DS Festival Recap: Riot Fest Day One – Part One (9/16/22) w/Descendents, Lagwagon, Sincere Engineer and more

For the first time, Team Dying Scene had two photographers on the ground and in the pits in Chicago for the annual 3-Day Riot Fest. It was a blast to have another great photographer documenting RF. We both have our own perspectives. This is mine for day 1, Friday, September 16, 2022.   On the […]

For the first time, Team Dying Scene had two photographers on the ground and in the pits in Chicago for the annual 3-Day Riot Fest. It was a blast to have another great photographer documenting RF. We both have our own perspectives. This is mine for day 1, Friday, September 16, 2022.

 

On the day 1 train rides to Riot Fest, I queried those headed to Douglass Park about whom they were most looking forward to seeing play. It would have taken several pairs of hands to count how many attendees on the nearly full CTA train cars of the red and pink lines responded with Sincere Engineer. Chicago area’s Deanna Belos, performing under the stage name of Sincere Engineer, has been on a rocket ship to national stardom these past several years. It’s not hard to see why. Sincere Engineer combines infectiously great tunes with a self-effacing wit and an utterly charming stage presence. This was not her Riot Fest debut, but it was her first on one of the event’s main stages. She blasted out a set list including “Trust Me,” “Bottle Lightning Twice,” “Dragged Across The Finish Line” and of course, “Corn Dog Sonnet No.7.” That last song was the inspiration for the “Corn Dog Mosh Pit,” in which participants held up corn dogs as they slammed into each other. Back to those fans on the morning “L” rides headed to Riot Fest? Eager as they headed to Douglass Park and left Riot Fest satisfied. If Belos ever asked  “what am I supposed to do now?” I think a good response would be “pretty much whatever you want.”

Please look for an upcoming DS special feature on Sincere Engineer. 


Carolsdaughter, aka Thea Taylor, from Temecula, CA, is just a couple of months shy of her 18th birthday. However, has already witnessed her song “Violent” featured in over a quarter-million TikToks. Taylor, as Carolsdaughter, has also amassed 882.7K followers on her own TikTok channel. That’s in addition to the 183K followers on her Youtube channel. But the musician/comedian demonstrated that she is no flash-in-the-pan influencer too many often assume of young people with such large social media fan bases. Her performance at Riot Fest proved this. With an appearance recalling Gwen Stefani in her No Doubt days, Carolsdaughter utilized the entire stage, running from one corner to the next, with a few pogo jumps sprinkled in whilst belting out haunting lyrics. This included the aforementioned “Violent”: “don’t make me get violent,
I want my ring back, baby, that’s a diamond,
You don’t listen anyways, I’ll be quiet
I don’t really feel like fighting” was quite captivating.

As accomplished as she is at such a young age, it will be fun keeping an eye out for her future projects. We will be listening.


Boston Manor was founded in March 2013, in Blackpool, Lancashire, England. “Datura,” the band’s latest album is scheduled to be released on October 14, 2022, to critical acclaim. The record has thus far generated three singles, “Foxglove,” “Passenger,” and “Inertia.” As with the past Boston Manor releases, its sound is a fusion of punk, emo, dance, and electronica. The band’s Riot Fest set was intense as demonstrated through “Foxglove,” one of the above-mentioned recently released singles.

There was also a nice touch by guitar player Mikey Cunniff. Cunniff appeared on stage with a sports car yellow guitar emblazoned with Topo Chico branding and wearing a Placebo t-shirt. Placebo, one of the top billed Riot Fest 2022 artists, was forced to pull out of the festival, according to a statement the band put out, “…due to unprecedented visa and logistical issues beyond our control.” 


Taking Back Sunday, from my native land of Long Island, was back at Riot Fest after performing at the event in 2021. The band played a solid set much to the appreciation of many fans in the crowd. Those fans eagerly sang along as TBS ran through “Set Phasers to Stun,” “Timberwolves at New Jersey,” “You’re So Last Summer,” and “Flicker, Fader’.”

Taking Back Sunday, a Riot Fest semi-regular, was yet again a reliable part of the event and I’m sure this will be far from its last performance there.


The legendary Descendents kicked off their set with “Everything Sux.” Considering that the festival’s long-time slogan is “Riot Fest Sucks,” this was a great choice. Through nearly 30 songs, the Californians held their fans in sway as crowd surfing fans continually made it to the barricades before being pulled to safety by security personnel. In addition to the opening tune, Descendents also jammed through “I’m Not A Punk,” “I’m the One,” “Coffee Mug,” “When I Get Old,” “Merican,” “My Dad Sucks,” and “I Don’t’ Want to Grow Up.”

Descendents may sing about everything sucking but the band itself has never earned such a description.


San Diego’s Rocket From The Crypt has long been a fan favorite. With all members dressed in matching black attire with white trimmings, the group brought to mind a Mariachi band. Rocket From The Crypt had a common Riot Fest musical assignment: Playing one of its best albums in full, from start to finish.  In this case, it was the band’s penultimate album, 2001’s Group Sounds which features the very popular  “Savoir Faire,” and also includes “Straight American Slave,” “S.O.S,” “Carne Voodoo.” RFTC also performed “Sturdy Wrists”, “Glazed” and “Don’t Darlene “ from its second album Circa: Now!

Rocket From The Crypt members Speedo, Petey X, ND, Apollo 9, JC 2000, and Ruby Mars provided die-hard fans what they were looking for and it’s hard to imagine they didn’t pick up more than a few new fans in the process.


Yet another great band from California played, Goleta’s Lagwagon. The band’s walk-on music was Theme from “The Warriors” (composed by Barry De Vorzon) and its set sprinkled with humor as frontman Joey Cape led Lagwagon through a set which included “After You My Friend”, “Falling Apart,” “Wind in Your Sail,” “Island of Shame,” “Razor Burn.”

Many fans at the very front wore Lagwagon attire and appeared ecstatic that their time waiting, often crushed up against the metal barricades, paid off with an experience they’ll remember for years. 


Chicago’s own Alkaline Trio matched Lagwagon and perhaps even superseded them with choice of walk-on music. This time it was a tune that had stage and security personnel, the fans, and yes even us photographer singing in hearty unison. The tune which provoked this sunshiny moment in the darkness of just past the gloaming? One of the biggest hits by the legends (and Riot Fest alums) from just 85 miles west-northwest past Chicago. Of course the tune was “Surrender” by Cheap Trick. It was glorious.

Once on stage Alkaline Trio blazed through a set which included “Time to Waste,”  “Calling all Skeletons,” “Sadie,” “Fatally Yours,” “Bleeder,” and “Radio.” 

Matt Skiba, Dan Andriano and Derek Grant also had a couple of dedications to gift. 

“How about a love song? How about a love song for Chicago? Tonight. Another one” proposed guitarist/vocalist Skiba as he introduced “Every Thugs Needs a Lady,” on which bassist/vocalist Andriano took the lead vocals. The conclusion of the song led to this delightful (partial) exchange between Skiba and Andriano as drummer Derek Grant sat back took it in:

Skiba “That, that was a 9 and a half.” 

Andriano “Thanks buddy… see I’m getting better.”

Skiba: “I would have given you a ten I just don’t want you getting cocky on me right?”

Andriano: “I can’t be reading my clippings” …”…I get a little confidence boost though with that, thank you Matt”

Skiba: “…No problem bro.”

This was immediately followed by Skiba declaring “This song’s for the Descendents, it’s called “Mercy Me.”

Alkaline Trio capped an enjoyable day 1 for Dying Scene correspondents.


Coverage of days 2 and 3 coming soon. See below for more day 1 photos.


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Dying Scene Record Radar: New punk vinyl releases & reissues (Descendents, Rancid, Joe Strummer & more)

Hello, loyal readers! Thank you for joining us for this week’s edition of the Dying Scene Record Radar, where we cover all things in the world of punk rock vinyl. Kick off your shoes and make yourself at home, because it’s time to run through this week’s releases. I hope you’re feeling spendy, because there’s […]

Hello, loyal readers! Thank you for joining us for this week’s edition of the Dying Scene Record Radar, where we cover all things in the world of punk rock vinyl. Kick off your shoes and make yourself at home, because it’s time to run through this week’s releases. I hope you’re feeling spendy, because there’s a lot of good stuff that might find its way into your record collection. Let’s get into it!

Up first, we’ve got 1-2-3-4 Go! Records with another killer exclusive pressing of a classic record. This time it’s the Descendents‘ Everything Sucks, limited to 1,000 hand numbered copies on blue vinyl. This will be available on their webstore Friday, August 5th at 8am Pacific (11am Eastern). Join 1-2-3-4 Go!’s mailing list to be among the first to know when it goes up.

Rancid‘s Let’s Go is getting repressed, this time as a red and black splatter LP. It’s limited to 1,000 copies, and is only available from Newbury Comics. Head over here to get your hands on this one.

Brooklyn Vegan has an exclusive green 2xLP pressing of Social Distortion‘s Hard Times and Nursery Rhymes up to pre-order on their webstore. It’s limited to 300 copies and the color is pretty cool. Not a huge Social D fan myself, but this album’s alright. Also, if you join Brooklyn Vegan’s mailing list, you’ll get 10% off your order! Very nice.

Asian Man Records has brand new pressings of two classic Alkaline Trio LPs available right now. These new variants of Goddamnit and Maybe I’ll Catch Fire are limited to 1,000 copies each. Head on over to Asian Man’s webstore to order.

It’s been a long time coming but No Trigger has finally announced a follow-up to their fantastic sophomore album Tycoon. The new record’s called Dr. Album, and it’s being released next month on Red Scare. Check out the first single below, and pre-order the LP here.

Power pop singer/songwriter Geoff Palmer has re-recorded Dee Dee Ramone’s “rap” album Standing In The Spotlight. The first single, his cover of “Emergency” (my favorite song off the record), can be heard below. Stardumb Records is releasing this on vinyl; head over here to pre-order it.

The Mugwumps just released a new live album, recorded at Italy’s premiere punk festival Punk Rock Raduno in 2021. Check it out below – it kicks ass! My fellow Americans can get this here; our European friends can buy it here.

Mom’s Basement Records has announced their upcoming Queers tribute compilation God Save The Queers Vol.2 will be available to pre-order this Friday, July 29th, at Noon Eastern. Head over to their webstore to grab your copy. Canadians can get this one from Insipid Records, and our Bri’ish mates will wanna hit up Council-Pop Records.

Hardcore punk supergroup OFF! has announced a new record! Free LSD is the band’s first new studio album in eight years. They’re describing it as “a heavy punk industrial free jazz soundtrack recording”. Watch the music video for the first single “War Above Los Angeles” below, and pre-order the record here. There’s also an orange variant available from Brooklyn Vegan.

Making their second Record Radar appearance in three weeks, it’s the Dropkick Murphys with a Newbury Comics Exclusive variant of their upcoming album This Machine Still Kills Fascists. This one’s due out on September 30th, it’s limited to 500 copies on red vinyl, and you can pre-order it here.

British punk pioneers The Vibrators have announced their final album Fall Into the Sky will be released on August 12th through Cleopatra Records. Listen to the first single below, and pre-order the record on pink or blue vinyl here.

Santa Cruz pop-punks Too Bad Eugene just announced their first new album in 20 years! Distance is due out September 14th on People of Punk Rock Records. Listen to the title track below, and pre-order the record here.

Italy’s Radiation Records has reissued two LPs from Los Angeles punk veterans The Generators: 2005’s The Winter of Discontent, and 2007’s The Great Divide. Get ’em here. These are available in the US through Merchbar, too, but the price after shipping is basically the same as importing from Italy.

A decade after the downfall of The Clash, frontman Joe Strummer would spend the last three years of his life making new music with his band The Mescaleros. A box set compiling the band’s three albums and a bonus LP of demos, outtakes, rarities, has been announced. This is due out on September 16th, and can be pre-ordered here. These records go for $100+ each on the resale market, so this is actually a pretty great deal.

Reminder! If you are attending SBAM Fest, Brackrock Festival, or Punk Rock Holiday over the next few weeks, Fat Wreck Chords is going to have exclusive new variants of a shitload of records at their merch booth. Titles include Lagwagon‘s Hoss, Strung Out‘s Suburban Teenage Wasteland Blues, the new Face to Face album, and many others. These European festivals are the only place in the entire world these will be available. Check out Fat’s Instagram for more info.

Canadian friends, check out Forbidden Beat! They’re a punk distro that always has good shit going up on their Instagram page, at very good prices. They also seem to be the only place in North America with copies of the new Screeching Weasel LP in stock, so if you’re looking for that, hit ’em up!

Now that all the new and upcoming releases have been covered, I thought I’d share what I’ve been listening to lately! I saw my favorite band Less Than Jake for the 19th(?) time last week, so I’ve been on a LTJ kick lately. I got Losers, Kings, And Things We Don’t Understand at a show in Orlando back in… 2012? And this red pressing of See The Light was one of two Christmas variants limited to 100 copies. It had been a while since I listened to either of these, so I gave them a few spins.

That’s all, folks! Thanks as always for tuning in to the Dying Scene Record Radar. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, don’t blow too much money on spinny discs. See ya next week!

*Wanna catch up on all of our Record Radar posts? Yype “Record Radar” in the search bar at the top of the page!

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