DS Show Review and Gallery: The Slackers at Reggies. Chicago (11.15.2025)

The Slackers, NYC legends, returned to Reggies for the band’s annual Slackfest. Dying Scene was on the floor for The Slackers’ night 2 performance. The Slackers, founded in 1991, remain as compelling as ever. Lead singer, keyboardist, harmonica player, guitarist, and Bronx native Vic Ruggiero’s thick New York accent is most apparent when he breaks […]

The Slackers, NYC legends, returned to Reggies for the band’s annual Slackfest. Dying Scene was on the floor for The Slackers’ night 2 performance.


The Slackers, founded in 1991, remain as compelling as ever. Lead singer, keyboardist, harmonica player, guitarist, and Bronx native Vic Ruggiero’s thick New York accent is most apparent when he breaks from singing to tell stories. These mini-monologues can be about the music itself, some anecdote about hanging out in NYC, or just a chance to declare “Fuck Ice.” Of course, that last statement was met with roars of approval, as Chicago has been, for months, besieged by the Department of Homeland Security’s fascistic crackdown on immigrants and US citizens alike.


The band is composed of top-notch veteran musicians. I was especially keen on the saxophone wizardry of Dave Hillyard, as I, for a few of my kid years, played the alto sax. When Ruggiero spoke of AI never being able to replicate the beauty of the saxophone he was absolutely right. Hillyard creates pure musical poetry with his saxophone.


But The Slackers is not a two-man crew. Marcus Geard – aka “Bass Man In White” – plays his electric bass as if it were a stand-up bass, propped on a chair bearing “I [heart image] NY.” On this night, he was actually a man in black but oozed his signature cool.


Guitar player Nugent often posts up a bit behind Ruggiero. Though he can sometimes be visually obscured, his playing never is.


Drummer Ara Babajian provides the muscular and steady backbeat for The Slackers. Motoring the band from the back of the stage, his presence and talent is undeniable.


And finally, there is trombonist Glen Pine who, at times, shares vocals with Ruggiero. Pine is also the one Slacker most in motion throughout the band’s set. Sporting a blue ruffled shirt, dancing, getting close to the crowd at the stage front, and with his expressive visage, Pine’s outgoing personality looms large.


As for the music, it was a generous set, with 20 songs. The band drove through the tunes, including “I Still Love You,” “Don’t Let The Sunlight Fool Ya,” “The Whole World Was On It,” “I’ll Stay Away”, “Sarah,” and “International War Criminal.”

The Slackers also covered terrific versions of The Skatalites’ “Christine Keller,” and Sam Cooke’s “Cupid.”


The Slackers members showed their appreciation for Reggies and Chicago, and the crowd returned the love. For a good portion of the fans in attendance, Slackfest is one of the first events to annually be penciled into their calendars. The show was reliably entertaining, and yet each time The Slackers perform, it feels transformative and never seems rote. In troubled times, the humanity of music and the musicians is a hug to the heart and balm for the soul. It also helps that Vic, Glen, Jay, Ara, Dave, and Marcus also seem to be a group of gentlemen with whom sharing drinks would lead to a long evening of funny, poignant, and wild stories. They seem like a good hang. Their shows always are.


See ya next year good sirs! Thanks and Cheers!

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DS Show Review & Galleries: Nerf Herder; Diesel Boy; Keep Flying; and Capgun Heroes. Chicago (05.23.2025)

The best spot to be on Friday, May 23, 2025 in the p.m. was Reggies Rock Club. It was the place to get your geek on. Geek Punk, that is. Nerf Herder returned to the Chinatown neighborhood adjacent venue. The Santa Barbara faves were joined on the bill by fellow Californians in Diesel Boy, Keep […]

The best spot to be on Friday, May 23, 2025 in the p.m. was Reggies Rock Club. It was the place to get your geek on. Geek Punk, that is. Nerf Herder returned to the Chinatown neighborhood adjacent venue. The Santa Barbara faves were joined on the bill by fellow Californians in Diesel Boy, Keep Flying from the other coast, New York State specifically (and one New Jersey resident), and Capgun Heroes from the night’s host city of Chicago.

Check out what went down and hit the band names to view the galleries on Instagram.

Nerf Herder gets its name from a little old sleeper hit of a sequel called The Empire Strikes Back. Formed out of Santa Barbara, CA in 1994, the band, composed of singer Parry Gripp/guitarist, bass player Ben Pringle, drummer Steve Sherlock, and Linus “Linus of Hollywood” Dotson on guitar, knows how to bring the fun. This evening was no exception. Blasting through a set including “We Opened For Weezer,” “Mr. Spock,” “Pantera Fans,” Nosering Girl,” “Van Halen,” and “Golfshirt.” Nerf Herder also set off something akin to squeals of delight when it performed its theme from the television series Buffy the Vampire Slayer.

The aforementioned fun is a bit of an understatement when it comes Nerf Herder shows. As was the case the last time the band played in the rock club at Reggies, the show was an impressively entertaining one. One difference, however, was the absence of an on-stage Malört tasting. Done once, there is no need to repeat that part of what is now known as the Chicago Handshake.

Oh, and of course, I had to let Parry Gripp in on the fact that I have already been spreading the inspiring joy of his Baby Monkey (Going Backwards on a Pig). The ditty paired with footage of exactly what its title says went immediately viral more than a decade back and spawned numerous takeoffs. I recently played the charming earworm for the three-month-old baby of a close punk rock musician friend. My now 89-year-old mother first introduced me to it roughly a dozen years ago (I was not 3 months old). But whatever our ages, we can all learn from the spirit of that baby monkey as described by Gripp:

The world has gone insane
And you don’t know what is right
You’ve got to keep on keepin’ on
Get on that pig and hold on tight-ight (Yeah!)


Santa Rosa, CA’s Diesel Boy self-describes as “underwhelming audiences since 1993.” Whilst modesty is swell and all, that statement is arguably false. During the bill’s penultimate set, the band gave a full-throttle performance. Diesel Boy motored through a set including “Cock Rock,” “Emo Boy,” “A Literary Love Song,” The Finnish Line,” “Melanie Banks Where Can You Be?” “Adria’s Warhol” and “Punk Rock Minivan.” The band capped off its set with an excellent cover of one of my favorite tunes, The Dead Milkmen classic “Punk Rock Girl.” Diesel Boy clearly still has plenty left in its tank.


East Coast-based Keep Flying played Chicago just this past April, and I was immediately looking forward to seeing the group again. That two members live on Long Island, where I was born and raised, and the drummer being a fellow diehard Mets fan, is cool, but only a smidge of why I dig them.

Keep Flying is infectiously upbeat, and a band whose every member is a winning presence on stage. It was obvious the members were sincere in their excitement to be back in the Windy City.

As for the music, it’s pretty darn good as well. Keep Flying romped through a set list including “High Cholesterol” and “Surviving The Night.” The band also performed “Stormchaser,” “Delusional, and “Death Is The End,” off its 2025 record Time & Tide.

For those in the Chicago area who have now missed two recent chances to get on board with Keep Flying, don’t strike out next time. Hopefully, that next time is sooner than later. The crew’s many Chicago fans would agree. That goes for fans across the country and elsewhere as well.


Capgun Heroes, the hometown band on this night’s bill, once again delivered solidly. Kicking off the show with a bang, the Chicago-based band knows how to engage the crowd.

Capgun Heroes’ rollicking performance was short but potent. The set list, including “Stuck With You,” Back It Up,” “Night Like This,” and “Better Off Alone,” showcased the band’s muscular punk rock.

But the band is not composed merely of good musicians, but also great people. Capgun Heroes plays host to what’s been an annual event, T1 Fest, which raises awareness of and funds to fight for a cure for Type 1 Diabetes. Frontman Joe Capgun has two children with Type 1, so it is an issue close to the hearts of the members of this tight group. The fest always has a terrific lineup. The next T1 Fest is scheduled for April 2026, so keep an eye out for related announcements. Hope to see you there!

Yet another cool evening on State Street. Thanks and Cheers!

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DS Show Review & Galleries: Riverboat Gamblers; Violets; and The Evictions. Chicago (04.27.2025)

Reggies hosted a raucous Sunday triple bill of two veteran bands and a new band composed of punk rock veterans. Riverboat Gamblers was the headliner with The Evictions and Violets in support. Please hit the links in the band names below to check out the Instagram galleries from the show! Riverboat Gamblers, out of Denton, […]


Reggies hosted a raucous Sunday triple bill of two veteran bands and a new band composed of punk rock veterans. Riverboat Gamblers was the headliner with The Evictions and Violets in support. Please hit the links in the band names below to check out the Instagram galleries from the show!


Riverboat Gamblers, out of Denton, Texas, returned to Reggies for another banger of a show.

The set, generous in both quantity and quality, included “Rattle Me Bones,” “The Gamblers Try Their Hand at International Diplomacy,”“Black Nothing of a Cat,” “A Choppy Yet Sincere Apology,” “Don’t Bury Me… I’m Still Not Dead,” “The Art of Getting Fucked,” among others.

It was a rollicking show for a rowdy crowd, or perhaps, vice versa. In any case, it was great to see Riverboat Gamblers back in Chicago again.

Riverboat Gamblers will be in Las Vegas at the end of May as part of Punk Rock Bowling (PRB). If you can’t catch the band at PRB, be on the lookout for the next time it hits the road.



Violets is one of Chicago’s newest punk bands. However, the members are anything but rookies in the Windy City music scene. Composed of members of Naked Raygun, The Methadones, Blood People, the band had played but a handful of shows by the time it hit the stage in the rock room at Reggies.

The excitement for this new crew was palpable. The group was helmed on this night by Aly Jados, from Blood People, on lead vocals and guitar, with Naked Raygun‘s Fritz Doreza on bass and vocals. Bill Stephens on guitar, along with The Methadones‘ drummer Mike Soucy and his bandmate in that group, Simon Lamb, hanging out at the back of the stage area. The quintet was tight and solid as to be expected of a band with such a pedigree. However, there was a freshness and excitement present as well, and it was obvious the band members were having a good time. This vibe was shared by the attendees as well.

Eras” is a single off the band’s self-titled debut EP, which was released on May 2, 2025.


The Evictions, on Facebook, self-describes itself as “High Power Fuzz Rock from Chicago.” It’s perfectly fitting as the band’s music and the trio’s looks evoke rock star auras. This was especially true of bass player Chris Polish, who spent the whole set in near-perpetual motion, jumping, dropping to the floor, whirling, and doing just about every other move you can imagine. Izzy Price on drums, and vocalist and guitar player Jonny Wator, on guitar, also provided high-spirited performances. The Evictions blasted through its set, which included “Off the Rails,” “Last Call,” “Spotlights,” “Easy,”  and “Head on Right” to jump-start a pretty entertaining evening.

As for The Eviction’s near future, Chris Polish revealed to me some of the band’s plans.

We’re going to start recording an EP in the coming weeks, for fall release, at the Asheton family house (Stooges) in Ann Arbor called 107 Sound. We’re friends with Ron Asheton’s sister, Kathy.


The near southside part of State Street in Chicago was definitely the place to be for a terrific Sunday evening show. If only all Sunday nights were this fun. Cheers!

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Slackfest 2024: The Slackers, The Operators, Rude Girl Revue, Meskales, Todd Hembrook; and Danny Rebel & The KGB. Chicago (11.15.2024 and 11.16.2024))

The Slackers returned to Chicago once again to host another Slackfest at Reggie’s. The NYC legends headlined both nights and brought along some friends for the fun. Night 1, the band was supported by Todd Hembrook from Deal’s Gone Bad and The Hemispheres, Meskales, and Danny Rebel & The KGB. Night 2 support came from […]

The Slackers returned to Chicago once again to host another Slackfest at Reggie’s. The NYC legends headlined both nights and brought along some friends for the fun. Night 1, the band was supported by Todd Hembrook from Deal’s Gone Bad and The Hemispheres, Meskales, and Danny Rebel & The KGB. Night 2 support came from the Operators, Rude Girl Revue, and a solo set by Danny Rebel.



Night 1: Friday


The Slackers have been playing great ska, reggae, and soul for more than three decades. The NYC legends have hosted Slackfest in Chicago for 7 years. It is arguably the most eagerly anticipated event for Chicago area ska fans and many others who travel to the Windy City to attend this annual weekend.

Frontman Vic Ruggiero, on organ and guitar, shared vocals with trombone player Glen Pine. Saxophonist Dave Hillyard, Bass player Marcus Geard, Jay Nugent, on guitar, and drummer Ara Babajian completed the powerhouse sextet.

The Slackers started the revelry with “Don’t Forget The Streets.” The extensive set also included “I Still Love You,” “Old Dog,” “Pick and Choose,” “Married Girl,” and “Wasted Days.”

Ruggiero and Hillyard performed a delightful cover of the Louis Prima classic “Just A Gigolo.”

The Slackers never disappoint the long-time fans and bring new ones into the fold with each performance.


Meskales, from the capital city of state next door jumped into its high-energy set immediately. The Madison, WI crew blasted through a set that included “Enfermo Ska,” “Guerra Fría,” “1312,” “El Muro,” “Skawboy,” and “Mis Amigos.”

A few days after the show, singer Salvador Luna described to me what it meant to participate in the weekend,

Playing at Slackfest was so much fun! We can’t wait to do it again. It was an honor to share the stage with The Slackers”

Meskales serves up some great Spanish language ska. Whilst it’s great to know the language, it’s not a necessity. No matter what language you speak, this band will have you skanking and grooving from the first note played. But yeah, being bilingual is always the way to go if possible.


Montreal, Canada’s Danny Rebel & The KGB made its Chicago debut at Slackfest 2024. The band engaged the crowd from the jump and found itself receiving a warm welcome on this cool Friday evening.

The breezy set included “Spiral Eyes,” “You Must Learn,” “Mad Man,” “Chew Toy,” and “Fire.”

Slackfest meant double duty for frontman Danny Rebel. He also played a nifty solo set on Saturday.

After the weekend, Rebel recalled the experience for me,

The show was a lot of fun. It’s always good to play a city we haven’t played before. Always honoured to directly support our heroes, The Slackers. We opened for them a few times since 2008. Also, really appreciate Reggie’s crew for their accommodation and making sure our cups were always full.


Todd Hembrook of Deal’s Gone Bad (DGB) and The Hemispheres returned to his one-time city with two former bandmates: Keyboardist Anthony Abbinanti of the former and T.J. Annerino of the latter on bass. Hembrook’s deep, soulful voice was warmly welcomed by many of his friends and fans in attendance. Among those were Tony Duggins of The Tossers and Dave Simon of The Crombies and Anger, as well as Hembrook’s bandmate in DGB.

Hembrook, Abbinanti, and Annerino played a tight but powerful set with “California & 26th,” “Things Are Gonna Get Better,” “Enjoy The Ride,” “The Liar & The Thief,” “AZ Plates,” “Put On Your Coat,” and “Movin’ On.” That last tune was from Hembrook’s DGB days.

Hembrook now lives in Northern Kentucky, “…literally right across the river from Cincinnati,” as he told me. However, the Chicago music community will forever claim Todd Hembrook as one of its own.


Night 2: Saturday


Prior to its second regular set of the weekend, The Slackers performed in a more intimate setting. On the floor level of the venue, mostly known for hosting comedy nights, the band mixed storytelling and song for a nice precursor to the final set of the weekend.

Closing out the event, The Slackers truly delivered with a set including “Keep Him Away,” “Watch This,” “Don’t Let The Sunlight Fool Ya,” “Cooking For Tommy,” and “Sarah.” Ruggiero also performed an acoustic version of “The Happy Song.”

For those on stage and those in attendance, this was a pretty happy weekend. Well, at least while the music flowed.


Rude Girl Revue is a supergroup composed of members from such bands as Hub City Stompers, The Scotch Bonnets, Stop The Presses, The Skluttz, and others.

My first impression of the band was to imagine a ska musical version of “A League Of Their Own,” with the matching baseball jerseys. But Rude Girl Revue is in a league of their own for sure on stage and as nearly a dozen members tore through a rollicking set including “Rude Girl Shake,” “Lioness,” “Get a Grip,” “Behind Every Santa, there’s a Mrs. Clause,” and “Slay Belles.”

Belles were slayed but so too was the stage. Give me more of this Rude-ness! If you are in the Baltimore, MD area you can check out Rude Girl Revue at Metro Baltimore on December 13, 2024.


The Operators, from eastbound and down from Chicago, are vets to the Reggie’s Rock Club stage. Hailing from Indianapolis, IN, The Operators hit the State Street venue with a very rambunctious set including “Better Off Alone,” “Don’t Do Me Dirty,” “Waste My Life,” “Ain’t It Obvious,” and “Catfished.”

Both Reggies and The Slackers hold a special place in the heart of The Operators frontman Brandon Sanders. He has played the venue four times thus far: three times as The Operators and once as Brandon Sanders and Friends.

As for The Slackers, Sanders estimates that he’s shared a bill with the group “about 15 times thus far.”

Vic Ruggiero is a mentor of sorts to Sanders and was the one who prompted the Indy-based musician to start The Operators in 2018. Sanders described to me the origin of his friendship with Ruggiero,

We met in 2015. We immediately got along so it was quick getting him down to Indy. I started booking The Slackers in Indianapolis in 2015, and he would crash at my place. Vic is definitely a friend first, then mentor. He has sound advice.”

The Operators return to Chicago on December 28 for Mustard Plug’s Home For The Skalidays 2024. The event takes place at the Bottom Lounge and sounds like a great way to close out this crazy year.


On Thanksgiving eve, I asked Vic Ruggiero what Chicago means to him and The Slackers. Reflecting on it, he had this to share:

So, Chicago has always been a great scene for us, they were the first of a few cities that really welcomed us early on in the 90s. I’ll never forget them singing our lyrics with us from the first record at Fireside Bowl…and that place and others often had DJ nights before or after the gigs, so I’d meet folks…after parties… the local bands and guys like Chuck Wren did a lot to keep a thriving local scene… And cuz Chicago is a touring hub, we’d often be on a bill with bands from all over that I was curious to see anyway… so it was a show for me, too..with our own Slackfest gigs we try to invite em!
Seems the Rust Belt was always our bread and butter for years… a close drive from NYC and tons of gigs between Ohio, Indiana, Michigan… PA, Western NY, Toronto included, and Chicago is in the middle of all that… there’s folks from Iowa, Nebraska, Minnesota, Missouri, and Wisconsin too… places we don’t go often enough cuz we make big circles these days…
It used to take us a year to get back everywhere, now it’s 2 at least, and some we’re lucky to get to every 3-5… or 10 like Omaha!!
so having these congregation spots like Chicago or Austin makes it so we can stay in touch with folks.
I love touring so I go out solo or with a small group to lots of places, but the Slackers is 6 guys, 8 people total, that gotta drive, fly, sleep… staying somewhere for a weekend is like the old jazz bands that’d play weeklong stints… and we get to play more variety of songs cuz we don’t wanna repeat stuff.
We do that when we play shows near each other, too, for the folks that come to more than one.
Plus, Chicago lets us do that nerdy storytelling behind the songs afternoon, which is demented for the band cuz we never talk about that stuff, even with each other…

Slackfest gets better each year. We at Dying Scene are already waiting eagerly for the 2025 date announcement. We’ll see you there! Thanks, and Cheers!

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DS Show Review & Gallery: Mad Caddies; Iron Roses; and Something To Do from Reggie’s in Chicago

Mad Caddies almost did not make its headlining gig at Reggie’s. The band had been stranded in an airport in Halifax for nearly 18 hours due to a canceled flight. But of course, the operative word is “almost” because the band did make it to the venue as the opening bands were on stage. Those […]

Mad Caddies almost did not make its headlining gig at Reggie’s. The band had been stranded in an airport in Halifax for nearly 18 hours due to a canceled flight. But of course, the operative word is “almost” because the band did make it to the venue as the opening bands were on stage. Those opening bands, Something To Do and The Iron Roses provided strong support. What a terrific evening of music!


Mad Caddies, out of Santa Barbara, CA, brought the punk/ska fusion to the S. State St. stage. Perhaps due to the aforementioned travel issues the band members arrived ready to bust out. And bust out they did, with an upbeat and energetic performance. The set included “The Dirge,” “Reflections,” “Backyard,” “Tired Bones,” and “Lay Your Head.”

Mad Caddies has a run of September shows with Ballyhoo! on deck. In November, the band hits the road with Authority Zero and Belvedere.

Perhaps the most exciting show will occur on October 5th in San Pedro, CA as part of the Punk In Drublic Festival. There, the band will provide support on “Faturday” for NOFX‘s penultimate show. That should be a blast.


The Iron Roses is a fairly new ska/punk band composed of veteran musicians. Nathan Gray of Boysetsfire and Becky Fontaine share lead vocals. The band put on a snappy, boisterous performance with both singers taking leave of the stage to groove in the center of the crowd on the floor. The rest of the group killed it as well. Tight yet fun work.

Iron Roses complemented Maddie Caddies perfectly. The band’s showing at Reggie’s makes me look forward to the next time I can catch the band.

Iron Roses has North American tour dates scheduled for September and October. The band is also on the lineup at The Fest 22 in late October, in Gainesville, FL.


Something To Do out of Milwaukee had something to do at this show and they did it marvelously. That is, kick off the show with a bang. With all members seeming in perpetual motion, the band tested the attendees’ stamina. The horn section was particularly kinetic. The entire group was both in grand unison, with each member’s personality shining through.

The rowdy set included “Sweet Caffeination” and “Draw Me Like One of Your French Girls.” Both of those tunes are off Something To Do’s new album called Here Comes the Panic!

This month Something To Do will be sharing the stage with Mustard Plug and Authority Zero a few times. If you need something to do…well you get the idea.


As so often is the case, Reggie’s was the cool place to be for a hot show on a warm summer night. Cheers!

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DS Show Review & Gallery: 6th Annual Slackfest night 2 – The Slackers; Eastern Standard Time; Los Vicios de Papá; and Lady Hatchet. Chicago (11.18.2023)

Slackfest, the annual event presented by The Slackers hit Reggie’s Rock Club recently. Dying Scene was on the floor at the S. State Street venue. The ska fest was a night of joyful noise featuring plenty of the subgenre’s signature horns. The Slackers, the iconic NYC ska group, once again provided an energetic capper to […]

Slackfest, the annual event presented by The Slackers hit Reggie’s Rock Club recently. Dying Scene was on the floor at the S. State Street venue. The ska fest was a night of joyful noise featuring plenty of the subgenre’s signature horns.


The Slackers, the iconic NYC ska group, once again provided an energetic capper to the weekend’s festivities. It was a dynamic set with trombonist and singer Glen Pine out front and center with an especially animated performance. The band is playing out west for the next couple of weeks before heading back to its native east coast. Don’t slack on catching a set (yes I know that was lame. But the band is everything opposite of that).


Eastern Standard Time, from Washington DC, led by the smoothly charismatic Unikue Peace on vocals and percussion. It was a lively set and the perfect penultimate one to the headliner.


Los Vicios de Papá, out of Chicago, performs its music in Spanish. I once was more fluent in the language than I am now. No matter, it was a high-powered performance combining Latin ska, reggae, and Cumbia. Los Vicios de Papá had the crowd stomping on the venue’s concrete floor in the very best way.


Lady Hatchet, aka Kristin Forbes, kicked off the night with a fun set. Dunia Best joined her for several songs which upped the already entertaining level a notch. This is the first time I have seen them perform. It was also the first time I have seen performers literally dancing as they set up and take down their gear before and after their set. I look forward to seeing both parts of these musicians’ performances in the future.


Please see more photos from the 6th Annual Slackfest night 2 below. Thanks and Cheers!


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Dying Scene Photo Gallery: Mustard Plug, The Toasters, Half Past Two, and Malafacha – Reggies, Chicago Illinois (09/07/2023).

Mustard Plug’s ‘Where Did All My Friends Go’ Album Release show with special guests The Toasters, Half Past Two, and Malafacha at Reggies! This entire show is a great showcase of talent using a variety of instruments from horns, bass, guitar, trumpets, vocals…everything sounds RAD and you will end up having a blast! Mustard Plug […]

Mustard Plug’s ‘Where Did All My Friends Go’ Album Release show with special guests The Toasters, Half Past Two, and Malafacha at Reggies! This entire show is a great showcase of talent using a variety of instruments from horns, bass, guitar, trumpets, vocals…everything sounds RAD and you will end up having a blast!


Mustard Plug is a ska punk band from the Midwest specifically Grand Rapids, Michigan. They came to Chicago to promote the release of their new album ‘Where Did All My Friends Go’ (Bad Time Records, 2023). The band consists of vocalist Dave Kirchgessner, trumpeter Brandon Jenison, trombonist Jim Hofer, drummer Nate Cohn, guitarist/vocalist Colin Clive, tenor saxophonist Mark Petz and bassist Greg Witulski. The band have toured all over the world since they formed in 1991from the United States to Europe, Japan, South America and beyond. This ska punk band that will have you “skanking” into the night and having so much fun. Check them out here


The Toasters are one of the original American second-wave ska bands founded in New York in 1981. The band is comprised of vocalist/guitarist Buck, bassist Tim Karns, keyboardist Dave Barry, drummer Art Zamora, saxophonist Nathan Koch, trumpeter/trombonist Adam Birch, and trombonists Gilbert Covarrubias.  They have more than 19 albums behind them and released ‘Live at the Ska Fest 2021’ LP Album (Supernova Records) in 2023. You’re in for a real treat and be sure to check them out here. 


Half Past Two is an amazing 7-piece ska band formed in 2006 in Orange County, California. The band consists of vocalist Tara Hahn, guitarist/vocalist Max Beckman, keys/guitarist/ vocalist David Parris, bassist Mark Anderson, trumpeter Max Maynard, trombonist Luis Gracia Alonso, and drummer Savannah Tweedt. The band is full of so much energy and you will not find yourself standing still. Find them here.


Malafacha is a Ska band with Reggae and Latin rhythms that was formed in 2003 in Pilsen’s Hispanic Bohemian neighborhood in Chicago, IL. Malafacha is conformed of 8 members, vocalist Moises Bello, drummer Alejandro Cruz, saxist Ivan Bello, bassist Ezequiel Cruz, trombonist Juan Abad, percussionist Armando Pescador, guitarist Roberto Carlos Tovar, and keyboardist Martin Orosco. With this many band members you are bound to have different personalities and musical tendencies between the band members. This has brought the band together to obtain an original sound with a base of Ska, Reggae and Latin rhythms mixed with Punk, Metal, Cumbia, Rock, Disco and an endless fusion of genres that makes of Malafacha a unique band. Follow them on their social media pages to see where they will be next. 


Mustard Plug Photo Gallery


The Toasters Photo Gallery


Half Past Two Photo Gallery


Malafacha Photo Gallery

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DS Show Review & Gallery: Night 1 of Sounds of the Street Festival with Piñata Protest, Get Dead, Noogy, Shitizen, and more. (Chicago 02.10.2023)

Reggies Rock Club once against hosted the Sounds of the Street Festival. As the name of the 2 night event suggests, the lineup was dominated by street punk bands, with a dose of Oi! and other subgenres in the mix for good measure. There were nine bands on the first night’s bill. Here were some […]

Reggies Rock Club once against hosted the Sounds of the Street Festival. As the name of the 2 night event suggests, the lineup was dominated by street punk bands, with a dose of Oi! and other subgenres in the mix for good measure. There were nine bands on the first night’s bill. Here were some of the highlights.


At the top of the night’s bill was Piñata Protest out of San Antonio, TX. Partly through the use of the accordion and a Merenque Guira, the band fuses traditional Tex-Mex music with punk for its own unique sound. Though it had been a long evening, Piñata Protest’s highly spirited performance provided the crowd a much-needed shot of rhythmic adrenaline. The group whipped up the crowd and left exhausted fans, old and new in its wake.


Bay area punks Get Dead loaded up its set list, coming just short of 20 songs. Singer Sam King, with his very animated facial expressions, led the charge through said set list which included “Disruption,” “Fire Sale,” “Pepper Spray,” “Stick Up,” “Glitch,” and “This One’s for Johnny.”


Noogy, another group from the Lone Star state on the bill, may have a playful name but what it had to say was far more serious. The Dallas-borne band rumbled through a set list including “ACAB,” “Whatever,” “Studcounter,” “Robinhood,” and “2017.” Noogy will travel across the ocean this summer to perform at Rebellion Festivals and no doubt will garner more fans and wider attention.

On a lighter note, Sounds of the Street Fest has become known for being a weekend full of mohawks on both musicians and fans. Perhaps more of the classic punk ‘do percentage-wise than most other festivals. They were everywhere you turned, of all colors and variations. But Noogy bass player John Grefer sported one of the most majestic. Electric blue and seemingly skyscraper tall, it was certainly a nominee for best in show.


Chicago’s Shitizen has always had the ability to stand out in a crowded bill. Returning to the Sounds of the Street, was no exception, even as its performance was exceptional. Charismatic lead vocalist Claudia Guajardo, once again broke free of the stage. In one moment she roamed the floor like a tiger ready to pounce. A tiger in a puffy coat that is. The next moment she was standing still, one arm leaning against the stage with mic in hand, reminiscent of a college lecturer, discussing whatever came to her mind. It was, per usual, a dynamic performance by Shitizen.


The remaining bands on the night’s bill, Shitbag, Infirmities, Primitivs, Poison Hand, and The StickUps, each brought their own brands of energy, intensity, and fun to Friday night.

Check out more photos from Night 1 of Sounds of the Street Festival below!

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DS Show Review & Gallery: The Arrivals; The Brokedowns; C.O.M.A Collective; and Time Thieves NYE Show (Chicago, 12.31.2022)

The Arrivals and The Brokedowns helped a jampacked Reggie’s Rock Club crowd close out 2022 and ring in the new year. They were supported by Time Thieves, and a collective of musicians calling themselves C.O.M.A. for this specific event. There was sparkling wine, goofy New Year’s swag on fans, terrific performances, and a bit of […]

The Arrivals and The Brokedowns helped a jampacked Reggie’s Rock Club crowd close out 2022 and ring in the new year. They were supported by Time Thieves, and a collective of musicians calling themselves C.O.M.A. for this specific event. There was sparkling wine, goofy New Year’s swag on fans, terrific performances, and a bit of Auld Lang Syne.


The Arrivals is a pretty good band name to have as a headliner for welcoming the arrival of the New Year. Of course, the Chicago quartet, comprised of “Little Dave” Merriman, Isaac Thotz, Patrick Costello, and Ronni Dicola is not good in name only. In fact, they are pretty damn good and have been for a long time.

Merriman and his wife Lyndsey Anne Wollenberg-Merriman welcomed their first child, a daughter named Josephine, earlier in the year so 2022 was already one for his memory books. He told me post-show:

It was the best one [year] yet

The Arrivals helped add another entry in the memory books for those in attendance as well. Merriman described the event:

The show was a hell of a lot of fun and all the bands were great.”

Leading the crowd with Auld Lang Syne as the clock struck midnight, the band then launched into a set including, “Two Years,” “I’m Sorry For Saying I’m Sorry,” “The Ballad Of Lon Stokes,” “Elise,” and “Last Lullaby.”


Chicago’s The Brokedowns finished their set shortly before the midnight hour, meaning they were the last band to play Reggie’s in 2022. So it was especially important that the band members Jon Balun, Kris Megyery, Eric Grossmann, and Mustafa Daka make it an unforgettable performance. They Brokedowns delivered with a frenzied set which included “Wizard Symptoms,” “I’m A Ritual,” “Life Is A Breeze,” “Pardon The Light,” and “Born On The Bayou Too.”

Mustafa Daka reflected on the show, not quite a fortnight later, and the meaning it held for him:

The NYE show was very special to me because we all loved The Arrivals for more than 20 years and have lots of great memories touring with them and watching them play amazing sets night after night, especially at Fest! And all the bands were amazing and we’re all friends and friendly, it was a blast! To start the early hours of 2023 playing a show like that and with all the people there, I’m hoping for a year of fun and creativity! And travel!”


C.O.M.A. (Christy, Orion, Monica, and Austin) is actually a collective of two solo singers, Monica LaPlante, and Christy Costello, and their bandmates in Extraterrestrials, Orion Treon and Austin Cecil. All three acts are from Minneapolis and play in each other’s bands.

For their set, the musicians rotated the three identities, and in the combinations, performed “VCR Guy” (Extraterrestrials), “Compression” (Monica LaPlante), “Uranium Baby” (Christy Costello), among others. It was a unique and fun way to introduce themselves to Chicago.


Time Thieves is from Chicago and is comprised of Jonathan Pool, Tim Reynolds, Annie Saunders, and Mike Oberlin. The band played a more than solid set which included “Road,” “Night,” Message,” “Flicker Of Light,” and a lovely cover of the INXS classic “Don’t Change.” It was an enjoyable start to a night meant to mark the end of the year.


Check out more photos from the celebration!


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DS Show Review & Gallery: Voice of Addiction, Torch The Hive, and The Last Great Riot (Chicago – 12/18/2022)

Voice of Addiction, Torch The Hive, and The Last Great Riot took over Reggie’s Music Joint on Saturday, December 18, 2022. Whilst the stage was small, none of the trio of performances could be described as the same. Ian Tomele, founder, bass player, and vocalist for Voice of Addiction, could be known as “The Shoeless […]

Voice of Addiction, Torch The Hive, and The Last Great Riot took over Reggie’s Music Joint on Saturday, December 18, 2022. Whilst the stage was small, none of the trio of performances could be described as the same.


Ian Tomele, founder, bass player, and vocalist for Voice of Addiction, could be known as “The Shoeless Singer.” He’s been performing sans footwear since he was a teenager. The 6’2″ self-described “slouch” told me,

I hurt myself a lot especially when performing haha so I think it started as a way to feel the stage and my surroundings better (so I would stop hitting my head!)

This show was the band’s last set in what has been its comeback year. Tomele explained,

“We had not played since we were on a month-long southern tour in early 2020 when the pandemic hit. It was super surreal pulling into Chicago from tour as the sun was rising and the mayor was giving the stay-at-home order over the radio. Since we were already together we felt it was safe to still get together for rehearsals and started working on the new album Divided States. To coincide with this release we started playing a couple shows this summer as well as a Northeast run in August. Mainly to test the waters and see what was possible for future shows and tours.” [The band’s second show of the year was at the Dying Scene Chicago Resurrection Party. Tomele thankfully helped with the logistics of the event).

Tomele’s bandmates Tyler Miller on guitar and brand new drummer Kevin Amaro, closed out the year with zest. Amaro’s drum kit continuously lit up in a variety of colors adding a festive touch to the stage. The rip-roaring set included, “Unity,” “Modern Day,” “Shinigami,” “Rustbelt,” and “Wrecking Ball.” That last song also bears the name of Tomele’s booking and promotion company, Wrecking Ball Productions.

As 2022 closed out, Tomele was optimistic about the band’s plans for 2023. He told me,

In my opinion winter is for writing. I have a handful of new songs to show the guys including one I wrote with the new drummer Kevin. We are back at Reggie’s on January 12th. And then we get back at it in March and April with our southern tour. Spreading the new full length all over the damn place!

Looking forward to it!


I’ve covered Torch the Hive twice this year and it has been 2 for 2 in terms of fun. The highly energetic trio makes quick work of engaging the crowd. This night was one of a flurry of shows the band played as the year wound down. It blasted through its set which included “Copaganda,” “F.E.A.,” “Deku,” “Burn Me Out,” “Shame On You,” and “Molotov Trail.” Mike Fruel, on vocals and guitar, Tyler Sanders on bass, and vocals, and drummer Sergio Apanco put on a provocative show in both song and movement. Fruel played his guitar above his head, behind his back, sitting on the floor, lying on the floor, and of course in traditional stance. Sanders was such a whirlwind on stage, with frenzied head shaking. So frenzied that his mop of red hair and beard (which perfectly complemented his bass) caused him to appear in flames on top. Apanco looked ready to explode from behind his drum kit.

Post-show Mike Fruel reflected on the year that was and the year to come:

This was a good year for us, we’ve played sold out shows at SubT and Reggie’s and made a ton of new friends in the DIY scene. We also released one new single this year ‘Seeds,’ and plan to release a bunch more music in 2023. Next year we’ll be on the road hitting the south reaching New Orleans and the west coast late next year.

Hopefully the band members can catch their breath at the start of the new year so they can keep that excitement strong over the course of 2023.


The Last Great Riot, comprised of vocalist/guitarist John A. Beavers, bassist Mario Mazzone, and drummer Scott Durand, closed out the evening by pumping it up. As in Elvis; the capper of its potent set was “Pump It Up by Elvis Costello & The Attractions. The rest of its set was dedicated to original tunes by the band including two new ones, “Immortal 30” and “Fluid Ounces,” in addition to “Happy When (Bad) People Die, and “Neighborhood Legend” from 2021’s Tomorrow’s Gonna Be Rough.

Beavers looked back on the year just concluded and revealed some of the band’s plans for 2023,

As far as ’22, we just played shows. Finally hit Milwaukee for a show, a few at Burlington and Reggie’s and some other spots. For ’23 we’re starting the year on a “new baby break,” so nothing book[ed] so far. Just finishing up mixes at Squeezebox Recording Studio on two singles, be releasing this late winter or spring.”

Best of luck guys!


Please see below for photos from the show. Have a happy and safe new year everyone and thank you for joining us on the ride that was 2022!


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