DS Show Review & Gallery: The Brokedowns Record Release with Chinese Telephones, Dangerous Chairs, and Permanent Residue (01.28.2023: Chicago)

When Dying Scene last documented a live performance by The Brokedowns it was long ago. I jest, it was just about a month earlier, opening for The Arrivals on New Year’s Eve. This time, The Brokedowns headlined a sold-out show, with support by Dangerous Chairs, Chinese Telephones, and Permanent Residue. Big sounds in a small […]

When Dying Scene last documented a live performance by The Brokedowns it was long ago. I jest, it was just about a month earlier, opening for The Arrivals on New Year’s Eve. This time, The Brokedowns headlined a sold-out show, with support by Dangerous Chairs, Chinese Telephones, and Permanent Residue. Big sounds in a small venue added up a lively Saturday night at the popular Burlington Bar in Chicago’s Logan Square neighborhood.


This event was the official record release party for The Brokedowns‘ latest release, Maximum Khaki, on Red Scare Industries. The band members – Kris Megyery, Jon Balun, Eric Grossmann, and Mustafa Daka introduced the fans present to many of the songs off the new album, including “Obey the Fumes,” “Ernest Becker at a Costco,” “Chakra Updates,” “Samurai Sword Decontrol,” “Honk If You’re Horny,”

The bouncy melodies in many of the tunes made for soft serve deliveries delivery of some stinging commentary.


Take for instance, “Ernest Becker at a Costco.”

Get in line for the offering you just can’t beat the price

Say c’est la vie to the sky-high fees

Say hello to paradise

I’m in the bargain bin

And I cannot decide

Between the shrink wrapped shit

Or the sweat shop skid.

It is an immensely infectious ode to “Big Boxes” and those who find themselves entranced by them. At least, in my interpretation, and personally the song reminds me of the documentary, “Walmart: The High Cost of Low Price.”

The playful song titles and droll lyrics in Maximum Khaki translated live, with an onstage cameo by Chris Sutter of Meat Wave for the tune “Keep Branson Weird,” added up to a killer night of punk music.


Chinese Telephones, out of Milwaukee, WI, and around since 2004, have shared a bill with The Brokedowns in the past, so it was no surprise they fit so comfortably in this lineup.

Just after taking the stage lead singer Justin Telephone put on a pair of very dark sunglasses. He informed the crowd he wasn’t trying to look cool. Rather, the eyewear was to protect him from the bright lights as he was still recovering from a concussion. Head injury be damned, he, along with bandmates Daniel James, Andy Junk, and Logan Stang ripped through “I Can’t Be Right,” “Crying in the Chapel,” “Back to You Again,” “Live Like This,” “Stay Around.” It was a rowdy and fun set. Hopefully, Justin Telephone will soon be fully recovered.


Chicago’s Dangerous Chairs, is comprised of “Little Dave” Merriman from The Arrivals, Jim Mertz, Andy Cline, Chris “The Kid” Landefeld, and Brian Fee. It’s a new group with veteran musicians and a 2022 debut album, Introducing Dangerous Chairs.” The record is loaded with evocative tunes. Among those in this night’s set were “Jeweler’s Lens,” “Slow Bleed,” “Regret Song,” “Statue,” and “Rooftops.” Just as The Brokedowns reminded me of another filmed piece of pop culture, so too did the Dangerous Chairs tune “Superman Is Painless.” It immediately made me think of a song from the iconic film M*A*S*H. An instrumental version of the tune also served as the theme for the equally iconic television adaptation. Turns out I had good reason. Per Merriman:

It’s a play on Suicide is Painless, the theme to M*A*S*H, along with the fact that he commits suicide in the song and also that he would always feel no pain.” That’s a pretty heavy description with lyrics even heavier:

Problematic Superman

As tired as he’s old

His emblem hides his broken heart

and his deeds all seem so cold…”

“...The only way to kill the man

Could only come from his own hand

And when we found him dead at least

You’d think we’d understood”

Apparently I was not the only one to think of the tragic story of the man who first played Superman. Merriman again,

“Andy, one of the guitarists, mentioned the George Reeves connection after it was named.”

Dangerous Chairs ventures into dark waters but does it so well. I am looking forward to hearing more from this group.


Permanent Residue, of Chicago, describes itself as “snotty pop punk.” The band, composed of Kate Manic, Jake Levee, Victor Lord Riley, and Vince Miller, wasted no time getting the crowd involved as it commenced the evenings proceedings. Lead singer Manic, with her furious vocals, led her bandmates through a pummeling set which included “Ogden Ave,” “Resignation,” “Oh Well,” “I Don’t,” and “Gilmour Girls.” Keep an eye and an ear out for Permanent Residue, a band that surely will leave its mark, not in name only.


Please see below for more photos!


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DS Show Photo Gallery: Jeff Rosenstock / Cheekface (24 Oxford – Las Vegas, NV 1/10/23)

Jeff Rosenstock rocked the room at the Virgin Hotel’s 24 Oxford on January 10th, 2023. Las Vegas doesn’t get treated to too much touring bands other than Punk Rock Bowling but Jeff made it clear they were a town too special to skip. Cheekface opened up the show and delighted the crowd with hilarious, quip-filled […]

Jeff Rosenstock rocked the room at the Virgin Hotel’s 24 Oxford on January 10th, 2023. Las Vegas doesn’t get treated to too much touring bands other than Punk Rock Bowling but Jeff made it clear they were a town too special to skip. Cheekface opened up the show and delighted the crowd with hilarious, quip-filled songs that are just too catchy. The perfect show to kick off 2023.

Jeff Rosenstock and his very rad band kept the crowd jumping and singing along through the entire set. A perfectly paced show filled with heart, enthusiasm, and choruses you just have to shout along with.

Cheekface, or “America’s Local Band” opened the show with their patented witty, lyric-driven indie rock. This band is incredibly funny and smart, with a very sweet community.

Check out a bunch more shots from Jeff Rosenstock’s perfect set here, and Cheekface’s down below!

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DS Show Review & Gallery: Sincere Engineer, Fluorescents, Droughts, and Rodeo Boys (Chicago: 01.14.2023)

Sincere Engineer headlined a sold-out show at Bottom Lounge on Saturday, January 14, 2023. Supporting her on the bill were Fluorescents, Droughts, and Rodeo Boys. It was an electrifying night of music from the top of the bill to the bottom. This show was a milestone for Sincere Engineer, as Deanna Belos revealed to me: […]

Sincere Engineer headlined a sold-out show at Bottom Lounge on Saturday, January 14, 2023. Supporting her on the bill were Fluorescents, Droughts, and Rodeo Boys. It was an electrifying night of music from the top of the bill to the bottom.


This show was a milestone for Sincere Engineer, as Deanna Belos revealed to me:

“It was our first sold-out headliner that wasn’t a record release show. We actually haven’t played too many headliners here [Chicago]. I think a total of four. And two were record releases.”

Though it was sold out because of Belos aka Sincere Engineer, she still seemed taken aback that so many people showed up specifically for her. Throughout her performance, Belos kept repeating “this is crazy,” with what appeared to be a slightly nervous smile on her face. That humility, evident on stage and off, is surely another reason so many have become fans of her and why the merchandise line stretched so far across the venue floor. Belos, manning her own table, took a moment to interact with each person who approached.

This night was likely a standout not just for Belos as she was not the only one to feel the very warm embrace from the crowd. Whilst setting their gear up on stage, Adam Beck, Kyle Geib, and Nick Arvanitis surely could hear the fans shouting out their love for them. Some audience members could be heard loudly requesting the names of the trio.  

Belos’ first song of the set seemed to address the restive feelings right before taking the stage. From Bottle Lightning Twice

I got a brown paper bag

I’m breathing in and out in the back, you see?

And all the people are staring at me

Pull into the station it’s a fever dream

The crowd goes wild while I’m in the ring

Big open spaces, little train car seat

A lightweight tapped out, it seems

But I’ll be okay when I feel the electricity.

Belos’ voice, tinged with a bit of gravel, soared over the crowd. Beck’s muscular drumming in conjunction with Arvanitis’ powerful bass playing combined for a forceful rhythm section. Geib’s potent guitar playing and that of Belos’ completed the very tight quartet.

 The band also drove through “Let You Down,” “1K Rats,” “Corn Dog Sonnet No. 7,” and “Dragged Across The Finish Line.”

On this chilly night, Belos lamented, in “Out of Reach,”

I watch the weather on tv.

I watch the green on the screen cover up this stupid fuckin’ city.

And now it’s like you won’t believe.

All the things I want and need

Just seems so fuckin’ out of reach for me.


It was special evening for Belos in another way as her parents were in the audience and her mentioning them prompted cheers from the crowd. Days later, Belos excitedly told me, “It was nice having them there!! They’ve only been to a few of our shows!”

Sincere Engineer was also celebrated in another way. Bottom Lounge added the very popular corn dogs to its menu. However, Belos is not likely to be ordering one for herself. Reminder as to how the convenience food became an important part of her first big hit, Belos told me,

And it was like a time when I moved out of my parents’ house and went grocery shopping on my own for the first time. I bought a box of frozen corn dogs, and they were horrible and sat in the back of the freezer for years lol.”

Following the show, Belos again confirmed her dislike of corn dogs. This was met with raised eyebrows and exclamations of surprise from fellow musicians on the bill, and from fans waiting to meet her. It also prompted a lively discussion of how to make corn dogs more palatable (pour syrup on them was one suggestion) or possible alternative snack-on-a-stick options (Pancake on a stick!). I must also add that while I am a fan of both dogs and corn, I too am not a corn dog fan.

For those lucky enough to score tickets to the show, it left them hungry for more. Belos is in the process of ensuring the fans get it, informing me that,

Up next is recording LP3 in February, Europe tour in May! That’s it’s so far, both have been announced already!!

Sincere Engineer has also been added as a special guest opener for the July 15-22 dates on this year’s Sad Summer Fest.




Chicago’s own Fluorescents came on as bright and animated as its name suggests. This was also, thus far, the biggest crowd, for which the group comprised of Bobby Guidi, Tyler Milka, Sasquel Roby Exum, and Alex Klump, has performed.

The band lit up the stage as they zoomed through “Locked Away,” “Vibe,” “Mood,” “T.A.S.T.,” and “Funeral.”

Fluorescents have cited the pop-punk of the early-aughts as a primary influence, along with the 2010’s easy-core trend. Joining ferocious performances with terrific songs, Fluorescents will surely find itself playing for ever-growing crowds.


Droughts are also from Chicago. They consist of Joe Klomes, Nick Spiese, Will Seals, and Will C. Klomes, the latter of whom expressed his apprehensiveness at speaking in front of crowds due not knowing what to say. But he did better than I suspect he thought he did. The group jammed through “Stay Behind” “Lose Light,” “Cutouts,” “Marionette,” and “Welcome Back.” It was a strong set and hopefully the band will grace more stages this year, at home and elsewhere.


Self-described in its Facebook profile as a “Just a queer as hell four piece rippin’ grunge tunes from Lansing, MI,” Rodeo Boys lit the fuse for a blasting cap of an evening. Tiff Hannay, Cody Lee, Taylor Dody, and Dandy Waltz were clearly having a great time with their music, their fans and each other. The lively and playful set included “Dog Leg,” Be Your Man,” “Pump 6,” “Queen Anne’s Lace,” and “Tidal Wave.” In the month prior to playing at the April 2023 Stoop Fest in its hometown, the band will be heading to a fest in a state famous for rodeos. Rodeo Boys will be featured in the Don Giovanni Records Showcase at SXSW in Austin, Texas on March 16, 2023.


Please see below for more photos from this show!


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DS Show Review & Gallery: Heet Deth, Lollygagger, The Cult of SpaceSkull, and Hail Alien in Chicago (01.13.2023)

Liar’s Club, on Friday the 13th, brought the heat of Heet Deth, the acidic humor of Lollygagger, the spooky drama of The Cult of SpaceSkull; and in place of Hail Satan, it was Hail Alien. All of this added up to an entertaining way to spend a few hours on a crisp winter evening. Heet […]

Liar’s Club, on Friday the 13th, brought the heat of Heet Deth, the acidic humor of Lollygagger, the spooky drama of The Cult of SpaceSkull; and in place of Hail Satan, it was Hail Alien. All of this added up to an entertaining way to spend a few hours on a crisp winter evening.


Heet Deth returned to Liar’s Club as headliners. We were excited to first introduce the duo to our readers last year. Julia Bards and Laila Eskin were dressed in their uniforms of red overalls with the band’s name slashed in white across the back. The black and red grease paint on their faces rendered them looking like slightly less deranged first cousins of the late Heath Ledger’s The Joker from The Dark Knight. Different color scheme but similar mood. In the case of Heet Deth, they don’t want the world to burn, just the stage on which they perform. And burn up the stage, they did. Blasting through its set, Heet Deth gave the crowd not just a visual wow, but an auditory one as well. The band directs its anger at those who put profits over people and the environment. In “Bootlicker” the band addresses those supporting politicians caging kids:

How’s this for progress? I’ll set the stage We’ll flip the script, throw you in there How you think you’re gonna like it Bootlicker.”

Borrowing from cinematic history to make a point in “Planet of the Apes“:

We’re not here to be put in our place

To praise the demagogues of a fascist state

Here is just one solution, reverse the institution

There is no master race This is the planet of the apes

The group’s set also included “Blood,” “Big Bang Boom,” and “We Should Have a Party.” Heet Deth pulls no punches and the ferocity of its music and performances stick with you for days. Put this band in your ears, in front of your eyes, and on your “must see list.” Or for some, your “must see again” list.


Speaking of flames, Lollygagger’s fiery performance got pulses racing. Matthew Muffin, Kinsey Ring, and Michael Sunnycide tore up the stage with abandon. Sunnycide, as he typically does whilst drumming for Lollygagger, was sporting a leather chest harness and ball gag. This added a bit of cheekiness to their time on stage. A few days post-show, Sunnycide revealed to me the inspiration for the getup:

The chest harness and ball gag is just for fun. Because the band name is Lollygagger, the ball gag is quite literally and figuratively a gag. Just embracing my inner Judas Priest.

But simply being humorous is not all there is to Lollygagger. The band members suffer no fools. In fact, they name the fools out loud. One of the biggest fools of all being Roger Stone, the infamous Republican political consultant who would fit well in Dick Tracy’s Rogues Gallery. Stone served no time for his 2019 felony convictions for witness tampering, obstructing an official proceeding, and making false statements to Congress due to being pardoned after commutation by his crony, the twice impeached ex-president, Donald Trump. In “Stone.” Lollygagger rails against the over the top real-life character who, yes, does in fact, have the visage of another impeached, ex-president inked on his back. That being Richard Nixon of course.

Disinformation and American Pride
The shortest ladder to the top of the slide,
You slide down to the bottom then you’ll be back at the top again
A little bit of this and yea a little bit that,
A little bit of shit and yea a little bit of scat,
There’s more than one way to disembowel the American cat
.”

The band also blasted through “Sick Semper,” “My Boss is a Dick,” and “Mighty Methuselah’s Salami.”

However, it was the first song of Lollygagger’s set that lit the fuse. “Liar’s Club,” is a tribute to the very venue in which this event took place. Those who know about the legendary West Fullerton Ave dive bar will know immediately to whom the song refers:

Fashion annihilation!

Your pretty face will be crushed by Gary’s leopard boots

Lipstick and Leather

you know that I know that this place it just fucking rules”

Liar’s Club manager Gary Kessler and his epic shoe collection rule as indeed does the venue and Lollygagger itself. Check them all out ASAP.


If there is a punk rock version of LARPing [Live Action Role Playing], The Cult of SpaceSkull can surely be described at doing that. That’s not a bad thing. This band, from Detroit, is horror punk, with a dash of performance art. The band “characters” go by stage names. Led by Red Witch on vocals, the rest of the band members were almost fully covered by long red hooded robes and corpse face masks, bringing to mind demonic Monks. But there’s more, as in sword fighting, an inflatable black and white skeleton tube man, and an unnamed red and black glitter-covered creature. In addition, Red Witch has a nemesis who tries to destroy her. The troupe ran through a set which included, “Fucked Up,” “Red Bitch,” “SpaceSkull, and “Satan’s Slut.” Red Witch told me, post-show, that they often change up characters and storylines but for this event the arch nemesis dress all in black, was known as Beserker. It’s a unique experience to say the least.


Hail Alien, from Metro Detroit, kicked off the show with a kinetic performance. Spencer Rogers and Sean Tarolli’s solid set got the crowd revved up for a terrific night of music.


SPECIAL NOTE: Heet Deth has yet another reason to celebrate. The duo is nominated for best rock band in Chicago Reader’s Best of Chicago 2022 poll.

Dying Scene readers will recognize several other nominees in various categories. Reigning champ for best Dive Bar, Liar’s Club is, again, nominated for that category. Gary Kessler, the manager of Liar’s Club, the king of cool, and owner of an epically fabulous shoe collection is reigning champ for Best Music Venue Bartender, and, again, nominated in that category (Ok, I am a bit biased. Liar’s Club has been my “home bar” here in Chicago for most of my coming up on 14 years (!?!?) here after all). Lastly, Chicago punk/post-punk legends Naked Raygun, veterans of DS coverage, including an extensive interview I conducted with founder/lead singer Jeff Pezzati a few years back, the reigning champ for best punk band is, again, nominated in that category. And of course best musical festival reigning champ is Riot Fest, which our team Chicago has covered extensively for several years is, once again, nominated in that category. But there are quite a few other DS covered nominees in musicians, venues, festivals and more, we have not mentioned here as well. So please check it out the link above and vote for your faves, whoever they may be, or just use it as a visitor’s guide to the Windy City.

Hey, we strive to bring you the very best and we appreciate our readers! Thank You!


Check out more photos from the show below


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DS Show Review & Gallery: The Arrivals; The Brokedowns; C.O.M.A Collective; and Time Thieves NYE Show (Chicago, 12.31.2022)

The Arrivals and The Brokedowns helped a jampacked Reggie’s Rock Club crowd close out 2022 and ring in the new year. They were supported by Time Thieves, and a collective of musicians calling themselves C.O.M.A. for this specific event. There was sparkling wine, goofy New Year’s swag on fans, terrific performances, and a bit of […]

The Arrivals and The Brokedowns helped a jampacked Reggie’s Rock Club crowd close out 2022 and ring in the new year. They were supported by Time Thieves, and a collective of musicians calling themselves C.O.M.A. for this specific event. There was sparkling wine, goofy New Year’s swag on fans, terrific performances, and a bit of Auld Lang Syne.


The Arrivals is a pretty good band name to have as a headliner for welcoming the arrival of the New Year. Of course, the Chicago quartet, comprised of “Little Dave” Merriman, Isaac Thotz, Patrick Costello, and Ronni Dicola is not good in name only. In fact, they are pretty damn good and have been for a long time.

Merriman and his wife Lyndsey Anne Wollenberg-Merriman welcomed their first child, a daughter named Josephine, earlier in the year so 2022 was already one for his memory books. He told me post-show:

It was the best one [year] yet

The Arrivals helped add another entry in the memory books for those in attendance as well. Merriman described the event:

The show was a hell of a lot of fun and all the bands were great.”

Leading the crowd with Auld Lang Syne as the clock struck midnight, the band then launched into a set including, “Two Years,” “I’m Sorry For Saying I’m Sorry,” “The Ballad Of Lon Stokes,” “Elise,” and “Last Lullaby.”


Chicago’s The Brokedowns finished their set shortly before the midnight hour, meaning they were the last band to play Reggie’s in 2022. So it was especially important that the band members Jon Balun, Kris Megyery, Eric Grossmann, and Mustafa Daka make it an unforgettable performance. They Brokedowns delivered with a frenzied set which included “Wizard Symptoms,” “I’m A Ritual,” “Life Is A Breeze,” “Pardon The Light,” and “Born On The Bayou Too.”

Mustafa Daka reflected on the show, not quite a fortnight later, and the meaning it held for him:

The NYE show was very special to me because we all loved The Arrivals for more than 20 years and have lots of great memories touring with them and watching them play amazing sets night after night, especially at Fest! And all the bands were amazing and we’re all friends and friendly, it was a blast! To start the early hours of 2023 playing a show like that and with all the people there, I’m hoping for a year of fun and creativity! And travel!”


C.O.M.A. (Christy, Orion, Monica, and Austin) is actually a collective of two solo singers, Monica LaPlante, and Christy Costello, and their bandmates in Extraterrestrials, Orion Treon and Austin Cecil. All three acts are from Minneapolis and play in each other’s bands.

For their set, the musicians rotated the three identities, and in the combinations, performed “VCR Guy” (Extraterrestrials), “Compression” (Monica LaPlante), “Uranium Baby” (Christy Costello), among others. It was a unique and fun way to introduce themselves to Chicago.


Time Thieves is from Chicago and is comprised of Jonathan Pool, Tim Reynolds, Annie Saunders, and Mike Oberlin. The band played a more than solid set which included “Road,” “Night,” Message,” “Flicker Of Light,” and a lovely cover of the INXS classic “Don’t Change.” It was an enjoyable start to a night meant to mark the end of the year.


Check out more photos from the celebration!


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DS Photo Gallery & Show Review: KT’s Kids 19 – Nefarious Fat Cats / Bama Lamas / Eve’s Parlor Burlesque / Sweet Figurines (Liar’s Club – Chicago, IL 12/17/2022)

This was a super exciting event for me to shoot. I’ve tuned into the live stream in previous years, but this was my first time at the star-studded event in person. If you’re not familiar with the KT’s Kids, it’s an annual fundraiser held at Liar’s Club, running for its 19th year this installment. Christmas […]

This was a super exciting event for me to shoot. I’ve tuned into the live stream in previous years, but this was my first time at the star-studded event in person. If you’re not familiar with the KT’s Kids, it’s an annual fundraiser held at Liar’s Club, running for its 19th year this installment. Christmas may have passed this year, but KT’s Kids is a 501c3 Non-Profit, so it’s never a bad time to make a tax deductible donation. Also, as of this writing, the livestream is still available to stream on Zuma Live.

Herb Rosen and Mike O’Connell were the lovely hosts for the evening. They arrived in style to kick everything off, wearing matching red blazers fully bedazzled with sequins. Once they finished telling us what to expect for the evening, Sweet Figurines got things rocking. The whole band also looked quite fashionable, but I have to give a call out to the bass player. His shiny blue blazer, combined with his gold bowtie and matching gold bass guitar drew attention in a very good way. Keeping with the festive theme, the band came out of the gate with an excellent rendition of “Father Christmas” by the Kinks. The rest of the set, bursting with a great old-school rock sound, did not disappoint. This was my first time seeing Sweet Figurines and hopefully not the last.

Angela Eve’s Parlor Burlesque was up next, but before the risque review started, KT herself came on stage to give a brief history of the event. 19 years ago KT was pulling double duty, working at Schwab Rehabilitation Hospital and bartending at Liar’s. When Herb and Mike heard how little the kids at the hospital had, and how their basic needs were not being met, they wanted to help. That started everything, and every year for 19 years they have been able to raise more and more, and reach more kids every year.

Mike announced it was indeed time for sexy time now, and the fabulous Angela Eve hyped up the crowd and introduced the dancers. Last year Angela was sadly absent from the show thanks to Covid, as well as being 5 months pregnant. This year she was back in full force with little baby Nonda joining her on stage. Adorable. Kevlar B Lightning started the show right, tastefully removing her festive red garbs to the Peppermint Twist to reveal some tasty peppermint pasties. Jezzibel was up to perform next, who Angela described as a “pincushion of sorts.” She did not fail to live up to that description. Upping the ante of a traditional burlesque act, various sharp instruments went into and through her face! After a quick break for Angela to give one lucky attendee the gift of spankings, Queerella Fistalot graced the stage. Queerella wasted no time disrobing to make sparks fly. I’m being quite literal, the ol’ angle grinder came out to play and Queerella showered the stage in tiny glowing embers of hot metal.

The stage got quite crowded for the next act, The Bama Lamas! Self-described as down and dirty, hip-shakin’ old school rock and roll / R&B. Performing good and greasy the way it was meant to be played. With everyone adoring Friar’s hats, The Bamas managed to fit a drummer, a bass player, a sax player, a singer, not one but two guitarists, and a full 88-key digital piano with the accompanying keyboardist on to Liar’s Club’s tiny, tiny stage. Everyone in the band was having a great time and clearly the audience was too, reinforced by some very happy patrons getting their dance on. All in all a great throwback to an exceptionally fun era of music. Definitely recommend.

More burlesque was up next and who doesn’t like that? The first performer of round two was Miss Spitfire. Angela described her as bendy and she wasn’t kidding. Dawning a red onesie for the occasion, Spitfire’s Acroartist background was evident in some truly impressive contorted choreography, yeow. After a quick changeover, out came Miss Millie May! She may have been dressed like an ice queen but that didn’t stop her act from heating up the room. There was a brief intermission for more spankings before Lady India came out and owned the stage. India was oozing confidence as she danced her clothes off, and then the angle grinder came back out. Once more the stage was showered in an incandescent rain of shrapnel. Finally, Angela Eve herself closed out the burlesque portion of the evening. After many twirls and kicks, and littering the stage with articles of clothing, the house lights dimmed. Angela then showed off the most electric tassel spinning of the night. That’s right, fully illuminated Christmas light tassels. I can’t figure out where she could have hid a battery for them, so I’m going to assume they were charged by the pure power of sexiness.

And then it was time for The Nefarious Fat Cats to close out the music for the evening. Scott Lucas and Ryan Harding of Local H made up the initial lineup along with Herb Rosen. If you only know Herb as the owner of Liar’s Club, he is also known for playing in the Beer Nuts. Scott Lucas’s goatee made me wonder if we were seeing our Scott, or an evil doppelganger. If it was Evil Scott, all I can say is he was just as talented as the real deal. The Fat Cats came out of the gate strong with a cover of “TV Eye” by The Stooges. They continued on with that lineup for the first 4 songs, finishing up with “Surrender” by Cheap Trick. At first lineup change, Herb switched to lead vocals and turned bass duty over to Joe Principe of Rise Against. This lineup wasted no time before serenading us with “The Kids are United” by Sham 69. Next Joe Haggerty of Pegboy relieved Ryan on drum duty, allowing Ryan to pick up his Telecaster for a few songs. Herb took the bass back and the group proceeded to rock my ass off with their cover of “Bloodstains” by Agent Orange. For the next song another legend came on stage. To play “Suspect Device” by Stiff Little Fingers they brought out none other than Jake Burns of Stiff Little Fingers, taking over vocals and replacing Ryan on guitar. Mike O’Connell came back on stage to sing “New Rose” by the Damned. Sean Hulet of Masonic Wave, took over bass guitar next, for the band to play “Tush” by ZZ Top. Joe Principe picked up the bass again to play “Tin Soldiers” and “Alternative Ulster,” also by Stiff Little Fingers. The show was coming to an end, but there was still one more lineup change. Ryan rejoined on drums, Sean on Bass, Scott still on guitar, and for the first time that evening, Herbert Plant! Herb definitely didn’t have a beer bottle in his pants (I’m lying, he absolutely did) while the 4 piece played a couple Zepplin tunes for the evening’s finale. With that, live music was over for the night and it was time for me to drink.


Check out more pictures from the evening’s exciting festivities below!

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DS Show Review & Gallery: Voice of Addiction, Torch The Hive, and The Last Great Riot (Chicago – 12/18/2022)

Voice of Addiction, Torch The Hive, and The Last Great Riot took over Reggie’s Music Joint on Saturday, December 18, 2022. Whilst the stage was small, none of the trio of performances could be described as the same. Ian Tomele, founder, bass player, and vocalist for Voice of Addiction, could be known as “The Shoeless […]

Voice of Addiction, Torch The Hive, and The Last Great Riot took over Reggie’s Music Joint on Saturday, December 18, 2022. Whilst the stage was small, none of the trio of performances could be described as the same.


Ian Tomele, founder, bass player, and vocalist for Voice of Addiction, could be known as “The Shoeless Singer.” He’s been performing sans footwear since he was a teenager. The 6’2″ self-described “slouch” told me,

I hurt myself a lot especially when performing haha so I think it started as a way to feel the stage and my surroundings better (so I would stop hitting my head!)

This show was the band’s last set in what has been its comeback year. Tomele explained,

“We had not played since we were on a month-long southern tour in early 2020 when the pandemic hit. It was super surreal pulling into Chicago from tour as the sun was rising and the mayor was giving the stay-at-home order over the radio. Since we were already together we felt it was safe to still get together for rehearsals and started working on the new album Divided States. To coincide with this release we started playing a couple shows this summer as well as a Northeast run in August. Mainly to test the waters and see what was possible for future shows and tours.” [The band’s second show of the year was at the Dying Scene Chicago Resurrection Party. Tomele thankfully helped with the logistics of the event).

Tomele’s bandmates Tyler Miller on guitar and brand new drummer Kevin Amaro, closed out the year with zest. Amaro’s drum kit continuously lit up in a variety of colors adding a festive touch to the stage. The rip-roaring set included, “Unity,” “Modern Day,” “Shinigami,” “Rustbelt,” and “Wrecking Ball.” That last song also bears the name of Tomele’s booking and promotion company, Wrecking Ball Productions.

As 2022 closed out, Tomele was optimistic about the band’s plans for 2023. He told me,

In my opinion winter is for writing. I have a handful of new songs to show the guys including one I wrote with the new drummer Kevin. We are back at Reggie’s on January 12th. And then we get back at it in March and April with our southern tour. Spreading the new full length all over the damn place!

Looking forward to it!


I’ve covered Torch the Hive twice this year and it has been 2 for 2 in terms of fun. The highly energetic trio makes quick work of engaging the crowd. This night was one of a flurry of shows the band played as the year wound down. It blasted through its set which included “Copaganda,” “F.E.A.,” “Deku,” “Burn Me Out,” “Shame On You,” and “Molotov Trail.” Mike Fruel, on vocals and guitar, Tyler Sanders on bass, and vocals, and drummer Sergio Apanco put on a provocative show in both song and movement. Fruel played his guitar above his head, behind his back, sitting on the floor, lying on the floor, and of course in traditional stance. Sanders was such a whirlwind on stage, with frenzied head shaking. So frenzied that his mop of red hair and beard (which perfectly complemented his bass) caused him to appear in flames on top. Apanco looked ready to explode from behind his drum kit.

Post-show Mike Fruel reflected on the year that was and the year to come:

This was a good year for us, we’ve played sold out shows at SubT and Reggie’s and made a ton of new friends in the DIY scene. We also released one new single this year ‘Seeds,’ and plan to release a bunch more music in 2023. Next year we’ll be on the road hitting the south reaching New Orleans and the west coast late next year.

Hopefully the band members can catch their breath at the start of the new year so they can keep that excitement strong over the course of 2023.


The Last Great Riot, comprised of vocalist/guitarist John A. Beavers, bassist Mario Mazzone, and drummer Scott Durand, closed out the evening by pumping it up. As in Elvis; the capper of its potent set was “Pump It Up by Elvis Costello & The Attractions. The rest of its set was dedicated to original tunes by the band including two new ones, “Immortal 30” and “Fluid Ounces,” in addition to “Happy When (Bad) People Die, and “Neighborhood Legend” from 2021’s Tomorrow’s Gonna Be Rough.

Beavers looked back on the year just concluded and revealed some of the band’s plans for 2023,

As far as ’22, we just played shows. Finally hit Milwaukee for a show, a few at Burlington and Reggie’s and some other spots. For ’23 we’re starting the year on a “new baby break,” so nothing book[ed] so far. Just finishing up mixes at Squeezebox Recording Studio on two singles, be releasing this late winter or spring.”

Best of luck guys!


Please see below for photos from the show. Have a happy and safe new year everyone and thank you for joining us on the ride that was 2022!


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DS Show Review & Gallery: The Riverboat Gamblers, The Mizzerables, The Figbeats, Wrong Life and Publicity Stunt celebrate The Kinks (Chicago: 12/17/2022)

Before this show started, Dr. Daryl Wilson of The Bollweevils aka The Punk Rock Doc, introduced me to Mike Wiebe of The Riverboat Gamblers as “the best front man in punk.” Coming from Wilson, a magnetic front man himself, this is high praise. The Riverboat Gamblers headlined a Reggie’s Rock Club, with support from The […]

Before this show started, Dr. Daryl Wilson of The Bollweevils aka The Punk Rock Doc, introduced me to Mike Wiebe of The Riverboat Gamblers as “the best front man in punk.” Coming from Wilson, a magnetic front man himself, this is high praise. The Riverboat Gamblers headlined a Reggie’s Rock Club, with support from The Mizzerables, Wrong Life, The Figbeats, and Publicity Stunt on December 17, 2022, and proved, again, Wilson knows of which he speaks.

The evening was more than just a regular Saturday night show. It was also a Zuma livestreamed celebration of the release of Starstruck: A Tribute to the Kinks. The album, from Wicked Opossum Records, showcases bands covering some of the Kinks’ most important and popular songs. This includes the five bands on this night’s bill. As the Kinks at Nassau Coliseum (during its “Come Dancing” hit song era in the 1980’s) was my first rock concert, this was especially nostalgic for me.


Mike Wiebe is, indeed, a dynamic frontman. The Riverboat Gamblers, comprised of Wiebe, Fadi El-Assad, Ian MacDougall, Rob Marchant, and Sam Keir, put on an electrifying performance. Wiebe was non-stop from the first note, climbing down from the stage, climbing up a side bench-like area to the side of the floor, Crowd surfing, and crouching down with fans only to have them all jump up in unison. On stage, he repeatedly jumped around and tossed the microphone in the air and twirling the cord like a lasso. He did not always catch the mic but that did not put a hitch in his step or cause a missed note. The rest of the group kept the music pulsating just as vigorously as their bandmate’s movements. The set list included: “Let’s Eat,” “Don’t Bury Me…I’m Still Not Dead,” “The Curse Of The Ivory Coast,” “Blue Ghosts,” “DissDissDissKissKissKiss,” and “A Choppy Yet Sincere Apology.” The band’s cover of “Father Christmas” was appropriately timed, even if the lyrics evoke a mood the polar (pun sort of intended, sort of not) opposite to the mood expressed by Paul McCartney’s “Wonderful Christmastime. This is NOT a bad thing.


The Mizzerables released their record Whatever…This Sucks and then the pandemic hit. And things definitely did suck for a while for obvious reasons. It also prevented the band from touring in support of the record. Finally Joe Mizzi, Korey Brisendine, and Dave Vazzano are able to take to the stages to perform the infectious gem of a title tune and others off of Whatever…This Sucks and their other releases.

Mizzi and Vazzano were amped up at this show and Dan “Dan Precision” Wleklinksi (88 Fingers Louie) filled in last minute for Brisendine who, unfortunately, had fallen ill. The trio performed quite energetically, as they punched through a set including the aforementioned title tune, “Better Off Dead,” “FKI,” “Crabby Crab,” “Still Kickin’ ‘Round,” and a cover of Green Day’s “Basket Case.” The band also led a rousing edition of its contribution to the Kinks’ tribute album, “Lola.” If Mizzery (there are so many possible word plays on Joe Mizzi’s surname) loves company, surely The Mizzerables were as smitten with the crowd as the crowd was with them.


The Figbeats, a garage punk band out of Valparaiso, IN, are comprised of Brad Skafish, Felix Baeza, Jim Senderhauf, and Adam Hazlett. The group’s fizzy performance was quite welcome as it ripped through “Ultraviolet,” “Your Ghost,” “Bootstrap Paradox,” “Radio Killed Radio,” and “Phillip’s Lament.” Covering “Apeman” for the tribute album, The Figbeats dialed up the verve for a fun take on a classic.


Scotland’s Fraser Murderburger, formerly of The Murderburgers, now plays under the name Wrong Life. His intense, hard-driving vocals and guitar playing, backed by strong musicians (including Noelle Stolp of Tightwire) resulted in a powerful set that included “Talking/Talking,” “Digging,” “19 11 19,” and “New Sun,” all from Early Workings From An Idea (2022). Wrong Life’s contribution to The Kinks tribute album is “Strangers,” which was performed very solidly this night. Wrong Life might be in the early stages but is working from a great idea. Even greater ones no doubt on the horizon.


Publicity Stunt, another group on the bill hailing from the Hoosier state, is also where you will find Mike Paniccia, the founder and sole employee of Wicked Opossum Records, on drums. Starstruck: A Tribute to The Kinks is the first release from the new label and Paniccia is responsible for putting this show together. If this particular evening was a bellwether, the label has a promising and exciting future. Paniccia, and fellow Publicity Stunt members Adam Lingenfelter (vocals/guitar), Josh Claussen (guitar/vocals), and Dru Sheffer (bass) performed, with gusto, a set which included, “First Crush,” “Things To Think About,” “Tail Whip,” “Half-Way Written,” and “Pineapple Dandy.” Publicity Stunt’s entry on the tribute album was “Love Me Till The Sun Shines.”


Just over a week post-show, Mike Paniccia and I discussed the tribute record. He told me that,

Starstruck is the first release. The Kinks were a big influence growing up and I knew a tribute compilation of a “bands’ band” was the type of thing I wanted to put out first — to get the interest of other musicians and show them what I can do.

His take on how the event went off?

Everyone seemed to have a great time, which is what it’s all about.”

Just as the Punk Rock Doc was spot on the money about Mike Wiebe, so too was Paniccia re: this show.


See more photos below!


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DS Show Review & Gallery: Cro-Mags, Insult To Injury, Si Dios Quiere, and Crime Spree in Chicago (12.14.2022)

Harley Flanagan hit the stage at Reggies Rock Club, fronting New York hardcore legends Cro-Mags for a raucous and rainy Wednesday night. Cro-Mags was born in New York City’s Lower East Side during the Big Apple’s grimy 80’s heyday. Four decades later, founder and only remaining original band member, Harley Flanagan continues to grind out […]

Harley Flanagan hit the stage at Reggies Rock Club, fronting New York hardcore legends Cro-Mags for a raucous and rainy Wednesday night.


Cro-Mags was born in New York City’s Lower East Side during the Big Apple’s grimy 80’s heyday. Four decades later, founder and only remaining original band member, Harley Flanagan continues to grind out exhausting performances. Flanagan, compact and muscular, snarled and smiled and told of being one of so many who have dealt with post-traumatic stress disorder. Even as he repeatedly bumped fists with fans, he warned crowd members against grabbing at the microphone to sing. He was the one performing after all. Cro-Mags current lineup along with Flanagan, is composed of drummer Garry “G-Man” Sullivan, who has been with the band on and off since 1999, and two newer members Hector Guzman on lead guitar and Dom DiBenedetto (formerly of Boston hardcore group Slapshot) on Rhythm Guitar. This stop was just one in a grueling 2022 tour year. There were the same number of shows this past spring and summer as the years Flanagan has been alive, 55. December alone has the band performing 13 shows.

Nonetheless, band members appeared inexhaustible as they pummeled through the set list, which included “From The Grave,” “Down But Not Out,” “Street Justice,” “Life Of My Own,” “Hard Times,” and “Apocalypse Now.”


Si Dios Quiere is a newer Chicago hardcore band, having been founded in 2020. They also introduced a new vocalist, Ozzy, recently. The band is comprised also of brothers Roberto Velazquez and Ricardo Velazquez, and Louie Flores. The intense set included “Sacrificio,” “Desperate Measures,” “Sufriemento/End of Compromise,” “Sin Justicia,” and “Roll The Dice.” Si Dios Quiere is an exciting new voice in the Windy City hardcore community.


Insult To Injury was founded thirty years ago in Chicago, IL. On this night, it demonstrated it was still able to pound it out on stage. The band, led by vocalist Tim Kucharski, gave a hard-driving performance that kept the crowd moving.


Crime Spree, yet another member of the Windy City hardcore scene, was primarily active between 2014 and 2017. It reunited at the start of 2022 for two memorial performances for a late friend, and four additional shows. Getting this show started, Crime Spree played, what vocalist Jimmymack Jacquez described as, “most likely the last gig for a very long time.

Jacquez, along with Jim Slattery, Calvin Mathis, and Fabian Arroyo, hammered through “Let’s Drink,” “South Side,” “Sick Fucks,” “Sock Full Of Quarters,” and “Violence Is The Only Answer.” Crime Spree might be over for now or for good, but at least a few members are still active in other bands. Cool.


Please see more photos below!

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DS Show Review & Gallery: The Queers, Don’t Panic, Capgun Heroes, and Goodbye Sunshine in Chicago (12.07.2022)

The Queers returned to Chicago, headlining at Reggie’s Rock Club on December 7, 2022. Playing in support were Don’t Panic, Capgun Heroes, and Goodbye Sunshine. The midweek show was a high octane show from start to finish. The Queers is celebrating its 40th Anniversary. Joe Queer is the only founding member active in the group, […]

The Queers returned to Chicago, headlining at Reggie’s Rock Club on December 7, 2022. Playing in support were Don’t Panic, Capgun Heroes, and Goodbye Sunshine. The midweek show was a high octane show from start to finish.


The Queers is celebrating its 40th Anniversary. Joe Queer is the only founding member active in the group, but its spirit remains alive. Queer bounded around the stage, matching his younger bandmates’ energy as they zoomed through their set, including Ursula Finally Has Tits,” “Fuck the World,” and “This Place Sucks.” The Queers also performed covers of Screeching Weasel’s “Like a Parasite,” and Ramones‘ “The KKK Took My Baby Away.” The 17+ show crowd tore up the circle pit and one even did literal backflips in tune to the music coming from the stage. The sheer number of The Queers logos on the younger fans’ clothes and even inked in their skin demonstrated that four decades on, the band, and its music, still strike a chord with many fans, old and new.


Don’t Panic, out of Stroudsberg, PA, brought a high level of enthusiasm to its time on stage. Lyrics such as, “Pretending to be someone else or lying to hide the fact she was afraid,” from “Ramona,” and the title/lyrics of their latest single, “Friends Make Better Enemies” delivered in an upbeat manner can be intoxicating. Certainly, sometimes more so than laments and wistful memories encased in equally mournful music. Don’t Panic remained consistent as the band members Ted Felicetti, AJ Larsen, Keith Slader, and Anthony Paesano continued through a setlist that also included “Watership Down,” “Woe I,” and “Fall of ’99.” The band connected with the audience and at one point took a group photo with the crowd. It’s apparently a regular part of its performances. Rather than seeming derivative, there was warmth to it not often enough associated with a punk rock show.


Since its founding in 2018, Chicago’s own Capgun Heroes has steadily been building a devoted fan base. The songs are short bursts of utterly infectious music and lyrics. “Judy” is a call back to the protagonist of the Ramones classic “Judy Is A Punk.” In this case, the assertion being that Judy is no longer a punk, nor does she even like Ramones. Indeed, Capgun Heroes makes no secret of its affection for the legends out of Forest Hills, Queens. Along with the aforementioned tune, Joe Capgun, Matt Cappy, Nick Nativo, Jimmy C, Scotty Lars, and Andy Hero zipped through Back it Up,” “Lobotomy,” “Nuthouse,” “Wanna Go,” and “Operation Chaos,” among others. Name-checking bands and places from its hometown, the band got the heads of those in attendance bopping and their toes tapping. Every once in a while I caught myself joining in, even as I tried to document the set. It made for a few shots a bit too blurry for use, but I had a blast.


Goodbye Sunshine, is newer Chicago band whose debut EP, Keep Failing, You’re Doing Great! was produced and engineered by Joe Queer, who also contributed guest vocals. The band, comprised of August Fllr, Shane Shultz, Ryan Scaccia, and Brad St. Leger, did a fine job of starting out the night with a solid performance. The tight set included, among others, the entire five-song EP. Those five being, “Hide and Seek,” “Plugger,” “She Doesn’t Care Anymore,” “What You Don’t Know,” and “Outlaws In Charleston, Illinois.” If this night is any indication, they won’t start failing anytime soon.


Please see below for more photos from the show!


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