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DS Album Review: Hot Mulligan – “Why Would I Watch”

Hot Mulligan is well known for their buoyant pop-punk sound with an emo seriousness behind their lyrics. These guys have been a huge favorite of mine for so many years. Getting into the local scene, a lot of bands here seemed to pull inspiration for their sound from these guys (or bands similar to them). […]

Hot Mulligan is well known for their buoyant pop-punk sound with an emo seriousness behind their lyrics. These guys have been a huge favorite of mine for so many years. Getting into the local scene, a lot of bands here seemed to pull inspiration for their sound from these guys (or bands similar to them). They never fail to bring such a fun and upbeat tempo in their songs, despite having a song or two that start soft and then pick back up into the pop-punk sound we are familiar with from them. Why Would I Watch is an incredible album as far as lyrics go, throwing in a song about a lost pet that had me bawling in my car on my way to work one morning. Absolutely worth it.

This album kicks off with a decently long song title (as are many of their song titles, but whatever) called “Shouldn’t Have a Leg Hole But I Do”. It’s a very happy-go-lucky-sounding song that will throw you way back to the original pop-punk sounds that we all grew up with. I found myself finding this song almost familiar and comforting. They did a phenomenal job in capturing the “old sound” of pop-punk and going back to the roots of the genre (which will also be a recurring theme throughout the album). Lyrics for this song speak volumes on trying to escape a situation or leave something behind that you know you should and need to live your life for yourself, but something will always bring you right back until you face whatever it is that needs to be addressed.

Powering into the next track is a beautiful transition that tells the realities of life not going as you expect. “It’s a Family Movie She Hates Her Dad” is largely about breaking cycles and being aware of the toxicity that is to be able to change and grow from it. My biggest indicator of that is the more than relatable line in the song that jumped out at me where he sang, “Sit down and give me the confessional // Stay together for the kid // Isn’t that original?” Having been faced with that situation, this song hit home and had me hooked on the rest of the album to follow. The instrumentals of this track scream the classic and familiar sound of Hot Mulligan’s original tracks from when they formed in 2014. I love how consistent they’ve always seemed to be while making their music. Always staying somewhat in line with what they’ve always done, yet making it just different enough to keep us on our toes!

Moving into the next song, it almost has a sense of urgency in the tone of the entire thing. It really brings together the lyrics’ theme of just trying to survive in a world that’s so different from where you were. “And I Smoke” might be relatable for more of us than we may realize, just pay attention to the lyrics and see if you may find a sense of familiarity in the feelings this track has to offer. My personal favorite being almost the start of the song, 00:22 in he sings, “Move out, a new place that I don’t know // Its smallest details are unfamiliar // Sit in the shower until I feeI alone”. I moved to a new city I wasn’t super familiar with not too long ago and so this song really resonated with me on that. The unfamiliar and the fear of the unknown is a real thing to battle with when moving out and on your own, especially if you have children in tow.

The song that has everyone’s brains trying to process the way the band will have to announce it while on tour. “This Song is Called it’s Called What it’s Called” is one of my favorite tracks. It beings with soft instrumentals and vocals that bring the most comforting sounds I’ve heard from a punk band. Reminiscing on a few spotty memories, seemingly with a fond tone. Then 60 seconds in the realization hits that it’s all gone by in a blink of an eye and the time lost is nearly crippling. The regret of not doing things just slightly different and leaving things unsaid that could have changed the entire trajectory of your life. “Oh, there’s so much I would change // Take more pictures // Oh, I left so much to say // All the missed connections.” I think everyone can relate to this in one way or another and this band has got a serious knack for finding the perfect instrumentals to not only match the mood of the song, but also keep the listener engaged with their tempo changes and execution of the lyrical melody! Easily one of my favorite tracks on the album.

“No Shoes In The Coffee Shop (Or Socks)” is an upbeat song that kicks the vibe back up to a more fun and lighthearted feel, telling the story of looking back on what is expected to be an epic journey that ends up being filled with regrets. This title track has a deep undertone to it if you’re willing to listen close enough, and maybe you’ll catch the placement of the album’s title and appreciate its weight when you do! It’s followed by a slightly higher energy, good-vibed track named “Christ Alive My Toe Damnit Hurts”. It’s honestly about the back and forth of addiction and how hard it can truly be to ignore the intrusive thoughts that come across the mental when you’re trying to fight the urge of needing just one more. The admiration I have for artists like Hot Mulligan that have off-the-wall track names to go with songs that have a 50/50 shot of being deep and meaningful, or just a good chuckle with the randomness of the analogies chosen with no serious direction to be left open to interpretation.

Then we get to “Betty.” If you’re ready to bawl your eyes out to a beautifully soft and wholesome ballad to a best friend…this is it. I was completely blindsided by a single line around the 1:11 timestamp that had the waterworks start almost immediately. If you’ve ever had a pet, and had them cross that rainbow bridge without you, this song is going to have you severely deep in your feelings and reminiscing those best friends that you cherished once upon a time.

This song’s title is a bit deceiving. Maybe you’d read “Cock Party 2 (Better Than The First)” and think it’s going to be a heavy and upbeat track, like myself. Much to my pleasant surprise, this song starts out pretty low-key and mellow. Then I went back the second time through and really listened to and read the lyrics along with the track, finding the meaning behind it. Beautifully written, and something ALL of us pop punk babies who have grown up can easily relate to this. The first verse screaming the song’s meaning of growing up and wondering where the hell all the time went and how we wish we could just not be adults and see our missed childhood loved one(s) as if we didn’t have responsibilities to worry about now. “When did we stop laughing? // Feel sorry for us now // Paying rent, calling home again // Routine and tedium now.” Its ending having a very Panic At The Disco!-esque ending of emphasizing the last two lines almost word for word. It’s a beautiful punctual ending to the overall feel of the track.

“Shhhh! Golf Is On” is an immediate classic vibe of instrumentals for throwing us back into the nostalgic sound pool. Then it brings in the instrument that will spice up ANY band’s sound, the cowbell. The love I have for bands that find some clever way to incorporate the cowbell, let alone subtly and in an extremely tasteful manner, will have me applauding the artists every time. It only makes an appearance a few times throughout the track, so it isn’t an incessant sound they try to force to work throughout it, just enough to give it a unique and fun spin.

“Gans Media Retro Games” is a title I didn’t fully understand, which in turn made me immediately go check out the lyrics to maybe get a better understanding on how this song was going to maybe sound like. When I read them and found it was about blacking out and wondering if you’re the problem when things go wrong nights you don’t remember. The next morning regret being strong and trying to come to terms with figuring out the story to find the root of the problem. It’s definitely relatable for some people (I’d be lying if I said I didn’t have a few nights like that myself) and the vibe of the song is upbeat, but with enough of the urgent and somber feel of realizing you just may be the problem due to how you choose to cope, was a strong play for them to throw so bluntly into a song. It’s absolutely admirable to see a song about trying to take accountability and get to the root of their issues.

This is one of those tracks that has an opening line that had me replaying it a time or three to make sure I heard it right. To say I was not expecting to hear “Sucking blood out of a canker sore” come out of Nathan’s mouth, had me double taking, then laughing a little bit. Then getting into the rest of the lyrics, they seem like they may just be gibberish with random meaning, but if you really listen, there are a few lines in there that hint at what the true meaning of the song is about. Watching a loved one deteriorate to a memory-stealing disease is never easy. I have loved ones who suffer from conditions and diseases that are similar and it’s taxing to your mind, your body, and even your soul.

“John “The Rock” Cena, Can You Smell What the Undertaker.” To be entirely honest I had no words when I saw this track title, just straight confusion. I assume that’s the entire point, but, as I mentioned before, these off-the-wall names are just leaving no room to even try to guess what it could bring to the table instrumentally or lyrically and I love the mystery. I’m not 100% positive about this interpretation that I’ve gathered from the song’s meaning, but it seems to be the toxic expectations of the organized religions in the world. It doesn’t name any specifically, but it touches on key points and the lyrics, to me, screamed the struggle to fit the mold of what the religion had for its followers and the intrusive thoughts that followed when you’ve been taught toxic “rules” to life based on how they think you’re supposed to live.

Overall this album is incredible. Nathan and the guys did a great job bringing us back to the original roots of punk and giving us that nostalgic feeling of being in middle and high school again blasting the artists who started it all. Three years was well worth the wait for this band to drop another solid vibed album that came with some deep and heavy topics that I wholeheartedly believe the world needed songs for. Beautifully done, Hot Mulligan, and we can’t wait to see what else you’ve got in store for us!

Why Would I Watch? was released everywhere on May 12th, 2023!

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DS Album Review: Sarchasm – “Conditional Love”

It’s always a shame when a band calls it quits, and that’s exactly what Sarchasm did a few weeks ago. When they announced their newest record, they also announced their last concert dates and their “indefinite hiatus”, but let’s be honest, on Instagram, that’s a nicer way of saying “we need a break from each […]


It’s always a shame when a band calls it quits, and that’s exactly what Sarchasm did a few weeks ago. When they announced their newest record, they also announced their last concert dates and their “indefinite hiatus”, but let’s be honest, on Instagram, that’s a nicer way of saying “we need a break from each other”. But, let’s move on to the fact that they are nice enough to go out with another album to please their fans. Well, guys, the last record is called Conditional Love, being released via Asian Man Records and it’s really good.

The first track “Hold Some Space” kicks off with the sweet introduction of drums only to be joined by guitar from Mateo Campos (he/him), who also provides vocals, then the bass from Alex Botkin (he/him), picking up just in time for the vocals to be provided by Stevie Campos-Seligman (they/them). Stevie’s delivery of the lyrics in the song isn’t something to play around with. Being able to drum and sing simultaneously, with a song that has this speed that it continually does throughout the song, is impeccable. ‘I’m grateful for everything you give to me/ But there’s a price tag on everything it seems’ could this little (vegan) nugget be about how conditional love is how one would feel they need to earn it? This song definitely does touch that subject, mostly during the bridge, we hear a more vulnerable mindset, on how the other person hasn’t been thoughtful about their partners feelings, singing that “I am not doing this anymore for you/I am now doing this for much more than you/ It didn’t matter to me, just you before/ Now I can matter to me, not you some more/ I’ll be more”. What a way to open an album, here one is left with the longing for self-reflection, which makes this song very special. Next up is “Crazy”, the first single that was released the day they announced Conditional Love, this is your classic indie punk song, and no wonder it was pushed as the first single from the album. The lyrics, vocals, and backing vocals at the end, fast-paced guitar riffs, and good underlying bass tone make this song a favorite from the first listen. This is probably a song taken out of my diary in my teens and I’m vibing with this one. The third track on the LP is “Therapist”, what a song to add to an album. It’s amazing. “Just see a therapist/ I know you can afford it/ Go please handle your shit with a therapist” is the first lines that hit your ear stream with a simple guitar that makes so much sense, because it picks up with all the instruments coming when they near the end of the verse. Some might get triggered but it’s good fun and the fun continues throughout the song; it opens your eyes and some might need to hear this. “I try not to let you down/ I try, and you let me down” could very well be a reference to how some might use their friends as a therapist, not thinking about the toll you put on your friends when you do that.

Let me jump a bit because I could go on and on about this album. The second single and fifth track from the album was “Good News”, and could be overanalyzed as how the world has gone to shits the last few years, and how we are waiting for “good news” instead of the bad news we are constantly overthrown by the news channels. The track starts of with Mateo’s guitar riffs, followed by the vocals, for a song with lyrics that seem so true, the song itself is so uplifting. The last track, “Conditional Love”, also the title of the album, is so upbeat and your classic pop-punk song, and what a way to end an album. “Everything’s gonna be alright/ everything’s gonna be fine”, short and simple with some out-of-this-world fast-paced drumming, and guitar riffs and nonetheless, the bass in this song shines through, ending the song with beautiful simple notes on the guitar and the final words sung “One day this pain will just be memory /’cause I know, everything is going to be alright”. And with that, Sarchasm bows out.

For twelve years, Sarchasm has been making extremely relatable music and sometimes, seeing a band like this go on “indefinite hiatus” can be rough. But at least they gave us one last album to cling to and for that, we sincerely thank them!

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DS Album Review: Sleep Token – “Take Me Back To Eden”

Sleep Token. Everyone knows their name by now, as they’ve taken the world by storm with their latest songs. The first 5 singles that they dropped in anticipation of the full release of Take Me Back To Eden gave us all a teaser that still left us blindsided by the incredible taste of the main […]

Sleep Token. Everyone knows their name by now, as they’ve taken the world by storm with their latest songs. The first 5 singles that they dropped in anticipation of the full release of Take Me Back To Eden gave us all a teaser that still left us blindsided by the incredible taste of the main course. Before getting into the review, I’ve got to be honest, I re-wrote this at LEAST three times. The third time restarting being because I got to experience Sleep Token at Aftershock 2023 from the front bar. Their set was incredible and to experience 5 out of the 12 songs from Take Me Back To Eden was easily something I’m never going to forget. I had the absolute pleasure of hearing 2 of my 3 favorite songs on the album and will keep those memories forever. The album is incredible to begin with, but to now have heard some of them live and know that Vessel sounds just as amazing live as he does on track makes it that much better in my opinion.

Getting to the review now, overall, I love this whole album. Cover to cover, this album flows so beautifully and makes me wish I knew how to do production stuff like this personally. They opened the set at Aftershock 2023 with “Chokehold”, which is how the album also starts. Easily one of my favorite songs on the album, musically and lyrically. Having someone in your life that you’re so infatuated with that you can say they’ve got a “chokehold” on you is an incredible, yet unnerving, feeling. I’m sure some can listen and relate to the song on some level, whether it be a passion, person, hobby, place, etc. There’s typically ONE thing most people can say has a hold on their love and affection to this seemingly extreme degree.

“The Summoning” came further in the set at Aftershock, but hit just as hard as it did when it took the world by storm last year. The lyrics of the song still ring true to many and had the entire crowd at Aftershock screaming along to the lyrics. This song’s seductive and sexy vibe makes it a crowd favorite and I don’t see it leaving their setlist for live shows for years to come. “Granite” is the third song up on the album and it brings a different perspective lyrically than a lot of the others. Speaking of a person who chose to take advantage of their loved one and treat them as though they are just another body in their world, and not someone who is supposed to mean the world to them. It’s a song that I fear many can relate to and I can say I, too, have been there.

“Aqua Regia” is a smooth and vibey song that gives the listener a nice buffer between the heavy and intense instrumentals of the previous tracks. The intensity of most of the tracks are greatly appreciated by many, I’m sure, but having these breathers that give us a nice little break from the intense heavy topics, and into a chill and calmer vibe. Then they launch you into “Vore.” One of the heaviest songs on the album for sure. I love to go listen to this song when I need to just sit back and let the music scream for me. It’s got a slightly haunting, yet angry and broken, feel to the vocals and it genuinely seems to help relieve some of my anger when I’ve had a bad experience/interaction in life since it hit the streaming services.

“Ascensionism” is easily my top favorite song on the album. I have loved telling people that it’s been my anthem since the album was released. Not only did the lyrics speak volumes to me, but they more or less describe an individual who desires both redemption and ascension, but at the same time, a longing to escape from reality with a person who understands them, and potentially even one that shares the same dark desires they have. Asking who made them like this to have them feel so “broken” and trying to show they understand who the individual is at their darkest. Inviting them to dance in the darkness they find themselves in together and take to the broken skies with their soulmate, hand in hand. It may be a hopeless romantic outlook on it, but this depiction is a large part of why I love it and it’s been my anthem since it hit our ears when the rest of the album dropped on May 19th.

“Are You Really Okay?” I’m sure had thousands of people bawling their eyes out and eating their comfort foods. I know I was at least once since the full album’s release and I will shamelessly admit that. Getting vulnerable, slow, and all around deep into those feelings like they did for this song, really hit home for many of us music lovers. If I really need a good cry, but I can’t quite figure out how to get it all out without waiting around for something to make me cry. I just throw on this song, and by the time he says the title for the first time, I’m bawling. 10/10 recommend if you need a good cry or just a wholesome song to listen to.

“The Apparition” is about two-thirds through the album and I love the low-key aspect of it, giving us a two out of three song breather from the heavy and intense instrumentals. It’s got some good higher notes that have beautiful orchestral music behind it and is a perfect segway into the next song, “DYWYTLM” (Do You Wish That You Loved Me). The low-key sound of “The Apparition” flows into “DYWTYLM” with such ease and keeps that slow and less intense instrumentals while bringing the lyrics back to a bit more of a relatable feel. There is one line in this song that resonates with me, though. At the 3:14 mark there’s a line where he sings “But I cannot hope to give you what I cannot give myself.” That line alone had me replaying the song a few times and really sitting with it and wondering how many people heard it and did the same. It’s a powerful reflection to have two-thirds of the way through the song, if you ask me.

Moving on to my last favorite song of the album, “Rain.” This song is about finding your soulmate and having their touch wash away all your problems, getting hurt by them was something you could deal with because they’ve got their hooks in you. Knowing it’s a two-person game and wanting to give what they’ll take and take what they’ll give. Having this feeling that you’ve come together for a reason and seeing them in your future has to be a fateful sign of your unification. Acknowledging that it could all just be a part of life’s game, but looking forward, you can swear they’ll be there. I’m in a spot in my life I can confidently say I can relate to the feeling of finding a soulmate, and that feeling was only solidified further getting to experience this song from front bar at the festival.

Now for the title track… “Take Me Back To Eden” was such a rollercoaster of a song. Genre-wise and lyrically. I love the analogies and the cryptic messages that seemed to be sprinkled throughout it. The song seems to be about wanting to go back to the start when life wasn’t confusing. Losing yourself and not knowing where you’re going can be disorienting and will absolutely send many into feeling like if they could just go back to the start of a situation or experience, then all would be fixed. It’s such an incredibly produced song and I’m absolutely impressed with the instrumentals’ seamless transitions throughout the track.

Last, but absolutely not least, “Euclid.” This song was an homage and revisit to a previous song in a previous album. If you’ve been listening to Sleep Token long enough, maybe you’ve heard the song “Night Does Not Belong To God” from Sundowning. This song has a very deep and heavy meaning behind it. This struggle with his relationship with Sleep and wanting its eternal embrace, but also having that person that he doesn’t want to leave. The back and forth in his head in accepting eternal sleep or pushing forward to continue on. Finding the beauty in the darkness and he’s handed over the darkness to his love to survive. At least, that’s my interpretation of it.

Overall, this whole album was a banger and I absolutely loved that they wrapped it up with a song that references another previous album/song. I’m not sure I’ve known a whole lot of artists to do that and it’s refreshing to hear something uncommon. Their multitude of genres and the seamless transitions into each style is mind-boggling and I am constantly recommending Sleep Token to anyone who will give them a chance.

You can stream Take Me Back To Eden on all streaming services as of May 19th!!

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DS EP Review: Yellowcard – “Childhood Eyes”

Before we start the review…let me take you back to a venue in Copenhagen in 2015. We are in Pumpehuset, and Less Than Jake just left the stage. After a break, Yellowcard appears, and I’m fangirling as if it was 2004 (yes, I know Ocean Avenue was released in 2003… But I was 12 in […]

Before we start the review…let me take you back to a venue in Copenhagen in 2015. We are in Pumpehuset, and Less Than Jake just left the stage. After a break, Yellowcard appears, and I’m fangirling as if it was 2004 (yes, I know Ocean Avenue was released in 2003… But I was 12 in 2003. I didn’t get a computer until 2004.)
The friends I went with aren’t, to this day, Yellowcard fans. But hell, through breakups, reunions, and shitty albums, I stand by them. But that was the night Ryan Key informed us that Yellowcard was breaking up. In my world, eight years ago, that would be the first and last time I saw Yellowcard in action. I was in tears.
Eight. Years. Later. Guess who is taking pictures of Yellowcard in the photo pit at Slam Dunk? ME!! And that was a dream come true, and also the weekend that Dying Scene got me out of my retirement, so I’ll take pictures at your child, best friend, sister’s wedding. Guess who is seeing them live again, and in my opinion, better than ever? ME and my truly amazing friends.



That intro was a bit long, but let’s admit it. You come for my witty backstories and stay for my sassy opinions – and I will deliver. Just keep ready, babes.

CHILDHOOD EYES

Yellowcard returns – TODAY – with a new EP… And well, let’s start from the top.

“Three Minutes More” doesn’t exactly show Yellowcard‘s full potential. It’s not a bad song because Vic Fuentes from Pierce The Veil is on it… Will I be hanged for this comment? But this song was stronger than the whole The Jaws Of Life album. Vic, if you read this, pull the band in this direction.

“Childhood Eyes” brings in the full force of Yellowcard and what they are capable of. As someone who grew up with Yellowcard and has now become my own person, this song did hit a certain place in my heart. The lyrics are weak, but the delivery of them is actually flawless.

“Hiding in the Light” intro reminds me of early Yellowcard, and for a second, Ryan’s vocals took me back. I actually find this song to be the biggest stand-out on the EP. It reminds me of early Yellowcard, but not in a “we didn’t grow” way. No, no, it’s clear from the lyrics that they, in fact, have grown.

“Honest From The Jump” “WE WERE JUST DISTANT STARS…” tell me more; this song actually caught my son’s attention. Yes, I turned a seven-year-old into a Yellowcard fan. But he convinced me to give it a chance. And I want to say the chorus is definitely one of my favorites on the EP. I’ve screamed the lyrics 100 times. But Keys’ delivery makes me shiver and get goosebumps each time I hear it. And the violins break my heart each moment on this song… “You were not honest from the jump”… Shit.

“The Places We’ll Go (feat. Chris Carrabba of Dashboard Confessional)“… the awful guitar intro… You know this song will pull teeth. I truly find this song annoying, and I get tired each time I hear it. Like, Yellowcard “wants to show they’ve grown,” but the fact this song lacks everything I need to be convinced… It sounds like some shit a guy from Nordsjælland (for those in America, just your average fuckboy. But we have them in one location) could tell me. I’m not into it. I’m actually over it.

Despite that one song… Yellowcard is back and I’m here for it, although this makes me tired because of that one song. Buuuuuuuuuuuuuut, I’m also hesitant about it, you know? Bring me something better than Ocean Avenue and I’ll admit defeat.

Friends…It’s new release day – let’s discuss this because I’m here for it!

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DS Exclusive: (World) Cup The Punx! Volume 1 w/members of Stiff Little Fingers, Slapshot, Sam Russo and more!

Reporting by Dying Scene Staff Members, MerGold, Jay Stone, Rae, and Nasty Nate Dying Scene staffers are fans of “The Beautiful Game,” and we are not alone. Some of your favorite punk musicians from all over the United States and internationally discuss the game they love and what they are looking forward to as World […]

Reporting by Dying Scene Staff Members, MerGold, Jay Stone, Rae, and Nasty Nate

Dying Scene staffers are fans of “The Beautiful Game,” and we are not alone. Some of your favorite punk musicians from all over the United States and internationally discuss the game they love and what they are looking forward to as World Cup 2022 kicks in to action in Doha, Qatar. The selection of Qatar as the host nation the subject of FIFA itself, has been rife with controversy from the get-go. Some of the musicians don’t mince words about these issues. Indeed, many of us are also torn over the question of whether to watch the World Cup or not in light of the deserved criticisms. That’s for each of us to decide as individuals. However, in response to our questions about the World Cup and the sport in general, here are the answers from the participating musicians. Also, for newbies to the sport or those needing a refresher course here is a guide from The Athletic for World Cup 2022 viewing.


Jake Burns of Stiff Little Fingers is a living legend. Burns, now living in Chicago, is unafraid to be blunt when expressing his views, whether in song or any other form. Here, he tackles the elephant in the stadium straight on.

DS: What are you most looking forward to in the World Cup?

JB: “Nothing. Seriously. I cannot ever remember NOT caring about the World Cup since I was transfixed by the great Brazil team of 1970. I was 12 years old and marvelled at the mercurial Jairzinho, the only player to score in every round. The selection of venues for the last two World Cups stinks to high heaven. (See the great Netflix documentary “FIFA Uncovered”.) However, there was some footballing merit on the tournament being awarded to Russia last time around. This time, there is none. To move the tournament from its usual summer schedule to the winter just to facilitate it being played in the desert is only one reason to ignore this travesty, perhaps the least salient reason in fact.”

DS: Which team(s) are you rooting for and which teams do you think are going to be there are the end fighting for the trophy and will win that trophy?

JB: “I spent the longest period of my life living in England and, obviously I’m most familiar with those players so, insomuch as I will be rooting for anyone, that’s who I will be pulling for. It’s also great to see Wales there after a huge absence. As a fairly recently minted American citizen, I also hope the U.S. do well. As to who will win it? Brazil. Not a particularly brave call on my part, but I think the temperatures will suit them more than any of the European teams. And, IF they play to their full potential, I honestly think England can make it all the way to the final.”

DS: Do you have a favorite team(s))/player(s) in the English Premiere League, United States Major League Soccer or any other leagues around the world?

JB: “Newcastle United. A team that for decades was mired in unfulfilled potential. As a one club city, Newcastle has long been one of the many “sleeping giants” of English football. A recent takeover by the Saudi Arabian Public Investment Fund, for which read “Saudi Arabia” (honestly that “PIF” stuff is fooling no-one), has led to renewed investment both in staff and facilities that might, finally, see the Toon realize their vast potential…albeit at the cost of a considerable part of their soul.”

DS: How did you become a fan of the team if not from the area?

JB: “I lived in Newcastle for about sixteen years. As I said, it’s a one club city and if you don’t follow the Toon, then you don’t talk to anyone, at all, about anything!”

DS: Did you ever play football/soccer yourself?

JB: “Every kid in Britain or Ireland at one point fancied themselves a footballer, but as my eyesight was rubbish from an early age, I always sucked at it. So, no.”


Mike Park (past: Deal’s Gone Bad {DGB}; Lord Mike’s Dirty Calypsonians; present: The Crombies.) is a die-hard fan of West Ham F.C.

DS: What are you most looking forward to in the World Cup? 

MP: “The Qatar thing is sketchy I’m not saying I’m looking forward to drama but there’s gonna be drama. I’m ACTUALLY looking forward to seeing the US back in the mix. The collapse in qualifying last time was brutal.”

DS: Which teams do you think are going to be there are the end fighting for the trophy and will win that trophy? 

MP: “I want interesting things to happen, go underdogs! Often the further in your go the more boring and predictable the teams get. An Argentina Spain style final would be lame. Snore…

DS: Do you have a favorite team(s))/player(s) in the English Premiere League, United States Major League Soccer or any other leagues around the world?  How did you become a fan of the team if not from the area? 

MP: “I’m a Declan Rice, West Ham guy. I definitely got into West Ham via the punk scene. I got to see them at Upton Park years ago when they were down v Rotherham. I think West Ham’s biggest name that year was Marlon Harewood so I can say “I saw Marlon Harewood live!” Lol

The Chicago Fire once had a THRIVING supporters scene that was heavily influenced by the punk rocks. Years of failure and overt front office hostility eventually chased it away. It still exists but isn’t welcome anymore by the organization.

DS: Did you ever play football/soccer yourself? 

MP: I grew up in a blue collar suburb of LA in the 70s and soccer wasn’t really available to us, you had to move to a fancier neighborhood for that, it was all baseball and football near me. I did play bar league for the Delilah’s team for a couple years back in the early 2000s. It was hilarious, a bunch of hungover punk rock types up against folks who had played in college, were fit and hydrated. We had the most tattoos of any other team and eventually even won a couple games.

DS: Favorite Football related punk songs? 

MP: “Obviously my favorite punk soccer song is the Chicago Fire goal song Deal’s Gone Bad recorded back in 2002. They used it for like 15 years and it was always a trip to hear myself on ESPN.

In all seriousness I think my fave punk soccer song isn’t really explicitly about soccer but it captures the spirit of the whole scene and the vibe that makes it so exciting – “If the Kids are United” by Sham 69.”


Vee Sonnets presently performs with Park in the Crombies and formerly with him in DGB. He also leads The Sonnets.

DS: What are you most looking forward to in the World Cup?

VS: “All of it.

DS: Which team(s) are you rooting for and which teams do you think are going to be there are the end fighting for the trophy and will win that trophy?

VS: “I’m rooting for my team Ecuador but it’s looking like Qatar is gonna run away with it.” [DS note: Ecuador beat Qatar in the opening match of the 2022 World Cup]

DS: Do you have a favorite team(s))/player(s) in the English Premiere League, United States Major League Soccer or any other leagues around the world?

VS: “Tough one but I am rooting for [Lionel Messi. He deserves to win one.

DS: How did you become a fan of the team if not from the area?

VS: “Nationality.

DS: Did you ever play football/soccer yourself?

VS: “Yes. H.S. and pick up games throughout my life.

DS: Favorite Football related punk songs?

VS: “Kick in the Eye.”


Jordan Salazar of Vultures United is such an Association Football fan he has favorite clubs from almost all of the most prominent leagues around the globe.

DS: What are you most looking forward to in the World Cup?

JS: “Just the whole thing. It’s like a month-long gift”

DS: Which teams do you think are going to be there at the end fighting for the trophy?

JS: “Rooting for Mexico then Portugal then the US. Fighting at the end? Argentina, Brazil and France.”

DS: Do you have a favorite team(s)/player(s) in the English Premier League, Major League Soccer, or any other leagues around the world?

JS: “English Premier League = Manchester United / MLS = LAFC / La Liga = Real Madrid / Ligue 1 = PSG / Liga MX = Chivas / Serie A = Juventus and Roma

DS: How did you become a fan of the team if not from that area?

JS: “For Manchester United, it was all Javier “Chicharito” Hernandez. He came up in Mexico and played for Chivas, who are from the town my Dad and uncles grew up in. So Chivas and Mexican International Soccer was the first sports teams I was exposed to as a kid and just never stopped following them from then on. Oddly enough, out of all teams mentioned, Manchester United is definitely the team I care and pay attention to (and suffer with) the most.”

DS: Did you ever play football/soccer yourself?

JS: “I play 1 to 2 times a week
with an adult league team or pick-up soccer with friends (our pick-up
group has been doing it for 15 years!)”

“I’m part of an adult club team still called Green Valley Football Club.”

 


Singer-Songwriter Sam Russo is as hardcore soccer supporter so he’ll be keeping his eyes on the matches. Russo will also be on the lookout for commentary by his Red Scare Industries boss Tobias Jeg.

DS: What are you most looking forward to in the World Cup?

SR: “The thing I’m looking forward to most about the World Cup is watching England win the World Cup. Also, Jeg on Twitter defending the refs.”

DS: Which team(s) are you rooting for and which teams do you think are going to be there are the end fighting for the trophy and will win that trophy?

 SR: “I’m rooting for England, and I’m pretty sure Germany will be hanging in there at the end as usual. I follow all the Italy games because my family is Italian, and I always root for Mexico, too.” [DS note: for the second consecutive time Italy failed to qualify for the World Cup.]

DS: Do you have a favorite team(s)/player(s) in the English Premiere League, United States Major League Soccer or any other leagues around the world?

SR: “I support Ipswich Town – the Tractor Boys. My favourite player in the Premier League is a guy called Robin Koch. Great punk name.”

DS: How did you become a fan of the team if not from that area?

SR: “I became a Tractor Boy when I was a kid because Ipswich were the only team we could afford to go watch play. Me, my brothers and my Dad used to go to every home game. We had awesome seats because nobody went. It was great!” 

DS: Did you ever play football/soccer yourself?

SR: “I play 5-a-side with a group I’ve been playing with for over ten years! It’s the highlight of my week and I love those bellends.

DS: Favorite Football related punk songs?

SR: “Olé by the Bouncing Souls, and Three Lions by Baddiel, Skinner, and The Lightning Seeds.

Sam Russo says about the photo he included with his answers:

“Yeah! This is me and my team from an 11-a-side match before the pandemic – WE ARE THE SMSC! On yer touch! Shoutout to the excellent humans I play with, they always support my music and we have a bloody good time on a Friday!”


Ryan Packer of Slapshot, is a massive Chelsea F.C. supporter (as are my cousins; I am a long-time supporter of the current EPL-leading Arsenal FC.). So naturally, he, along with Jake Burns, was one of the first people I solicited for this piece. I recalled the photo I shot of him in his Chelsea kit as he worked producing a Boston punk rock weekend several years ago.

DS: What are you most looking forward to in the World Cup?

RP: “I would obviously like to see the US make a round or two. That’s all we can hope for with that squad.” 

DS: Which team(s) are you rooting for and which teams do you think are going to be there are the end fighting for the trophy and will win that trophy?

RP: “The last two cups I was lucky enough to be in Europe. I have some great memories of Belgium advancing. Maybe they can put a couple of wins together.”

[on what is one of the best aspects of the World Cup] “That’s what’s great about the tournament it can go a million different ways.”

DS: Do you have a favorite team(s)/player(s) in the English Premiere League, United States Major League Soccer or any other leagues around the world?

RP: “Premier league I’m a Chelsea FC supporter. I have to support the hometown team so I also back the [New England] Revolution.”


DS: How did you become a fan of the team if not from that area?

RP: “I became a Chelsea fan by going to a local bar that a lot of supporters hung out at Saturday mornings so I became a fan.”

DS: Favorite Football related punk songs?

RP: ‘War On The Terraces” by The Cockney Rejects is definitely a stand out.” 


For Felipe Patino, from SACK, disappointment struck during the Qualifiers. His native Peru’s national team did not qualify for the World Cup. Still, he will be cheering on one team in particular.

DS: What are you most looking forward to in the World Cup?

FP: “Argentina winning.

DS: Which team(s) are you rooting for? Which teams do you think are going to be there are the end fighting for the trophy?

FP: “Rooting for Argentina and France.”

DS:  Do you have a favorite team(s)/player(s) in the English Premier League, Major League Soccer or any other leagues around the world?

FP: Haaland, Martinelli, and Luis Diaz for the Premier League. Flores and Gallese for the MLS.  Messi and Ramos for L1.  Advincula for Primera Division

DS: How did you become a fan of the team if not from that area?

FP: “Just by enjoying the talent and appreciating the sport.” 

DS: Did you ever play football/soccer yourself?

FP: “Yes, still do occasionally.”

DS: Favorite Football related punk songs?

FP: Domingos by Dos Minutos.


Pedro Aida, of Fire Sale, does not have a particular bar or spot on his couch from where he’ll be watching the matches. But he still plans to watch as many as he can.

DS: What are you most looking forward to in the World Cup? 

PA: “I’ll be on tour in Europe for most of it with The Iron Roses and I’m looking forward to the experience of watching some of those matches in that environment. All but one of the countries we’re performing in is in the World Cup. Additionally we have some time off so I’ll be in Paris for the semis and London for the final. It would be a dream if France or England were in those matches.”

DS: Which team(s) are you rooting for? Which teams do you think are going to be there are the end fighting for the trophy? 

PA: “Since my home country of Peru missed out in the playoff I’ll be pulling for the Yanks. My final four bracket is Argentina, Germany, France, and Croatia with Argentina winning the cup.

DS: Do you have a favorite team(s))/player(s) in the English Premier League, Major League Soccer or any other leagues around the world?

PA: “Fulham FC from the Prem. Tim Ream is my guy, excellent defender and will be holding down the backline in Qatar for the US. I’ve forgiven him for being a former [NY] Red Bull (barf).”

“The team I’ve been watching and supporting since I was a teenager is D.C United (VAMOS UNITED). Grew up watching Ben Olsen play and then coach for DC. Named my first born Olsen.”

My local home team is The Richmond Kickers in USL League 1. My guy Emiliano Terzaghi, an Argentinian striker, just took his 3rd League MVP in a row. #UpTheRoos!”

DS: How did you become a fan of the team if not from that area?

PA: “I’ve been a casual Fulham supporter for about 20 years since they brought in Brian McBride and are known for bringing in Americans well before it was common to see Yanks in European football.

DS: Did you ever play football/soccer yourself?

PA: “Played as a kid and through high school (rec). Didn’t really play regularly throughout my 20’s. In my 30’s I dove back into it pretty seriously in adult rec leagues here in Richmond. I’ve been taking it easy this past year with touring and stuff ramping up, I can’t risk getting injured.”

DS: Favorite Football related punk songs?

PA: “Not so punk but it’s Men Without Hats “Pop Goes The World”. I could say something by Cockney Rejects or The Business but they don’t represent any of my clubs.”


Dying Scene’s Nate Kernell has curated a special playlist for the World Cup. Check it out here and let us know what tunes should be added! Also, stay tuned for more installments of (World) Cup The Punx!

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DS Exclusive: (World) Cup The Punx! Volume 2 w/members of Flatfoot 56 and The Real McKenzies and Good Friend and more!

We’ve made it to the knockout round of the 2022 World Cup! So far, there’s been jubilation and disappointment in supporters of various Clubs and a few surprises. Among the highlights: USA followed up draws against the two UK teams, Wales and England, with a win against Iran. Saudi Arabia shockingly beat Argentina; before its […]

We’ve made it to the knockout round of the 2022 World Cup! So far, there’s been jubilation and disappointment in supporters of various Clubs and a few surprises. Among the highlights: USA followed up draws against the two UK teams, Wales and England, with a win against Iran. Saudi Arabia shockingly beat Argentina; before its elimination by the USA, Iran stunned Wales with an extra-time win. THAT goal by Brazil’s Richarlison de Andrade! There were acts of courage by fans and team members; and broken promises by the host nation. Legendary United States Supreme Court Justice Louis D. Brandeis (1856-1941) introduced the oft-quoted idea that sunlight is the best disinfectant to counteract negative governance. Hopefully, in the case of the tournament, the eyes of the world that are focused sharply on both the host country and the governing body overseeing the World Cup act as that disinfectant. Punk rock has a long legacy of acting in that same manner whether or not the musicians know of Louis D Brandeis’ and/or his famous words.

Here we present more diehard soccer/futbol fans. Most indicate that they are watching the World Cup with that awareness. One musician understandably chose to boycott. Yet all discuss their love of the beautiful game. Remember, you can read Part One of “(World) Cup The Punx” here and you can check out our World Cup playlist, chock full of all your favorite futbol-related punk anthems, right here!


Part 2 of our World Cup special, as with Part 1, starts with a musician hailing from Northern Ireland. Adam Carroll aka Mad Adam, vocalist and bass player with the band Good Friend, reveals his take on the tournament and which clubs he regularly supports.

DS: What are you most looking forward to in the World Cup?

AC: “I’m looking forward to how The World Cup brings people together. Football is on the tip of everyone’s tongue and even people who usually don’t relate to the sport are supporting a team passionately. And there is always drama!

Carroll adds:

“That’s what sports supposed to be about, right?”

DS: Which team(s) are you rooting for? Which teams do you think are going to be there at the end fighting for the trophy?

AC: “As there is no R.O.[Republic of] Ireland or N. Ireland and our usual back up of Iceland also didn’t make it this time round, I’m rooting for Argentina. An England v Argentina final and [Lionel] Messi wins the game with a hand of God. That’s how I think it’s all gonna happen.

DS: Do you have a favorite team(s)/player(s) in the English Premier League, Major League Soccer or any other leagues around the world?

AC: “I support Liverpool (Premier League) and Coleraine FC (Hometown team).

DS: How did you become a fan of the team if not from that area?

AC: “My older brothers support Manchester United, Chelsea and Newcastle United and rather than swear allegiance to one I wanted a team of my own. I loved how Liverpool played. They were fast and frantic and anything could happen in front of the Kop.

DS: Did you ever play football/soccer yourself?

AC: “I did, I was a right winger and played for a few local teams. I once had an unsuccessful trial for Leeds.


Kyle Bawinkel, bass player for Flatfoot 56, has worn his Chicago Fire scarf around the world. It’s kept him warm from Murmansk, Russia (Arctic Circle) 2013, (photo on right) and back home on the sidelines of the team’s pitch (photo on the left, below, with Part 1 participant, Mike Park of The Crombies.)

DS: What are you most looking forward to in the World Cup?

KB: “It’s hard to not get excited over the first Poland vs Mexico match. growing up in predominant Polish and Mexican neighborhoods. it’s going to be an all out brawl.” [The match ended in a 0-0 draw.]

DS: Which team(s) are you rooting for and which teams do you think are going to be there at the end fighting for the trophy and will win that trophy?

KB: “I’m excited to watch this young USA team and think it’s time for Brazil to hoist.

DS: Do you have a favorite team(s)/player(s)in the English Premiere League, United States Major League Soccer or any other leagues around the world?

KB: “I’ve always been a Bundesliga watcher so I followed Breman and St Pauli but favorite player has been Schweinsteiger, so I guess you can say the Chicago Fire was watched a lot as well.”

DS: How did you become a fan of the team if not from the area?

KB: “I watched the Chicago Fire growing up because they played down the street and watched a lot of Bundesliga on tour. Our driver was a huge Breman fan so I started following them. My first love of Bundesliga though is St Pauli. I’ve played many of their supporters’ events over the years and obviously what they stand for is 100%.

DS: Did you ever play football/soccer yourself?

 KB: “I only played pickup games growing up. I was never in an organized league.

DS: Favorite Football related punk songs?

KB: “How can it not be Hardcore HooliganThe Business?


Henrike Baliú (Blind Pigs; Armada) will be experiencing the World Cup with his children. The musician is from Brazil, where the National Team has won the World Cup 5 times. That makes the South American nation the winningest in the tournament’s history. Will 2022 earn the Brazilians their 6th title? Baliú shares his thought on that and more with us.

DS: What are you most looking forward to in the World Cup?

HB: “Well, I’m looking forward to Brazil bringing home the World Cup trophy. Not because I care, ‘cause I don’t, but I’d like to see my three sons have this experience. I’ve had it in 1994 and 2002 when football (not soccer, that’s how Yanks call it) was still a big part of my life.

DS: Which team(s) are you rooting for? Which teams do you think are going to be there at the end fighting for the trophy?

HB: “Brazil, obviously, even though our national team’s shirt has been stolen by neo-fascists here as their uniform. So, I’ll be rooting but you won’t see me wearing the jersey.

DS: Do you have a favorite team(s)/player(s) in the English Premier League, Major League Soccer or any other leagues around the world?      

HB: “I was born in Rio de Janeiro, Brazil. My dad is Flamengo. It’s like a religion that your dad passes on to you.” [The photo to the left is of a young Baliú, in 1982, sporting a Flamengo shirt for his Angell School portrait in Ann Arbor, MI.]

DS: Favorite Football related punk songs? 

HB: “1982” by my band, Armada. It’s about the classic match between Brazil and Italy in 1982 in the World Cup in Spain. I watched it on TV. I was 8. Brazil lost and I couldn’t stop crying. It traumatized me so much that I wrote a song about it decades later.”


Aspy Luison of The Real McKenzies is a diehard supporter and player of futbol but not of this year’s World Cup. Whilst some of us believe eyes focused on the tournament hopefully will lead to change, Luison has a different point of view. He, understandably, believes boycotting the game is the way to avoid rewarding those who deserve anything but.

DS: What are you most looking forward to in the World Cup?

AL: “I don’t expect anything at all. I’m not going to watch it and I hope that all of us who love the real football, football with values, please do the same and turn off the fucking TV.

I am not going to support a World Cup that the corrupt and mafia-like FIFA gets richer with their shit modern football. Qatar is a country where human rights are violated, it oppresses the rights of migrant workers, women, people from the LGBTQIA+ collective, in addition to preventing freedom of expression.

DS: Do you have a favorite team(s)/player(s) in the English Premier League, Major League Soccer or any other leagues around the world?

My team is Deportivo de A Coruña, but I sympathize with all the anti-fascist and anti-racist teams like Celta Vigo, Athletic Bilbao, St.Pauli Hamburg, Celtic Glasgow

 DS: Did you ever play football/soccer yourself?

AL: “I have been playing football all my life, until I was 16 years old I was a defender (centre-back) and then for due to team needs I have changed to goalkeeper until I was 28 years old.

Now I am coach of the women’s team of my town of 4ª division.

DS: Favorite Football related punk songs?

AL: “Right now the only songs that come to mind are: The Adicts You’ll never Walk Alone‘ [and] Los Fastidios – ‘Antifa Hooligans‘”


John Payne from Heart and Lung is hoping one of the best players in the history of the sport never wins a World Cup.

DS: What are you most looking forward to in the World Cup?

JP: “I cannot wait for the moment that Messi fails to win in his last Cup ever.” [Lionel Messi’s Argentina lost to Saudi Arabia but it did beat Mexico.]

DS: Which team(s) are you rooting for? Which teams do you think are going to be there are the end fighting for the trophy?

JP: “Viva Mexico! They’re at the top of my bracket, but I think Germany, Brazil, and Uruguay are gonna stick around for a while.  Then again, I’m nearly always wrong.

DS: Do you have a favorite team(s)/player(s) in the English Premier League, Major League Soccer or any other leagues around the world?

JP: “I wake up super early on the weekends to root for Tottenham, mostly because of Son Heung-min.  Kulusevski is fast becoming a favorite, though.

DS: How did you become a fan of the team if not from that area?

JP: “My buddy lived in London for a bit, and when he got back he asked if I wanted to get up early to watch matches with him.  I said no.  He told me I could get drunk at the bar at seven am.  I said yes.

DS: Did you ever play football/soccer yourself?

JP: “I was on the purple team in fourth grade.  My parents neglected to tell me about the traveling team in fifth grade because they didn’t wanna drive me anywhere in the morning.

DS: Favorite Football related punk songs?

JP: “The Real McKenzies ‘Raise the Banner’ is a fun one!


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DS Exclusive: Bradley Riot releases “Port to Port” Ahead of Full-Length “Dark Side of the Road”

Ahead of Bradley Riot’s upcoming full-length titled Dark Side of the Road, Dying Scene is pleased to bring you the second single titled “Port to Port”, an introspective tale of a great journey, not across seas to new lands, but of finding one’s self through first giving in to, then later abandoning, self-destructive behavior. “‘Port […]

Ahead of Bradley Riot’s upcoming full-length titled Dark Side of the Road, Dying Scene is pleased to bring you the second single titled “Port to Port”, an introspective tale of a great journey, not across seas to new lands, but of finding one’s self through first giving in to, then later abandoning, self-destructive behavior.

“‘Port to Port” is a song about being stuck in a loop of repeating the same negative habits, specifically when it comes to love. It’s about seeking external solutions for internal problems,” wrote Bradley. “I’d say one of my favorite lyrics in the song is: ‘I’m setting course for blacking out.’ It equates to me completely giving up and leaning into defeat, setting the intention of ignoring the issue instead of trying to solve it.”

One thing that’s become much more apparent since the Covid shutdown, at least in my own musical bubble, is the introspective nature of music both written and recorded during that time. Although as a concept this is nothing new, especially in the realm of punk-rock, when the world is forced into solitude, music lacking outward-looking themes is almost inevitable. I’ve found myself paying far closer attention to this idea, and usually try to question any artist I’m lucky enough to interview (Adrienne Rae of Plasma Canvas, Matt Goud of Northcote). Bradley was no different, and offered some unique insights that most likely resonate with much of what the punk-rock world was struggling with at that same point.

“Covid was definitely a major hurdle,” wrote Bradley. “I’ve lost count of how many times we’ve had to postpone recording sessions in order for someone to get well or test negative. It was a massive time killer.”

He then explains some of the other hurdles that were faced in writing and recording Dark Side of the Road, while also dealing with the overarching headache that was and still is Covid. Writing while simultaneously recording was highlighted, something that since talking with Sam King of Get Dead and Codefendants has become a trait I greatly admire. But the third struggle Bradley listed, that of sobriety, was what really amped me up and got me excited to hear the portrayed journey throughout this new record.

“Many of the vocals were sang between swigs of Jameson or after a night of heavy cocaine usage. Sometimes, that made for a fun vocal texture, but, more often than not, it was just problematic. After I decided to get clean, we revisited the album as a whole, took it back to square one, and I re-sang almost every line. Approaching the songs with a different mindset really opened them up and I’m grateful for (co-producer) Kevin Besignano’s compassion towards the process.”

In the short back-and-forth I’ve had with Bradley, “Port to Port” seems like a much more focused, direct version of what the full-length hopes to portray: “the idea of being a victim to oneself”.

Check out the brand new single below, and keep your eyes peeled October 13 for the full-length release of Dark Side of the Road.

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DS Exclusive: Frank Casillas on The Hardyville Stranglers, leaving Voodoo Glow Skulls behind, Arizona, and Bicycles.

Frank Casillas founded Voodoo Glow Skulls with his brothers, Eddie and Jorge Casillas, along with Jerry O’Neill. He left the band in June 2017, making the announcement during a VGS performance at Long Beach, CA venue, Alex’s Bar. DS: Before we get to your new project, let’s go back to where you left off with […]

Frank Casillas founded Voodoo Glow Skulls with his brothers, Eddie and Jorge Casillas, along with Jerry O’Neill. He left the band in June 2017, making the announcement during a VGS performance at Long Beach, CA venue, Alex’s Bar.


DS: Before we get to your new project, let’s go back to where you left off with the Voodoo Glows Skulls. After so many years leading that band, how did the decision to leave come about at that moment in time?

FC: Well, I didn’t really plan a time and place to leave the band. It just kind of happened at a time when we were doing some weekend gigs here and there along the west coast, close to home, and some incidents that had occurred from within the band (ongoing arguments within the three brothers, differences between other band members, etc.) during this time just prompted me to just quit on the spot.

DS: How long did it take to make the decision to leave? Was there anything in particular prompting it?

FC: I had actually been thinking about leaving the band for at least five years prior to me actually doing it. For me personally, I was just burned out on the whole thing. We weren’t really being productive with writing new material, and it seemed like it was taking forever to record a new album. I didn’t really like the direction of the new material either. It just seemed like we were getting further away from the VGS style and sound that we were known for. Since we started the band, I was pretty much the main guy handling just about everything in the band business wise since day one, even when we had high profile management and everything. There’s always got be at least one person speaking for the band and making decisions on behalf of the band, and that was me for the longest time. Not only that, but I wore many hats besides just being the front man. I drove and maintained the vehicles, I was the tour manager, I organized and ordered the merch on top of also being a performer in the band. I also had a family with children, and I sacrificed a lot just to keep the band going when other guys in the band didn’t really care about anything else but playing and getting paid. We were constantly on the road being ran by a booking agent and it just became very routine. After a while, it just sucked everything out of me. Especially the creativity, and productivity aspect. I just wasn’t into it anymore and I felt like the band wasn’t really being productive and progressive like we used to be. I didn’t exactly leave on the proper terms and that struck a nerve with the remaining members in the band and some fans. But then again, I have never really heard of anyone giving a two weeks’ notice when they leave a band. My gut instinct just said it was time to leave and focus on me personally.


DS: Was there ever a time, either in the immediate aftermath of leaving the band or in the years since where you have had regrets about that decision or doubts that it was the best thing for you?

FC: “I helped start this band with my two younger brothers, and a neighborhood friend who was pretty much considered a brother. It obviously wasn’t an easy decision to leave after 27+ years. We accomplished a lot for just being a high school backyard party band that happened to tap into the youth of that era and play music that suburban kids could relate to. It was something that came natural to us, and we were just a product of our environment. It was hard for sure, and yes, for the longest time there were some mixed feelings of regret and guilt for just leaving like I did. But I also had my mindset of just moving on with my personal life and pursuing just me for the sake of the long-term, personal satisfaction, and personal well-being.


Photos bv Stoned Spider Photography

DS: Is there anything you miss about being on the road with the VGS / with your brothers specifically or just being on the road and in a band?

FC: I miss the fans! I don’t really miss the travel aspect, or anything related to that. When you’re young, that shit is cool! But as you get older, it gets harder to accept some of the accommodations that are handed to you on tour. Of course, I miss my brothers. But at the same time, I can’t help but feel some sort of betrayal by them. I fully understand that I didn’t exactly leave on the best of terms. But I wasn’t okay mentally and physically and instead of being concerned about me possibly not being okay, they pretty much slandered me on the band’s social media and made me look an unstable person to our fans. I think that I deserved better than that regardless of the situation. I had done so much for our career, and I feel like my efforts and sacrifices as not only the front man, but a managing member went totally unappreciated and disrespected after all these years.


DS: How aware were you of the reactions from the fans of the band?

FC: The fans have always been great to me. Of course, I got some mixed reactions after leaving. Especially after I was blasted on the band’s social media for quitting. But I still get fans asking me to return. I get feedback from fans telling me that that it’s just not the same anymore without me, etc. There are also a lot of ex-fans who wrote me off. But that is to be expected, I guess.


DS: You spoke of great legacy when you announced you quit the band, how would you describe that legacy?

FC: We started off as just kids learning how to play instruments along with our vinyl records. We managed to tap into suburban kids and relate to their lifestyle through music that was pretty much inspired by our environment. This came at a time when we didn’t exactly have social media or the internet at our fingertips to help get exposure. It was all done organically and by word of mouth for the most part. Not only that, but we managed to transcend underlying racial boundaries and write bilingual ska/punk songs that Mexican, Chicano, and Anglo-American kids could relate to equally. We managed to do that for at least a couple of decades strong. If anything, I’m proud and happy that the band is still going strong without me. They have managed to reinvent themselves with a new front man and continue with their own version of VGS. It’s a different band for sure now.


Frank Casillas by Photo by Dana Krashin

DS: Please tell us about Tiki Bandits. What was it like to go from VGS to the TB? What were some of the most interesting differences you found, and any similarities?

FC: Tiki Bandits were never really a serious project for me. I started TB with some local friends in Arizona while I was still very active with VGS. It was just a side project for me, playing “punked up” cover versions of 50’s & 60’s tunes and an opportunity for me to stay somewhat creative and keep my musical chops up. I never really compared the band to VGS, as it was strictly just another musical outlet for me to just have fun and play gigs with no strings attached to a record label, a booking agent, or the industry in general. Sadly, we no longer exist as of 2021.

DS: Please tell us a bit about the origin of The Hardyville Stranglers.

FC: The Hardyville Stranglers are my newest and current band that came together in 2022 between myself and some local friends who share musical interests in Punk Rock music. Nick Fielding, our bass player has a strong punk rock musical history and played in the band Narcoleptic Youth for 6 years before moving out to the desert like me. The guitar players Steve Blanks and Bobby Narmaki have musical roots in the So Cal punk scene and have also played in several local bands. Jose Ibarra, our drummer has played in some local area bands and was also my drummer for Tiki Bandits. Somehow, we all ended up meeting and coming together musically out here in our area where we all reside. We all live in the Bullhead City area, and Hardyville is what Bullhead used to be called back in the old Wild west days. That’s how we came up with the name of the band.

DS: How much, if any, of your work in this band has been affected or influenced by the decades with the VGS?

FC: I don’t really think about that to be honest. My experience obviously helps with logistical things like organizing stuff for the band. But we don’t really consider ourselves a real working band or anything. We’re just having fun making music without any boundaries. It’s a breath of fresh air being able to play music just for fun and without any expectations from anyone. It’s reminiscent of when I first started playing with VGS, and that makes it fun and exciting for me again.


DS: Are there any songs on this record you personally connect with.  “Nobody Likes” for instance, is a song I think we all can relate to at different points of our lives.  Even if our self-perception may not be accurate.

FC: “Nobody Likes” is just a song poking fun at how it’s so easy for people to just complain about anything nowadays on platforms like YELP or leave negative reviews, and just be a Karen or whatever. No real strong meaning behind it. Just a stupid observation, I guess. Lol

DS: How did some of the other songs on the EP come to fruition?

FC: Nick our bass player had some songs in his back pocket that he wrote years ago, and we brought them to life. That motivated us to start figuring out our own sound and go from there, to write a few of our own tunes collectively as a band.

DS: What was the inspiration for this album?

FC: Just a group of four guys getting together on Sunday evenings to play music and see what comes out of it. That’s really all it is!

DS:  What are you looking forward to with this new group record.

FC: We really don’t have any set goals or anything. We can’t really tour extensively or anything because guys have jobs and families to feed. We are doing this just for fun and if we happen to gain some sort of popularity or success with it, I don’t think anyone in the band will be upset.

DS: What has the early reception to the record and the Hardyville Stranglers been?

FC: The reception has been great so far. We all commonly agree that punk rock has gotten soft nowadays. Punk used to be aggressive, anti-establishment a rough around the edges. Now it just seems polished, sensitive, and woke. So that pretty much influences us to just write stuff off the top of our heads and not really care about how it’s going to be received. So far, I think that it’s been working in our favor. We have gotten some good reviews claiming that we are a breath of fresh air for the punk scene.


DS: What is in the immediate or long-time future for The Hardyville Stranglers as far as you know right now?

FC: We are just playing locally right now with no real expectations or plans. Luckily with social media and the internet we can share our music to a much broader audience without having to go on tour or anything else. However, we are not opposed to doing a weekend here and there or traveling if the opportunity is there and most importantly, worthwhile for us.

DS: How has age and family/having children affected your approach to performing and all the related elements of being in a band.

FC: It gets harder as you get older. I don’t see how some of these guys are still out there doing this fulltime well into their 50’s and 60’s. I had small children and a family for a majority of my career in VGS and that made it extra hard to be gone all the time on tour. That was the hardest thing to deal with.

My kids are grown now, and I went through a divorce. I am just recently married again, and I have two step daughters that I am helping raise. I couldn’t see myself being able to leave on tour nowadays. Not only because of my new family, but my business as well.

DS: The final lyrics to “Disappear” are “Don’t Give A Fuck If I Live Or Die, I’ll Drop a Gear and Say Goodbye.” Again a sentiment it seems many people have had at some point in their lives. How do you relate to this sentiment, and does it bring you back to any specific moments or feelings in your life?

FC: I am and have always been a motorcyclist and enthusiast. I currently own three motorcycles and I live in a place where outlaw bikers are for real and part of the history here.  That song is a biker song mainly, but it is also highly relatable to other non-bikers, I guess. I never really thought it that way to be honest.


DS: Why Arizona? Specifically, Bullhead? What went into the decision to leave CA for AZ?

FC: I left my hometown of Riverside, California for Bullhead City, Arizona in 2000 mainly so my kids could grow up in a safer and less influenced environment. I felt like California was just getting overpopulated, dangerous and super expensive. Pretty much how it is today! In my eyes, Bullhead City is paradise and still far enough, yet still within arm’s reach of my roots in California. We have the desert, mountains, the Colorado River running through town, and you just have more access for outdoor, recreational opportunities here in general.

DS: What are the differences you have experienced between the two states and the similarities. Same goes for Riverside v Bullhead?

FC: There is quite a bit of similarities between the two here. Most residents here have roots in California and have just ended up here to live by default. I have felt more sense of freedom living in Arizona and it seems like there are far less restraints living in Mohave County. The cost of living here is generally less and you don’t have as many outside influences living in the desert. Even though, things are rapidly changing because of the sudden high influx of people leaving California and moving here. It still has that small town and tight knit community vibe.

DS: You operate a bicycle shop – Rad Stop. Why bicycles?

FC: I grew up on my bicycle and they have always been a passion of mine.

DS: Please tell us about the business? Is there a story behind the founding of the business?

FC: I  got my 4-year-old son involved in BMX racing as alternative to organized team sports. He took a liking to it immediately, he became very good at it, and when the local BMX track here in town opened, we had already been racing for a few years in nearby Lake Havasu. Parents at the newly opened track saw that my son was already advanced in the sport, and they started approaching me about helping them get their kid set up with the proper bicycle and equipment. After a few years of doing that, I realized that there was a need for a credible and reliable bicycle shop in the area. The rest is history, and I have been the longest and only operating shop here in my immediate area and within a 60-mile range for over a decade.

DS: Have there been fans of yours not aware that you run this business, come to the shop as customers and what has the reaction been if that has happened?

FC: Yes, it happens almost daily, and I have even had fans come through on vacation just to stop by, say hello, take photos and get an autograph.

DS: How often do you get out on a bicycle, and when did you learn? Do you remember your first bicycle and what kind was it? Banana seat, as was mine?

FC : I honestly do not ride a bicycle very much at all anymore for leisure or recreation. However, I test ride customer bicycles daily after repairing them. But I spend so much time working on them, that it’s the last thing I want to do on my limited spare time. My first real bicycle was a Schwinn Stingray with a banana seat and a stick shifter that I got at the age of 10.

DS: What went into opening this shop up and running it?

FC:  I opened my shop on a shoestring budget of one thousand dollars and a plan to set myself up with a backup plan to have something to fall back on after my musical career. I took on a job as a bicycle assembly technician for Kmart during some downtime with VGS and gained most of the knowledge from that, and a friend that was already in the business. I was running my shop via satellite while still actively touring with VGS and relying on others to help. It just never really got off the ground until I decided to leave the band in 2017 and pursue it fulltime by myself.

DS: Is there anything running a business has in common with leading a band.

FC: Yes, you must have leadership, management, and communicative skills to run any business. Being the leader and main negotiator for the band most certainly taught me how to be self-employed and take risks involved with being successful.

DS: You also ride motorcycles?

FC: Oh god yes!

DS: What is your main ride currently?

FC: I currently own 3 motorcycles. I had 5 up until just recently. But my favorite is my 2000 Kawasaki Ninja ZX750R sport bike.

DS: How often are you able to ride and do you take longer trips on it?

FC: I ride at least a few times a week, weather permitting. Which is pretty much year-round here where I live.

DS: Ride solo? How often in a group?

FC: I do ride solo occasionally, and that seems to be the most therapeutical. But I prefer to ride with a buddy for safety reasons, and no more than 2-3 people because group rides can be dangerous in my opinion.


DS: Please tell us anything you want to about family life and what you like to do when away from both music and the shop.

FC: Life is uneventful and slower paced nowadays. My bicycle business is a labor of love and a passion. I get pure enjoyment seeing people react when I can get their bicycles looking nice a working properly once again. As I mentioned before, I am recently remarried, and I am thoroughly enjoying being a family man again. I look forward to Sundays when we get together at my shop to rehearse and create new music with my friends in this new band.

DS: Does your son Cid play music or shown interest in performing?

FC: My son is a very talented independent hip hop artist. He’s a finance manager for FORD and that consumes most of his life and cannot pursue his music full time. But look him up! I have been to a couple of his local shows. El Cid or NTFB, on Spotify

DS: Cid is an advanced BMX rider. Were you a BMX rider at any point in your life?

FC: I grew up riding my BMX bike in the late 70’s and early 80’s when the sport was just getting started. I was fortunate to grow up in the same neighborhood and go to school with a lot of the early pros who went on to become legendary in the sport. My son is a natural and still races at the age of 24. He is a mentor at the local track and in my eyes a local BMX legend.

DS: Thank you.

FC: Thank you.


Hardyville Stranglers performance photos by Stoned Spider Photography LV. Other Frank Casillas performance photo by Dana Krashin as indicated. All other photos courtesy of Frank Casillas.

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DS Exclusive: Listen to new songs by the McRackins & more from upcoming Ramonescore Brigade Vol. 3 vinyl compilation

The newly announced Ramonescore Brigade Volume Three compilation LP features songs from 20 leather jacket clad pop-punk bands, including The Putz, McRackins, Rimmingtons, Hawaiians & many others. The comp is due out December 1st on Mom’s Basement Records, Council Pop & Insipid Records. It’s a vinyl-only release (check out those bitchin’ color variants!), but your […]

The newly announced Ramonescore Brigade Volume Three compilation LP features songs from 20 leather jacket clad pop-punk bands, including The Putz, McRackins, Rimmingtons, Hawaiians & many others. The comp is due out December 1st on Mom’s Basement Records, Council Pop & Insipid Records. It’s a vinyl-only release (check out those bitchin’ color variants!), but your pals at Dying Scene are hooking you up with this exclusive premiere of three tracks from the record! Check ’em out:

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Here’s what Mom’s Basement Records ringleader John Proffitt Jr. had to say about the third entry in the Ramonescore Brigade series:

“The Ramonescore Brigade series is a DIY project with the primary purpose of getting newer bands released on vinyl who may not otherwise get the opportunity. We’ve had a great response on Volumes One and Two, and Volume Three is just as exciting as the first two. We’ve gotten support from some record labels to get more of these out there, Mom’s Cellar Dwellers in the USA, Council-Pop in the UK and Insipid Records in Canada. 20 great Ramonescore bands you either love already, or soon will.”

PRE-ORDER LINKS:

Ramonescore Brigade Volume Three tracklist:

1. The Putz – Teenage Hand Grenade
2. Marky Murphy & the Meds – Bees & Honey
3. The Crash Mats – They’ve Just Won a Speedboat
4. McRackins – Welly Boy
5. Rimmingtons – Every Night & Every Day / Just In
6. The Hawaiians – Jingle of 1 Million Eyes
7. The Chick Magnets – A Simple Question
8. The Hallingtons – Back to Berlin
9. Mr. Plow – SDF
10. The Atoms – Hi Mum, It’s Me (I’m in Jail)
11. W.O.R.M. – Gammonoid
12. Noodle Brain – My Girl Needs Rehab
13. Los Fatso Libres – Jobbing Out
14. Space Age Zeros – Ali With an Eye
15. Manarovs – Left Behind
16. Lily Livers – I Don’t Wanna Wait 4 Luck No More
17. The Lousekateers – Fanny Pack
18. Guitar Army – Drop the Gloves
19. Bad Worms – Sobriety
20. FLKS – Go Out

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DS Gallery: Muddy Roots Music Festival 2023

Muddy Roots 2023 is officially in the books, and with this being my first trip out to Cookeville, TN for MRMF, man was it a hell of an introduction. If you aren’t familiar with what the Muddy Roots crew has brewing in the middle of rural Tennessee, think of a DIY version of Bonaroo, but […]

Muddy Roots 2023 is officially in the books, and with this being my first trip out to Cookeville, TN for MRMF, man was it a hell of an introduction.

If you aren’t familiar with what the Muddy Roots crew has brewing in the middle of rural Tennessee, think of a DIY version of Bonaroo, but way sicker and way more affordable. Free camping virtually anywhere on the premises and a wide-open BYOB policy have helped build a reputation valuing the music and community over large profits, something I appreciated just as much as the huge headliners they’ve attracted in recent years.

The huge headliners in question for this year’s installment were GWAR, Suicidal Tendencies, and Cro Mags, all of which were live firsts for myself. There wasn’t a drop-off in big names either after the top 3, with Amigo the Devil and DRI also playing. And, with the exception of Daikaiju and Night Talkers, almost all artists were, at least personally, live firsts.

The atmosphere was perfect, the music was perfect, everything was perfect. Whatever they’re doing out in Cookeville surely seems to be working. The shuttles to a nearby private waterfall help folks truly appreciate the gorgeous and unique scenery of Eastern Tennessee, while the music starts early and continues late into the night. From bluegrass to sludge-metal, punk rock to rockabilly, local act to international touring musician, Muddy Roots did as good a job as any in bringing people together from all over to celebrate the music we all love.

With the festival lineup growing larger and more diverse each year, I felt coverage of Muddy Roots would be most productive in highlighting some of the weekend favorites, rather than each individual performer. Below you’ll find the eight artists I most enjoyed seeing.

I’ve had the pleasure of seeing Night Talkers a handful of times, most recently opening for The Last Gang at Music City’s best punk bar, the Cobra. And when local ska-punk legends Stuck Lucky were a last minute Covid scratch, onlookers were graced with the Night Talkers signature style of shredding guitar solos and fast, in-your-face rock ‘n’ roll. Although it was a disappointment missing the always entertaining Stuck Lucky, Night Talkers very much filled their shoes, much to the pleasure of the packed-out Wood Stage crowd.

Unless I’m mistaken (which is always a possibility), this was Night Talkers’ Muddy Roots debut. They’ve recently, as of the last year and a half or so, emerged as a local favorite of mine and I’ve been glad to see some local dudes garner interest both around town and out of state.

Hans Gruber and the Die Hards was one of those pesky touring bands that has somehow alluded my radar for several years now. I’ve known who they were for a while, but it wasn’t until the Muddy Roots lineup was announced that I hopped on board with these guys. It sucks to think that I’ve missed out for this long on probably the most entertaining band of the weekend.

Between every song, it seemed someone was switching instruments, whether it was lead-singer Rosey Armstrong switching from saxophone to some sort of handheld percussion instrument, or her husband Kurt dropping the bass and grabbing the traffic cone trombone, these dudes were all over the place, both musically and literally. I couldn’t take my eyes off their set, not only for the fast, hard-hitting punk rock, but for the stage antics that I only managed to capture a fraction of in my shots.

I’ve found the band whose duty it is to fill the Masked Intruder void that was left with the hiatus of everyone’s favorite masked punkers. The Jasons have emerged, assless chaps and all, with their own unique blend of villanous attire and Ramones-core punk rock. Humorous, sexy, terrifying, they’ve got the look figured out, and the music is in no way lacking.

Their closing came in the form of a sort of response to the Menzingers‘ ‘I Don’t Wanna Be an Asshole Anymore’ titled ‘I Wanna Be an Asshole’. And it sent the crowd into nothing short of a frenzy.

Waxed was a band I decided to break my punk-rock-only policy for, and it was probably the best decision I could have made. The experience that’s been gained in their 10+ year history really presented itself with their mastery of stage performance. The crowd was as rowdy as any I’d seen all weekend, even keeping up with the obvious contenders in Suicidal Tendencies and GWAR (although I’ve gotta rank it behind Cro Mags saying as an actual ambulance had to rush to the pit during their set).

Trending more towards modern hardcore than the skatepunk I normally fancy, I did see shades of Turnstile in both sound and performance from these guys. It was obvious from the packed mob of onlookers that a group of fan-favorites was about to take the stage.

Not much else really needs to be said here other than Tim Barry did what Tim Barry does. He put on a hell of a fuckin’ show, split pretty evenly between being up on stage and down on ground level with the rest of the crowd. The sentiment and storytelling were there, giving meaning and insight to the ever-attentive crowd. All the favorites were heard, at least all my favorites, including ‘Fine Foods Market’ much of Rivanna Junction, all culminating with the obvious closer, ‘Avoiding Catatonic Surrender’.

If were going off of technicality here, I guess I had already previously seen Tim Barry’s Fest 20 set last October, but the view sucked and I was rushing off to another set before Barry was halfway through his. This was my first real Tim Barry show and it satisfied every live-show craving I had to see my favorite Americana writer.

I’ve covered multiple Daikaiju attacks, being that they aren’t merely live performances, but attacks. Prior to each show, I seem to forget why they are my favorite band to photograph, and maybe favorite live band overall. Fire always holds a prominent place in performances, almost as prominent as crowd interaction.

Every crowd interaction possibility that I can devise occurred at the Wood Stage, during the late hours of Muddy Roots night one. Lead guitarist Secret Man led the crowd onslaught, riding the shoulders of one crowd member, recruiting others to play instruments, and surfing the remaining spectators, all while playing seemingly neverending surf-punk riffs. The tattered remains of each member’s Hawaiian stage uniform makes a whole lot more sense post-attack. The only antic I had yet to witness (until this performance that is) was their ritualistic tour van arson, which was done almost ceremonially to close their performance.

Having lived in Tennessee for much of my adult life, Suicidal Tendencies and Cro Mags have been bands of legend, with my only hope of seeing live performances being out-of-state travel. So I was beyond stoked seeing the lineup announcement featuring two of the founders of Hardcore. What I was unaware of, however, was the amount of talent and musical experience that would grace the main stage late during the first night.

Beginning with Mike Muir and Dean Pleasants, Muir being the only original member and Pleasants’ now outlasting that of former guitarist Rocky George. The two veterans recruited their asses off, bringing in the next generation of great musicians in Ben Weinman, Tye Trujillo, and Greyson Nekrutman. Weinman, formerly of Dillinger Escape Plan, Trujillo, whose last name may be recognizable as son of RnR Hall of Fame Metallica member Robert Trujillo, and Nekrutman, a worthy replacement for current Offspring drummer Brandon Pertzborn.

During the show, Muir’s years did not show a bit, while Trujillo portrayed a musicianship that didn’t seem to align with the mere 18 years he’s lived. Trujillo boasted some of the fastest, yet cleanest bass playing I’ve witnessed, while Weinman and Nekrutman’s speed was equally impressive. The current Suicidal lineup was, in many ways, the epitome of punk: a group from different backgrounds, genres, and even generations, producing genre-mending music.

While Suicidal Tendencies had gone through an evolution, Cro Mags appeared to be the fast, wreckless, fuckin’ insane punk band that I had pictured from 40 years prior. As was the case with Mike Muir, Harley Flanagan’s age was not a factor in his ability to utilize the entirety of the stage within a matter of seconds.

What was immediately obvious was these guys were veterans, they knew exactly what they were doing up there. The crowd excitement gave this the feel of a small-club East coast show rather than an outdoor festival in rural Tennessee.

There you have it, a pretty good wrap-up of my Muddy Roots experience in a nutshell. However, only so much can be portrayed through word and photograph. The community atmosphere was just as enjoyable as the big headliners, but don’t get me wrong, the music was as rad as ever, making me proud to live so close to something so special.

I feel it to be a punishable offense that the Nashville Dying Scene branch has failed to cover Muddy Roots in the past. I hope to have the privilege to cover MRMF far more frequently in the future because it really is as special as I hope I’ve portrayed. Scroll on down for a bunch of shots from the weekend. As always, thanks for checking out the site. Cheers!

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