Videos: Stab: "New England Numb" (ft. Mat Kerkes of Citizen)

Stab have released a video for their new song “New England Numb” which features guest vocals from Mat Kerkes of Citizen. The video features live footage shot by Kory Boutin and Johna Jo Media. The song is off their upcoming debut album Lost In Maine which will be out on July 24 via Unbeaten Records. Stab released their demo tape in 2025. Check out the video below.

Sparta release video for "Without Your Hands"

Sparta have released a video for their song “Without Your Hands”. The video was directed by Travis Shinn and edited by Jeremy Danger. The song is off their album Cut A Silhouette which was released last week via Equal Vision Records and Dine Alone Records. Sparta will be touring Europe starting in October. Check out the video below.

Videos: knitting: "I Wasn't Fully Cooked"

knitting have released a video for their new song “I Wasn’t Fully Cooked”. The video was directed and edited by Sasha Khalimonova. The song is off their upcoming album Souvenir which will be out on June 26 via Mint Records. knitting released their album Some Kind Of Heaven in 2024. Check out the video below.

Navel Gazing for May 31, 2026

Welcome to Navel Gazing, the Punknews.org commenter community's weekly symposium, therapy session, and back-alley knife-fight. Chime in below with your latest playlists, record store finds, online time wasters, and site feedback.

DS Feature: The Drowns take Chicago by Storm!

Waverly Cayo’s tribute to the killer, gusto-filled Seattle rock band that is The Drowns!

As a Chicago-based punk writer, there’s an abundance of punk shows within arm’s reach at any given moment. Sometimes you don’t vibe with the show, sometimes you fucking love it, but at the end of the day, you never know how it’s gonna go! As for my advice? Well, a good rule of thumb is that when a band’s walk-on song is “The Day the Nazi Died” by Chumbawamba, you’re definitely about to have the time of your life.

This past Friday, Chicago’s beloved Southside venue Reggie’s erupted with punk-scented glory as Seattle’s finest The Drowns played with opener Shitizen and headliner The Casualties for their 2026 Detonate tour. I had the biggest smile on my face as I watched fans line up around the block, pumping themselves up for the upcoming performance by bouncing loose studs and spikes off of each other’s jackets to pass the time.

As Shitizen’s opening act concluded, their lead singer, Claudia, warmed up the crowd for a phenomenal set by The Drowns by handing out keychains & setting off a confetti cannon over the sweat-covered Docs of the concert-goers.

The Drowns, adoringly referred to as “Lightning in a Bottle”, consists of Rev Peters on the guitar, Andy Wylie on the bass, and Jake Margolis on the drums, while Peters & Wylie spit the charming vocals that fans know and love. With over 16,000 listeners on Spotify and 44,000 fans on Instagram, The Drowns set music venues all across the world ablaze with their undeniable gusto, punk pride, and killer good vibes. In light of the current state of the world, The Drowns blend delivering critical awareness of what’s happening in America with the electrifying music of Seattle punk rock. 

As the show began with their song “Vengeance,” followed by hits “Wolves on the Throne” and “Ketamine & Cola,” Peters delivered a speech about the women of the world and how crucial they are to the success and future of this country. Something about this moved me a lot – the idea that The Drowns would pay such a beautiful homage to and message for the women in the room: the punk-rockers who endure catcalls and snide comments about their outfits, who are stared at from sidewalks away, and who withstood all of that just to be in that room Friday night. I say this as one of those women, a 21-year-old, scene-sick writer who was lucky enough to be a friend of Wylie’s. Undeniably, The Drowns put on an extraordinary show – playing their hearts out during some of my favorite songs like “Cue the Violins” and “Demons.” But what’s exceptional about this fearless trio is how wonderful it is to see punk rockers who truly love what they do, but most remarkably, who it impacts, and where they play it. The Drowns are a masterclass in what it really means to be woven into the quilt of this community, and how lighting up venues like Reggie’s last Friday sets something ablaze within fans both young and experienced. Undoubtedly, that moment, and that night, was something really remarkable for the audience goers of the Detonate tour.

As they closed their set with their #1 hit “Them Rats,” garnering over 639,000 listens on Spotify since its release, I got the privilege of listening to nearby crowd-goers gush about how brilliant a performance that was, and how excited they are to welcome The Drowns back to Chicago soon. Adoring fans shared cigarettes, laughs, and sweet conversations with the bands outside the venue after all three acts came to a close.

Chicagoans may love their deep dish, but Seattle left us more than satisfied that night. Thank you to The Drowns for having me, and thank you to fellow Dying Scene friend Andy Wylie for the opportunity. We love you guys!

You can find The Drowns on Instagram at @TheDrowns, check out their Spotify linked here, or learn more about them and their socials at their LinkTree link here.

The Drowns are heading back out on tour again with Agent Orange starting June 3rd! Go out and see them if you can and buy tickets at the link here.

Written by Waverly Cayo, you can find me here: @wavecayo, @scenesicknessradio, @bywavecayo

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Ikana

Ikana – The San Diego Southwest Emo Band You Should Have Heard Already

The realization hit somewhere in the middle of Ikana’s recent homecoming show in San Diego. The room already moved like people understood something bigger was happening. Bodies crashed into each other in the pit while others (including me) screamed every word back toward the stage, completely locked into the moment. It did not feel like […]

The realization hit somewhere in the middle of Ikana’s recent homecoming show in San Diego. The room already moved like people understood something bigger was happening. Bodies crashed into each other in the pit while others (including me) screamed every word back toward the stage, completely locked into the moment. It did not feel like watching a band still trying to figure themselves out. It felt like watching a band people are only now starting to catch up to.


Made up of Jake Davis on lead vocals, Christian Nguyen on lead guitar, Robert Figueroa on rhythm guitar and vocals, Mario J. Rivera on bass and vocals, and Josh Charfauros on drums, Ikana describe themselves as a band shaped by multiple individual influences, with each member bringing something different into the writing process. “We’re a band that has many different individual influences, and we all get an opportunity to let those influences show themselves in our songs. We pull a lot of inspiration from pop punk, emo, and post-hardcore.”

Part of what makes the band stand out is presence. Jake Davis’ vocals cut through the noise in a way that is immediately identifiable. In a scene full of influence and imitation, that kind of sonic identity is rare. It is the kind of voice you do not need to second guess, the kind you could pick out instantly in a lineup.

What stands out is how unforced everything feels. The emotional weight in their music is not manufactured. A band member states that “writing emotionally charged songs is just kind of something that happens naturally, and wasn’t something we deliberately chose. We focus more on the quality and authenticity of what we’re releasing. It’s truly humbling when people connect with our art.”

That honesty is a major reason songs like Colorblind land so quickly with listeners. The band wrote it during what they describe as a pivotal and stressful. “Colorblind is a song that we wrote during a very pivotal and stressful time for us in the band. That song means so much to us. It’s a song that symbolizes resilience for us, and was the song that gave us a much needed push to keep moving.”

That same energy carries directly into their live shows. There is constant movement, but also a clear sense of connection between the band members on stage. “Performing on stage is our favorite thing to do plain and simple,” they stated. “We are very aware how lucky we are, to have all of us on the same page with where we want to go with our band. When you have a group of bandmates that are ‘all in’ it brings a confidence to everything you do, especially performing. You get an experience seeing us live you could never get from the records.”

What makes Ikana especially interesting right now is that they are beginning to outgrow the underground label. They describe their trajectory as a slow burn. “We’ve been a band for a while now. It’s been a slow burn. But with this slow burn, we’ve had the opportunity to make die hard fans, really convince people through our live shows, and marketing ourselves on social media with content we think is high quality and have pride in. Opening for The Used in 2025 really changed the way people view us, and we have been taken more seriously since then.”

Now, the band is focused on finishing a new batch of songs for an upcoming EP while preparing for their next tour.

When asked if they had a message for fans, the band’s answer reflected the same sense of gratitude and connection that runs through both their music and live shows. “Thank you so much to everyone that supports us and enjoys our music. Without you, this opportunity to play music, even in this earlier stage of our journey, wouldn’t be possible. Please come to a live show, and forget about all of the things that bring your life stress for a few hours. We’re all here for the same reason, to connect with other humans and play music!”

Maybe that is what makes Ikana feel different. Not urgency, not hype, not branding. Just consistency, intention, and emotional weight that translates both on and off the stage.

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Interviews: Talking 'A Party In Your Name' with Nima and Dexter of Hillsboro

There are records that you feel in your gut and A Party In Your Name by Hillsboro is one of them. Each of the Vancouver-based quintet’s releases can be connected by the framework of the five stages of grief, with their 2023 self-titled album representing denial, their 2024 EP White Trash representing anger, and A Party In Your Name representing bargaining. The band delves deep into addiction, depression, growth, and healing on eight of their most visceral and cathartic songs to date, with affecting lyrics and inventive arrangements that blend together elements of emo, punk, shoegaze, drum and bass, pop, classical, and alt-rock.A Party In Your Name is available digitally everywhere now. Hillsboro will be playing record release shows in Vancouver and Victoria in June, playing Bottle Rocket Fest in Vancouver in July, and heading across the pond to play Left of the Dial in Rotterdam in the fall. Punknews editor Em Moore caught up with lead vocalist and guitarist Nima Walker and violinist Dexter Hodgins to talk about the record, road testing the songs, the importance of live shows and making music with your best friends, building community, berets, and so much more. Read the interview below!This interview between Em, Nima, and Dexter (who definitely isn’t A.I.) took place over Zoom on May 21, 2026. What follows is a transcription of their conversation that has been lightly edited for length and clarity.

This Show Is Tonight: SuperSonic are mad fer it in Cambridge

<p>All around the world, fans are still buzzing from last summer’s Oasis reunion tour, though perhaps none more than the gentlemen of SuperSonic, Toronto’s longtime North American tribute to the Britpop titans. They got the brilliant idea to follow the Gallagher brothers across the continent, performing in the same cities the day prior as an unheralded warm-up for those heading to the Live ’25 dates, or a consolation for the ones who couldn’t get tickets to the stadium gigs. “Last […]</p>
<p>The post <a href="https://vanyaland.com/2026/05/29/this-show-is-tonight-supersonic-are-mad-fer-it-in-cambridge/">This Show Is Tonight: SuperSonic are mad fer it in Cambridge</a> appeared first on <a href="https://vanyaland.com">Vanyaland</a>.</p>

Tours: Danbert Nobacon to tour US

Danbert Nobacon has announced US tour dates for this summer. The first leg of the tour will begin on June 2 in Seattle, Washington and wrap up on June 12 in Corvallis, Oregon. The second leg of the tour will begin on July 15 in Boise, Idaho, and wrap up on July 23 in Spokane, Washington. Danbert Nobacon released “We’re All Antifa Now!” earlier this year and released KOCHTOPUS’S GARDEN – NOW THAT’S WHAT I CALL CAPITALISM – THE MUSICAL in 2024. Danbert Nobacon will also be playing Buddies Fest in Tillsonburg, Ontario in August. Check out the dates below.

Charli xcx fashions an apocalyptic bop with new single ‘SS26’

<p>There’s no sign o’ the times quite like the cover art of Charli xcx’s new single “SS26.” Gone are the days of 2024’s brat aesthetic, a homely shade of acid green that resembled a clubgoer’s complexion mid-hangover. No, the front that “SS26” wears is one of Times New Roman text against an eggshell background: Prim, restrained, weary. That’s not to say that “SS26” isn’t a bop — it is — but it’s a bop born of a crumbling era. “SS26” […]</p>
<p>The post <a href="https://vanyaland.com/2026/05/29/charli-xcx-fashions-an-apocalyptic-bop-with-new-single-ss26/">Charli xcx fashions an apocalyptic bop with new single ‘SS26’</a> appeared first on <a href="https://vanyaland.com">Vanyaland</a>.</p>