DS Record Radar: This Week in Punk Vinyl (MxPx, Suicide Machines, Reel Big Fish & More)

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly* column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. Kick off your shoes, pull up a chair, crack open a cold […]

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly* column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. Kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, because it’s go time. Let’s get into it!

Check out the video edition of this week’s Record Radar, presented by our friends at Punk Rock Radar:

New MxPx record! Find A Way Home is due out August 25th. There are a bunch of color variants, including one with a die cut cover, and a picture disc. Pre-orders are live now on mxpx.com and they seem to be shipping immediately (mine did, at least). Check out the new single “Stay Up All Night”:

The Suicide Machines are celebrating the 20th Anniversary of their 2003 album A Match And Some Gasoline. In addition to playing the album in full on a brief tour with Against All Authority and Kill Lincoln this December, they are also releasing it on vinyl for the first time ever! SideOneDummy has a few color variants on their webstore, and Zia Records has an exclusive blue galaxy variant limited to 300 copies.

Reel Big Fish‘s Candy Coated Fury is getting a Deluxe Edition reissue, with five bonus tracks and a gatefold jacket with glow in the dark cover art. Enjoy the Ride Records pressed a bunch of sweet color variants, but the only one still in stock is the Alternative Press exclusive variant, limited to 200 copies. Get it here before it’s gone, too.

On an unrelated note: word on the street is Turn the Radio Off will be getting a repress of its own in the near future. Stay tuned for more on that!

Austrian punk veterans 7 Years Bad Luck are back with a new album. No Shame is due out August 4th on Monster Zero Records. Their last album Great, Big, Nothing is a hard act to follow, but the first single “I’ll Forget You” makes me think they’re up to the task. Check that out below and get the record on aquatic blue colored vinyl here.

The Gaslight Anthem announced their new album History Books will be released on October 27th. This is the band’s first new record in almost a decade. There are like a trillion color variants of this thing and I’m not gonna bother trying to name them all. Here‘s where you can get some of them.

Five Iron Frenzy is releasing a full-discography box set called Put Your Waste In Its Place. You get 10 records for $250 in a box that looks like a flaming dumpster. That’s a value that can’t be beat, folks! Get it here (you can also grab the individual records here).

Portland, Maine pop-punks Borderlines‘ debut album Keep Pretending is out now on Hey Pizza! Records, Mom’s Basement Records, and Memorable But Not Honorable Records. Check out my favorite track “The Greatest Resignation” below and get it on vinyl here, CD here, or cassette here.

SACK‘s Get Wrecked is getting a new pressing from Clearview Records, limited to 300 copies on canary yellow colored vinyl. This goes up on the label’s webstore Wednesday, July 26th at 6pm Eastern Time.

Me First and the Gimme Gimmes‘ latest album Are We Not Men? We Are Diva! is getting its first new pressing in nearly a decade. There are an undisclosed number of copies on red w/ black splatter colored vinyl (as seen in this very poorly cropped image). Get yours here.

Asian Man Records is reissuing the Taxpayers‘ God, Forgive These Bastards: Songs From The Forgotten Life Of Henry Turner. The 2xLP on red and black swirl colored vinyl features b-sides, demos, and interviews with band members. Get it here.

Agnostic Front‘s Victim in Pain is back in print, with a fancy new embossed cover. There are a bunch of variants exclusive to different retailers, including Generation Records (red, 200 copies), Revelation Records (yellow, 1,000 copies), and Revolver Magazine (black platinum swirl, 500 copies). Bridge Nine has the blue and silver color variants on their webstore.

Well, that’s all, folks. Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, leave us a comment below, or send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs (or do, I’m not your father). See ya next week!

Wanna catch up on all of our Record Radar posts? Click here and you’ll be taken to a page with all the past entries in the column. Magic!

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DS Festival Preview: Rob’s Punk Rock Holiday Must-See Sets

Festival season is in full swing, and one of the biggest European fests of the Summer is just around the corner. Punk Rock Holiday is an annual event held in Tolmin, Slovenia, a small but beautiful European country nestled between Italy and Croatia. PRH, contained on a site near The River Soča, attracts thousands each year […]

Festival season is in full swing, and one of the biggest European fests of the Summer is just around the corner. Punk Rock Holiday is an annual event held in Tolmin, Slovenia, a small but beautiful European country nestled between Italy and Croatia. PRH, contained on a site near The River Soča, attracts thousands each year for its unique blend of camping in natural beauty, a tight-knit community of regular attendees, and fantastic lineups that features some of the biggest names in punk rock, as well as a batch of some of the most exciting up-and-coming bands from around the world. This year’s edition is back, featuring another behemoth lineup from August 7-11 in what will surely be another PRH for the ages.

As a person who has been regularly attending punk and other music fests and shows for roughly a decade, PRH has always been on my radar. In 2023, I will finally be able to attend and take in the music, the sites, the community and hopefully provide the Dying Scene readers with coverage of some classic names, and bands you may have never heard of! Before packing up for Slovenia, here are some bands I’m most looking forward to seeing.

Rob’s Must-See Punk Rock Holiday Sets

Pennywise

Pennywise is a veteran of the festival scene, but seeing them at Punk Rock Holiday seems like a completely different beast. One of the trademarks of the festival is that the stage features no barrier, instead opting for a connected mini stage where fans can stage dive off of and interact with the band. This feature comes into the spotlight whenever Pennywise plays as the crowd devolves into absolute bedlam. Just check out their last performance at PRH 2019, featuring road flares, circle pits, and a full-on invasion of the stage.

Even for those who have seen Pennywise many a time, myself included, a performance at Punk Rock Holiday is must-see.

Maid of Ace

One of my most anticipated sets from a band that may be under the radar for some is the excellent band of Hastings, UK natives, Maid of Ace. The band, which consists of sisters Alison Cara Elliott (Lead vocals/Guitar), Anna Coral Elliott (Vocals/Guitar), Amy Catherine Elliott (Bass/Vocals), and Abby Charlotte Elliott (Drums), has been releasing ferocious music and putting on fantastic shows since 2014. Their most recent release, Live Fast or Die, was named the 6th best album of the year by Vive Le Rock in 2020. If you haven’t checked out this band, give them a try! 

With the band releasing a few singles in recent years, hopefully we aren’t too far away from a full release. Either way, I’ll be checking them out on the beach stage at Punk Rock Holiday.

Cigar

Who doesn’t love a good skate-punk set? Cigar, one of the underappreciated acts of the 90s skate punk boom is hot off the release of their comeback album The Visitor in 2022 (read our review here) and has been hitting the road touring. Cigar is a band I’ve never had the chance to see live and I’m excited to see the band play a set of their trademark fast, fun and ferocious tunes. Let us know in the comments if you’re into Cigar, if you’re happy they’re back and if you’ve checked out the latest release from the pioneering group.

Scowl

One of the best parts of music festivals is checking out bands who have just recently released an exciting new project. The group that fills that niche for me at this year’s PRH is Scowl, who is fresh off their release of a new EP titled Psychic Dance Routine which saw the band generate a fair amount of buzz. This buzz has resulted in an odd but momentous past year for the band which has seen them play big live shows like Coachella and opening for Limp Bizkit, but also performing at a Sonic Drive-In in New Jersey. Check out one of their recent music videos to see if it’s up your alley.

It has been a wild ride for a band that released their first set of material in just 2019. If it continues they may be more regular performers of mainstream festivals like Coachella and Lollapalooza. It should be interesting checking them out at PRH to see if their hype will translate to a triumphant set in Slovenia.

The rest of the Punk Rock Holiday Lineup

While this is just a short list of some of the bands I’m most looking forward to, there are of course a number of other exciting acts, including but not limited to H20, Frank Turner and the Sleeping Souls, Pulley, Dropkick Murphys, etc. If you were attending PRH, who would be your can’t-miss sets? Let us know in the comments and stay tuned for coverage of the event from yours truly.

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DS EP Review: Yellowcard – “Childhood Eyes”

Before we start the review…let me take you back to a venue in Copenhagen in 2015. We are in Pumpehuset, and Less Than Jake just left the stage. After a break, Yellowcard appears, and I’m fangirling as if it was 2004 (yes, I know Ocean Avenue was released in 2003… But I was 12 in […]

Before we start the review…let me take you back to a venue in Copenhagen in 2015. We are in Pumpehuset, and Less Than Jake just left the stage. After a break, Yellowcard appears, and I’m fangirling as if it was 2004 (yes, I know Ocean Avenue was released in 2003… But I was 12 in 2003. I didn’t get a computer until 2004.)
The friends I went with aren’t, to this day, Yellowcard fans. But hell, through breakups, reunions, and shitty albums, I stand by them. But that was the night Ryan Key informed us that Yellowcard was breaking up. In my world, eight years ago, that would be the first and last time I saw Yellowcard in action. I was in tears.
Eight. Years. Later. Guess who is taking pictures of Yellowcard in the photo pit at Slam Dunk? ME!! And that was a dream come true, and also the weekend that Dying Scene got me out of my retirement, so I’ll take pictures at your child, best friend, sister’s wedding. Guess who is seeing them live again, and in my opinion, better than ever? ME and my truly amazing friends.



That intro was a bit long, but let’s admit it. You come for my witty backstories and stay for my sassy opinions – and I will deliver. Just keep ready, babes.

CHILDHOOD EYES

Yellowcard returns – TODAY – with a new EP… And well, let’s start from the top.

“Three Minutes More” doesn’t exactly show Yellowcard‘s full potential. It’s not a bad song because Vic Fuentes from Pierce The Veil is on it… Will I be hanged for this comment? But this song was stronger than the whole The Jaws Of Life album. Vic, if you read this, pull the band in this direction.

“Childhood Eyes” brings in the full force of Yellowcard and what they are capable of. As someone who grew up with Yellowcard and has now become my own person, this song did hit a certain place in my heart. The lyrics are weak, but the delivery of them is actually flawless.

“Hiding in the Light” intro reminds me of early Yellowcard, and for a second, Ryan’s vocals took me back. I actually find this song to be the biggest stand-out on the EP. It reminds me of early Yellowcard, but not in a “we didn’t grow” way. No, no, it’s clear from the lyrics that they, in fact, have grown.

“Honest From The Jump” … “WE WERE JUST DISTANT STARS…” tell me more; this song actually caught my son’s attention. Yes, I turned a seven-year-old into a Yellowcard fan. But he convinced me to give it a chance. And I want to say the chorus is definitely one of my favorites on the EP. I’ve screamed the lyrics 100 times. But Keys’ delivery makes me shiver and get goosebumps each time I hear it. And the violins break my heart each moment on this song… “You were not honest from the jump”… Shit.

“The Places We’ll Go (feat. Chris Carrabba of Dashboard Confessional)“… the awful guitar intro… You know this song will pull teeth. I truly find this song annoying, and I get tired each time I hear it. Like, Yellowcard “wants to show they’ve grown,” but the fact this song lacks everything I need to be convinced… It sounds like some shit a guy from Nordsjælland (for those in America, just your average fuckboy. But we have them in one location) could tell me. I’m not into it. I’m actually over it.

Despite that one song… Yellowcard is back and I’m here for it, although this makes me tired because of that one song. Buuuuuuuuuuuuuut, I’m also hesitant about it, you know? Bring me something better than Ocean Avenue and I’ll admit defeat.

Friends…It’s new release day – let’s discuss this because I’m here for it!

  1. The Places We’ll Go is my favorite on this. Dashboard Confessional are amazing.

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DS Show Review and Gallery: Subsonics, Fantasy, The Seagulls, Johnny Maraca and The Marockers (Stork Club, Oakland, CA 7/15/23)

Veteran glam punks Subsonics from Atlanta, GA are on a West Coast tour. We caught them at Thee Stork Club in Oakland with a varied lineup of local bands. First up were Oakland’s Johnny Maraca and The Marockers, high energy punk, highly entertaining. They have a cassette/digital LP from last year on their Bandcamp. The […]

Veteran glam punks Subsonics from Atlanta, GA are on a West Coast tour. We caught them at Thee Stork Club in Oakland with a varied lineup of local bands.

First up were Oakland’s Johnny Maraca and The Marockers, high energy punk, highly entertaining. They have a cassette/digital LP from last year on their Bandcamp.

The Seagulls from San Francisco, fronted by British songwriter Jon Brooder play solid garage punk. They have a new (March 2023) release “This Time Next Year” on Bandcamp.

The penultimate band, Fantasy, are a bit of a mystery. We didn’t catch up with them at the show and we’re not sure if they have an online presence. They were more pop-y punk rock. We will update if we track down more information.

Atlanta, GA’s Subsonics have been around since 1992 and have 8 full-length releases under their belt. Signed to Slovenly Records, they deliver stripped down, minimal rock’n’roll.

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UPDATE DS News: Anti-Flag have disbanded

Yesterday, this post believed it was a sad day because one of a lot of our favorite bands had broken up suddenly, seemingly without warning. After 34 years, Anti-Flag disbanded. Totally vanished off the face of social media, their website, etc. Today is a sad day for different reasons. Here’s an update, and we take […]

Yesterday, this post believed it was a sad day because one of a lot of our favorite bands had broken up suddenly, seemingly without warning. After 34 years, Anti-Flag disbanded. Totally vanished off the face of social media, their website, etc.

Today is a sad day for different reasons. Here’s an update, and we take this very seriously.

We fully support HER and any others that have been affected by his actions.


    • Allegations aren’t a conviction. Innocent until proven guilty.

      • I feel like it’s pretty telling that the band broke up and didn’t just go on hiatus, or worse, carry on like nothing happened.

      • LOL there’s always one of you, isn’t there? No one said allegations were a conviction. But this isn’t a court of law. We’re allowed to form our opinions without being held to the same standard as a jury, especially when our opinions are informed based on a history of similar behavior and multiple allegations around the same person. I believe her, and I stand with survivors.

  1. I had a similar, but thankfully not as bad, experience with Justin when I was 19 and he was 30 and I thought we were friends after chatting after a show in Aus one night. Tried super hard to get me to send him nudes, told me he would fly back to my city so we could go to a nude beach together, invited me to his hotel room loads of times, answered the door in his jocks when i came to pick him up from the hotel to go have breakfast. Tried to get me and my very young looking friend to have a threesome with him. All denied of course. He also told me that the singer from Paramore was cheating on her husband at the time. Chad? And trying to fuck him on the side while they were in Australia, in order to gain my trust by sharing something that he “didn’t want me to tell anyone”.

    That’s my input. I believe her.

    • Good grief. I’m sorry you went through that. Thank you for sharing your story.

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DS Photo Gallery: Catbite / We Are The Union / Kill Lincoln / J. Navarro & The Traitors (Bottom Lounge, Chicago, IL 7/7/23)

Dying Scene was at one of the final stops of the 2023 Bad Time Records Tour in Chicago at the Bottom Lounge, and boy was it a ska party for the ages! This show featured We Are The Union, Kill Lincoln, Catbite and J. Navarro & The Traitors…plus an epic ska-riffic on stage dance party […]

Dying Scene was at one of the final stops of the 2023 Bad Time Records Tour in Chicago at the Bottom Lounge, and boy was it a ska party for the ages! This show featured We Are The Union, Kill Lincoln, Catbite and J. Navarro & The Traitors…plus an epic ska-riffic on stage dance party to conclude the night.


Another sweet treat on this tour is the forthcoming documentary This Is New Tone that followed the entire Bad Time Records Tour. Here is the synopsis of the film:


“’THIS IS NEW TONE’ will be a concert film and documentary centered around the 2023 Bad Time Records Tour, featuring We Are The Union, Catbite, Kill Lincoln, BAD OPERATION, Omnigone, J. Navarro & The Traitors, and more.  Much in the spirit of the film “Dance Craze”, the film will primarily center on multi-camera live performances from throughout the tour, but will also document the the bands and crew as they embark on this full-US venture.  Featuring interviews from current band members, scene veterans, new fans, and ska legends, the film will also attempt to examine the current state of the modern ska punk scene, how it fits into the broader arc of ska’s history, and try to discover if the perceived “resurgence” is accurate or inflated. With many of the Bad Time Records bands rapidly growing, now is the perfect time to document the trajectory of the bands and the impact of the community.

The modern ska scene has never been captured in this way, and one of the main goals of the film is to make the live show experience accessible to those who are not able to attend the tour or shows in general.  We will attempt to make the film as immersive as possible, to show the full scope of the high energy live experience and community aspect that one can find at one of these shows, while also giving a better picture of what the bands are like as people on and off stage.  Bad Time Records is a completely DIY effort, and we aim to show that anyone can build up their own scene or collective and accomplish something significant without the support of major labels or corporations.

In the process of making the film, we will have a camera and sound crew documenting all 22 dates of the 2023 Bad Time Records tour.  Hours of interview footage has already been captured, and the majority of the remaining filming will take place during the tour in March, June, and July of 2023.  We are currently aiming for a December 2023 release of the film.”

A Kickstarter for the film has been launched and features tons of cool rewards. Make note to see this film when it releases!


Opening for the night was J. Navarro & The Traitors, featuring J. Navarro from the Suicide Machines and Ken Haas of Reverend Guitars. They recently released a new album All of Us or None and will be playing at The Supernova International Ska Festival in Fort Monroe, VA on September 16th, 2023 (the entire festival runs from September 15-17th).


Kill Lincoln brought their infectious energy next, including their own hype-man that danced the entire night.


We Are The Union released Ordinary Life on June 4th, 2021. Their song “Boys Will Be Girls” is incredibly catchy.


Closing out the night was the infamous Catbite. They recently released a cover with Brian Fallon from The Gaslight Anthem of “Yes It’s True” by The Slackers. You can listen here! Also consider buying the vinyl from Bad Time Records; all proceeds support Play On Philly, an organization the helps underserved youth in Philadelphia get music education.


Did you miss out on the Bad Time Records Tour? Not to worry- you can catch these artists back on the road soon (including Catbite touring with Anti-Flag and Bouncing Souls!!). Check out the rest of the photos below!


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DS Show Review & Gallery: From Parts Unknown, Death and Memphis, and Voice of Addiction. Chicago, IL (07.11.2023)

From Parts Unknown, out of the Lone Star State, did a Liar’s Club stop, providing the band members a fun chance to hang out with their good friends in Voice of Addiction. VOA and Death and Memphis have played in front of DS photographers repeatedly recently and we dig being there for the rollicking good […]

From Parts Unknown, out of the Lone Star State, did a Liar’s Club stop, providing the band members a fun chance to hang out with their good friends in Voice of Addiction. VOA and Death and Memphis have played in front of DS photographers repeatedly recently and we dig being there for the rollicking good times both of those bands serve up. It was a good evening onstage, as well as on the stoop outside 1665 West Fullerton Ave, well-known for being the place of some pretty great conversations and hangs.


From Parts Unknown is actually from a well-known part of the United States, Dallas, TX. The band brought its own flavor of Texas punk to Chicago. But the group is unlikely to include Greg Abbott, Rick Perry [current and former Governors of Texas respectively] or Ted Cruz [United States Senator from Texas) amongst its fan base. Flying a rainbow flag attached to his bass guitar, Derrick Soto caught some big air himself numerous times, as said flag rippled out to full display.

Soto told me:

“I do have one [“Defend Trans Kids” t-shirt]. Wasn’t wearing it that night. I usually just sport the flag on my bass in solidarity.“


Lead singer and guitar player Ben McCracken pulled no punches when he confirmed to me,

“Yeah Teddy and Ricky are not fans of us. Or especially Greg fucking Abbott. We are proudly Woke Texans even if that sounds oxymoronic.”

McCracken continues,

“We very much believe in and support trans rights. Our new song, “Take It Out” is about taking bigoted jokes out of the norm and letting people identify however they want to. To stop being ignorant with gender and doxing certain groups.”


From Parts Unknown relays its message through driving music perfectly complementing its powerful lyrics.

In addition to the aforementioned “Take It Out,” the included, “Barrymore,” “13 Years Ago,” “Lebowski,” “Blood and Teeth,” Bill Braski Is Not One Of Us, and “Teddy Ruxpin,” among others.

There’s a well-known saying that everything is bigger in Texas. That can surely be said of From Parts Unknown. The trio – McCracken, Soto, and drummer Jimmy Sefcik – blasted over the crowd, with sound, high jumps and hair…a lot of hair. Makes sense since Texas is also known for big hair, right? Seriously though, From Parts Unknown is on a steady road to being well-known. Or even more well-known. Per McCracken,

“As far as news goes, our album is being remastered by Scott Halquist [Ten Foot Pole] and should be available on green vinyl around November this year. We have two music videos in the works to make when we get home over the next month/two.“

So make sure you catch these Texas tornadoes at your earliest chance. Unless you are a fan of Teddy, Ricky, or Greg that is.


Death and Memphis has been on a tear this year. I covered one of its shows in April, and this present post is one of two shot by a DS staffer in the last few weeks. Considering how good the music is and the energetic and appealing stage presence of all four band members, it’s hard to resist covering Death and Memphis shows. This spirited performance, by four genuinely decent humans and talented veteran musicians, was no exception.

The next opportunity to check out Death and Memphis will be on July 29 at guitar player Steev Custer’s Birthday Bash. It takes place at Custer’s Fine Tunes Center For The Arts. Come hang out and wish Steev a happy one!


Another one of our regulars of late is Chicago’s Voice of Addiction. Once again giving a solid and tight performance, the trio did not disappoint. VOA was not originally on the bill but grabbed the opportunity to hang with, and help out, good friends VOA members donated their takes to their good friends in From Parts Unknown, to help them on the road. This was not a show about money for Ian Tomele, Tyler Miller, and Kevin Amaro.

McCracken explained how he and Tomele became friends,

“So, Ian and I became friends prob about 7ish years ago when VOA was in town and needed a crash spot, and myself being someone who puts bands up, got asked by I can’t remember but am sure was a credible friend to help them. Years later we stayed in touch and he let my now wife and me stay during Riot Fest, maybe 2017? “

This night was about friendship and having a good time. VOA nailed it, and one of the reasons we love covering the trio.


The three terrific bands made it totally worth going out on so early in the week. McCracken summed up the evening,

“As far as our show at Liars, it was fun like always. Gary [Kessler, the beloved bar manager, shoe connoisseur, and winner of the Chicago Reader “Best of Chicago” category, “Best Music Venue Bartender” these past two years] is a trip and amazing. It’s always a stop that makes me want to party. The show was solid lineup wise, and for a Tuesday not too bad a turnout.“

Please check out more photos from the show. Thanks and cheers!


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DS Record Radar: This Week in Punk Vinyl (Wasei, Joker’s Republic, Fat Mike Gets Strung Out, Keep Flying & More)

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly* column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. For the second week in a row, we’ve got an absolutely massive […]

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly* column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. For the second week in a row, we’ve got an absolutely massive column, featuring nearly 20 records that got announced this week! So kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, because it’s go time. Let’s get into it!

Check out the video edition of this week’s Record Radar, presented by our friends at Punk Rock Radar:

One of my favorite records of 2023, Italian skate punks Wasei‘s new album Vulgar Misplay of Burkett, is now available in the US! Head over to Punk Rock Radar’s webstore to grab this ripper on pink vinyl, along with other awesome releases from Clayface, Baxter, Weekend Cigarettes & more.

This project was announced months ago, but now it’s available on vinyl! Fat Mike Gets Strung Out is a collection of songs Mr. Burkett has written (for NOFX and otherwise), which have been reimagined as orchestral pieces. If that’s something you feel like you need in your life, get the record here. Standalone colored vinyl sold out, but you can still get it on black wax (or fork over for one of the bundles with a colored LP and shirt).

Australian punks Clowns have a new album on the way! It’s called Endless, and it’s due out October 20th on Fat Wreck Chords. On the vinyl side of things, there are a ton of color variants for this thing – at least 9 that I’m aware of. Pre-order the record here (US), here (EU, pink), here (EU, green w/ white & silver splater), or here (AUS). There will be a ton of indie variants as well, so check with your local record store on those.

New Jersey’s Joker’s Republic released one of my favorite ska-punk albums last year, but until now it was only available on CD. The band has joined forces with Ska Punk International to give Necessary Evil the vinyl release it deserves. This album was recorded and produced by Less Than Jake’s Roger Lima at The Moathouse. Read my review here, check out one of the tracks below, and get it on “mystery colored vinyl” here.

Long running German street punk band Stomper 98 have announced their new self-titled album, due out September 1st. It’s the band’s seventh LP in their 25 year career, and the second to feature Rancid‘s Lars Frederiksen on guitar. Check out the music video for lead single “Alex – Schatten der Nacht” below and pre-order the record here.

Cleveland pop-punks Normy follow up their 2022 EP What on God’s Green Earth? with a new 6-song 12″ titled What the Fuck Planet Are These Guys From?. It’s due out September 8th on Smartpunk Records – check out the first single “Idiot” below. Pre-order the record here, there are three color variants, each with a screen printed B-Side.

Another awesome upcoming release from Smartpunk Records: Keep Flying‘s debut LP Daylight is coming August 15th. Check out the new single “Transparency” below and pre-order the record here.

Seattle pop-punk band The Subjunctives (fronted by Ean Hernandez of Sicko) will release their sophomore album Let’s Try This Again on September 16th. Check out the first single below and pre-order the record here. Also go back and check out their last album Sunshine and Rainbows if you haven’t already heard that.

Mom’s Basement and Monster Zero Records rarely miss, and they hit a fucking grand slam with their latest release from The Haermorrhoids. I’m calling it now, At the Earth’s Core is the Ramonescore record of the year. Absolutely essential listening for fans of Screeching Weasel, The Lillingtons, etc. Check out my favorite track “Timewarp Incest” below and get the record here (US) or here (EU).

Connecticut melodic hardcore band With Honor have a new record coming soon. Boundless is due out September 9th on Pure Noise Records. Check out their killer new single “My Anchor” below and pre-order the record here.

Camp Punksylvania is a three-day punk rock festival happening September 1st-3rd in Scranton, PA. A few names on the absolutely bitchin’ lineup include the Suicide Machines, A Wilhelm Scream, Belvedere & Tsunami Bomb. They’ve teamed up with the friendly people at Sell the Heart Records to release a compilation LP. Get it here.

Devon Kay & The Solutions‘ new EP Fine: A Ska EP is out now on Bad Time Records! Check it out below, buy it here, and catch the band on tour with Less Than Jake.

Our last new release of the week comes from Pirates Press Records, back at it again with another split 7″. It’s The Drowns and Wonk Unit, contributing one new song each. Check out The Drowns’ track below and get the 7″ here!

Now, to wrap things up with some reissues / represses. Up first: Jawbreaker – Bivouac! A new exclusive variant from Oakland’s own 1-2-3-4 Go! Records. Limited to 550 copies on Metallic Gold colored vinyl. First new pressing in 6 years. Get it here.

Also from 1-2-3-4 Go! Records: Kid Dynamite‘s self-titled debut LP on an exclusive “Dragonfruit” color variant, limited to 350 copies. Get dat here.

Los Angeles hardcore veterans DFL‘s 1993 debut My Crazy Life is getting its first-ever vinyl release, thanks to Trust Records. Two color variants: blue wax is limited to 250 copies, green is limited to 500. The record has been remastered and comes with a sweet looking fanzine. Get it here.

Pirates Press released a Subhumans box set earlier this year. It sold out instantly and is now selling for over $400 on Discogs. Good news for those who missed out: it’s getting a second pressing! Pre-orders go live here on Tuesday, July 25th. I know that’s still a ways away, just wanted to give ya a heads up.

Last piece of housekeeping this week: the friendly Canadians at Thousand Islands Records are having a sale in their webstore! Get 35% off through July 31st with Code SUMMER35. This does not apply to distro items, only Thousand Islands releases. But there’s no shortage of awesome records in their catalog, so you should have no problem filling your cart up.

Well, that’s all, folks. Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, leave us a comment below, or send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs (or do, I’m not your father). See ya next week!

Wanna catch up on all of our Record Radar posts? Click here and you’ll be taken to a page with all the past entries in the column. Magic!

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DS Album Review: Hot Mulligan – “Why Would I Watch”

Hot Mulligan is well known for their buoyant pop-punk sound with an emo seriousness behind their lyrics. These guys have been a huge favorite of mine for so many years. Getting into the local scene, a lot of bands here seemed to pull inspiration for their sound from these guys (or bands similar to them). […]

Hot Mulligan is well known for their buoyant pop-punk sound with an emo seriousness behind their lyrics. These guys have been a huge favorite of mine for so many years. Getting into the local scene, a lot of bands here seemed to pull inspiration for their sound from these guys (or bands similar to them). They never fail to bring such a fun and upbeat tempo in their songs, despite having a song or two that start soft and then pick back up into the pop-punk sound we are familiar with from them. Why Would I Watch is an incredible album as far as lyrics go, throwing in a song about a lost pet that had me bawling in my car on my way to work one morning. Absolutely worth it.

This album kicks off with a decently long song title (as are many of their song titles, but whatever) called “Shouldn’t Have a Leg Hole But I Do”. It’s a very happy-go-lucky-sounding song that will throw you way back to the original pop-punk sounds that we all grew up with. I found myself finding this song almost familiar and comforting. They did a phenomenal job in capturing the “old sound” of pop-punk and going back to the roots of the genre (which will also be a recurring theme throughout the album). Lyrics for this song speak volumes on trying to escape a situation or leave something behind that you know you should and need to live your life for yourself, but something will always bring you right back until you face whatever it is that needs to be addressed.

Powering into the next track is a beautiful transition that tells the realities of life not going as you expect. “It’s a Family Movie She Hates Her Dad” is largely about breaking cycles and being aware of the toxicity that is to be able to change and grow from it. My biggest indicator of that is the more than relatable line in the song that jumped out at me where he sang, “Sit down and give me the confessional // Stay together for the kid // Isn’t that original?” Having been faced with that situation, this song hit home and had me hooked on the rest of the album to follow. The instrumentals of this track scream the classic and familiar sound of Hot Mulligan’s original tracks from when they formed in 2014. I love how consistent they’ve always seemed to be while making their music. Always staying somewhat in line with what they’ve always done, yet making it just different enough to keep us on our toes!

Moving into the next song, it almost has a sense of urgency in the tone of the entire thing. It really brings together the lyrics’ theme of just trying to survive in a world that’s so different from where you were. “And I Smoke” might be relatable for more of us than we may realize, just pay attention to the lyrics and see if you may find a sense of familiarity in the feelings this track has to offer. My personal favorite being almost the start of the song, 00:22 in he sings, “Move out, a new place that I don’t know // Its smallest details are unfamiliar // Sit in the shower until I feeI alone”. I moved to a new city I wasn’t super familiar with not too long ago and so this song really resonated with me on that. The unfamiliar and the fear of the unknown is a real thing to battle with when moving out and on your own, especially if you have children in tow.

The song that has everyone’s brains trying to process the way the band will have to announce it while on tour. “This Song is Called it’s Called What it’s Called” is one of my favorite tracks. It beings with soft instrumentals and vocals that bring the most comforting sounds I’ve heard from a punk band. Reminiscing on a few spotty memories, seemingly with a fond tone. Then 60 seconds in the realization hits that it’s all gone by in a blink of an eye and the time lost is nearly crippling. The regret of not doing things just slightly different and leaving things unsaid that could have changed the entire trajectory of your life. “Oh, there’s so much I would change // Take more pictures // Oh, I left so much to say // All the missed connections.” I think everyone can relate to this in one way or another and this band has got a serious knack for finding the perfect instrumentals to not only match the mood of the song, but also keep the listener engaged with their tempo changes and execution of the lyrical melody! Easily one of my favorite tracks on the album.

“No Shoes In The Coffee Shop (Or Socks)” is an upbeat song that kicks the vibe back up to a more fun and lighthearted feel, telling the story of looking back on what is expected to be an epic journey that ends up being filled with regrets. This title track has a deep undertone to it if you’re willing to listen close enough, and maybe you’ll catch the placement of the album’s title and appreciate its weight when you do! It’s followed by a slightly higher energy, good-vibed track named “Christ Alive My Toe Damnit Hurts”. It’s honestly about the back and forth of addiction and how hard it can truly be to ignore the intrusive thoughts that come across the mental when you’re trying to fight the urge of needing just one more. The admiration I have for artists like Hot Mulligan that have off-the-wall track names to go with songs that have a 50/50 shot of being deep and meaningful, or just a good chuckle with the randomness of the analogies chosen with no serious direction to be left open to interpretation.

Then we get to “Betty.” If you’re ready to bawl your eyes out to a beautifully soft and wholesome ballad to a best friend…this is it. I was completely blindsided by a single line around the 1:11 timestamp that had the waterworks start almost immediately. If you’ve ever had a pet, and had them cross that rainbow bridge without you, this song is going to have you severely deep in your feelings and reminiscing those best friends that you cherished once upon a time.

This song’s title is a bit deceiving. Maybe you’d read “Cock Party 2 (Better Than The First)” and think it’s going to be a heavy and upbeat track, like myself. Much to my pleasant surprise, this song starts out pretty low-key and mellow. Then I went back the second time through and really listened to and read the lyrics along with the track, finding the meaning behind it. Beautifully written, and something ALL of us pop punk babies who have grown up can easily relate to this. The first verse screaming the song’s meaning of growing up and wondering where the hell all the time went and how we wish we could just not be adults and see our missed childhood loved one(s) as if we didn’t have responsibilities to worry about now. “When did we stop laughing? // Feel sorry for us now // Paying rent, calling home again // Routine and tedium now.” Its ending having a very Panic At The Disco!-esque ending of emphasizing the last two lines almost word for word. It’s a beautiful punctual ending to the overall feel of the track.

“Shhhh! Golf Is On” is an immediate classic vibe of instrumentals for throwing us back into the nostalgic sound pool. Then it brings in the instrument that will spice up ANY band’s sound, the cowbell. The love I have for bands that find some clever way to incorporate the cowbell, let alone subtly and in an extremely tasteful manner, will have me applauding the artists every time. It only makes an appearance a few times throughout the track, so it isn’t an incessant sound they try to force to work throughout it, just enough to give it a unique and fun spin.

“Gans Media Retro Games” is a title I didn’t fully understand, which in turn made me immediately go check out the lyrics to maybe get a better understanding on how this song was going to maybe sound like. When I read them and found it was about blacking out and wondering if you’re the problem when things go wrong nights you don’t remember. The next morning regret being strong and trying to come to terms with figuring out the story to find the root of the problem. It’s definitely relatable for some people (I’d be lying if I said I didn’t have a few nights like that myself) and the vibe of the song is upbeat, but with enough of the urgent and somber feel of realizing you just may be the problem due to how you choose to cope, was a strong play for them to throw so bluntly into a song. It’s absolutely admirable to see a song about trying to take accountability and get to the root of their issues.

This is one of those tracks that has an opening line that had me replaying it a time or three to make sure I heard it right. To say I was not expecting to hear “Sucking blood out of a canker sore” come out of Nathan’s mouth, had me double taking, then laughing a little bit. Then getting into the rest of the lyrics, they seem like they may just be gibberish with random meaning, but if you really listen, there are a few lines in there that hint at what the true meaning of the song is about. Watching a loved one deteriorate to a memory-stealing disease is never easy. I have loved ones who suffer from conditions and diseases that are similar and it’s taxing to your mind, your body, and even your soul.

“John “The Rock” Cena, Can You Smell What the Undertaker.” To be entirely honest I had no words when I saw this track title, just straight confusion. I assume that’s the entire point, but, as I mentioned before, these off-the-wall names are just leaving no room to even try to guess what it could bring to the table instrumentally or lyrically and I love the mystery. I’m not 100% positive about this interpretation that I’ve gathered from the song’s meaning, but it seems to be the toxic expectations of the organized religions in the world. It doesn’t name any specifically, but it touches on key points and the lyrics, to me, screamed the struggle to fit the mold of what the religion had for its followers and the intrusive thoughts that followed when you’ve been taught toxic “rules” to life based on how they think you’re supposed to live.

Overall this album is incredible. Nathan and the guys did a great job bringing us back to the original roots of punk and giving us that nostalgic feeling of being in middle and high school again blasting the artists who started it all. Three years was well worth the wait for this band to drop another solid vibed album that came with some deep and heavy topics that I wholeheartedly believe the world needed songs for. Beautifully done, Hot Mulligan, and we can’t wait to see what else you’ve got in store for us!

Why Would I Watch? was released everywhere on May 12th, 2023!

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DS Show and Match Review & Gallery: Dropkick Murphys and Shaquille “DJ Diesel’ O’Neal at Major League Rugby National Championship. (Bridgeview, IL – 7/8/23)

Punk and Sports once again intersect here at Dying Scene, as Dropkick Murphys capped off the Major League Rugby National Championship at Bridgeview, Illinois’ Seatgeek Stadium. Known formerly as the home stadium of Major League Soccer club the Chicago Fire FC, it now serves as the home pitch for Chicago Hounds Rugby Club. Dawgtown, as the stadium has since been dubbed, hosted an […]

Punk and Sports once again intersect here at Dying Scene, as Dropkick Murphys capped off the Major League Rugby National Championship at Bridgeview, Illinois’ Seatgeek Stadium. Known formerly as the home stadium of Major League Soccer club the Chicago Fire FC, it now serves as the home pitch for Chicago Hounds Rugby Club. Dawgtown, as the stadium has since been dubbed, hosted an absolute kicker of a day, with the New England Free Jacks taking the title with their win over the San Diego Legion 25-24. Even Shaquille “DJ Diesel” O’Neal showed up to add a bit of literal fire to the festivities.


In my decades-long photojournalism career, I have shot a lot of sports. NBA, NFL, NHL, and MLB, the Indy 500 and Nascar, Division I and below college sports of all kinds. Same goes for high school athletics and various other sports on differing levels as well. Most was done in the past during my days as a graduate student at the University of Missouri School of Journalism, at several daily newspaper photojournalism internships and various daily newspaper and other companies’ staff photographer positions. 

So, whenever I have a chance to shoot sports I grab it. Most often these days from seat high up in the Chicago Major League Baseball parks, Wrigley Field, home field of the Northsiders Chicago Cubs, and Guaranteed Rate Field, home field to the Southsiders Chicago White Sox.

And when I can combine punk rock and sports I get excited. Whether it was surveying Punk Rock Soccer/Futbol fans for our World Cup exclusive, or actually taking photos of a rugby match with a punk band playing the after-match concert. The latter was the case here. It was absolutely an utter blast. I’m not sure there is quite the connection between punk and rugby yet as there is with punk and soccer/futbol, but there should be and hopefully, more will discover it.


It must have kismet. Ken Casey of the Dropkick Murphys informed the crowd that they signed up for this gig before knowing the rugby club from Quincy, MA, near Boston, the New England Free Jacks would make it to the Major League Rugby Championship. But he could barely contain his excitement for what the team achieved. As Free Jacks players celebrated at the back and side of the stage behind the DKM banner, it was evident that while winning the Championship was the highlight of their day, they were excited to be on stage with favorites from their home area in Massachusetts. Several players were spotted singing DKM songs perfectly, nailing every lyric. Punk and Sports came together when the players, standing behind Casey on stage sang along with the band on “Shipping Up To Boston.” Arguably their most famous Dropkick Murphys’ song (although it’s really a Woody Guthrie song), it has often been used in commercials, tv and movies. But what happened here, with the crowd also joining in, added up to the most joyous rendition of the song that I have ever witnessed.


By the time a crowd member threw a rugby ball up to the stage for the players to sign, Casey was sporting a Free Jacks national championship hat. The match was an exciting one. I still do not understand all the rules of professional rugby in the United States, with players from all over the world, but it was evident this match could be described as thrilling. A record crowd for an MLR Championship, the stands were filled with diehard fans who traveled far to support their Rugby Club. 

More kismet is that there is a 5-part docuseries following the New England Free Jacks. You can watch it on Youtube.


Shaquille “DJ Diesel” O’Neal presented a very enjoyable set with a lot of familiar rock and pop songs from the 1980’s on. The highlight was one song with samples from Nirvana’s “Smells Like Teenage Spirit.” Another highlight was when the retired NBA legend jokingly called out a crowd member for claiming he did not know a song. O’Neal reminded said crowd member they are the same age. It was fun and yeah more than a dash of punk attitude, along with pyrotechnics. 


And finally on to the Dropkick Murphys set. On a stage set up at one end of the rugby pitch, there was no lack of enthusiasm from the band or from the crowd. The band ran through the major hits, including, “The Boys are Back,” “The State Of Massachusets,” “Rose Tattoo, ” and the aforementioned “Shipping Up To Boston.”

They also played a version of “You’ll Never Walk Alone.” That song serves as the anthem for the Liverpool Football Club in the English Premier League, but even I, as a longtime Arsenal FC supporter, can admit it was a lovely moment.

In addition, there was a message sent from the band as the pipes and tin whistle player sported a t-shirt with Rugby Union Now. It was the same statement printed on the bright pink uniforms of the match referees.

A final note, another Celtic-tinged punk band, Flatfoot 56, has performed at some of the Chicago Hounds matches. I hope the band does this next season. I’d love to document FF6 guys and other bands at rugby matches. Get in the scrum!



Please check out more photos from the day. Thanks and Cheers!


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