DS Review: Baby’s 1st – Brakrock Day 1.

Hi babes! I’m finally over my festival blues and ready to bring you my second highlight of the year. Or third? It could be fourth or fifth. I’ve lost track, and who cares anymore. As many of you have noticed from my Instagram and our Dying Scene’s Instagram, I’ve been in Belgium to visit the […]

Hi babes! I’m finally over my festival blues and ready to bring you my second highlight of the year. Or third? It could be fourth or fifth. I’ve lost track, and who cares anymore. As many of you have noticed from my Instagram and our Dying Scene’s Instagram, I’ve been in Belgium to visit the highly recommended festival, Brakrock. The festival took place on August 4th and ended the following day. Yes, a totally sad face from my side. But you know, sometimes we must go home and regroup for next year’s festival season.

Anywho, let’s get on with it. Because Day 1 is already going to be longer than… Something. My brain didn’t survive Brakrock. So how was it? What happened? Did it blow my mind? All these questions will be answered. But first, here’s a sweet picture of our wine and water—something you’ll need to get through this post.

So, Brakrock! That happened, and we started with me getting a few bracelets. Fine, fine.
I entered a different entrance and hit right when Public Serpents did soundcheck. I had to race to my friends because I had our locker combo, and I had to return for Public Serpents to go on stage. But FIRST, let’s do a Brakrock 101.

At Brakrock, you don’t pay with a card – Actually, that’s a lie – you can pay with a card or cash for merch. But if you want wine or beer or food. That’s tokens, my friends. 10 tokens cost you about 30 euros. Yup. But it’s whatever. It works? I was actually not convinced until I tried it myself.
If you want a locker – please, reserve it prior to the festival. It sucks waiting 20 minutes in line to scan a bloody QR-code. Or actually, Brakrock, make sure there’s maybe three screens for the lockers? Idea.
Beer or Wine? Wine. Always wine. Belgium beer is amazing, but it does fill you up fast. Switch things up. But honestly Brakrock, I actually missed my cider.

But everything else worked. Clean toilets, barely any queue for drinks and food. Nice people. There were three stages; Riverstage, Ruinstage and Woodstage. They weren’t more than three minutes apart, so you can tell it was actually a nice and intimate compared to many of the other festivals I’ve covered this summer. I loved it. I could find my friends, easily. I could find merch and there were bars at every stage. What more could a girl ask for?!

So let’s get to my job. Which is reviewing bands and hopefully not pissing anyone off with this review. Oh and due to miscommunication, we actually didn’t know we were press until we were there and therefore all pictures and videos from day 1, are from my telephone.

Public Serpents

I will be honest; I love ska. I do. And I like Public Serpents; they are the fine mix between ska, and there’s some screaming, some hardcore in there. You know what? I suggest you get your asses out to a show if they are around you.
They started us off with ‘Hated by a Nation’ – probably one of the most popular songs that helped put them on the map. People were getting ready to mosh, and the crowd gathered fine around my friends and meme. It’s important to state here; Public Serpents are far from unknown here in Europe. And the name that they’ve worked incredibly hard for has only benefited them. I saw young people bring beach floats to the show to throw around and start a wild mosh pit where I needed to excuse myself. I wasn’t prepared for that at all. But damn, that show was one of the best I’ve seen that day.
They would have had me going immediately if I hadn’t been in the mood to dance before their set. Another thing, their set went by in a flash of the eye. I was surprised how well everyone in the band was to interact with the audience and keep the mood high. I’m excited to see them again.


The Slackers

After a show like Public Serpents that has the adrenaline rushing, it’s time for some nice, slow third-wave ska and chill. That’s right; it’s time for me to experience The Slackers for the first time. I fell in love with their album, and I had heard their previous material in passing, but not where I could tell you the name of many of the golden oldies they played. I will say they played the songs that I know and hold dear. “Shameboy”, “Wasted Days”, and “Married Girl,” and they did a cover of Misfits’ “Attitude,” and that was even better than Misfits’ own version. Yeah, I said it; it was awesome! Words can’t describe how much I’ve fallen in love with The Slackers after this. They were even the best-dressed band the entire weekend. I could have spent another hour listening to them. They sounded outstanding and respect to the audience for feeling the music as much as the rest of us.

Wonk Unit or The Dickies?!

Ah, yes. I forgot about this clash, and honestly, that was my first annoyance (we will get to the rest). I had never seen either band live. I have been a fan of The Dickies since childhood, so this felt obvious. But I wanted to check out the hype about Wonk Unit to see if they were all talk or the fact that they deliver. So, fair is fair sometimes; you decide to leave halfway through a set to see the end of the other band’s set. I’ll start with Wonk Unit because they were the first of the two bands we decided to see.

Wonk Unit

Wonk Unit is punk. It’s unique and super underrated. It reminds me… Of some 90s punk but updated, the whole band is just firecrackers. I had a considerable part, and so did my friends. I lost Annette; she entered the crowd while Bjarke (from The 20 Belows) hung out on the side and took it in. They don’t care if you know the songs or if you do know each lyric in the music. They want you to dance, and dance was something we did! Shit, everyone should book them.

The Dickies

The Dickies! Dream comes true to the smallest ones of us. Okay, I’m pretty tall, but still! I fangirled throughout the last fifteen minutes of their show. And when we arrived, who would happen to come and join The Dickies on stage? None other than one of my favorite bassists, Randy Bradbury from Pennywise. I was full after that show. I felt I had seen everything, yet I wanted more of The Dickies. Call me greedy. It was fun, and the sound was good. I was standing nicely on the grandstand. The view was good, and probably one of my new favorite spots for Riverstage. It worked out well. Let’s get The Dickies back for next year?

Satanic Surfers

They might have a tough name, but Satanic Surfers are still to date some of the sweetest guys I’ve met on my journey as a music reviewer. This is my second time seeing them, which blew me away. Now, the setlist was full of the bangers “The Usurper”, “… And the Cheese Fell Down”, “Don’t Skate on My Ramp”, and my all-time favorite song, which they aced and closed their concert off with “Head Under Water”. Rico still goes hard on the drums, and Andy steals the show as usual with his outgoing personality on bass. Max and Magnus throwing themselves around on stage. But the sound, compared to the last time I saw them was much more rehearsed, much more intact, and they delivered. I had my own party on the side.

Good Riddance

Are we going to pretend for a minute that I would skip Good Riddance? Not today, Satan. Apart from the annoying smoke machine, I have little to contribute to their show. Russ was feeling the crowd, and the crowd was feeling the energy that Russ was delivering and the rest of the band. Mosh pits found their way to the front, and I witnessed a few crowd surfers. Honestly, Good Riddance has been around longer than I’ve been on this planet. And last year, when I saw them in Copenhagen, they had an off day. But on Riverstage, it was the complete opposite. They had room to move; they had room to perform. This has to go down as one of the best concerts from Brakrock’s day 1.

Cigar

… I got stuck in the mosh pit and experienced my first human sandwich in the worst possible way ever. One from the back and one from the front at the same time. But it was AWESOME. It’s not exactly how I imagined my first Cigar concert but damn. Can we talk about how fantastic Cigar is? It’s flawless. They started with an oldie from the album they released back in 1999. And I set the playlist up in perfect order. In between the old stuff, they played “We Used To”, “Classic You” (one that I’ve always said is a stand-out on the album), “Legacy of the 7 Piles”, and “Gone Wrong” from the new album. Rami has terrific vocals, and they are equally impressive live. Jon Sortland made me tired watching his powerful drumming; I’m terrified of him.

If Cigar is in a town near you, check them out.

Pennywise

It’s been eight months since I last saw Pennywise. It’s been eight months since the venue in Copenhagen killed my first time seeing Pennywise. I still haven’t forgiven the venue. BUT how can you stay mad at a band that helped shape you? Or, in fact, a band that has such a massive impact on your own kid’s life? You can’t.

As it is Pennywise, and everyone was there, you couldn’t not expect some minor appearances from different bands. We got some NOFX covers from Pennywise and Russ from Good Riddance to sing a Minor Threat cover; we had Steve Caballero from Urethane on guitar during “Bro Hymn”. And Brakrock also had a pleasant taste of Dying Scene’s very own favorite ginger, ME, on stage for Bro Hymn. We had kids singing and showing us why Pennywise are where they are. Randy Bradbury, on bass, was on fire once again. I have yet to witness a better bass game from anyone but Randy, which is why he is my favorite bassist. Fletcher and his unforgiving humor got the already rowdy crowd going. 

I didn’t care about anything else. I was taken aback because I had been waiting for this in January. I got to experience it and became an even bigger Pennywise fan. #sorrynotsorryfriends

They delivered an incredible show and continue to amaze after decades on the scene. People commented that this may have been the best Pennywise show they’ve seen post-covid. So, I am not alone. Pennywise, we love ya.


Diesel Boy

Hey Diesel Boy, I know I’ve reviewed your new album, interviewed you, and now I’m reviewing half your gig for the first time. I’m counting my lucky stars. Okay, so it’s been years since Diesel Boy has been on stage, and it’s their first time at Brakrock – What a catch for Brakrock. What a catch for me.
After Pennywise, I need a drink, and I want to see what Diesel Boy can deliver since the hype around them has been so huge. I come in time for “Lime Green” from their ’96 album Cock Rock, Diesel Dave, the vocalist, does know how to sing. I’ll give him that much. So, sipping my beer, I noticed how the band seemed energized even though they were closing the festival with The Meffs playing on Riverstage.  

They played well together; my beer was excellent, and they continued to play their golden oldies. To be nice here, that is why most of us were there. Listen to the old stuff and hold out hope for some new stuff. But either way, after five songs, it’s time to go home because there’s a new day, Saturday, and it’s as heavy as Friday.

I actually might need to see Diesel Boy once again to give a proper, and decent review.

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DS Exclusive: Listen to The Young Hasselhoffs’ new single “Dear Departed” from upcoming album on Mom’s Basement Records

Nebraska pop-punks The Young Hasselhoffs returned last year with their comeback album Life Go In The Way, and they’ve already got another new record on the way. The band’s 5th LP Dear Departed was recorded at the fabled Blasting Room and is due out October 6th on Mom’s Basement Records; the same day Mom’s Basement Fest […]

Nebraska pop-punks The Young Hasselhoffs returned last year with their comeback album Life Go In The Way, and they’ve already got another new record on the way. The band’s 5th LP Dear Departed was recorded at the fabled Blasting Room and is due out October 6th on Mom’s Basement Records; the same day Mom’s Basement Fest is happening in Youngstown, Ohio!

We’re stoked to bring you this exclusive premiere of the album’s lead single (and title track). Check it out below and stay tuned to the Mom’s Basement webstore for pre-orders launching soon.

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DS Photo Gallery & Show Review: Red Fang / Dinosaur Jr / Clutch (The Radius – Chicago, Il 7/29/2023)

The evening at The Radius kicked off with Portland Oregon’s Red Fang who started the night with an upbeat career-spanning set that had the entire crowd on their feet and headbanging along. The band brought it and the set was solid with very little in-between song banter except when Aaron proclaimed the band as “The […]

The crowd ready for the evening starting with Red Fang

The evening at The Radius kicked off with Portland Oregon’s Red Fang who started the night with an upbeat career-spanning set that had the entire crowd on their feet and headbanging along. The band brought it and the set was solid with very little in-between song banter except when Aaron proclaimed the band as “The Worlds Ugliest Band.”

Bryan Giles (Guitar), Aaron Beam (Bass/Vocals), David Sullivan (Guitar) and John Sherman (Drums) Red Fang Live

Next up was Dinosaur Jr from Amherst Mass. It’s always great to see the band live. They started things off with a throwback to their 1987 album You’re Living All Over Me with the song “The Lung” and then proceeded to play from their deep catalog to include “Feel The Pain”, “Start Choppin”, and the standard Cure cover (“Just Like Heaven”). The band was in fine form and switched multiple gears during the show. Hearing J.Mascis wall of sound guitars sound along with a solid backend made the night.

J.Mascis (Guitar/Vocals) Lou Barlow (Bass/Vocals) and Murph (Drums). Dinosaur Jr Live

Then it was time for Clutch. They took the stage and cranked the room up to 11, starting the night with 1998s “The Dragonfly” and letting it rip from there. They covered all the bases with both old and new songs, run through with that usual Clutch energy and extremely tight musicianship. Neil Fallon (vocals) fronts the band like a Sunday morning sideshow barker while J.P. Gaster (drums), Tim Sult (guitar) and Dan Maines (bass) hold down a solid back-end playing in and out of pocket with each other while creating nothing short of Pure Rock Fury. Always great to see them live.

Clutch. Neil Fallon (Vocals) J.P. Gaster (Drums) Tim Sult (Guitar) and Dan Maines (Bass)

Overall a memorable experience had with the bands as well as at The Radius. Very pleasant, courteous, and friendly staff. Very accommodating and I highly suggest seeing shows at this venue. Check out our slideshows below!

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DS Show Review & Gallery: The Murder City Devils, Soft Palms (Great American Music Hall, San Francisco – 8/5/23)

The Murder City Devils make a rare one-off appearance at the venerable San Francisco venue. The Great American Music Hall was built in 1907. It’s been a burlesque theater, jazz club, Moose Lodge, and in its current incarnation as one of San Francisco’s best music venues since 1973. When Seattle’s Murder City Devils booked a […]

The Murder City Devils make a rare one-off appearance at the venerable San Francisco venue. The Great American Music Hall was built in 1907. It’s been a burlesque theater, jazz club, Moose Lodge, and in its current incarnation as one of San Francisco’s best music venues since 1973. When Seattle’s Murder City Devils booked a one-off show with Southern California’s Soft Palms as opener, we had to be there with our camera.

Soft Palms are guitarist/singer Julia Kugel (The Coathangers) and her husband drummer Scott Montoya (formerly of The Growlers). Their sound is more indy pop and gentle rock, though we found them engaging and likable.

The Murder City Devils were formed in 1996 in Seattle during the Pacific Northwest’s garage rock revival. Breaking up in 2001, reforming in 2006, recently they’ve been appearing on rare occasions, with this one-off show to a sell-out crowd being their first since April.

Check out all our photos from the show below

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DS Staff Picks: Dylan’s Favorite Punk Albums, EPs & Things of July, 2023 (Presented by Punk Rock Radar)

Hello, and welcome to the July, 2023 edition of Dylan’s Favorite Punk Albums, EPs & Things! This is the column where I, Dylan aka Screeching Bottlerocket, tell you what new punk rock albums, EPs and singles I enjoyed the most this month. This is a collaborative effort with our friends at Punk Rock Radar, with whom I’ll […]

Hello, and welcome to the July, 2023 edition of Dylan’s Favorite Punk Albums, EPs & Things! This is the column where I, Dylan aka Screeching Bottlerocket, tell you what new punk rock albums, EPs and singles I enjoyed the most this month.

This is a collaborative effort with our friends at Punk Rock Radar, with whom I’ll be doing a video version of this Best Of wrap-up each month. If you like discovering awesome new bands as much as I do, be sure to follow Punk Rock Radar on Instagram and YouTube, and keep tabs on their Upcoming Release Calendar.

Here’s our video for July (let us know what your favorite releases of the month were in the YouTube comments):

DIESEL BOY
Gets Old

Comeback album of the year? Diesel Boy returns with their first new record in over 20 years! Gets Old is on brand with nothing but fun, sarcastic, melodic punk songs. Standout tracks include “Dirty Dishes”, “The Finnish Line”, and the closing track “Two Stones”, which is a beautiful tribute to the late Tony Sly.

BORDERLINES
Keep Pretending

Portland, Maine’s Borderlines release their debut album 10 years after the band started. Keep Pretending is a laid back pop-punk record for fans of The Methadones, The Copyrights, The Gamits, etc. It kinda reminds me of Warning era Green Day a bit, but less depressing. Good driving music.

PAPERBACK TRAGEDY
8!

Dying Scene Band Spotlight alumni / Baltimore melodic punks Paperback Tragedy return with their second new record in as many years. 8! continues where Threeshe! left off with another masterclass in Epifat style rapid-fire skate punk.

THE HAERMORRHOIDS
At the Earth’s Core

Listen up, Ramonescore fans! This is the subgenre’s best album of the year. Hamburg, Germany’s Haermorrhoids rip through 16 songs in 28 minutes. No frills, no bullshit, these guys aren’t fucking around. The whole record is killer but my favorite songs are “Time Warp Incest”, “Captain Isolation”, and the title track. For fans of Screeching Weasel, The Lillingtons, Chixdiggit, The Queers, etc.

BEAT THE SMART KIDS
Hot Death

Hailing from the windy city, Chicago ska-punks Beat the Smart Kids buck the genre’s recent trends and stick to their more traditional third wave sound. Check out their new record Hot Death if you like Mustard Plug, MU330, or Skankin’ Pickle. Standout tracks include “Twist the Knife”, “Counterfeit”, and “Into the Galaxy”.

WRONG LIFE / PAPER TIGERS
Last Words of an Optimist

Wrong Life is one of The Murderburgers’ frontman Fraser Murderburger’s current projects. The band just released a new record a few months ago, so I was surprised when I saw this split with fellow Edinburgh, Scotland residents Paper Rifles pop up on Spotify. The two new Wrong Life songs on here are great, and this is my first time hearing Paper Rifles – their songs are great, too – I’ll have to check out their back catalog.

DUCKBOY
tragic love songs to study to (vol. 5)

Duckboy is kinda mysterious, I can’t find anything about them song social media, and I think it’s probably a one man band. Anyway, there are seven tracks on their debut EP but most of them are these bullshit little interludes. The three that are actual songs are pretty fucking good. I’m not a fan of this kind of “Defend Pop-Punk” style pop-punk but this is really listenable. “XXL hadron collider” is a bad ass song.

Making Friends – “Heroes Die”

“Heroes Die” is the latest single from Brighton, UK skate punks Making Friends’ upcoming album Fine Dying. This is quintessential skate punk for fans of Lagwagon, No Use For A Name, NOFX, and all the other usual suspects.

7 Years Bad Luck – “Another Life”

Austrian punks 7 Years Bad Luck return with their first new album in six years! 2017’s Great, Big, Nothing is a hard act to follow but these guys are up to the task. “Another Life” is the second single from No Shame (that’s their new record – we’ll talk about it next month!). This song reminds me a lot of Pulley’s “Hooray for Me” – I dare you to listen to it and tell me you disagree.

MxPx – “Stay Up All Night”

MxPx is one of my favorite bands of all time, so even though the leadoff single from their upcoming album Find A Way Home is a bit lackluster, I’ve gotta include it on my best of July list. “Stay Up All Night” is a serviceable, radio ready song, which is why it’s kinda confusing they chose it as the first single. Regardless, I’m excited for the new record – I think the best is yet to come.

Mustard Plug – “Fall Apart”

Mustard Plug’s got a new record on the way, too! Where Did All My Friends Go? is due out September 8th on Bad Time Records. The lead single “Fall Apart” reminds me a lot of the band’s 2007 album In Black and White. I’m looking forward to hearing more!

Judo CHOP! – “Conquer”

Death, taxes, People of Punk Rock Records putting out killer melodic punk. Judo CHOP!’s new single “Conquer” is an absolute banger. Lookout for the Aussie melodic punks’ new record coming later this year on People of Punk Rock.

Swill – “Delicate Subject”

What’s that? You thought the People of Punk Rock fellating was done? Of course not! They also went and signed a band from my home state, Jacksonville, FL’s Swill. This is the lead single from their new record Delicate Subjects, which comes out on August 18th. These guys simply do not miss.

Marked Out – “Distance”

Bakersfield, CA’s Marked Out plays early 2000’s inspired pop-punk. “Distance” is the first single from their new EP Never Enough. Recommended if you like Allister, The Movielife, Slick Shoes, etc.

The Subjunctives – “Goodbye I Will Not Miss You, You Dicks”

The Subjunctives are an old school pop-punk band from Seattle, fronted by Ean Hernandez from Sicko. This is the lead single from their sophomore album Let’s Try This Again, which is due out on September 16th. For fans of 90’s pop-punk.

Anywho, that concludes the July installment of the column. Thanks for checking it out! Keep your eyes glued to Dying Scene for all things punk rock and follow our friends Punk Rock Radar on Instagram, YouTube, etc. Join us again next month!

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The Vaxxines

DS Show Review & Gallery: The Vaxxines, Atomic Tide, Erik Core (SF Eagle, San Francisco, 8/3/23)

The SF Eagle is a leather bar, a fixture of San Francisco’s SOMA gay scene, however they’ve been having live shows on Thursdays for years and these have recently restarted. We went down last week for an evening of Bay Area punk and rock, and a record release party for Atomic Tide. Erik Core were […]

The SF Eagle is a leather bar, a fixture of San Francisco’s SOMA gay scene, however they’ve been having live shows on Thursdays for years and these have recently restarted. We went down last week for an evening of Bay Area punk and rock, and a record release party for Atomic Tide.

Erik Core were a last minute addition as the original opener had to cancel. Describing themselves as ‘Acoustic punk’, the sound was very bass-driven and melodic.

Atomic Tide are straight-up rock’n’roll. Singer Lydia Taylor brings fantastic energy to the stage, and the band are tight, focused rock. This show was a record release party for their new EP, “Night Crimes” on Big Tuff Records.

The Vaxxines are high-energy punk from Oakland, CA. We’ve been following them since they emerged from The Pathogens during the pandemic. Recently lead guitarist Noah re-joined and new singer KC joined the band, upping their stage presence and sound. In October they plan to release another EP on Bandcamp and tour Japan.

Check out all the photos from the show below

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Dying Scene Photo Gallery: Bellhead, Palm Ghosts, and Kill Scenes from the Empty Bottle, Chicago, Illinois (08/02/2023).

The legendary Empty Bottle put on a killer school night show in Chicago, Illinois with three great dark post-punk, new wave dance rock, and dream pop bands! Kill Scenes opened the night with dreamy, cinematic dream pop soundscapes. Palm Ghosts delivered a steady stream of moving melodic dance rock. Bellhead closed out the night with […]

The legendary Empty Bottle put on a killer school night show in Chicago, Illinois with three great dark post-punk, new wave dance rock, and dream pop bands! Kill Scenes opened the night with dreamy, cinematic dream pop soundscapes. Palm Ghosts delivered a steady stream of moving melodic dance rock. Bellhead closed out the night with angst-ridden, post-punk jams. All three bands gave it their all ensuring the audience got their proper dose of mid-week darkness! Learn more about the Empty Bottle through this awesome book called The Empty Bottle Chicago: 21+ Years Music / Friendly / Dancing edited by John E. Dugan with a forward by John Darnielle.


Chicago’s own Bellhead delivered dark post-punk with female and male vocals, two basses, a drum machine, and no BS. Their combined voices were both haunting and angst-ridden. Their songs ranged from loud, punky bangers to softer melancholy tunes. They recently released a new EP titled Good Intentions. Their performance of their original tune “Valentine” and their cover of Love and Rockets’ “No Big Deal” from that record were killer! Bellhead proved that great songwriting and delivery are what’s important and they demonstrated that less can be more. Check out their tour dates here.


Palm Ghosts is a new wave-inspired post-punk rock band from Nashville. They brought their unique blend of post-punk to Chicago and made a room full of new fans! They recently released their Deconstructed album, which features remixed songs from their discography. They roared through a powerful set of songs that artfully bridged the opening and headlining bands. Check out their tour dates here. 


Kill Scenes is a Chicago-based dark dreampop group. Their set included non-stop dramatic melodic songs. Check out their tour dates here. 


Check out the Bellhead Gallery below.

Check out the Palm Ghosts Gallery below.

Check out the Kill Scenes Gallery below.

Thank you!!

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DS Record Radar: This Week in Punk Vinyl (Gob reissues galore! Plus Mustard Plug, The Decline, Lagwagon & more)

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly* column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. Kick off your shoes, pull up a chair, crack open a cold […]

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly* column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. Kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, because it’s go time. Let’s get into it!

Check out the video edition of this week’s Record Radar, presented by our friends at Punk Rock Radar:

Dine Alone Records has reissued (almost) every Gob record! This is the very first time any of these albums have been released on vinyl. They’re available individually for $22 CAD each, or in a 5 LP bundle for $100 CAD. That’s about 15 Freedom Dollars a piece for my fellow Americans; pretty good fuckin’ deal! Get your Gob records here.

Lagwagon‘s Let’s Talk About Feelings is the latest iconic in Fat Wreck’s back catalog to receive the 25th Anniversary reissue treament. Head over to the Fat webstore to get the colored 10″ record (editor’s note: the record pictured is the “EU Store” variant, available at BrakRock and Punk Rock Holiday).

Boris The Sprinkler’s Group Sex cover LP is getting its first ever vinyl release, thanks to Radiation Records‘ pop-punk imprint Hey Suburbia Records. Get it on pink colored wax (limited to 500 copies) here.

Ska-punk veterans Mustard Plug have announced their new album Where Did All My Friends Go?, due out September 8th on Bad Time Records. There are a bunch of color variants; my favorite is this Alternative Press exclusive yellow & black pinwheel variant. Check out the lead single “Fall Apart” below and go here for links to buy all the different variants.

German melodic punks Astronuts‘ debut album Dark Matters is out now on vinyl, with two color variants limited to 100 copies each. If you’re into No Use For A Name, Good Riddance, etc. you’ll dig these guys. No matter where you are in the world, there’s probably a label you can get this LP from – it’s being co-released by Punk Rock Radar (US), Cat’s Claw Records (UK), Johnny Be Good (EU), and Waterslide Records (JP).

Australian skate punk mainstays The Decline have a new record coming soon! Magical Misery Tour is a compilation of all the singles they’ve put out over the last few years. There are two color variants: orange galaxy & pink/purple marble w/ white splatter, each limited to 250 copies. You can get it from Pee Records in Australia, Thousand Islands Records in North America, Disconnect Disconnect Records in the UK, and Bearded Punk Records in Europe.

1-2-3-4 Go! Records just put out an exclusive variant of Jawbreaker‘s Bivouac a few weeks ago, but they’re back with another Jawbreaker exclusive. This time they’ve got the band’s 1990 debut Unfun on “Marble Masher” colored vinyl, limited to 474 hand numbered copies.

Keeping it in the East Bay, we’re wrapping up this week’s Record Radar with a surprise reissue of Knowledge’s A Gift Before I Go. The band fronted by Link 80’s Nick Traina recorded this album before the singer passed away. Asian Man Records released it on CD in 1998, and 25 years later it’s getting its first ever vinyl release. Grab a copy here.

Well, that’s all, folks. Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, leave us a comment below, or send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs (or do, I’m not your father). See ya next week!

Wanna catch up on all of our Record Radar posts? Click here and you’ll be taken to a page with all the past entries in the column. Magic!

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DS Photo Gallery: Destroy Boys, Gully Boys, Jigsaw Youth & More! (Metro, Chicago, IL 7/22/23)

Destroy Boys just finished their tour opening for Blink-182 and Turnstile and quickly embarked on their own headlining tour soon after, including two dates of “DestroyFest” that featured even more killer bands. Chicago was blessed to be one of those cities (the other being NYC) and Dying Scene was there to get all photos you […]

Destroy Boys just finished their tour opening for Blink-182 and Turnstile and quickly embarked on their own headlining tour soon after, including two dates of “DestroyFest” that featured even more killer bands. Chicago was blessed to be one of those cities (the other being NYC) and Dying Scene was there to get all photos you will need to feel immersed into this night of punk rock.


If you have seen any of my previous photo galleries, you will know that my love for Destroy Boys and Jigsaw Youth is no secret, so every fiber of my being needed to be at this show to see them together again. In case you missed, it check out the photos from Destroy Boys at Riot Fest 2022 and Jigsaw Youth with Pinkshift at the Cobra Lounge.


I was also excited to see a few bands that were not previously on my radar (but definitely are now!)


Photo by BethĂĽnni Schreiner

Based in Minneapolis, Bugsy is self-described as “an indie pop quartet with flowery flourishes and emo highlights.” Unfortunately, we missed the first half of their set to get some photos due to…reasons. But we will catch you all next time!

Photo by BethĂĽnni Schreiner


Destructo Disk is a fun DIY punk band out of Winchester, Virginia. They also run their own independent record label Sockhead Records.


“That nitty gritty city shit” perfectly exemplifies Jigsaw Youth in every possible way. If I ever get to experience a rage room I would definitely be blasting their new EP The War Inside Me in the background.


Gully Boys is a grunge power-pop band from Minneapolis. They released their debut album Not So Brave in 2018 and has shared the stage with the likes of The Hold Steady and Third Eye Blind. Their song “Favorite Son” has been on repeat on my playlist. You can listen to their newest single “Optimist” here.


Destroy Boys is having a busy 2023 – touring the UK and Europe, releasing their singles “Beg For the Torture” and “Shadow (I’m Breaking Down)” via Hopeless Records, and the newly announced The Jaws of Life Tour where they will be joining Piece the Veil, L.S. Dunes and Dayseeker.


Check out the full gallery below!


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DS Show Reviews and Gallery: Pegboy preps for the UK, Heavy Seas lends support. Chicago (07.27.2023)

Chicago’s Pegboy returned to the stage for two sold-out nights (July 26th and 27th) as they prepped for shows in the UK, including Rebellion Festival. Heavy Seas provided an opener to the second night. Pegboy sold out the first night of their two-night weekday stand at Chicago’s Liar’s Club in advance of the band’s trip […]

Chicago’s Pegboy returned to the stage for two sold-out nights (July 26th and 27th) as they prepped for shows in the UK, including Rebellion Festival. Heavy Seas provided an opener to the second night.


Pegboy sold out the first night of their two-night weekday stand at Chicago’s Liar’s Club in advance of the band’s trip to play several U.K. shows and festivals, the most famous being Rebellion Festivals. The demand was so fierce, a second night was scheduled for the day before the first announced show. Both sold out in under 24 hours.

Pegboy is a legendary supergroup of sorts but the individual members all hail from much-loved earlier punk bands in this city. Singer & guitar player Larry Damore previously led Bhopal Stiffs, lead guitar player John Haggerty was formerly with Naked Raygun, and his brother, Joe was a member of The Effigies. New bass player Herb Rosen was with Rights of the Accused. Both nights were filled to capacity with family, friends, and fans. I am honored to be counted in the middle category and very much part of the latter one. So a little biased I admit.

However, said bias aside, the second night’s show which I covered was explosive. It was also hot as hell in the sauna that was Liar’s Club. I would guess that every member of that crowd was soaked and glistening with sweat. Between the energy expelled and the temperature no doubt assisted in climbing by the sheer number of bodies packed in there, it was a hot sweaty mess. But a beautiful mess, By the end of the last tune played, a good number of the crowd were rapidly heading to the exit to gasp some fresh air on or near the venue’s well-trod and well-sat-upon stoop.


Speaking of legendary, John Haggerty is wholly deserving of that status bestowed upon him years back. From his days with Naked Raygun to Pegboy, Haggerty appears stoic onstage. However, his blazing guitar playing tells a different tale. Together with his brother, Joe, crushing it behind the kit, one can only imagine the Brothers Haggertys’ garage days when they first began on their respective instruments. A fly on the wall, I’d think more than a few of us would have liked to be just that.


Larry Damore may be a few years older since the band last played but he looked healthier and more energetic. Friends would joke about how many songs in would Damore sit down on the stage, occasionally taking his own pulse. Usually within four if memory serves. But this year, there were just some brief breaks to catch his breath and joke around a bit. Other than that, his performance, and that of his bandmates, remained hard-charging. Damore’s trademark moves of arms raised high and spread out remain. As did his generosity with the microphone. There is little doubt that a good dose of the fans can sing every lyric in that set and some songs not included. This was repeatedly in evidence.

This set contained all the big songs and some of the even bigger ones too. Kicking off the set with the driving “Field of Darkness.” During the powerful “Revolver,” the very best cover of Mission of Burma’s “That’s When I Reach For My Revolver,” Damore, as always, repeatedly made gun-to-the-head gestures to his head and many in the crowd mimicked it as well.

I was hoping, and I know others were too, that the Daryl Wilson of The Bollweevils, would join the band on stage for one of the last performed songs “Hardlight.” Damore and Wilson have dueted vocally on the tune to great effect. Alas, on this night, the Punk Rock Doc was there as friend and fan alone. But between that first song of the evening and the close out, “My Youth,” the band blasted through an incredible set, including “Through My Fingers,” “Superstar,” “Locomotive Lung” (featured in the Will Ferrell comedy “Talladega Nights: The Legend of Ricky Bobby”), and “Dangermare.”

Pegboy also performed another one of my very favorite songs overall, the melancholy “Strong Reaction.”

“I walk alone through the sleet and snow and pouring rain to
Get my heart broken, forever ever lost inside of
I walk along to slip and fall on strong reactions
Keep my heart broken, never ever amend myself
That’s alright and that’s okay
.”

It’s possible that I sang along to that. Maybe. The song is among the band’s most popular of all and part of roughly 100 million puns, give or take 11 or 23, used in a manner associated with discussions of the band. It’s also a song familiar to diehard skateboarders from its presence in a DC Skate Company video.

The song speaks of walking alone. A scenario we all have felt at some points in our lives. But on this night there was a collective joy. Joy in watching a great band perform, joy knowing that it was headed to one perform at one of the very best punk festivals in the world and joy watching friends and family and a beloved band continue to tear it up on stage after so many years.


As noted above, the band ended the night with “My Youth.”

“And I just can’t convince myself
That it was long еnough
But I just can’t convince myself
That it was long enough
In my youth
.”

As long as the quartet can get up on stage and perform as powerfully as it did on this night, long enough will never come to fruition.

But one last item of note: Rosen, though known for Rights of the Accused as also noted above, and a member of Chicago party band, The Beer Nuts, is also the beloved owner of Liar’s Club. Rosen, Damore and the brothers have been friends for roughly three decades. In fact, there’s a short documentary, “Reverb: A Punk Rock Fish Story” about fly fishermen Larry Damore, Joe Haggerty, and Herb Rosen.

Rosen has the affable and genuine demeanor of a man of the people when he walks through his club. His arms seemingly always open to give and receive hugs. On stage, smiling and laughing, Rosen is a delight. He seems a perfect addition to the band.

Damore told me they are looking forward to the shows in the UK. As for the shows at Liar’s he added,

“Thought the shows at Liars went pretty decent but still working stuff out a bit.“

Here’s to hoping Pegboy plays some more shows in Chicago and elsewhere in the US once it returns to the States. If the shows they performed at Liar’s in late July were still the band working things out, I cannot wait to see the musicians return in full form. An opinion I have little doubt is widely shared.

But for the moment, safe travels across the Pond, and best wishes to Larry, John, Joe, and Herb and any accompanying crew members. Have a blast, take some, ok, lots of, photos and regale us of the tales of this adventure upon your return. I’m sure we’d all love to be there with you. I know I would.


We recently covered Heavy Seas for its show at Reggie’s Music Joint. As with that last show, this night the band performed a real banger. Heavy Seas is a band that can more than hold its own with Pegboy. It provided a great opener that got fans to the stage.

Jeff Dean, Ron DiCola, and Justin Miller slammed through a set that included, “Waves and Dreams,” “Idle in Life,” “Oscillation,” “Monuments,” “Listen,” and “Stumble.”

Keep an eye and ear out for this intensely good band. You’re sure to dig them. I do.


Check out more photos from the show. Thanks and Cheers!


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