SoCal melodic punks Strike Twelve release their new album Last Band Standing tomorrow, June 30th on Thousand Islands Records. You don’t have to wait another second to listen to it, though, because your pals at Dying Scene got the hookup with this exclusive premiere! Listen to Last Band Standing right now, down below, and head over […]
SoCal melodic punks Strike Twelve release their new album Last Band Standing tomorrow, June 30th on Thousand Islands Records. You don’t have to wait another second to listen to it, though, because your pals at Dying Scene got the hookup with this exclusive premiere!
Listen to Last Band Standing right now, down below, and head over to Thousand Islands’ webstore to grab the album on vinyl and/or CD (or both!). Strike Twelve’s got some shows coming up, too – their record release show is tomorrow night at Solaris Beer in Murrieta, CA.
June 30th at Solaris Beer in Murrieta, CA August 17 at Oil City Beer Co in Casper, WY w/ System Restore August 18 at Vultures in Colorado Springs, CO August 19 at Herman’s Hideaway in Denver, CO w/ Red Stinger
One of the very best things about helping to run a super cool music website like Dying Scene is that we get to help spread the word about music that we love and think should be celebrated. Being a Boston-area native, Rebuilder were one of the first local bands that I “discovered” after I started […]
One of the very best things about helping to run a super cool music website like Dying Scene is that we get to help spread the word about music that we love and think should be celebrated. Being a Boston-area native, Rebuilder were one of the first local bands that I “discovered” after I started writing for Dying Scene and so a decade later, it’s been awesome to see them continue to grow and push creative boundaries.
Photo credit: Brandon Phillips
So if every day that we get to share new Rebuilder news is a good day, that makes today double good! First up, the band debuted the second single from their upcoming album, Local Support. The song is called “Another Round,” and while lead single “Hold On” was a Sal Ellington-fronted track, this one finds his tag team frontman partner Craig Stanton at the helm. Check it out below via Bandcamp or find it wherever you stream your favorite music!
Also, the foursome launched pre-orders for Local Support, their A-F Records debut, today! As you might expect, there are some pretty sweet color variations for you vinyl enthusiasts. The album is officially out August 11th, but you can secure your very own copy right here! Also, if you haven’t checked out the video for “Hold On” yet, watch it below and see if you can spot the Dying Scene Contributor who makes a cameo (hint: it’s not me)!
There is something especially fun about a DIY show. Abnormal House, in the Bridgeport neighborhood of the Second City hosted a Friday night version which was no exception. Chicago vets Voice of Addiction were joined by the young gents of Billy Batts & The Made Men out of Atlanta. Wrex, also from Chicago, kicked off […]
There is something especially fun about a DIY show. Abnormal House, in the Bridgeport neighborhood of the Second City hosted a Friday night version which was no exception. Chicago vets Voice of Addiction were joined by the young gents of Billy Batts & The Made Men out of Atlanta. Wrex, also from Chicago, kicked off the party. I’m going to let the images do most of the work for this show.
Voice of Addiction once again were the speed demons of the bill, zooming through a tight set in even tighter confines. It got so wild in the tiny performance area, at one point Leea Tomele stretched her arms out as far as possible and set her legs hard in place on the concrete floor to act as a one-person barricade against the much larger attendees thrashing about. A few others joined in holding the line so Tomele’s husband, VOA founding bass player Ian Tomele, and his bandmates, guitarist Tyler Miller, and drummer Kevin Amaro could continue playing. Yeah, it got a bit nuts. But that energy is what draws people to these more informal events (note: all safety precautions were in place).
I have regularly covered the terrific annual Blue Island event, Beer Can’d Fest. However, the Rise Against Residency at Metro kept me away from the Southside soiree. Many of my friends who were on Blue Island excitedly told me of this young band in the lineup. Looking at their photos from the event I saw a group of teens and just out of teens, one posing in a Pegboy shirt and became curious. Luckily, the band, Billy Batts & The Made Men out of Atlanta, GA made a quick return to Chicago.
I do not want to say too much about the band here as I will be writing more about it later. With the band’s name a wink and a nod to one my favorite films, Goodfellas, and the members’ collective deep-cut knowledge of Chicago punk rock history and an infectious curiosity, Brody Wilson, 21, this time in a Naked Raygun t-shirt, on vocals and guitar, his brother Andy Wilson, 16 on drums and Slade Shirah, 20, filling in on bass, were a charming centerpiece to the show as they absolutely transformed a garage band style venue into almost literally shaking shack. They might be considered kids, but these Made Men play with composure and talent befitting more experienced musicians. Jason Wilson, father of the Wilson brothers, was on site as tour manager and merch guy. His pride shone through, along with his easy, affectionate manner, as he let the young men take it all in.
When I first started taking photos of Wrex I wasn’t sure exactly how many people were in the band. Again, the space was tiny, and hanging from the rafter were glittery strands of plastic and an incredibly wide variety of signs, dolls, and other assorted Tchotchkes from creepy to cute. A few songs in I realized there was a keyboard player tucked up high against a wall and another singer I thought was a crowd member. But when you can sit on the floor and capture all band members, once you have spotted them, you know this is likely to be a rowdy fun time. And indeed it was.
DIY Shows, House Shows or the like are not for everyone. Had it not been for my camera, I might have felt far more claustrophobic. But they feel far more organic and relaxed than large events. They provide an opportunity for newer and/or lesser-known bands to take the spotlight and it’s not unusual to find bigger bands at these shows. Being a house shows makes me feel like I am inside one of the iconic late 1970’s, early 1980’s images many of us are pretty familiar with by this point. Crawl inside more images from this night. Thanks & Cheers!
Hailing from Nagoya, Japan, Five State Drive may appear to be fresh faced greenhorns, but don’t be fooled: these guys have been cranking out breakneck paced skacore-infused skate punk for a decade now. The band’s new self-titled album is, however, their first full-length release. I’m not bullshitting you when I say penciled this into my […]
Hailing from Nagoya, Japan, Five State Drive may appear to be fresh faced greenhorns, but don’t be fooled: these guys have been cranking out breakneck paced skacore-infused skate punk for a decade now. The band’s new self-titled album is, however, their first full-length release. I’m not bullshitting you when I say penciled this into my Top 10 of 2023 halfway through my first listen. This thing is fucking killer! Think Hi-Standard meets Kemuri with hints of influence from Less Than Jake, Operation Ivy, and 90’s west coast punk. Don’t sleep on these guys.
Five State Drive has CDs, vinyl & merch available here
Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly* column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. Sorry if you’ve missed us the last few weeks, with Father’s Day […]
Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly* column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. Sorry if you’ve missed us the last few weeks, with Father’s Day and all that fun stuff going on the Record Radar went on the backburner, but we’re back now and that’s all that matters, isn’t it? Kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, because it’s go time. Let’s get into it!
Check out the video edition of this week’s Record Radar, presented by our friends at Punk Rock Radar:
Green Day‘s debut LP 39/Smooth gets its first new pressing since 2015 and Oakland’s own 1-2-3-4 Go! Records is the only place to get it. They’ve got an exclusive hand-numbered silver colored LP with the bonus 7″s on colored wax as well. Not sure how many copies were pressed, but they’re apparently almost sold out. Get it here now or pay more on Discogs later.
1-2-3-4 Go! also has an exclusive new variant of Alkaline Trio‘s self-titled compilation LP. As always, these are hand-numbered, but like the Green Day record I have no clue how many copies were pressed on this red/grey split colored wax. Get it here.
Like most other weeks, a new Bad Religion repress was announced this week (a few weeks ago actually, but nevermind that). This time It’s Recipe for Hate, which turns 30 this year. As always, there’s no shortage of color variants. Links to where you can get all of them are here.
PUP‘s latest album The Unraveling of PUPTheBand has a new variant up for pre-order at Newbury Comics. The “Clear With Black/Yellow/Neon Pink Splatter” (say that 10 times fast) LP is limited to 1,000 copies and they are all signed by the band. Get yours here.
Just shy of its 20th birthday Tiger Army’s III: Ghost Tigers Rise has gotten its first repressing since 2004. The yellow w/ gold splatter LP is limited to 300 copies and is a Zia Records exclusive. Get it here.
One of my favorite Floridian ska bands, Osceola County’s own Supervillains, have announced a vinyl reissue of their 2008 album Massive. These guys have been around over 25 years, but this will be their first-ever vinyl release. Get it here.
Speaking of Floridian ska bands… if you’ve got $50 burning a hole in your pocket (yes, that’s just about how much this will run ya after shipping), Less Than Jake‘s Greetings and Salutations has been repressed on 500 copies of “Greenyl”. Apparently it’s a “100% eco-friendly, PVC-free vinyl” material. Get it here.
The Swingin’ Utters‘ Five Lessons Learned is the latest record in Fat Wreck Chords‘ back catalog to receive the 25th Anniversary treatment. Get your copy here (US) or here (EU).
On vinyl for the first time ever, it’s The Hippos’ 1999 LP Heads Are Gonna Roll! This cult classic third wave ska record was previously only released on CD, but that changes now thanks to Asbestos Records. Limited to 1,000 copies across two color variants; get yours here.
Music on Vinyl has been dropping a lot of punk (and punk adjacent) reissues lately. The latest round includes Unwritten Law‘s Here’s to the Mourning (on vinyl for the first time ever!), limited to 1,000 copies on translucent green 180g wax. This isn’t exclusive to any retailer, so you can probably find it in your local record store. Here‘s one place I found to get it online.
And another reissue / first-time vinyl release coming from Music on Vinyl is Authority Zero‘s sophomore album Andiamo. 1,000 copies on gold wax, same deal as the UL record. Here‘s one place I found selling it online.
Chris Cresswell has announced a new solo album! The Stubbornness of the Young is the Flatliners‘ frontman’s second solo effort, following 2014’s One Week Record. Check out the lead single “Behind the Crow” below and pre-order the LP here (NA), here (EU), or here (UK).
Absolute Melt, one of many side projects from Murderburgers frontman Fraser Murderburger, has a new EP out now. The 3-song ripper simply titled EP2 is being released as a lathe cut 7-inch. All profits from the release will be donated to Scottish Women’s Aid. Listen below and pre-order here.
Pirates Press Records is always up to something! Their latest release is a split 7″ from The Drowns and The Last Gang. Head over to their webstore to grab a copy on one of three color variants (or buy all three!).
Well, that’s all, folks. Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, leave us a comment below, or send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs (or do, I’m not your father). See ya next week!
Wanna catch up on all of our Record Radar posts? Click here and you’ll be taken to a page with all the past entries in the column. Magic!
Happy Friday, comrades! We’ve got a super fun and, I think, different sort of EP that we’re debuting for you on this very page today. It comes from Brooklyn four-piece Le Big Zero. That’s them right down there! Say “hi” gang! If you’re not familiar with Le Big Zero, they’re self-described as “Angular indie rock. […]
Happy Friday, comrades! We’ve got a super fun and, I think, different sort of EP that we’re debuting for you on this very page today. It comes from Brooklyn four-piece Le Big Zero. That’s them right down there! Say “hi” gang!
If you’re not familiar with Le Big Zero, they’re self-described as “Angular indie rock. Post-punk. Pop melodies. Off-kilter timing. Boy-girl harmonies. Dissonance.” although in hindsight, maybe all of that is redundant given that I already mentioned that they’re from Brooklyn. ANYWAY, the foursome are putting out their brand-spankin’-new EP, At Arm’s Length today via Mint 400 Records. Here’s what the band had to say about the record:
Sometimes change is inevitable. Although our previous album was released in spring 2022, those songs were largely finished before the pandemic hit. When band life was ready to resume, we had a new drummer in Lukas and a new singer/guitarist with Katie. On top of this, we were all processing a new normal. The question became how do we evolve but keep the fabric of the band intact? The songs on At Arm’s Length were developed live in the room while continuing to learn each other’s styles, and by extension what the band now was. We workshopped what clicked and built the album around the ideas that came from those jams. The result ended up being a bit more driving and more emotionally intense, without losing those flourishes of musicianship, syncopation, and angularity that defined the first two albums. Lyrically, it’s a bit more direct. Almost as if the frustrations that could previously be masked in abstraction were now boiling over. Something like “Heavy Handed” takes a look at how there’s no middle ground anymore, just extreme opinions while “Spin Cycle” is a more introspective exploration about the time we all lost and how to view what a year, a month, or a day means now.
At Arm’s Length is available at all of the usual digital outlets of course, so make sure you pick up your own copy…but you can also listen to it here! Also, keep scrolling to check out the video for “Toy” below!
We didn’t really have a mechanism of covering the story since the site was still broken at the time, but I’m sure you all know by now that Pierre Kezdy, bass player for Naked Raygun (and Pegboy and seemingly countless others) died of cancer back in October 2020. It was a super bummer for us […]
We didn’t really have a mechanism of covering the story since the site was still broken at the time, but I’m sure you all know by now that Pierre Kezdy, bass player for Naked Raygun (and Pegboy and seemingly countless others) died of cancer back in October 2020. It was a super bummer for us and for his family and for the incredibly tight-knit Chicago scene, and his loss is still felt by many.
As a way to try to turn the situation into a positive, however, details have been announced for a new compilation, and let us tell you…it sounds pretty awesome! Entitled Godspeed: A Tribute to Pierre Kezdy, the fourteen-song compilation features appearances from the likes of Hot Water Music, Face To Face, Swingin’ Utters, Pegboy, The Bollweevils, Josh Caterer (Smoking Popes) and more! And the best part is that all of the proceeds go to Pierre’s family!
You can pre-order the album and check out the tracklist by going here, and there is a bunch of merch and other goodies available here!
So I’m not sure exactly how it happened, but somehow February 9th of this year marked 30 years since Quicksand‘s seminal debut full-length Slip was released. I remember that album melting my little 8th-grade brain when I first heard it, and it most definitely still holds up. Anyway, the band announced a dozen-or-so 30th anniversary […]
So I’m not sure exactly how it happened, but somehow February 9th of this year marked 30 years since Quicksand‘s seminal debut full-length Slip was released. I remember that album melting my little 8th-grade brain when I first heard it, and it most definitely still holds up.
Anyway, the band announced a dozen-or-so 30th anniversary Slip tour dates slated to take place this fall. The East Coast run extends from October 30th in Atlanta through November 5th in NYC, and the West Coast jaunt runs from November 24th in Englewood, CO, through December 2nd in Los Angeles. Tickets go on sale this Friday. Check the full rundown below!
Okay, let’s just dive right into this one, comrades! The lineup for 1234Fest was announced seemingly from out of nowhere today, and we’re here to tell you that it rules. If you’re unaware of 1234Fest – as many of us here at DSHQ were until this afternoon – it’s a two-day festival that is slated […]
Okay, let’s just dive right into this one, comrades! The lineup for 1234Fest was announced seemingly from out of nowhere today, and we’re here to tell you that it rules.
If you’re unaware of 1234Fest – as many of us here at DSHQ were until this afternoon – it’s a two-day festival that is slated to take place in September. The first installment is in at an old auto salvage yard in Denver at The JunkYard on September 9th, and day two is going down September 23rd across the country at Philadelphia’s Freedom Mortgage Pavilion (which is actually in Camden, New Jersey, which is kind of if an old auto salvage yard was a city, but it’s right across the river from Philly so I guess it counts). The lineup for both days appears to be the same, and it’s a pretty great one.
SPELLS traded in the Mile High City for the Windy City on May 28, 2023. The Colorado self-described “vacation” band was joined by Celebration Summer, and Heavy Seas at Reggie’s Music Joint. It was a low-key, but high-energy evening of compelling music and equally compelling performances. On this weekend Punk Rock Bowling lured many punk […]
SPELLS traded in the Mile High City for the Windy City on May 28, 2023. The Colorado self-described “vacation” band was joined by Celebration Summer, and Heavy Seas at Reggie’s Music Joint. It was a low-key, but high-energy evening of compelling music and equally compelling performances.
On this weekend Punk Rock Bowling lured many punk rock fans away from the Windy City, leading to a smaller crowd in attendance. Many bands would be disheartened by the situation. But not the trio of bands on the bill this night. In fact, in many ways, this situation enhanced the experience. Having become friends with several of the musicians who performed, as well as some showing support, it felt, to me, more of a personal house party. Intimate, yet super fun. You know how there are always a few friends who decide to break out into song during parties? It just happened to be that these friends are all excellent musicians. No drunken, cringy renditions of “Don’t Stop Believing” sung along to a Karaoke machine.
Instead, we got the hyper-goofy fun of SPELLS. The band, consisting of “Little Stevie Shithead” (aka Ben Roy), Charlie “Continental” Stimsell, Don Bersell (aka Duke “Box” Standard), Robert Drew Burleson (aka Peter “P.” Bohner) and Dawn “Dusk Monarch” King were clad in matching golf shirts, and at least partial tracksuits, as is their modus operandi, though they do maintain a rotation of different patterns.
Roy and King shared vocals and played off of each other in a dynamic way unmatched since Sandy and Danny hit the Rydell High Senior Fair. Ok, maybe that’s just a tad hyperbolic. Still, there is a crackling dynamic when they abandon the stage to mingle amongst the crowd, even more so when they draft fans to be a part of the show.
I spoke to Coffey, Burleson, and King several days after the show to get to their reflections on the evening. King told me:
“I think the show was amazing! Even though it was a small crowd, it’s the energy we feed off of. The people who were there were friends or friends of people who weren’t able to make it. Some of them were brand new to the SPELLS experience! I feel like over the years SPELLS have cultivated friendships all over the US and overseas. It’s hard not to fall in love with this band.
“Chicago is an amazing city and we’re lucky to have a bunch of buds there.“
King ended with:
“What’s up next? World Domination.”
Burleson also spoke to the sometimes smaller crowds which everyband experiences at some point:
“We are never really concerned about who attends shows. Staying in is the new going out so we get it. But for those who venture out to the dance party, we want to give them a complete 80% effort.”
Burleson shared some amusing memories from lesser-attended shows:
“One time we played in Quebec and the promoter got mad cause we were stuck in traffic and showed up a little late. He proceeded to take the opening band and all of the people who were there and went to another (bigger) show. We ended up playing to a room full of maybe 6 friends of friends, the bartender, the door person, and the sound person. IT WAS AMAZING!“
And he had some invaluable advice to other musicians:
“We made everyone get on stage and had a dance party. Maybe one of my favorite shows. Play to the people who are there and not the ones who aren’t. I’ve played to a room full of stuffed animals, GI Joes, and Kathy Ireland posters, and having a chance to play live in a club in a city we love (Chicago) to people we love is THE BEST.”
Oh, and Burleson also answered a query I’ve had for a while. That is, how they came up with the band name:
“SPELLS is an acronym for Stupid People Elevating Lonely Losers Socially. We came up with it after attending a youth leadership conference.”
Coffey echoes the sentiments of the King and Burleson:
“Like my bandmates said, we play our asses off for anyone that’s there and don’t sweat if it’s 10 people or 200. We do what we do because we love it.“
He added:
“It’s always great to see friends at shows. We do have an affinity for Chicago. It’s the city we’ve played the most outside of Colorado. We’re fortunate to have some great friends in town that have gotten us on some good shows and introduced us to a lot of rad people, such as yourself.“
Coffey is credited as the producer of the latest SPELLS release but he describes the process as this:
“I pretty much get producer credit cuz I’m there during the entire recording process, but it’s a full band effort.”
When not touring with SPELLS, Coffey, remains immersed in music as a producer and owner of his own record label.
“Yep, I started Snappy Little Numbers in 2011. I run it out of my basement. Rob helps out with art for SLN quite a bit too. Reminder… it’s not Fingers!! Even though there are fingers in the logo. I don’t always think things through, haha. [Coffey immediately followed up that he made the joke about “Fingers” “lovingly” sans disrespect to Stiff Little Fingers. He added that it’s quite common for people to make this mistake.]”
And because Burleson revealed the origin of the band name, Coffey thankfully offered how he came up with the name of his label:
“I came up with Snappy Little Numbers cuz it’s old-timey slang for a catchy song. Like, “hey that tune is a snappy little number”. Then I added an S to pluralize how many freakin’ hits we were gonna curate!“
With all this talk about sparsely attended shows, it should be noted that SPELLS shows are way more often playing to jam-packed crowds. No doubt the shows will continue to get ever bigger. With a set list like the band cruised through on this Sunday night, including “What The Hell is Caution,” “Some Would Say,” “She Wants to Die Before Me,” “Deceiver,” and closing with, of course, my favorite, the above referenced “80% Is Good Enough.”
SPELLS latest record, “Loose Change, Vol. 2,” is planned for release on June 29, 2023. If you want the vinyl version, you have a choice between “Dolphin Blue,” or “Drakula Red.” It’s available for pre-order now.
Celebration Summer, a wonderfully upbeat band moniker, sounds like the name of a music fest. However, per the band’s online press kit:
“Celebration Summer is a mash-up of sorts, pays homage to the iconic Hüsker Dü song “Celebrated Summer” and Washington DC hardcore’s significant social and activist “Revolution Summer” of 1985.“
The band’s songs are politically driven and have the mission of racial and social justice. With its powerful set, including “Disconnected,” “Silly Me,” “My Devotion,” “Patience in Presence,” “Bitter End,” and “Fraud,” Celebration Summer neither pulls its punches nor suffers fools. For those who lean MAGA, this is might not the music for them, as the band describes itself this way:
“Celebration Summer hit the ground running with anthemic, progressive songs capturing the struggles of modern life in Trump/post-Trump-era America.”
Actually, perhaps MAGAs should be listening to Celebration Summer. Perhaps they’ll have a change of heart. In any case, with compelling lyrics set to strident, in the very best way, music, this band should be celebrated this summer and in every season.
Celebration Summer will be festing in Gainesville, FL. You can check them out at Fest 21 in late October.
Heavy Seas co-founder/guitarist Jeff Dean has been a very busy man of late. Amongst other projects produced and engineered The Bollweevils latest release Essential. In the audience at this show was Daryl “The Punk Rock Doc” Wilson, to show his gratitude to and support of Dean, and other friends on the bill.
Dean told me:
“Recording [and] producing Bollweevils was rad…“
Heavy Seas founders Dean and Ronnie DiCola recruited former All Eyes West bandmate Justin Miller to fill in on bass after that position came up available. This Chicago trio kicked off its set with its own originals, “Waves and Dreams,” “Sunn,” “Idle in Life,” and “Oscillation.” Heavy Seas also included as surprise for long-time fans of the three musicians/ Per Dean:
“We also ended the set with 4 All Eyes West songs since Justin was filling in on bass.”
Dean continued:
“Ronnie, Justin and I were All Eyes West then Ronnie and I started Heavy Seas. So having Justin fill in basically made it All Eyes West.
Dean is currently in Baltimore, MD recording the third Heavy Seas album. He provided me with some information about this:
“Heavy Seas has a new album called Distortion Days coming out at the end of summer on Rad Girlfriend records for the US and little rocket records for EU UK.”
Looking forward to the new album and also Dean’s perspective on his role in making Essential. He pledged to tell us at Dying Scene more about it later. We can’t wait!
Please check out more photos from the show. Thanks & cheers!
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Daryl Wilson, of The Bollweevils, jumps in on the fun with Ben Roy