DS Album Review: Codefendants – “This Is Crime Wave”

Fat Mike is back with a new band called Codefendants, and they have released a debut album that might be one of the sickest debut albums this year; it’s called This Is Crime Wave, and funny enough, Crime Wave is the genre that’s made up in the minds of Fat Mike, Sam King from Get […]

Fat Mike is back with a new band called Codefendants, and they have released a debut album that might be one of the sickest debut albums this year; it’s called This Is Crime Wave, and funny enough, Crime Wave is the genre that’s made up in the minds of Fat Mike, Sam King from Get Dead, and rapper Ceschi Ramos. So it’s hip-hop, new wave, punk? There are some acoustic guitars and THE BEATLES! Trumpets? It’s everything and awesome. But let’s move on to the album.

Opening the album “Def Cons,” which isn’t a good song by any means. It’s uneven and doesn’t know what it’s doing. Ramos delivers on the raps, but it’s not a memorable song. This is odd because “Abscessed” featuring Onry Ozzborne and Get Dead, make room for each genre on this track; there’s no mismatch where the punk falls behind and sounds like it was added to justify the punk in the new made-up genre. Instead, the punk is heard loud and clear, with the raps coming faster than a groupie in the 70s. This song has everything I would want in a song when I hear punk, hip-hop, and new-age hip-hop mashed together in a blender. This song is the summer anthem for 2023. 

The D.O.C., yes, the actual D.O.C., a legend, is featured on the “Fast Ones,” and this song marks his return after nearly 20 years out of the game. The fact this legend came out of retirement to get involved in this song should be acknowledged because this is important for everyone. To those who were around in the 90s for hip-hop, I would say that this song sounds influenced by it but met with an updated sound that reminds me of the sound Lil´ Dicky spits out in his songs. 

“The last person I dated accused me of trauma dumping / and they were absolutely right” opening lyrics to “Disaster Scenes” featuring Stacy Dee from Bad Cop/Bad Cop is a strong song. Stacy Dee puts on a vulnerable display and opens up about the abuse she experienced early in her childhood. On “Suckers,” we finally get some trumpets and a somewhat jazz vibe over it. The pop-punk sound on “Brutiful” – yes, clever title – shows that a whole song doesn’t need one or the other but that there’s a natural progression from a Celtic folk vibe to a chorus with pop-punk chords throughout it. 

The album itself has minor flaws, but along the way, those flaws turn out to be what makes the album complete. The lyrics and the different instrumental arrangements we hear on the album work. And for a debut album, it can be worrying if they can keep the level of rawness throughout their following albums if they ever come. The themes that they tackle on the album; child abuse, trauma dumping, gang violence, racism, violence, and many more, definitely seems to show another layer of Fat Mike, but not surprising Sam King or Ceschi Ramos, who has had a first-hand experience with drugs and the prison system. This album highlights much darkness and blurs the line on what is genre-defying. This Is Crime Wave is raw and shouldn’t be taken lightly. I am pleased with the turnout, and all I have left to say is; I better wipe my fucking face (see what I did there?)

It gets 4 stars out of five from me.
I recommend the following songs: Abscessed, Fast Ones, Suicide By Pigs (It’s funny but not funny, you know?), Disaster Scenes, Coda-Fendants

Post a Comment

Your email address will not be published. Required fields are marked *

DS Exclusive Video Premiere: Voice of Addiction – “Shinigami”

Chicago political punks, Voice of Addiction just dropped (do the hip kids still say that?) a new video for the single “Shinigami” from their phenomenal 2022 LP Divided States. But, here’s the really cool news, they wanted DS fans to get a sneak peek before the rest of the world! So, peek away, comrades! *Also, […]

Chicago political punks, Voice of Addiction just dropped (do the hip kids still say that?) a new video for the single “Shinigami” from their phenomenal 2022 LP Divided States. But, here’s the really cool news, they wanted DS fans to get a sneak peek before the rest of the world! So, peek away, comrades!

*Also, the lads are rounding out their current US Tour down in the Southeast (see their Facebook page for details), so if you’re in that area, go see ’em and take an extra pair of socks for Ian!

Post a Comment

Your email address will not be published. Required fields are marked *

Dying Scene Album Review: Wolves & Wolves & Wolves & Wolves – “cursecursecurse”

How can anyone truly believe the statement “rock music is dead,” especially after all of the music that has been released within the past decade. Music is continuously evolving, despite the criticism and really at no surprise to the people who are most passionate about it. Take a close look at the genre of punk […]

How can anyone truly believe the statement “rock music is dead,” especially after all of the music that has been released within the past decade. Music is continuously evolving, despite the criticism and really at no surprise to the people who are most passionate about it. Take a close look at the genre of punk rock.

Arguably one of the most diverse genres of music out there, punk rock has also evolved into something more meaningful and emotional than the original ideas of “going against the establishment” or “teenage angst.” Although those ideas still can be found within punk, the music has taken on a completely different attitude through new bands and new sub genres.

Growing up in the late ’90s and early 2000s, I was introduced to skate punk and ska and pop punk. Bands like Green Day, MxPx, Blink 182, Goldfinger, Less Than Jake, New Found Glory, The Offspring and NOFX is what I knew as punk rock. Little did I know that there was so much more out there and that in the years to come the genre would evolve. It wasn’t until college that I discovered bands like AFI, Silverstein, Alkaline Trio, Hot Water Music, Taking Back Sunday, and legends The Bouncing Souls. These bands weren’t just punk bands, they had a different style and sound to them. They would start the evolving of punk into more than just a skate punk or pop punk sound.

While I could potentially write on and on about the further sub genres punk has evolved into over the years, I don’t want to steer this ship around the entire world in one album review. I mentioned the band Hot Water Music in the previous paragraph, let’s take a closer look at their impact on punk rock and the influence they have had on a lot of the bands I listen to today. Hot Water Music is known for their raw and gritty vocals, chugging guitar riffs and catchy but compelling songs that leave the listener feeling something special. I think this band and their sound helped punk develop into post-punk and alternative rock in some aspects. My opinion of course is subjective, and I’m sure there are a lot of other bands who have taken this same path, but HWM was the first band that I listened to that exposed me to this kind of punk rock.

It is now 2023. I am 40 years old. While I do still enjoy the punk I grew up listening to, I also have an admiration, respect and passion for other bands that likely are in the same sub genre as Hot Water Music. One such band is wolves & wolves & wolves & wolves. This is a band I actually discovered thanks to the wonderful music sharing website called Bandcamp (which I think is one of the Internet’s greatest creations). While wolves & wolves & wolves & wolves probably was influenced by and shares some of the same fans as Hot Water Music, they have carved their own path through hard work and dedication and making a name for themselves through their live shows. The Winston Salem, North Carolina based post-punk act has released two full length albums over the course of the past nine years.

“The Cross and the Switchblade” is the title of the band’s second album, which was released from Wiretap Records in 2016. That’s the album that hooked me on these guys. So much energy, emotion, and captivation in ten songs that I knew this band was going to leave a positive mark on my life. So much so that I’ve listened to the record with a good friend countless times and we couldn’t believe what we were hearing. Naturally, when I found out a new album was coming, I jumped at the opportunity to give it a review.

The third full length album by wolves & wolves & wolves & wolves, “cursecursecurse,” will be released Friday April 7 through the label A-F Records here in the United States, and through Gunner Records in Europe. I did have a chance to speak to Brian Woodall, the voice and songwriter of the band and it seems the album title is fitting after hearing about the process of making the album. “The recording took a while. We started tracking drums Summer of 2018 before we went on our last European tour,” states Woodall, who went into some detail about the band’s struggles between 2018 and 2019. “Then Covid happened. If it hadn’t, Wolves x4 probably would have broken up, but it gave me some time to reflect and find the love for music that started to dull. I ended up finishing the recording in 2021 at the Sandwich Shoppe in Oxford, N.C,” this quote from Woodall gave me goosebumps. Dedication. Determination. We have a brand new wolves & wolves & wolves & wolves album.

You can hear the effort that was put into “cursecursecurse” in the track “Oh, Catalonia,” a three minute and twenty-seven second ode to overcoming adversity and a fist pumping ripper of a track that will leave you smiling from ear to ear after every listen. Is it my favorite track on the album? Damn, that’s a tough question. It’s a tough question because the entire album, comprised of 9 songs, is absolutely something special and will probably wear the needle on my turntable out when I get the vinyl. Another standout track “Excommunicate Me” is full of high energy and raw vocals. The song blares as an exclamation from singer Brian Woodall, and once it’s over you’ll want to play it again. Don’t sleep on “Empires,” this is the anthem for those of you who are ready to get past all this bullshit we’ve gone through over the past three years. I have to mention the opening track, “Hey Run Away” because not very often does the first song set the tone for the rest of the album and leave such an impact that you can’t wait to hear what’s next. The vocals, slamming guitars and that unforgettable chorus, this is where “cursecursecurse” shines and will be on everyone’s best albums of 2023 list. Folks, it’s only April and we have been gifted with some fantastic music. Order a copy of the vinyl from A-F Records here. Your record player will thank you for it.

Post a Comment

Your email address will not be published. Required fields are marked *

DS Exclusive: Listen to the new 33-song Operation Ivy tribute “Mooorree Than Just Another Comp” ft. The Chinkees, Catbite, Raging Nathans & more

Our friends at Lavasocks Records and Sell The Heart Records are co-releasing a massive 33-track, 2xLP Operation Ivy tribute album titled Mooorree Than Just Another Comp. Spanning virtually the band’s entire catalog, the album offers fresh takes on the originals from awesome ska (and punk!) bands like The Chinkees, Omnigone, The Raging Nathans, Catbite, and […]

Our friends at Lavasocks Records and Sell The Heart Records are co-releasing a massive 33-track, 2xLP Operation Ivy tribute album titled Mooorree Than Just Another Comp. Spanning virtually the band’s entire catalog, the album offers fresh takes on the originals from awesome ska (and punk!) bands like The Chinkees, Omnigone, The Raging Nathans, Catbite, and We Are The Union (ft. Eve 6!), among many others.

It’s not officially released for another day, but Dying Scene is hooking you up with this exclusive premiere of Mooorree Than Just Another Comp right fuckin’ now. You heard that right, you can listen to it right now, so go ahead and do that down below! And while you’re doing that, head over to Lavasocks Records and Sell The Heart Records‘ webstores to grab the Double LP on one of its many pretty color variants. A portion of proceeds will be donated to 924 Gilman in Berkeley, CA.

If you’re one of those weirdos who likes consuming music in the form of digital files more than colorful plastic discs with grooves etched in them, you can download this bad ass comp on Bandcamp. We don’t judge (we’re totally judging you).

Post a Comment

Your email address will not be published. Required fields are marked *

DS News: Alkaline Trio recording new music

Matt Skiba has revealed Alkaline Trio is back in the studio recording new music. He doesn’t say whether they are working on their 10th full-length album, but his Instagram post (see below) does reveal the Chicago punk vets are once again working with producer Cameron Webb. Webb has worked with the Trio in the past, […]

Matt Skiba has revealed Alkaline Trio is back in the studio recording new music. He doesn’t say whether they are working on their 10th full-length album, but his Instagram post (see below) does reveal the Chicago punk vets are once again working with producer Cameron Webb.

Webb has worked with the Trio in the past, on their 2011 acoustic album Damnesia, as well as 2018’s Is This Thing Cursed? and 2020’s 3-song E.P. He has also produced records by NOFX, Pennywise, and Motörhead, among many others.

We’ll keep you posted as more details come to light on new music from Alkaline Trio.

  1. Hell, YES

Post a Comment

Your email address will not be published. Required fields are marked *

DS Exclusive: 500 Miles to Memphis release single “I Want Mine” to Promote CASA for Clermont Kids

Dying Scene is thrilled to bring you a brand new exclusive on this fine Wednesday by none other than Punk Rock Americana legends 500 Miles to Memphis. The release of “I Want Mine” is in promotion of CASA for Clermont kids, an organization out to train and manage court appointed special advocates for children in […]

Promo photo by Steph Keller Photography

Dying Scene is thrilled to bring you a brand new exclusive on this fine Wednesday by none other than Punk Rock Americana legends 500 Miles to Memphis. The release of “I Want Mine” is in promotion of CASA for Clermont kids, an organization out to train and manage court appointed special advocates for children in need, with the end goal being to ensure safe, stabile, and loving homes.

“CASA for Clermont Kids ensures all children who have experienced abuse or neglect in the county receive stability, safety and permanency through the appointment of Court Appointed Special Advocates.” As part of the state and national network of CASA programs, CASA for Clermont Kids targets kids of Southern Ohio who have been victims of abuse and neglect.

“A cause near and dear to my heart is CASA for Clermont Kids. Many of our rural communities have been destroyed by the opioid epidemic, meth, and alcohol abuse. The children have borne this burden and many times continue the cycle of abuse. We need to act now”, wrote frontman Ryan Malott. “We encourage you to donate at CASAforclermontkids.org or look up a similar program in your community. These programs are woefully underfunded and at risk. Every dollar helps.”

Keep scrolling to check out 500 Miles to Memphis’ newest single “I Want Mine” and be on the lookout for an interview with frontman Ryan Malott coming at you soon. Cheers!

https://distrokid.com/hyperfollow/500milestomemphis/i-want-mine

Post a Comment

Your email address will not be published. Required fields are marked *

DS Album Review: Frenzal Rhomb – “The Cup of Pestilence”

A wise band once said, “All we need is a punch in the face”. That’s exactly what Frenzal Rhomb provides with their latest effort The Cup of Pestilence. Australia’s finest pick up where they left off on Smoko at the Pet Food Factory and Hi Vis High Tea, ripping through 19 songs in 32 minutes. […]

A wise band once said, “All we need is a punch in the face”. That’s exactly what Frenzal Rhomb provides with their latest effort The Cup of Pestilence. Australia’s finest pick up where they left off on Smoko at the Pet Food Factory and Hi Vis High Tea, ripping through 19 songs in 32 minutes. A sonic punch in the face, if you will. The tone is set as the album opens with the lightning fast lead single “Where Drug Dealers Take Their Kids”, which is followed by the somehow even faster “Gone to the Dogs” (honestly, almost every song on this record is fast as fuck, so I’m gonna try to refrain from using that as a descriptor going forward).

“The Wreckage” proves Frenzal Rhomb is the only band that can write a love song with the word “cunt” sprinkled quite liberally throughout its lyrics (upon subsequent listens I’ve determined this is about a bromance, not a love song, but I’m too lazy to rephase this so fuck it). Other tracks like “Dead Man’s Underpants”, “Lil Dead$hit”, “Dog Tranquilizer”, and “I Think My Neighbour is Planning to Kill Me” provide a dose of the absurdist comic relief fans have always been able to expect from Frenzal. “Horse Meat” recounts the tale of a vegan who relapsed and “went from tofu salad straight to horse meat”, while “How to Make Gravox” pays tribute to the band’s favorite canned gravy product. It’s world-shaking stuff, if I’m being honest.

“Fireworks”, “Hospitality and Violence”, and “Finally I Can Get Arrested In This Town” power through the next stanza of The Cup of Pestilence with even more three part vocal harmonies and blues-on-speed guitar leads from The Doctor, backed by rapid fire drumming, courtesy of the fucken Metrognome Gordy Forman. All three songs are about a minute and 30 seconds long; blink and you’ll miss ’em. Most importantly, I believe “Those People” sets a new record for the number of times “cunt” has been used in a Frenzal Rhomb song, but who’s counting? Wait a second, I am! The word “cunt” is uttered approximately 22 times in this song. For comparison’s sake, “World’s Fuckedest Cunt” has a mere 13 cunts; “Cunt Act” closes the gap a bit with 18 cunts.

When it comes to its sonic qualities, The Cup of Pestilence pretty much sounds exactly the same as Frenzal Rhomb’s last two records. The band made the trek overseas to record in the friendly confines of The Blasting Room, where they previously recorded Smoko and Hi Vis, with Bill Stevenson once again handling production. All that’s really changed is they’ve got a new bassist in Michael Dallinger, but he’s been in the band going on four years now (and used to be in an excellent band named after Frenzal’s “Local Resident Failure”). Let me be clear, though: when I say this record sounds the same as the last two, that’s a good thing. Those records kicked ass. Unsurprisingly, this one kicks ass, too.

The one bone I’ll pick with The Cup of Pestilence (and I’m really grasping at the shortest of straws here) is it’s somewhat lacking in variety compared to Hi Vis High Tea. Of course, most of that album was blazing fast skate punk, but songs like “Beer and a Shot”, “The Black Prince”, “Messed Up”, and “Food Court” offered a refreshing change of pace and allowed you to take a breather between headbanging sessions on “Classic Pervert”, “Storage Unit Pill Press”, etc. Outside of “Deathbed Darren” and brief intros on “Old Mate Neck Tattoo” and the album closing “Thought It Was Yoga But It Was Ketamine”, The Cup of Pestilence does not afford you the same luxury. But I’m sure that’s what the people want, and in all likelihood Frenzal Rhomb based their decision to make a purely balls-to-the-wall record on extensive market research. Alas, I was not present at that board meeting.

Well, it’s time to give the album a score. Let’s go with 4 out of 5 Star Emojis ⭐⭐⭐⭐✰ That’s a nice round number, innit?

The Cup of Pestilence arrives April 7th on Fat Wreck Chords. Pre-order the record here (US), here (EU), or here (AUS).

Post a Comment

Your email address will not be published. Required fields are marked *

DS Staff Picks: Dylan’s Favorite Punk Albums, EPs & Things of March, 2023 (Presented by Punk Rock Radar)

Hello, and welcome to the March, 2023 edition of Dylan’s Favorite Punk Albums, EPs & Things! This is the column where I, Dylan (otherwise known as Screeching Bottlerocket), tell you what new punk rock albums, EPs, singles, etc. I enjoyed the most this month. March was jam-packed with new releases (especially in the last week), so […]

Hello, and welcome to the March, 2023 edition of Dylan’s Favorite Punk Albums, EPs & Things! This is the column where I, Dylan (otherwise known as Screeching Bottlerocket), tell you what new punk rock albums, EPs, singles, etc. I enjoyed the most this month. March was jam-packed with new releases (especially in the last week), so there’s no doubt some stuff I missed. Maybe we’ll circle back to some of the really good stuff that came out on the 31st in next month’s column.

This is a collaborative effort with our friends at Punk Rock Radar, with whom I’ll be doing a video version of this Best Of wrap-up each month. If you like discovering awesome new punk bands as much as I do, I highly recommend following Punk Rock Radar on Instagram and YouTube, and keeping tabs on their Upcoming Release Calendar.

Here’s our video for March (let us know what your favorite releases of the month were in the YouTube comments):

THOUSAND OAKS
On A Wing And A Prayer

Italian skate punks Thousand Oaks released a new album completely out of the blue and I ain’t complaining. On A Wing And A Prayer is their best album yet. If you like technical melodic skate punk like A Wilhelm Scream, This Is A Standoff, or Jet Market (these guys used to be in that band), this is a must listen. Sidebar: someone really needs to step up and put this shit out on vinyl. Incredible record.

BOUNCING SOULS
Ten Stories High

This new Bouncing Souls record is killer. I’ve probably listened to it 100 times since I got my review copy back in January (Wanna get super early access to bad ass new music? Hit us up and become a contributor!). I already wrote an album review for this and I don’t have much else to say beyond that. “True Believer Radio” is my favorite song on Ten Stories High.

BRIDGE THE GAP
Secret Kombinations

If you’ve even been kinda-sorta paying attention for the last few months, you’ve probably seen me post something about this album. I’ve run out of new things to say, so here’s an excerpt from my album review: “Bridge The Gap’s lineup is comprised of members of long defunct Salt Lake City punk band Unfold, in which they released an album over 20 years ago. When paired with the warchest of knowledge Bill Stevenson brings to the table, that past experience pays dividends on Secret Kombinations. Bridge The Gap put their spin on the skate punk conventions of yesteryear, and the end result is an ultra-polished record with laser focused musical direction.”

BAXTER
Between Punk and Bourgeois

German melodic punks Baxter have been around over 20 years, but I just recently discovered them with their new album Between Punk and Bourgeois. This is a fantastic record. Our friends at Punk Rock Radar are releasing it on cassette – get it here.

WEEKEND CIGARETTES
The Chosen One

Look, it’s another Italian band! Weekend Cigarettes remind me a lil bit of like Sum 41 meets Rise Against. The Chosen One is a really polished, well produced album. Check it out:

HARSH REALMS
CVLT

This one could have been on April’s list, but Shield Recordings put it out early. With their new album CVLT, Dutch punks Harsh Realms deliver 13 powerful, anthemic tracks that will be enjoyed by fans of The Menzingers, The Flatliners, Red City Radio, etc.

MELVIC CENTRE
Self-Titled

One of my favorite discoveries of the month is Newcastle, Australia’s Melvic Centre. This is a one-man punk band started by a kid named Will Mitchell. His self-titled debut album was recorded with Frenzal Rhomb singer Jason Whalley at his recording studio The Pet Food Factory. It’s kinda orgcore-ish, but also kinda skate-punk; there’s even a hardcore song! This dude is a versatile musician. Highly recommended listening.

MELONBALL
Breathe

I’d been looking forward to German melodic punk band Melonball’s debut album Breathe since I heard the first single “Sicker” back in January. So I was super stoked when Thousand Islands Records asked if I wanted to host the album’s exclusive premiere. Are you kidding me? Of course I did! The whole record is as good as that first single. If unrelentingly fast, aggressive skate punk is what you seek, Breathe is the album for you.

FAINTEST IDEA
The Road to Sedition

Seven years after the stellar Increasing the Minimum Rage, UK ska-punks Faintest Idea march on with their new album The Road to Sedition. This record delivers more of the hard and heavy, politically conscious skacore these guys are known for. This thing’s all killer, no filler, but if I had to pick a favorite song it would probably be “False Prophets”.

FAKE NEWS
Take Me Away

Here’s another one for my fellow technical skate punk fans: Australian melodic punks Fake News‘ new EP Take Me Away is a god damn banger. My only complaint is it’s not a full-length album! For more, check out their 2021 debut Everyday Warrior.

PRIMETIME FAILURE
Oxygen

Primetime Failure joins their countrymen Melonball and Harsh Realms as the third German band on this month’s list. Their new EP Oxygen has some their best songs yet. If you’re a fan of 90’s melodic punk and the “Epifat” sound, this shit’s right up your alley.

FLUFFIO
TV Generation

Toronto pop-punk band Fluffio’s debut EP TV Generation is a 4-song ripper with hints of Green Day and Blink 182 influence sprinkled throughout. What their sound reminds me of most is the Suicide Machines‘ poppier output. If that sounds like something you’d be into, check it out:

TOSKA FALL
A Little Advice

I’d never heard of Dutch punks Toska Fall before, but their new EP A Little Advice was a great introduction (especially the title track, that mofo’s a ripper). It’s also available on vinyl with the band’s last EP It Falls Apart on the B-Side; get that here (US), here (EU), or here (UK).

FRENZAL RHOMB
Thought It Was Yoga But It Was Ketamine

This is the second single from Frenzal’s long awaited new album The Cup of Pestilence, due out April 7th on Fat Wreck Chords. Spoiler: the rest of the record is even better than the singles.

FIGHTS
Serenity Now

Oslo, Norway’s Fights popped up on my radar with the release of their new single “Serenity Now”. I was immediately taken aback by their unique “boogiecore” sound, which fuses elements of hardcore punk and boogie rock. Shit’s super unique. Read Dying Scene’s Band Spotlight on them to learn more.

NOT
Alien

I’ve been hyping up Los Angeles pop-punk band NOT for months now. The project ft. members of Sharp/Shock & Mercy Music recorded an album of songs that recreate that distinct ALL / Descendents sound. Stop the World is due out April 7th on Wiretap Records, Brassneck Records, and Waterslide Records. “Alien” is my favorite track released so far from one of my most anticipated albums of 2023.

JUGHEAD’S REVENGE
I’ll Be Seeing You

SoCal punk veterans Jughead’s Revenge are gearing up to release their comeback EP Vultures, and our first taste is the blazing fast skate punk ripper “I’ll Be Seeing You”. Vultures releases May 5th on SBÄM Records. You guys are gonna love it.

PRIME DIRECTIVE
Reaper

Columbus punks Prime Directive‘s new single “Reaper” is a catchy horror punk track with a cool Graves-era Misfits kinda feel. The music video’s pretty fuckin’ sweet, too.

MERCY MUSIC
Love You / Need You

Hey! These guys are in that band NOT that we discussed earlier. Well, Mercy Music is their main band and they have a new record called What You Stand To Lose coming June 30th on SBÄM Records. This first single “Love You / Need You” is excellent and has that newer Flatliners kinda feel. I really like it. I pre-ordered the record, have you? Also worth noting they’re on tour right now with Unwritten Law and Authority Zero.

LONG DISTANCE
What You Want

We talked about these Aussie newcomers last month when they dropped their first single “Left for Dead“. That was a super fast skate punk song, this new one has more of an early 2000’s Blink vibe (just listen to the guitars). Really looking forward to their debut EP.

That concludes the March installment of the column. Thanks for checking it out! Keep your eyes glued to Dying Scene for all things punk rock and follow our friends Punk Rock Radar on Instagram, YouTube, etc. and be sure to join us again for the April edition! Like I said, a lot of good shit snuck in on the last day of March, so we’ll probably circle back to some of that in the next column.

Here’s a Spotify playlist with songs from all the releases featured in Dying Scene & Punk Rock Radar’s Best of 2023 series so far:

Post a Comment

Your email address will not be published. Required fields are marked *

DS Exclusive: Jason Cruz and Howl debut new track “Swallow” from upcoming album “Wolves”

I don’t know about you, comrades, but we here at the Dying Scene corporate office are pretty stoked about the upcoming new Jason Cruz and Howl album, Wolves, which is due out this Friday. We’re so fired up, in fact, that we’re bringing you yet another debut from the album! This time, it’s for the […]

I don’t know about you, comrades, but we here at the Dying Scene corporate office are pretty stoked about the upcoming new Jason Cruz and Howl album, Wolves, which is due out this Friday. We’re so fired up, in fact, that we’re bringing you yet another debut from the album! This time, it’s for the track “Swallow.” Here’s what Mr. Cruz himself had to say about the album opener:

Very moody beginning to the record. Song begins simple and stark and blossoms into a dark deep synth rock hammer. Some of my favorite lyrics are in this song.

In case you missed our premiere of the video for the track “Good Hands” back in January, here’s what Mr. Cruz had to say about Wolves as an album.

This record was born of loss. Before the pandemic, I had lost my best friend and bass player, Chris Stein, to cancer. It took me years to start writing a new Howl record again. This new record is a reflection of me not being afraid anymore. I’ve always tried to be that way when it comes to art and music, but with Wolves I felt freer than I ever had before and just embraced it. This album is a reminder nothing ever really dies; it just turns into something else. Sometimes pain can help fuel you creatively, and in turn, guide you out of the darkness. Wolves is a record of healing, taking chances, and a new beginning.”

Wolves is out this coming Friday (April 7th) under Cruz’s new deal with Liars Club, the new label formed by the inimitable Amigo The Devil and indie powerhouse Regime Music Group. Check out “Swallow” below!

Post a Comment

Your email address will not be published. Required fields are marked *

DS News: Frenzal Rhomb auctioning test pressing of new album “The Cup of Pestilence” for charity

Australian punk veterans Frenzal Rhomb are auctioning off a test pressing of their new album The Cup of Pestilence, with proceeds going to charitable causes in Minus18 and the Illawarra Shoalhaven Gender Alliance. Bidding on the eBay auction has already cleared $1,000 Australian Dollars, and there’s still 9 days to go! Here’s what guitarist Frenzal Rhomb […]

Australian punk veterans Frenzal Rhomb are auctioning off a test pressing of their new album The Cup of Pestilence, with proceeds going to charitable causes in Minus18 and the Illawarra Shoalhaven Gender Alliance. Bidding on the eBay auction has already cleared $1,000 Australian Dollars, and there’s still 9 days to go!

Here’s what guitarist Frenzal Rhomb guitarist Lindsay McDougal had to say about the auction, which also includes chord charts from the recording of the album as well as one of his guitar straps:

“Hi! Lindsay from Frenzal Rhomb here. Our new album The Cup Of Pestilence is out soon (or is out now), and you can own an official test pressing, cut at Zenith Records. I’ve only played it once, at work, to make sure it sounds right, and it sounds RIGHT!

And if you wanna play along to all the songs on your guitar or piano accordion, I’m also chucking in the cheat sheets I wrote out for recording the album. Every song (including a couple that didn’t make the cut) written out in my weird chords and notes format, that I was sneakily peeking at constantly at the Blasting Room. You’ll be smashing out those four and a half chords in no time!

I’ve also kept all the Dunlop Tortex .88mm guitar picks I used on this record. You can have them! Every note came outta these, every pickslide engraved into them. (warning: Some may have been used to play smooth 80s music also)

You can also have this torn guitar strap. I broke it playing a Steely Dan song, not any Frenzal, but it’ll make you look cool, and I don’t need it anymore.

ALSO – all the money from this auction is getting split between Minus 18 and Illawarra Shoalhaven Gender Alliance. Trans and gender-diverse people have been having a crap time lately, and these two organizations are doing excellent work to help good people who just wanna live their lives.”

If you’d like to bid on the eBay auction, you can do so here. If you’d like to donate directly to the charities, here are their respective donation pages: Minus18 / Illawarra Shoalhaven Gender Alliance.

Frenzal Rhomb’s new album The Cup of Pestilence is due out April 7th on Fat Wreck Chords. Pre-order the record here (US), here (EU), or here (AUS). Check out the singles “Where Drug Dealers Take Their Kids” and “Thought It Was Yoga But It Was Ketamine“.

Post a Comment

Your email address will not be published. Required fields are marked *