pink hair, pale foundation accented with dark red lips, reddish pink eyelids ringed in black, created ethereal stage presence. Her music and movements throughout were bewitching and she had the crowd in a trancelike state.


Elis Paprika, another one of the numerous performers hailing from the USA’s North American neighbor to the south, is also a well know activist in her native Guadalajara. She rocketed off from the start of her set, never touching down until she was finished whipping up the crowd in to exhaustion. With hyper charm and perfectly complementing her strong voice and infectious songs, few would argue with the words on bright red t-shirt, an item of her own merchandise, exclaiming “Mexican Girl Power!”


Skate punk band Cardiel consists of two Valencia, Venezuela natives: Vocalist/Guitarist Miguel Fraíno and drummer Samantha Ambrosio. However, the founded their band in Mexico City in 2010. Little flash but lots of fury marked Cardiel’s set. They pummeled through song after song, hyping up the circle pit significantly.


Los Fabulosos Cadillacs, the Buenos Aires ska legends, had the swelling crowd dancing as the night two headliners. The band ripped through “Manuel Santillán, El León”, “Saco Azul”, “Mal Bicho”, “Calaveras y Diablitos”, “Matador”, and “El Satánico Dr. Cadillac”. It was a fun way to end a Saturday night on a not too hot summer day. 


Other highlights from the weekend included sets from Sgt. Papers, El Mato, and Avantist.

See more photos below!

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Pic by Alec Berry (@roxplosion)

DS Band Spotlight: Celebration Summer

HOOOOOO-LEEEEE SHIIIIIIIIIIT! I’m not sure we’ve been this excited about a Band Spotlight since featuring NYC punks Proper! DC punks, Celebration Summer have only been around since 2019 but you wouldn’t know it by hearing them. They sound like grizzled veterans with expertly constructed music laid behind raw vocals which bellow out relatable and very […]

HOOOOOO-LEEEEE SHIIIIIIIIIIT! I’m not sure we’ve been this excited about a Band Spotlight since featuring NYC punks Proper! DC punks, Celebration Summer have only been around since 2019 but you wouldn’t know it by hearing them. They sound like grizzled veterans with expertly constructed music laid behind raw vocals which bellow out relatable and very well written lyrics. Add to that extremely catchy riffs and choruses and these guys make the perfect counter to anyone who says there’s no “good” punk rock these days.

We guess we’re not the only one’s who have noticed their talent, because their debut full length album Patience In Presence is being released via the illustrious A-F Records here in the US and by Shield Recordings abroad. and will be available on September 23rd (pre order here). Great minds think alike! When we asked Lead vocalist/guitarist Nate Falger about the newest single/title track “Patience in Presence” he said: “It provides a glimpse of how I deal with anxiety. The lyrics are a reminder to myself to be present in every moment despite the daily, overwhelming weight I feel on myself.”

If you dig music videos, they’ve also released three of them for tracks off of the upcoming eleven track LP: “Fraud“, “Disconnected” and the aforementioned title track “Patience in Presence“. Give ’em a watch!

*Featured Image by Alec Berry (@roxplosion)

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Album Review: Cigar – “The Visitor”

Remember that time your dad went to the grocery store to get milk and never came back? That’s the exact heartbreak us skate punk fans have felt since Cigar released Speed is Relative 23 years ago and disappeared into the ether shortly thereafter. Good news! Dad’s back, and he got the milk! Or, in this […]

Remember that time your dad went to the grocery store to get milk and never came back? That’s the exact heartbreak us skate punk fans have felt since Cigar released Speed is Relative 23 years ago and disappeared into the ether shortly thereafter. Good news! Dad’s back, and he got the milk! Or, in this case, Cigar’s back and they’ve got an awesome new record.

The wait was long, but it was worth it. With their Fat Wreck Chords debut The Visitor, Cigar picks up right where they left off on Speed is Relative. This record delivers more of the crazy fast, ultra melodic punk that earned the band’s 1999 debut its deserved status as a cult classic among skate punk diehards. Actually, I think this record might even be faster than the first one! Yes, two decades have passed, but these guys have defeated Father Time. They still have the same youthful energy that originally drew me to their music; I’m confident it will win many new listeners over as well.

Cigar wastes no time getting out of the gate, as “These Chances” kicks off The Visitor at a breakneck pace, and immediately rolls into the equally speedy “Legacy of the 7 Piles”. Right off the bat, drummer Jon Sortland is firing off like a fucking machine gun on drums; seriously, this guy is a lunatic. New bassist Jonathan Hischke shows off his chops with riffs that will make your fingers bleed just listening to them. Frontman Rami Krayem turns in a great performance once again, with some creative guitar parts and equally impressive vocal range.

I loved the album’s lead single “We Used To” when I first heard it a few months ago, and that’s still the case. This song has “instant classic” written all over it. But when trying to pick a favorite track, it’s a complete toss up for me. There are no stinkers to be found here. “Gone Wrong”, “Classic You”, “Forget About Me”, and basically everything else on this record is on par with the fan favorites of Speed is Relative.

The Visitor‘s closing track “Knocked Down” is introduced with an a cappella intro, and for a brief moment in time, you get the impression that Cigar might actually slow down. But this glimpse into a seemingly softer side of the band is short-lived. They quickly hit the gas, opening up the circle pit one more time with a rapid fire skate punk anthem to rival “Mr. Hurtado”.If you like punk rock fast enough to set a land speed record, The Visitor is the record for you. With any luck, Cigar won’t keep us waiting another 23 years for the next one!

Buy The Visitor
Physical / Digital

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DS Exclusive: Sic Waiting announce new album, “A Fine Hill To Die On,” debut video for “Uncommon Veins”

Super big news day from the Sic Waiting camp! First and foremost, the So Cal punk vets have announced a brand new album. It’s called A Fine Hill To Die On, and it’s due out on November 4th. Thousand Islands Records is handling the release in the US and Canada, with Pee Records and Lockjaw […]

Super big news day from the Sic Waiting camp!

First and foremost, the So Cal punk vets have announced a brand new album. It’s called A Fine Hill To Die On, and it’s due out on November 4th. Thousand Islands Records is handling the release in the US and Canada, with Pee Records and Lockjaw Records teaming up for the Australia and EU/UK versions respectively. Pre-orders are available here – get on it!

To whet your appetite for what’s to come, the band have also unveiled a lyric video for the lead single. It’s a track called “Uncommon Veins” and we promise you – it rips! Check it out below!

The Cameron Webb-produced A Fine Hill To Die On is Sic Waiting’s first full-length since 2015’s Derailer.


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Dying Scene Record Radar: New punk vinyl releases & reissues (Pulley, Anti-Flag, A Wilhelm Scream & more)

Hello friends, and welcome back to the Dying Scene Record Radar! In the unlikely case that you missed me last week, I offer my sincere apologies. I was out of town for my birthday so the Record Radar went on a very brief hiatus. Anyway, I’m back and a lot of exciting stuff seems to […]

Hello friends, and welcome back to the Dying Scene Record Radar! In the unlikely case that you missed me last week, I offer my sincere apologies. I was out of town for my birthday so the Record Radar went on a very brief hiatus. Anyway, I’m back and a lot of exciting stuff seems to have happened while I was gone. So this week we’ll be playing a little catch up. Let’s get into it!

DustyWax Records is giving Pulley‘s 60 Cycle Hum a 25th Anniversary reissue. This is the first time this melodic punk classic will be in print since its initial release in 1997. If you live in Canada, you’ll want to pre-order here. For my fellow Americans, Thousand Islands Records still has some copies available on their webstore. And our European friends can get it here.

Anti-Flag‘s The General Strike is getting a 10th Anniversary reissue (how the fuck was 2012 ten years ago?). This is limited to 2,000 copies on red vinyl, with new artwork and two “previously unreleased” tracks. Pre-order yours here.

FACT CHECK: These songs were, in fact, previously released! They were on a digital EP that was given away to attendees of the band’s tour in support of The General Strike. It hurts me to say Anti-Flag is fake news.

Fat Wreck Chords continues their 25th Anniversary reissue series with the Teen Idols‘ self-titled debut LP. Original pressings of this record are very hard to come by; the cheapest on Discogs right now is $72 after shipping. This reissue is on half black/half yellow vinyl, not sure how many copies were made. We’re late to the party and this is sold out in the US and Europe. If you want this slice of 90’s pop-punk perfection, the only place you can still get it is Artist First Australia.

Also from Fat: a new pressing of Dillinger Four‘s Situationist Comedy, I would assume in honor of its 20th Anniversary, though they don’t market it as such. Anywho, this has been out of print for a while, so good news for anyone who’s been wanting it. Head over to their webstore to get your hands on this one.

Leatherface‘s 1993 LP Minx is being reissued on red vinyl. If you reside in the UK, this is probably the cheapest place to get this record. Americans can save about 20 bucks by grabbing it from Amazon.

No Idea Records has repressed A Wilhelm Scream‘s Partycrasher on “kaleidoscope colored vinyl” (whatever the fuck that means). They made 150 copies, each one is unique. This is a great album. Get your copy here.

A bunch of Rancid records are back in print on vinyl for the first time in a while. This includes both of their self-titled albums, …And Out Come the Wolves, Life Won’t Wait, and Indestructible. Oakland’s own 1-2-3-4 Go! Records has all of these in stock and your order ships for free if it’s over $75. So if you wanna grab a few of these, head on over to their webstore.

California melodic punks Craig’s Brother have announced their first new album in 11 years. Easily Won, Rarely Deserved is due out in November on People of Punk Rock Records. Pre-order the record here. The first single will premiere next week, for now you can listen to the band’s latest EP below.

Now that all the new releases and reissues have been covered, here’s what I’ve been listening to! My awesome mom got me a bunch of records for my birthday – The Adolescents‘ self-titled album, The FlatlinersInviting Light (I wasn’t crazy about this record when it first came out, but I’ve listened to it about three times now and I’m really enjoying it), the latest from Joey Cape and Face to Face, and Millencolin‘s True Brew. I also finally got the Walmart Exclusive(!!!) pressings of Green Day‘s American Idiot and International Superhits I ordered a few months ago. I’m still debating whether I want that new blue variant of Dookie.

And that’s all, folks! Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs. See ya next week!

*Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

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DS Show Review + Gallery: Rock For Rights Chicago w/ Boybrain, Aweful, Djunah, and Heet Deth

Story and Photography by Meredith Goldberg Liar’s Club, always supportive of members of the Chicago punk rock community, often hosts fundraisers for various individuals/causes. Recall, the venue sponsored one of the Dying Scene Resurrection Shows recently.  On Saturday August 6, 2022, Liar’s Club was the site for one of several local shows benefitting the Chicago […]

Story and Photography by Meredith Goldberg

Liar’s Club, always supportive of members of the Chicago punk rock community, often hosts fundraisers for various individuals/causes. Recall, the venue sponsored one of the Dying Scene Resurrection Shows recently.  On Saturday August 6, 2022, Liar’s Club was the site for one of several local shows benefitting the Chicago Abortion Fund (CAF). Venues in Chicago and elsewhere have been holding similar fundraisers in wake of the of the Supreme Court of the United States’ 2022 decision in Dobbs v. Jackson Women’s Health Organization, which overturns landmark SCOTUS decisions in Roe v. Wade (1973) and Planned Parenthood v. Casey (1992) and endangers numerous other privacy related rights. The announced amount of money raised for the CAF came to almost $2,000. 


Boybrain turned on the show’s engine with a hair swirling, brains (of all genders) smashing performance. The dizzying actions of the band members were matched by their striking physical appearances. Suited up in matching half uniforms of t-shirts with “Abortions” written across them in a font reminiscent of rec league baseball jerseys, and athlete-style black grease marks under their eyes. Boybrain slammed though a tight set featuring “Blood Wolf Moon,” off its 2022 debut album In the Company Of Worms. The band is comprised of punk rock veterans from the Chicago area and elsewhere: Patti on guitars and vocals, Inga on lead guitar, Colin on drums, and “Dr. Doom” (whose first name is actually Lauren. Come on though, Dr. Doom is a pretty cool moniker) on bass and vocals. 


Aweful, which we featured in the aforementioned Resurrection Show, once again offered its talents to an important cause. The trio, made up of Traci Trouble, Lucy Dekay, and Izzy Price, as always had the crowds pumped and their fists pumping. They ripped through tunes including “Far Away,” “Bubble,” “Just Like Me,” and one of their most popular singles, “No Avail.” Whipping around the stage, guitarist Dekay displayed her usual flair, whilst drummer Price and bass player Trouble fueled the backbeat. Trouble’s gritty vocals matched her stage presence as well as those of her bandmates. It’s always a fun moment to see how she and Dekay go back to back literally, appearing to be simultaneously competing for flashiest performance and joining together to create a single, more powerful organism.  So powerful that watching both women then fall away from each other, as if ripped apart, collapsing onto the floor seems the natural next occurrence. Even on the floor, Trouble and DeKay, are at times, still attached, playing a sort of punk rock patty cake with their sneakers. 


Djunah, an electrifying two-piece group from Chicago, is comprised of Donna Diane and Jared Karns. Diane pulls triple duty on vocals, guitar, and Moog Organ bass, as Karns powers through on drums. It was a rousing and hypnotic set. Thus far, 2022 has been a busy year for Diane, between recording vocals for Jason Narducy‘s Verboten the Musical, and the band playing festivals and sold-out shows, with at least two more upcoming fests. Those events being Louisville’s PRFBBQLOU2022 in late August-early September, and Milwaukee’s Bay View Bash, in mid-September.


Heet Deth is another 2-piece band from the Windy City. Formed in 2018 by best friends, Julia B on drums and vocals, and Laila E on guitar and vocals, Heet Deth describes itself as operatic. Wearing matching blood red shortsleeve coveralls, with their faces garishly painted red, white, and black, they manage to create their own styles even as the likes of David Bowie and Monkey from the Adicts are brought to mind. Heet Deth’s theatrical appearance is equaled by its non-stop energy.


Good to see the punk rock community standing up for all of our rights, as unfortunate as it is that these rights have to be fought for so vigorously at this point in history. Alas, the fight WILL proceed and there will be great music to keep us inspired and energized.

More photos below!


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