Dying Scene Photos and Notes: A Day With H.R. (Bad Brains) – Meet and Greet at The Sound Garden and show at Zen West in Baltimore, MD (08/09/2026).

Our day began with a hearty breakfast before my husband, Raymond Burton Estes (…And We All Die), and I set out from Northern Virginia for Baltimore, Maryland to spend the day with punk, hardcore, and reggae legend, H.R. (Paul D. Hudson), best known as the singer of Bad Brains. While at The Sound Garden, we […]

Our day began with a hearty breakfast before my husband, Raymond Burton Estes (…And We All Die), and I set out from Northern Virginia for Baltimore, Maryland to spend the day with punk, hardcore, and reggae legend, H.R. (Paul D. Hudson), best known as the singer of Bad Brains.

While at The Sound Garden, we watched as fans arrived, purchased items to be signed, and took their place in line to meet H.R. People from all over the greater D.C./Maryland/Virginia (DMV) area came to show their love and support for this hometown hero. There were no fights or arguments about who was in line first or any of that. There was just a pleasant experience of people with a shared interest coming together to celebrate one of their favorite singers.

Of note, Ivan “Vice” Read, the drummer from old school D.C. underground rock band, Press Mob, showed up sporting a Bad Brains t-shirt and a P.M.A. (positive mental attitude) ball cap. Press Mob and H.R. were both featured on the 1987 compilation record, DC Rox: A Compilation of DC Area Artists, on Wetspots Records. Read was eager to have his old friend, H.R., sign a copy of the record because he’s been getting all his old friends on that album to sign it, noting that they’re not getting any younger and he wants to see everybody again.

Before today, the two men hadn’t seen each other in at least 20 years. It was a sight to see old friends catching up and only added to the positive vibe of the experience.

…And We All Die also got some records signed for himself and Darin Johnson, singer for their hardcore band Eleventh Hour. Bad Brains is a staple around the house, so it was good to see these worlds collide.

After the meet and greet, we headed over to Zen West to get ready for the show. The Zen West staff and crew were super friendly and helped us get sorted and allowed us to be there for H.R.’s soundcheck.

Baltimore’s Old Bay Thrashers opened the show with a set of Propagandi-inspired punk rock, with a twist. The band slowed their songs down for this show, so it was interesting to hear them perform these more upbeat tunes with a more mid-tempo, reggae-ish vibe. They played a song, “Ludlow”, which was inspired by Howard Zinn’s 1980 book A People’s History of the United States that discusses the Ludlow Massacre of 1914 in which approximately 20 people were killed for during an attack on striking coal miners. They also appropriately covered “The State-Lottery” by Propagandhi. Old Bay Thrashers band members are Todd Spalt (vocals, bass), Robert Carroll (vocals, guitar), and Zak Concannon (vocals, drums).

Up next was the local band, The Melon Farmers, who delivered an Offspring-esque set of pop punk reggae, which was appropriate as singer/guitarist, Ian Gilley, wore an Offspring t-shirt. They began their performance with a cover of “Clint Eastwood” by Gorillaz, in response to a request from one of the audience members. The band played a song, “Phelps Dub“, about and dedicated to Olympic gold medalist swimming champion and another hometown hero, Michael Phelps, who famously smoked marijuana. The Melon Farmers band members are Ian Gilley (vocals, guitar), Shane Wilson (bass), and Gilby Rybak (drums).

Also hailing from Baltimore was Deep Six, a local reggae-jam band that sounded like a healthy mix of 311 with some beach party guitar magic. The band was tight and played a mix of originals and covers, including “54-46 (That’s My Number)” by Toots and the Maytals. Deep Six band members are Matt Battaglia (vocals, guitar), Mike Mitrega (drums), Nick Kramer (bass), Gunter Leatherman (guitar), and Josh Carlon (keyboards).

Consisting of three-fifths of the current H.R. lineup, Austin, Texas’ Lion Heights delivered a high-energy set of roots reggae. They came out swinging and stayed strong throughout their entire set. They got the audience dancing and primed for H.R. And, as a fan of guitar, we hardly noticed they didn’t have a guitarist, which says quite a bit about their musical wizardry. There’s no doubt why they are part of H.R.’s band. Lion Heights band members are Jeremy Carlson (keyboards, vocals), Dane Foltin (bass, vocals), and Aldane “Spice” Hutton (drums).

Lastly, H.R.’s band took the stage and began their set with an instrumental. Comprised of the members of Lion Heights along with longtime guitarist, Ezekiel Zagar from F.O.D. and McRad, H.R.’s band played walk-on music while friend and manager, “Tall” Sean McLaren, escorted H.R. to his seat at center stage. The band played a set of H.R. originals and reworked Bad Brains songs that had audience members dancing and singing and celebrating. We were thrilled to hear “Sacred Love“. At one point, H.R. asked the crowd if they liked pop music before the band went into Seeking From Within, penned by Zagar. H.R. band members are HR (vocals), Ezekiel Zagar (guitar), Jeremy Carlson (keyboards, vocals), Dane Foltin (bass, vocals), Aldane “Spice” Hutton (drums).

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DS Show Review: Riot in The Lot- Propagandhi, The Flatliners, Choke, & Midnight Peg in Edmonton, AB Aug 29th, 2026

Edmonton’s own post-hardcore band Midnight Peg opened up the night with no shortage of energy. I was seriously impressed by Raquel Mann’s engagement of the crowd and overall showmanship. Despite being the first set of the evening, the crowd was already quite full and clearly captivated by the set, with plenty of phones out capturing what we were all privileged to witness.

Next up were local legends Choke. Despite the band being around since 1994, and me living in Edmonton for the bulk of my life, I have somehow never seen a Choke set in its entirety. It was clear why these guys are considered favorites of the city. A tight set, great sound, and a packed crowd. What a perfect choice to precede The Flatliners and Propagandhi for a full night of Canadian Punk.

Next up, from Toronto – The Flatliners. Despite not being local, The Flatliners always seem to be an Edmonton favorite, like a sibling who lives abroad – always making the effort to visit and feeling like no time has passed at all. The sun was setting on this beautiful August evening when they took the stage. Opening up their set with Stolen Valour from their newest release Cold World, the tone was set for the night. The band was on point, from Chris’ vocals and frequent screams, to the rest of the members all sounding perfectly cohesive and well rehearsed. Eulogy was played and dedicated to the late Ben Sir, which I’m confident made for a cathartic experience for many in attendance.

The headliners of the evening – from Winnipeg, the one and only Propagandhi. As soon as they took the stage, you could tell the crowd had been waiting for this moment. A sold out show filled with Canadian punk bands, and now Propagandhi have arrived to close it out. The set was just as you’d expect it to be from this band – loud, fast, and fitting in as many songs as possible. Opening with Failed Imagineer and ending with Victory Lap, there was countless crowd surfers in between and a constant mosh pit. I moved my way further back during Dear Coach’s Corner, where I could barely hear the vocals over how loud the crowd was singing along. Propagandhi delivered a great performance, leaving the audience wanting more – the crowd had a hard time believing the show was over and continued chanting for more up until gear was being disassembled on stage.

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DS Photo Gallery & Show Review: Propagandhi / The Flatliners / Iron Tusk (The Arrowhead – Calgary, AB 8/30/2026)

Who wants to party fuckin’ hard? Calgary welcomed a stellar all-Canadian lineup to the Arrowhead last Sunday night. The lineup featured Propagandhi, The Flatliners, and Iron Tusk. It was a sold-out show, and the line stretched on forever, but it was worth the wait.    Local three-piece Iron Tusk kicked off the evening with a stellar performance, proudly representing the Siksika Nation, here on Treaty 7 land, […]

Who wants to party fuckin’ hard? Calgary welcomed a stellar all-Canadian lineup to the Arrowhead last Sunday night. The lineup featured Propagandhi, The Flatliners, and Iron Tusk. It was a sold-out show, and the line stretched on forever, but it was worth the wait.   


Local three-piece Iron Tusk kicked off the evening with a stellar performance, proudly representing the Siksika Nation, here on Treaty 7 land, in Alberta. As the lights dimmed, they quickly captured the crowd’s attention. Thanking everyone for their early attendance, they got right down to it. Their unique blend of punk and metal helped set the tone for the night, despite their brief performance. Closing with “Sunbreather” was a perfect finale choice, setting the stage for the evening.  


The Flatliners were up next, and the crowd could hardly wait. Their live performances are always a treat; powerful and energetic – recordings can’t match it. Short one member, guitarist Scott Brigham, the band’s good friend and guitarist, Chuck Coles, was filling in. They tore through their set, playing favourites like “Eulogy,” “Monumental,” and “Hang My Head,” igniting the crowd into a frenzy. They also showcased songs from their album, Cold World, which dropped just last May, kicking off their set with “Stolen Valour”. The crowd was fully engaged, and frontman, Chris Cresswell, commended them for singing along with the new material.  


Finally, the moment we were eagerly waiting for, our headliners, Propagandhi, took the stage. The energy in the room soared as soon as the first note hit, with the crowd bursting into song with them. Calgary has consistently shown its love for Propagandhi, and another sold-out show was a testament to that. The band kept it straightforward; besides a little wisdom from Jord in between songs, they focused on delivering the melodic, thrash punk we all adore. They played “Nation States”, “Back to the Motor League”, “Haillie Sellasse, Up Your Ass,” “Failed Imagineer,” and “Cat Guy,” to name a few. As always, it was a stellar set. When it came time to wrap up the night, we all pretended they had left the stage so they could “return” for an encore. We couldn’t have asked for more.  


It was an epic night, and Calgary truly stepped up to show their appreciation. Can’t wait for the next show! Check out more photos from the show below


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Dying Scene Radio Presents: Four Records – Episode 2: Dying Scene Editor Anarchopunk

Welcome to Four Records! This week Forrest talks to Dying Scene editor Anarchopunk. Anarchopunk’s Four Records: 0-10: Toy Dolls – “Dig That Groove Baby” Teenage: NOFX – “Punk In Drublic” Twenties: Against Me – “Reinventing Axl Rose”  Recent Record: Propaghandi – “Victory Lap” Listen on Podbean Listen on YouTube Follow us Instagram Email: fourrecordspodcast@gmail.com Opening […]

Welcome to Four Records! This week Forrest talks to Dying Scene editor Anarchopunk.

Anarchopunk’s Four Records:

0-10: Toy Dolls – “Dig That Groove Baby”

Teenage: NOFX – “Punk In Drublic”

Twenties: Against Me – “Reinventing Axl Rose” 

Recent Record: Propaghandi – “Victory Lap”

Listen on Podbean

Listen on YouTube

Follow us Instagram

Email: fourrecordspodcast@gmail.com

Opening song: Rad Skulls – Loud as Shit

Closing song: Lucas Perea – Underneath Ashes

www.dyingscene.com 

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DS Album Review: Propagandhi – “At Peace”

I’m not sure what it is about Canadian thrash punkers Propagandhi, but it always takes me a dozen or more listens to fully appreciate their albums. I’ve been a huge fan of theirs since their debut album How To Clean Everything back in 1993 but, none of their albums have immediately grabbed me, even though […]

I’m not sure what it is about Canadian thrash punkers Propagandhi, but it always takes me a dozen or more listens to fully appreciate their albums. I’ve been a huge fan of theirs since their debut album How To Clean Everything back in 1993 but, none of their albums have immediately grabbed me, even though a few have gone on to occupy my All Time Favorite Albums List. Their most recent LP At Peace (via Epitaph Records) is no different. Is it the complexity of the music or the heaviness of the themes that demands multiple playthroughs before getting hooked? I dunno. Either way, after a good fifteen or so listens, I finally feel comfortable enough writing a review for this, their eighth studio album. So, off we go!

First things first, this album is sonically divergent from their previous albums, but if you’ve been listening closely over the past few decades, their sound has been slowly evolving towards “Prog Punk” for lack of a better term. Yes, there’s still the obligatory face melting riffs and woofer punishing bass licks but this album is a far cry from traditional Punk or Metal. It’s probably not even something in-between the two. The sixth track “Stargazing” encapsulates this musical shift perfectly. Definitely not punk, nowhere near metal and…is that a synthesizer I hear?

Although the musicality is different the lyrics are exactly what fans would expect. Even if the tone of the writing is more desperate and foreboding, they are still politically motivated, oozing with derision, dissent and disgust and the title track makes sure to reinforce that standard. “Hedge every bet. Lick every boot. Make every appeal. Prostrate yourself to the killing machine to spare yourself from it’s wheels. “Better them than me” rolls so seductively off your tongue. Your reckoning has begun.”

However, the lyrics have an unfamiliar undercurrent of resignation to them which is probably a sarcastic nod to the Album’s title. Asked about the LP, front man Chris Hannah said “What we’re putting into the songs now, probably reflects more despair than 30 years ago when we had similar perspectives, but with strands of hope and naivete. Now it’s the existential dread of eking out a life worth living in this completely failed society.” This theme is most prominently displayed in both “Rented P.A.” and “Prismatic Spray (The Tinder Date)”.

The writing on the last few albums has also been a lot more contemplative than earlier ones. 2017’s Victory Lap was probably the pinnacle of this kind of reflective writing but it merges seamlessly into this new full length. It engages the listener, it’s conversational, earnestly asking how we can solve some of our problems together and admitting that perhaps even they haven’t done enough or been as vigilant as they should’ve. From my favorite track “No Longer Young”: “Life on the line, at this point what’s left to say? We’ll die in a world still at war. Did we really try?”

“Benito’s Earlier Work” is probably the most inflammatory song which…..yea, it should be. Anyone who is totally exhausted and overwhelmed by today’s fucked up political climate can relate. If you’re not in a constant battle with yourself between being totally apathetic to the current state of affairs and wanting to burn down everything you see, you probably don’t own a TV or have a Facebook account. When Mr. Hannah said “Speaking for myself, this record might be a snapshot of me deciding whether I’m going to live out the rest of my life as Eckhart Tolle or live out the rest of my life as Ted Kaczynski,” I’m sure this was the track he was thinking about.

And finally, it wouldn’t be a proper Propagandhi album without criticizing the Church! “God of Avarice” is more of a of indictment on ungodly people who use Religion like a fishing lure, hooking the gullible, unquestioning, devotees to subjugate “others” who don’t belong in “their Country”.
“There’s nothing that hints you’ve been touched by the light of an all loving one. A God of Empathy calling out from the shore, a line for those in need, the ones that you despise. Present to me a god of cruelty I’ll agree, yeah, you’re following faithfully”. The same messaging can also be heard a few tracks later in “Day by Day”: “We ensure that some will die along the trail, our god is not of charity. Feel it coming down, a test failed day by day, Are these the mysterious ways? Can’t go wrong, the praising of tyrants, follow along, the story’s in the works”

All in all this is a solid album that continues to push the band forward both musically as well as in the writing. And I bet if you were to ask me later it would rank a little higher than I do today but since no one wants to read a review a year after an album is released: 4 out of 5 Molotov Cocktails 🔥🔥🔥🔥

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DS Comics: Krust Toons 3/14/25

Check out more Krust Toons comics here and here. Instagram: tedd_hazard

Check out more Krust Toons comics here and here.

Instagram: tedd_hazard

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DS Record Radar: This Week in Punk Vinyl (Bad Religion, Propagandhi, The Putz & more)

Greetings, fellow degenerates! Welcome to the latest installment of the Dying Scene Record Radar. After taking a brief hiatus for Thanksgiving, we’re back in action once again with another weekly roundup of all things punk rock vinyl. Kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, […]

Greetings, fellow degenerates! Welcome to the latest installment of the Dying Scene Record Radar. After taking a brief hiatus for Thanksgiving, we’re back in action once again with another weekly roundup of all things punk rock vinyl. Kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, because it’s go time. Let’s get into it!

Epitaph Records gets us started this week with a bunch of Bad Religion represses. Everyone’s favorite BR record The New America is back in print, alongside the critically acclaimed No Substance, and the underrated True North. Grab ’em here.

Epitaph has also repressed Propagandhi‘s Failed States on “translucent electric blue” colored vinyl. This one’s limited to 1,000 copies and you can get it here. Newbury Comics has an exclusive pink variant as well; go here to purchase that one. And in case any of you happen to care, this is the remastered version of the record.

In case you haven’t heard, DeeCracks and The Manges have a brand new Split 7″ out now on Striped Music and Mom’s Basement Records! Check it out below, and grab it on wax here (US) and here (EU).

One of my favorite pop-punk bands The Putz have a new Christmas record out now on Eccentric Pop Records. The five-song 12″ EP is called Ho Ho Ho, Let’s Go! and you can get it on red or black vinyl it here. Both color variants have an etched b-side.

Zia Records has a new exclusive repress of Tiger Amy‘s 2007 LP Music from Regions Beyond. This is limited to 300 copies on “ruby with baby blue splatter” colored wax; I think it looks pretty sweet! Anyway, go here if you wanna snag a copy.

Hardcore punk supergroup OFF! has announced a tour variant of their new record Free LSD. This pressing on red vinyl will be available at shows on the band’s upcoming west coast run. The good news for those who can’t attend is they have some copies available on their Bandcamp page. Get ’em while the gettin’s good!

Spanish skate punks Kill the President have a new 12″ EP out now. Give the record a listen below and grab it on vinyl here (EU) or here (UK).

Black Friday and Cyber Monday have come and gone, but if you thought the sales were over, you’re sorely mistaken, friends! Through December 11th, you can get 40% off everything on SBÄM Records‘ webstore. Just enter code “XMAS22” at checkout. These guys have put out some absolutely killer records this year. The new No Fun At All and Pulley LPs are must-haves.

Our friends at Shield Recordings are also having a sale. Head over to their webstore, load up your cart, and get 25% off everything (except pre-orders) with code “XMAS2022”. Tons of good shit up for grabs!

If you share my love of The Mr. T Experience, you’ll likely be interested in Sound Rad‘s MTXMAS sale. Through the end of December, their whole webstore is 20% off with code “MTXMAS”. That includes the brand new reissue of Revenge is Sweet and So Are You. As an added bonus, all orders of $25 include a free MTX Christmas ornament.

And that’s all, folks! Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, leave us a comment below, or send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs. See ya next week!

*Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

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DS Record Radar: This Week in Punk Vinyl (Strung Out, The Flatliners, Masked Intruder & More)

Greetings, fellow degenerates! Welcome to the latest installment of the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is a weekly column where we cover all things punk rock vinyl; new releases, reissues… you name it, we got it. So kick off your shoes, pull up a […]

Greetings, fellow degenerates! Welcome to the latest installment of the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is a weekly column where we cover all things punk rock vinyl; new releases, reissues… you name it, we got it. So kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, because it’s go time. Let’s get into it!

Let’s start this week of with a banger 💥 Propagandhi‘s Supporting Caste is being reissued on pink colored vinyl thanks to an extremely successful crowdfunding campaign. Back in print for the first time in seven years! Head over to their Bandcamp page to get in on the action.

Another huge drop we let you know about earlier this week is Fat Wreck reissuing four 2000’s era Strung Out records on colored vinyl. The Element of Sonic Defiance, An American Paradox, and Exile in Oblivion are back in print for the first time in a long time. Blackhawks Over Los Angeles finds itself on wax for the first time ever. These are very limited, and most of the colored LPs have already sold out. Head over to the label’s webstore for the leftover scraps and black vinyl.

Those who read last week’s Record Radar know that NOFX has finally launched colored vinyl pre-orders for their upcoming LP Double Album. Well, much to the dismay of you collector nerds, a new “golden green” variant (it just looks green to me 🤷) has popped up on some European retailers’ sites. This is the EU indie exclusive color variant – here is one of the many places you can get it.

Newbury Comics has some new exclusive color variants of the self-titled debut albums from both The Interrupters and PUP (coincidence? most likely, yes). Each of these pressings are limited to 500 copies. Visit their store to get your hands on them.

Florida pop-punk veterans New Found Glory have a new acoustic record on the way. The 14-track LP titled Make the Most of It features seven new songs, and stripped-down versions of seven NFG classics. Check out the first single “Dream Born Again” below and get the wax here (green vinyl) or here (yellow vinyl). Or get both! I don’t give a shit, to be perfectly honest with you.

Bad Brains live album The Youth Are Getting Restless is back in print for the first time since its original release in 1990. This LP was recorded in the Netherlands in ’87. Zia Records and Brooklyn Vegan each have their own exclusive variant of this one. If you get it from Brooklyn Vegan, don’t forget to use their 10% off code – don’t be a sucker who pays 30 fuckin’ dollars for a record.

The Flatliners‘ latest album New Ruin makes its third(?) Record Radar appearance! The band has announced test pressings of the LP (limited to 15 copies! and it has some cool alternate cover art) will be on sale at Dine Alone Records‘ storefront in Toronto on Record Store Day Black Friday. More info here on how you can acquire one of these in exchange for Canadian dollars.

Speaking of Record Store Day Black Friday… have you heard Red Scare is reissuing Masked Intruder‘s debut album? Well, they are! And the only place you (maybe) can get a copy is your local record store on Black Friday (November 25th). The label usually throws a handful of copies of their RSD releases up on their webstore, too, but you didn’t hear that from me 😏

As I’m writing this, the Old Wives just announced a new record! Mega Low Maniac, the Edmonton punk band’s first album in five years, is due out in early December on Rad Girlfriend Records. Check out the first single “Me & Jack” below and go here to grab the LP.

Bringing up the rear on this week’s Record Radar is Neck Deep, with a reissue of 2014’s Wishful Thinking. Brooklyn Vegan, Newbury Comics, and Zia Records all have their own exclusive color variants of this one and they’re all ultra-limited and pretty and yada yada yada blah blah blah.

RECORD OF THE WEEK!

We here at Dying Scene are all about trying new things, so this week I’m challenging you, loyal reader, to listen to something new! This week’s Record of the Week comes from our friends at Punk Rock Radar (no affiliation with the Record Radar 😉) and Cat’s Claw Records. It’s a fucking awesome Split LP from Lookit, Martians! and The Cheap Pops. If you enjoy 90’s pop-punk even half as much as I do, this shit’s right up your alley. Check it out below, and pre-order the LP here (US) or here (EU).

And that’s all, folks! Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs. See ya next week!

*Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

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DS News: Propagandhi announce “Supporting Caste” vinyl reissue

Propagandhi has announced a vinyl reissue of their 2009 LP Supporting Caste. The Canadian punk veterans are using Bandcamp’s new Vinyl Campaign feature to fund and press the record. They’ve already raised over 190% of their funding goal, but you can still pre-order the record on their Bandcamp page for the next 30 days. Supporting […]

Propagandhi has announced a vinyl reissue of their 2009 LP Supporting Caste. The Canadian punk veterans are using Bandcamp’s new Vinyl Campaign feature to fund and press the record.

They’ve already raised over 190% of their funding goal, but you can still pre-order the record on their Bandcamp page for the next 30 days.

Supporting Caste has been out of print on vinyl for seven years.

For a weekly rundown of all things punk rock vinyl, check out the Dying Scene Record Radar every Friday!

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