DS Staff Picks: Dylan’s Favorite Punk Albums, EPs & Things of February, 2023 (Presented by Punk Rock Radar)

Hello, and welcome to the February, 2023 edition of Dylan’s Favorite Punk Albums, EPs & Things! This is the column where I, Dylan (otherwise known as Screeching Bottlerocket), tell you what new punk rock albums, EPs, singles, etc. I enjoyed the most this month. I’m happy to announce that starting this month, this will be […]

Hello, and welcome to the February, 2023 edition of Dylan’s Favorite Punk Albums, EPs & Things! This is the column where I, Dylan (otherwise known as Screeching Bottlerocket), tell you what new punk rock albums, EPs, singles, etc. I enjoyed the most this month. I’m happy to announce that starting this month, this will be a collaborative effort with our friends at Punk Rock Radar. If you like discovering awesome new punk bands as much as I do, I highly recommend following them on Instagram and YouTube.

All that’s changing (aside from the spiffy new few graphics) is John from Punk Rock Radar and I will be doing a podcast-style video where we’ll talk about all my picks included in the written column, as well as his favorite releases every month. In other words, that means even more awesome new punk rock for all you awesome people to enjoy!

Here’s our video for February (let us know what your favorite releases of the month were in the YouTube comments):

(THE) RIMMINGTONS
Rocket to Rimtown

I’m a sucker for a good Ramonescore record, and this debut LP from Sydney, Australia’s Rimmingtons is a really fucking good Ramonescore record. Check out Rocket to Rimtown below and grab it on beautiful colored vinyl here (US) or here (AUS).

HELLAPHANT
Crumble and Rise

I learned a long time ago not to judge a band by its name, folks. Ontario’s Hellaphant is the latest awesome band I discovered thanks to my strict adherence to that rule. If you’re into hooky pop-punk, their new album Crumble and Rise is required listening. Hit ’em up on Bandcamp to get the album on LP, cassette, etc.

WRONG LIFE
Self-Titled LP

I’m a longtime fan of Fraser Murderburger’s work and his latest project Wrong Life is absolutely not an exception. I really enjoyed the band’s first two EPs that culminated in 2022’s Early Workings of an Idea. This new self-titled is another step up when it comes to songwriting and production quality. These are some of the most sincere songs Fraser has ever put out. “The Quartermile” is probably my favorite track, but “Living in the Key of Hope” is a close second since we got to host the exclusive premiere for its music video. Listen below, buy the record here (US) or here (UK) / CD, cassette & digital available here.

EMPIRE ME
I’m Out

Our next stop on this punk rock trip around the globe is Germany, where we are greeted by Empire Me. These guys have been around for a decade, but this is the first time I’m hearing of them. The band brings the heat on their debut full-length I’m Out. This is an excellent melodic punk album; it reminds me a lot of another great band whose name I can’t remember right now. Download it for $5 on Bandcamp.

FAT HEAVEN
Trash Life

So I guess Fat Heaven‘s new record isn’t really a “new record”, it’s a compilation album of previously released EP tracks… but there’s four new songs, too! Anyway, I hadn’t heard of these guys before their music video for “Quarter Life Crisis” caught my eye while doom scrolling Instagram at 3am. Trash Life is a great introduction to this super fun Brooklyn pop-punk band. Listen below and get it on colored vinyl here.

WHEN THE WALLS FELL
Build Back Better

When The Walls Fell is one of many bands John from Punk Rock Radar introduced me to this month. Perhaps you saw our Band Spotlight on them? Build Back Better is the second full-length album from this “transatlantic punk band” with members in New York and Poole, England. It’s very good! The guitar playing is great (actually, it’s very intimidating to me as a mediocre guitar player). Name your price for this one on Bandcamp.

SCREECHING WEASEL
Anthem for a New Tomorrow (30th Anniversary Reissue)

Alright this one probably don’t count, but I don’t give a fuck, I’m counting it. Anthem for a New Tomorrow is my favorite Screeching Weasel album (and one of the greatest pop-punk records of all time in my humble opinion). Mike Kennerty and the gang put a shiny new coat of paint on this beast and, though it may seem sacrilegious, I like it a lot. Check out my review.

BARGAIN BIN HEROES
Waiting for so Long

I’m letting my Floridian bias show here, but I can’t help it. There’s something about Florida and ska that just works. The songs on Fort Myers ska-punks Bargain Bin Heroes‘ new EP Waiting for so Long are their best yet. If you’re a Less Than Jake enjoyer, you’ll like these guys. They actually just played with LTJ at the Culture Room in Ft. Lauderdale; hopefully everyone showed up early and skanked it up for Bargain Bin Heroes!

SPRAINER
Can’t Fix Everything

It’s awesome when music grabs you right from the get-go. Something about this debut EP from Peterborough, England’s Sprainer just clicked with me. I love it and can’t wait to hear more from these guys (blokes?). Listen below, buy it here.

STRUM 101
Trial and Error

Mixing skate punk and ska is something you’ve gotta be real fucking good to pull off. Finland’s Strum 101 is real fucking good. Their new EP Trial and Error is excellent and inspired me to go back and check out their back catalog, and you know what? That stuff’s real fucking good, too! Check ’em out, all their shit’s on Bandcamp.

FRENZAL RHOMB
“Where Drug Dealers Take Their Kids”

Frenzal Rhomb is coming off two of the best albums in their illustrious career. Does The Cup of Pestilence have what it takes to top those records? Of course it does! How dare you question Frenzal’s excellence. This lead single is killer, I can’t wait to hear more.

FAKE NEWS
“Rise & Fall”

Before we leave Australia, let’s take a moment to appreciate this new song from Frenzal Rhomb’s countrymen in Fake News. These guys are a great up-and-coming band that needs to be on your radar if you like skate punk as much as I do. “Rise & Fall” is the second single from their upcoming EP Take Me Away. Check out the music video below and keep an eye out for that EP.

FAINTEST IDEA
“Kill Em Dead”

This list needs some more ska, and our Bri’ish friends Faintest Idea are the right band for the job. “Kill Em Dead” is from their long-awaited new album The Road to Sedition, due out March 31st on TNS Records and Jump Start Records. Recommended listening if you’re into harder edged ska-punk like the Suicide Machines.

BRIDGE THE GAP
“Road Less Traveled” & “Over The Target”

February saw the release of two new singles from the hottest new band in skate punk: Bridge The Gap. Their highly anticipated debut LP Secret Kombinations was recorded with Bill Stevenson at The Blasting Room. All the singles have been top notch; the hype is deserved. Check out the tracks below and pre-order the record here.

LONG DISTANCE
“Left for Dead”

And back to Australia we go! Newcastle’s Long Distance make a very good first impression with their debut single “Left for Dead”. These skate punk (are you sensing a theme here?) newcomers have a bit of a poppy slant that I enjoy. Check ’em out and stay tuned for their second single “What You Want” and eventual debut EP.

OMNIGONE
“Against the Rest”

Skate punk and ska: that’s apparently all I fucking listen to. Anyway, here’s another ska song. It’s the first single off Omnigone‘s new album Against the Rest, which is due out March 31st on the ska powerhouse that is Bad Time Records. Two former members of Link 80 are in this East Bay ska-core band, and if you like Link 80 (or Against All Authority, Voodoo Glow Skulls, or any other hardcore-infused ska bands), I can say with full confidence you will like these guys. Music video down there, pre-order over here.

DEAD ALRIGHT
“Parasites”

Alright, now that our monthly ska quota has been met, time for some more skate punk! I’ve been pimping this (one man) band out for a few months now and I’m not stopping any time soon. Montreal’s Dead Alright is dropping new singles all the time. The latest one “Parasites” is a great song. Listen to it below and stay tuned for more on their debut album; release date TBA on Thousand Islands Records.

DEB CEMETARY
“Let’s Murderlize ‘Em!”

Look, it’s another Canadian skate punk band on Thousand Islands Records! I promise they’re not paying me to heap praise on their bands, that label just puts out really good shit. Debt Cemetary‘s new single is awesome! I think it’s time these guys released an album, eh? Fun fact: the singer from this band makes a guest appearance on that Dead Alright song I just talked about.

RED ATLANTA
“Reaching Out”

Baton Rouge, Louisiana’s Red Atlanta reminds me a lot of early 2000’s pop-punk but faster and with really cool lead guitar parts. Their new single “Reaching Out” has a kinda Slick Shoes-ish vibe. Check it out and if you like it, go back and listen to the band’s 2019 debut album Unsettled. Also keep an eye out for a next album coming soon.

MAKING FRIENDS
“Damage Control”

Brighton, England’s Making Friends are either named after a No Use For A Name album or a Lagwagon song, so that should give you a good idea of what their music sounds like. They just put out a great new single called “Damage Control”. Check out the music video for it below and stay tuned for more on the band’s upcoming album.

In case you didn’t already see it (and actually give a shit), I posted a list of my Top 10 favorite punk albums of all time. It’s hardly a definitive list, most of the shit’s from the 90’s and later. I guess if you want a better idea of the kinda shit I’m into, this is a good way to find out! Check out my list here.

February was a busy month for the Dying Scene Record Radar! The biggest announcement in the world of punk rock vinyl was probably the 25th Anniversary reissue of ALL‘s Mass Nerder. I got my copy (actually I bought two variants because I have no self control), did you? Go here for more info on where to send your money.

Have you checked out the awesome interview Dying Scene’s Jason Stone did with Jason White of Green Day, Pinhead Gunpowder, The Influents & a million other bands??? Stop what you’re doing and check that shit out, it’s awesome! Read the interview here.

That concludes the February installment of the column. Thanks for checking it out! Keep your eyes glued to Dying Scene for all things punk rock and follow our friends Punk Rock Radar on Instagram, YouTube, etc. And be sure to join us again for the March edition; it’s already shaping up to be a killer month for new releases!

Here’s a Spotify playlist with songs from all the releases featured in Dying Scene & Punk Rock Radar’s Best of 2023 series so far:

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DS Record Radar: Free from Victory Records’ clutches, Streetlight Manifesto reissuing their albums on vinyl

New Jersey ska-punk veterans Streetlight Manifesto are independently releasing colored vinyl reissues of all their full-length albums, except the re-record Keasbey Nights. Everything Went Numb, Somewhere In The Between, 99 Songs Of Revolution: Volume 1, and The Hands That Thieve are all available on white colored vinyl on the band’s webstore. You can get them […]

New Jersey ska-punk veterans Streetlight Manifesto are independently releasing colored vinyl reissues of all their full-length albums, except the re-record Keasbey Nights. Everything Went Numb, Somewhere In The Between, 99 Songs Of Revolution: Volume 1, and The Hands That Thieve are all available on white colored vinyl on the band’s webstore. You can get them separately, or in a bundle with all four records.

They’ve also repressed Bandits of the Acoustic Revolution’s A Call To Arms EP for the first time in seven years. That’s available here.

You may recall that Streetlight Manifesto went through a very long, public legal battle with Victory Records over the rights to their master recordings. In 2017, the label relented and agreed to sell the masters to the band, enabling them to reissue these records through their own label Pentimento Music Company.

Streetlight last released The Hands That Thieve in 2013. They teased plans for a new album a few years back, promising to “release this behemoth of a record sometime in 2022”. So far nothing has come of that, but we’ll keep you posted if that changes.

For a weekly rundown of all things punk rock vinyl, check out the Dying Scene Record Radar every weekend!

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DS News: Dicky Barrett to release album with new band The Defiant (members of The Offspring, Street Dogs, etc.)

Mighty Mighty Bosstones singer Dicky Barrett has started a new band called The Defiant. Other members include ex-Offspring drummer Pete Parada, longtime Street Dogs bassist Johnny Rioux, original Smash Mouth guitarist Greg Camp, and The Briggs frontman Joey Briggs. They’ve finished recording a 12-song debut album and plan to release it later this year. The […]

Mighty Mighty Bosstones singer Dicky Barrett has started a new band called The Defiant. Other members include ex-Offspring drummer Pete Parada, longtime Street Dogs bassist Johnny Rioux, original Smash Mouth guitarist Greg Camp, and The Briggs frontman Joey Briggs. They’ve finished recording a 12-song debut album and plan to release it later this year. The band also posted teasers for two tracks, “Everybody Loves Me” and “No Nothing”, which you can check out below.

Barrett had the following to say about the new project:

“All I’ve ever really wanted to do is bring people together and share a message of peace, love, and unity. With that in mind, the music created by The Defiant could very well be some of the best I’ve ever had a hand in making, as well as one of the most important and thoughtful musical experiences of my career. I am thrilled to be a part of it.”

This will be Dicky Barrett’s first new music since the Bosstones broke up in early 2022, shortly after the release of their last album When God Was Great. After months of speculation regarding the band’s demise, the singer revealed in a recent interview that the breakup was due in part to his refusal to get the COVID-19 vaccine. Pete Parada was fired by The Offspring under similar circumstances.

According to the band’s website, The Defiant plan on touring following their debut album’s release. We’ll keep you posted as we find out more.

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I Hate The Night
  1. The drummer of The Defiant , Peter Parada , plays in Tim Pool’s lame emo incel band. The Defiant claims just to be anti-vax, but they associate with Tim Pool —a racist, homophobic, misogynistic, right-winger. This is everything The Clash sang against (and I’m pretty sure the Street Dogs too?).
    And I came with receipts:

    Tim Pool being racist: http://www.youtube.com/watch?v=lVJOZJkkwOs
    Tim Pool being fascist: http://www.youtube.com/watch?v=MTg5Zo799N0
    Tim Pool being transphobic: http://www.rollingstone.com/politics/politics-news/trump-ex-lawyer-jenna-ellis-colorado-victims-1234636445/

    I’m sorry there are enough drummers in the world that you don’t have to use one who helps out a dangerous fascist homophobe. I was a fan of the Street Dogs back in the day because I thought they were pro-human, sad to see Johnny Rioux, Joey LaRocca, and Dicky Barrett work creatively with fascist Pete Parada and the guy from Smash Mouth — Joe Strummer is looking down from heaven gagging.

    “All over people changing their votes
    Along with their overcoats
    If Adolf Hitler flew in today
    They’d send a limousine anyway”

    -The Clash “White Man in Hammersmith Palais”

    • Find a good psychologist. Or maybe a proctologist.

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DS Band Spotlight: Norwegian punk band Fights fuses hardcore and boogie rock

If you’re looking for some unique punk rock to check out, it doesn’t get much more unique than Oslo, Norway’s Fights. I stumbled upon this Norwegian “boogiecore” (that’s the term they’ve coined to describe their fusing of hardcore and boogie rock) band and their new single “Serenity Now”, and I was instantly hooked. I went […]

If you’re looking for some unique punk rock to check out, it doesn’t get much more unique than Oslo, Norway’s Fights. I stumbled upon this Norwegian “boogiecore” (that’s the term they’ve coined to describe their fusing of hardcore and boogie rock) band and their new single “Serenity Now”, and I was instantly hooked. I went back and listened to the long line of singles they’ve released over the last few years, and they’re all fucking awesome. Their singer’s got a cool scratchy, screaming vocal delivery, the drums are driving and give the songs a real adrenalized feel, and there’s a bunch of fuzz on the guitars and bass. Most of the songs have bad ass guitar solos and other experimental shit going on, too. Overall it really sounds like these guys have their shit figured out and know exactly what kinda sound they’re going for. Check out a few tracks below and find more on Spotify. I think they may have an album in the works, too, so be on the lookout for that.

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DS Show Review & Gallery: Bayside, I Am The Avalanche, and Koyo at Metro in Chicago (02.26.2022)

Bayside returned to Chicago to perform a headlining show at the legendary Metro Chicago. It also was my return to the venue just blocks from Wrigley Field after not covering a show there for at least a couple of years now. I was as glad to be back at the Metro, which just celebrated its […]

Bayside returned to Chicago to perform a headlining show at the legendary Metro Chicago. It also was my return to the venue just blocks from Wrigley Field after not covering a show there for at least a couple of years now. I was as glad to be back at the Metro, which just celebrated its 40th Anniversary, to document the show as Bayside fans were to be watching it. Bayside, currently on its “Just Like Home” tour, had strong support on the bill from fellow Empire Staters Koyo opening and I Am The Avalanche in the middle spot. It all added up a fun Sunday night.


Bayside, founded in the Queens/Long Island area, made a stop at one of its favorite U.S. venues. Frontman Anthony Ranieri told the crowd that they should play all of their shows at the Metro, even the out-of-state ones. With its large stage, intimate size floor space, and a balcony affording a great view, it’s no wonder both musicians and fans love the Chicago icon. Ranieri, who made a brief appearance during the I Am The Avalanche set led his bandmates through a rip-roaring performance. The set was jam-packed with some of Bayside’s very best songs, including, “Sick, Sick, Sick,” “How To Ruin Everything (Patience),” “Already Gone,” “Duality,” “Hate Me,” and “Go To Hell.” The band also performed a cover of Smoking Popes’ “Megan.” At one point, I Am The Avalanche singer Vinnie Caruana bounded on stage to join Bayside for a tune, just as Anthony Ranieri ran on to stage during the IATA’s set to hug and sing with his tour mate. Bayside appeared to be having a blast on this tour. For the fans, including some who traveled from as far as California, to see the band live, there is little doubt they could feel it and experience that feeling as well.


Once Brooklyn, NY’s I Am The Avalanche, blasted onto the stage, hardly a breath was taken. Its powerful set included “I Took A Beating,” “Amsterdam,” “Green Eyes,” “The Shape I’m In,” and “177.” The highlight was easily a rousing edition of “Brooklyn Dodgers,” the band’s wistful ode to its hometown and the people from it.


Koyo is also from Long Island, as am I, born and raised. Though I haven’t lived on the Island for many years, I still put that down as a point in the band’s favor. However, not much help was needed in scoring Koyo. A muscular performance start to finish, the group drove through “Moriches,” “A Song For Anthony,” “Fifty First Dates,” “Straight North,” and “Ten Digits Away.” Koyo provided a pretty strong kick-off to a very fun evening.


Please check out more photos from the show below!


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DS Record Radar: This Week in Punk Vinyl (NOFX, Mad Caddies, Osker & more)

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is a weekly column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. And it seems like I say this every week, but I think […]

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is a weekly column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. And it seems like I say this every week, but I think this is actually the biggest installment of the Record Radar so far. It’s fucking yuuuuugeee!!! Kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, because it’s go time. Let’s get into it!

Alright, lots of NOFX shit this week. Too much, honestly. Up first is this new variant of Eating Lamb (otherwise known as Heavy Petting Zoo). They pressed 2,000 copies(!!!) on “Ruby/Baby Blue” colored vinyl. Grab a copy here.

Epitaph also made 2,000 of these “Apple/Baby Blue” colored Pump Up the Valuum LPs, which you can purchase here. Boy oh boy are they milking you NOFX variant collectors, or what?

More NOFX!!! A few months ago, these 3xLP live records for the band’s final shows in Barcelona and Austria were announced. The art and color variants for these have finally been revealed… so I guess if you were on the fence about paying for live albums that haven’t been recorded yet, maybe this will sway you? Yes? No? Maybe so? I don’t know. Buy ’em here (Barcelona record) and here (Austria record).

Alright, from this point forward, no more NOFX. I pinky promise. Hey, look! It’s the Mad Caddies. You guys like the Mad Caddies, right? 2001’s Rock the Plank gets its first-ever colored vinyl release. Fat repressed it on black vinyl, too, if you don’t care about colors but want this record. Get yours here, they’re going fast.

If you haven’t heard of The Mopes, the band was fronted by Dan Vapid and also included his Screeching Weasel / Queers bandmates Jughead, B-Face, and Dan Lumley. Lookout! Records released their debut EP Lowdown, Two-Bit Sidewinder! on CD in 1998. 25 years later, Radiation Records is releasing it on vinyl for the first time. Pre-order here if you’re in Europe / Sounds Rad is distributing the record in the US, you can call “dibs” on it here.

Radiation Records is also releasing a 25th anniversary reissue of Italian pop-punk band Retarded’s debut LP. If you’re into Ramonescore, these guys are pretty fuckin’ tight and they’re still kicking. And just look at that color variant! Get the record here.

There certainly isn’t a shortage of reissues and repressings this week. Osker‘s debut album Treatment 5 gets its first new pressing in over 20 years thanks to our Spanish friends La Agonía de Vivir. Colored vinyl already sold out, but you can still get it on black wax here.

Here’s another one from La Agonía de Vivir: 22 Jacks’ debut album Uncle Bob gets released on vinyl for the first time, 25 years after it was brought into this god forsaken world. Steve Soto and Scott Shiflett played in this band, in case you weren’t aware. Buy the record here!

We covered this earlier in the week, but maybe you missed it so I’ll circle back. ALL’s 1998 classic Mass Nerder is getting a 25th Anniversary reissue. There’s a shitload of retailer-specific color variants, so I’ll just direct you to this post where I’ve aggregated links to all the places you can get all of them.

And since we’re already on the subject, have you pre-ordered the new NOT record? I did! These guys started a band for the sole purpose of writing songs that sound like ALL / Descendents songs that haven’t been written yet. And yes, it is as fun as it sounds. Their debut album Stop the World is out April 14th on Wiretap Records, Brassneck Records, and Waterslide Records. Check out the awesome new single “Alien” below and pre-order the LP here (US) or here (UK).

The Briefs‘ sophomore album Off the Charts is getting a 20th Anniversary(?) reissue. It’s been remastered and has two bonus tracks tacked on the B-Side. There are three color variants and they’re all pretty limited. You can get your hands on all of them here.

We Are The Union‘s 2018 LP Self Care is back in print thanks to the friendly people at Bad Time Records. There are a few variants of this one – BTR has some on their webstore and there’s another one that’s only available on Bandcamp. There’s also a “Royal Blue” indie variant / band version; not sure where you’re gonna find that one.

And putting a bow on this week’s massive Record Radar is a new pressing of NYC ska legends The Slackers‘ 1998 album The Question from the fine folks at Pirates Press Records. They pressed 1,000 copies on “Electric Blue & Doublemint Galaxy” colored vinyl, and another thousand on black wax. And I gotta say, $25.99 for a double LP in this economy is a pretty fuckin’ good deal, too. Get it here.

RECORD OF THE WEEK!!!

This week’s Record of the Week comes from a newer band that I’ve been really stoked on lately. Winnipeg skate punks One of Us caught me by surprise with their incredible debut album back in January. It seems like a lot of other people like it as much as I do, because the first pressing sold out really fast. The good news for those who slept on this record is that Melodic Punk Style recognized the demand and is issuing a second pressing of this beast. Check it out below and pre-order the LP here.

And that’s all, folks! Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, leave us a comment below, or send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs. See ya next week!

Wanna catch up on all of our Record Radar posts? Click here and you’ll be taken to a page with all the past entries in the column. Magic!

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DS Photo Gallery: Tales from a sold-out Brian Fallon show (w/Dentist) from Crossroads in Garwood, New Jersey

For the better part of a decade now, Brian Fallon has played a handful of annual sold-out shows at Crossroads in the small New Jersey hamlet of Garwood. It’s not quite accurate to call them “hometown” shows, as Fallon doesn’t live in Garwood, although I’m fairly convinced that only like twelve people ACTUALLY live in […]

For the better part of a decade now, Brian Fallon has played a handful of annual sold-out shows at Crossroads in the small New Jersey hamlet of Garwood. It’s not quite accurate to call them “hometown” shows, as Fallon doesn’t live in Garwood, although I’m fairly convinced that only like twelve people ACTUALLY live in Garwood (seriously, when I tell all my Jersey native but non-punk-scene friends that I travel to Garwood for shows, they unanimously say “there’s a place called Garwood?”) and it’s still north-central Jersey so it’s close enough. The shows sell out in virtually no time and it becomes a bit of an annual thing for people to take in two and three (and sometimes four) shows and it feels a little like catching Springsteen at the Stone Pony only for this generation. And while I’ve been traveling from Massachusetts to the aforementioned Crossroads (my favorite place to see shows) for years and while I’ve been seeing Fallon – both solo and with Gaslight Anthem – for even longer, this was the first time the two halves of that Venn Diagram overlapped in the middle.


Asbury Park trio Dentist kicked off the evening’s festivities in fine form. Dentist are a super fun band whose music is as catchy and enjoyable as it is hard to pin down thematically. It’s not quite power-pop and not quite surf-punk and not quite mainstream indie rock and yet it’s somehow kind of all of those things. Bright, jangly guitar lines and infectious basslines and pounding, ass-shaking drums all laying a foundation for Emily Bornemann’s airy, ethereal vocals. Super great band and I’m super glad I finally saw them.


That brings us to story time with Brian. Though Fallon puts together a different dozen-song playlist for each of the four shows on this “run,” there’s an overwhelming air of spontaneity involved. This night’s set kicked off with “Long Drives” from his 2016 solo debut album, Painkillers. Although, in fairness, it started with probably 7/8 minutes of off-the-cuff chatting about the evening and about his weekend and about whatever else before the music kicked in. But that’s part of a Brian Fallon show, and especially part of a Brian Fallon show in Jersey and ESPECIALLY a Brian Fallon show at Crossroads with Andy Diamond and all other manner of local friends and family in the building. It’s loosely-structured and generally humourous and always makes for an endearing and unique show.


From there, the setlist stayed pretty heavy on Painkillers tracks – 7 of the evening’s twelve songs, to be exact – including the title track and dueling gut punch songs that are “Red Lights” and show-closer “Smoke.” There were of course a few Gaslight staples; “Mae” and “Blue Jeans & White T-Shirts” and “Here’s Looking At You, Kid” – sprinkled in, the latter of which was preceded by a story about catching up years later via social media with “Gail’s” real-life sister. There was also a Horrible Crowes song (“Black Betty And The Moon”) for good measure. There was also a pretty funny retelling of a classic scene from the criminally underrated mockumentary Walk Hard: The Dewey Cox Story.


Check out more pictures from both sets below, and honestly, if you’ve ever been toying with the idea of making the trek down to the Crossroads for one of Fallon’s annual hometown throwdown, just do it. Tell ’em the King of Massachusetts sent ya. You’ll be glad you did.

Brian Fallon Slideshow

Dentist Slideshow

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DS Review: Grade 2 reignite old-school punk rock vibes on self-titled full length

I have got a bit of a confession to make: the further away I get from my 40th birthday, the further away I seem to be drifting from my “punk rock” roots. It’s not that I don’t like or appreciate the music or the message at this point; quite the opposite, in fact. It’s just […]

I have got a bit of a confession to make: the further away I get from my 40th birthday, the further away I seem to be drifting from my “punk rock” roots. It’s not that I don’t like or appreciate the music or the message at this point; quite the opposite, in fact. It’s just that I think as the old internal time signature slows down a bit, so too does the music that I find myself gravitating to or seeking out.

But every once in a while, an album or a band (more often than not from the UK) comes along and grabs me by the ears and shakes my brain a little bit and reminds me about all of the things that got me into listening to this music in the first place thirty-whatever years ago. The snarl, the aggression, the being fed up with the current state of the world and your place in it, and the rallying cry for uniting us toward something better.

Enter Grade 2. The trio from the Isle of Wight are just about to celebrate their tenth anniversary and recently released their fourth studio full-length (a self-titled one, naturally) via Hellcat Records. The album somehow has sounds that are both modern and throwback, and it finds the fellas right at the peak of their A-game.

Grade 2 comes out swinging with “Judgement Day.” The frenetic drum and bass-heavy intro is what initially grabs your attention before the almost psychobilly-sounding guitar riff joins, creating a groove that is perfect for both shaking your ass in celebration and shaking your fist in protest. The song checks in at a tidy ninety-three seconds, which gives it a feel that it’s almost over before it starts, yet also serves as a perfect place-setter for what’s to come over the next thirty-four minutes.

When Grade 2 the album is at its best, it finds Grade 2 the band occupying a sort of hybrid style of punk rock. There’s the swagger and camaraderie and gang vocals of classic UK punk bands like Cock Sparrer or The Buzzcocks but through the rhythmic filter of classic 90s East Bay punk bands. The album is a solid mix of rapid-fire sub-two-minute bangers and stretched-out, more melodic tracks that wouldn’t be out of place on a certain series of skateboard-legend-inspired video games. “Doing Time” is a blistering paean to leaving behind the monotony of the day job life.

Personal favorites include the back-to-back “Gaslight” – a middle-finger to corporate profiteers and political hucksters, common themes on both sides of “the Pond” – and “Don’t Stand Alone,” a classic pop-punk tale of unity and trying to look out for those who feel isolated or left behind. Album closer “Bottom Shelf” is another scorcher lead by another nimble-fingered Sid Ryan bassline, a regret-filled ode to life in sketchy barroom corners. Ryan and his bandmates Jack Chatfield (guitar) and Jacob Hull (drums) have got talent and energy and musical chemistry in droves and it’s as apparent on Grade 2 as it has ever been; they might be only in their mid-twenties (oh God, now I’m back to feeling old) but a decade of plying their trade and focusing their energies creates a modern sound that’s well beyond their years.

At some level, it’s disheartening to know that some of the themes of isolation and frustration and anger at the ruling classes are just as prevalent and poignant now as they have been at any point in any of the previous generations across the nearly five full decades since punk rock burst onto the scene middle-fingers first. However, it’s refreshing to know that there are still trios like Grade 2 snarling at the bit to keep the fires lit and modernize the sound and the message.


  1. Amazing album. These boys are going to the top.

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DS News: Vandoliers to auction off stage-worn dresses to raise money for Knox Pride and Tennessee Equality Project

Well this is one of my favorite stories of the year that is 2023. As you probably know, the government in the State of Tennessee, which still somehow operates as though it’s the 1830s, passed a first-of-its-kind bill that restricts public performances of entertainers in drag. In a gigantic “Fuck You” to Tennessee Governor Bill […]

Well this is one of my favorite stories of the year that is 2023. As you probably know, the government in the State of Tennessee, which still somehow operates as though it’s the 1830s, passed a first-of-its-kind bill that restricts public performances of entertainers in drag. In a gigantic “Fuck You” to Tennessee Governor Bill Lee and the lawmakers who signed the terrible, harmful act into law, your favorite punk band’s favorite country band Vandoliers took to the stage in dresses for their Thursday evening show in Maryville, Tennessee.

Now, in an effort to raise funds for Knox Pride and the Tennessee Equality Project, a pair of kick-ass organizations working in the trenches to support the LGBTQ+ community in The Volunteer State, the band are auctioning off the stage-worn dresses they wore for that noteworthy Maryville throwdown. The auction goes live at Noon Central on Saturday, 3/4/23, and stays open for 48 hours. Winning bidders will be contacted Monday 3/6/23. The band will make separate Instagram posts with auction details for each of the six dresses. Bookmark this link and stay tuned tomorrow. Happy bidding!

Photo credit on featured image: Rachel Dodd-Curry.

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DS Photo Gallery: Viagra Boys w/The Steens – The Salt Shed, Chicago IL (2/24/23) 

The Viagra Boys rocked and sold out Chicago’s newest indoor/outdoor music venue, The Salt Shed, as part of their 2023 US tour. The facility once housed- you guessed it- salt for the Morton Salt company. The factory operations stopped in 2015 and eventually work began to transform it into an iconic music venue and community […]

The Viagra Boys rocked and sold out Chicago’s newest indoor/outdoor music venue, The Salt Shed, as part of their 2023 US tour.


The facility once housed- you guessed it- salt for the Morton Salt company. The factory operations stopped in 2015 and eventually work began to transform it into an iconic music venue and community space, first opening their doors in 2022. The Salt Shed already has a stacked line up this year so far (Iggy Pop? Bikini Kill? Hell yeah!) and what better way to experience my first time at the iconic Salt Shed than with another truly iconic band, The Viagra Boys.


The Chicago stop of their tour featured Orange County fuzz-garage rockers The Steens. They released their debut album Life One in October 2022. This is definitely a band to keep an eye on!


Viagra Boys, a gritty, satirical post-punk band from Sweden just released a deluxe version of their 2022 album Cave World featuring four new songs: “It Ain’t Enough,” “Stretch My Arms,” “Milk Farm,” and “Only Friend.” To support the latest album they’ve been touring the US with their “Shrimp City Beach 1993 Reunion Tour.”


This show will certainly be hard to top. Shrimp costumes? Someone from the crowd handing Sebastian Murphy a bong? You’re going to have to check out the full gallery below to see what you missed!


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