DS Staff Picks: Dylan’s Favorite Punk Albums, EPs & Things of May, 2023 (Presented by Punk Rock Radar)

Hello, and welcome to the May, 2023 edition of Dylan’s Favorite Punk Albums, EPs & Things! This is the column where I, Dylan aka Screeching Bottlerocket, tell you what new punk rock albums, EPs and singles I enjoyed the most this month. This is a collaborative effort with our friends at Punk Rock Radar, with whom I’ll […]

Hello, and welcome to the May, 2023 edition of Dylan’s Favorite Punk Albums, EPs & Things! This is the column where I, Dylan aka Screeching Bottlerocket, tell you what new punk rock albums, EPs and singles I enjoyed the most this month.

This is a collaborative effort with our friends at Punk Rock Radar, with whom I’ll be doing a video version of this Best Of wrap-up each month. If you like discovering awesome new bands as much as I do, be sure to follow Punk Rock Radar on Instagram and YouTube, and keep tabs on their Upcoming Release Calendar.

Here’s our video for May (let us know what your favorite releases of the month were in the YouTube comments):

P.O. BOX
spaceavailable.

Despite having been around for 20+ years, French ska-punks P.O. Box have somehow managed to fly completely under my radar. That changed with the release of their new album. spaceavailable. is an excellent, versatile record and will serve as a great introduction to the band for anyone else in the same boat I was. This is a must listen for any and all third wave ska fans. Get it on vinyl / CD here.

RED ATLANTA
Encapsulate

Baton Rouge, Louisiana’s Red Atlanta seamlessly blends 90’s melodic punk with early 2000’s pop-punk on their latest album Encapsulate. This record takes me back to the days I spent playing Burnout 3 for hours on end with songs by Autopilot Off, 1208 and Yellowcard blasting through the speakers of my Sylvania CRT. The only thing missing is some DJ Stryker soundbites.

THE BONSTONES
East Bay Elegy

Hailing from the home of Lookout! Records, it’s no coincidence that The Bonstones draw a lot of influence from some of the heavy hitters who called the label home in the early 90’s. East Bay Elegy reminds me most of The Queers’ Beat Off. Hard and heavy, no frills Ramonescore.

THE BOLLWEEVILS
Essential

The Bollweevils are my early frontrunner for “Comeback Player of the Year”. The Chicago punk veterans’ new album Essential is their first in over a decade, and this thing is brimming with bangers. “Predisposition” and “Galt’s Gulch” are a great one-two punch to start things off. Other standouts include “Honesty”, “Bottomless Pit”, and “Liniment and Tonic”. Great record. Buy it here.

THE BIG NEWS
Phoebe

I forgot to mention this one in the video for some reason, but here’s another solid ska-punk album that was released this month. Oklahoma City’s The Big News has an old school sound that I much prefer to the current direction of ska. Phoebe is a mix of Jeffries Fan Club and Pezcore era Less Than Jake. Listen below and buy it on cassette(!) here.

Not many EPs of note this month; I’m kinda disappointed! What I’m not disappointed by, however, is the new Jughead’s Revenge EP. Vultures is the SoCal skate punk band’s first new release since 1999’s Pearly Gates. I could live without the Killing Joke cover, but this EP is killer and proof that good things come to those who wait. Buy the record here.

FAST FOOD SOCIETY
Ides of Mars

Fast Food Society pulls no punches on their new EP Ides of Mars. The band hailing from Palma, Spain rips through one politically-charged melodic hardcore belter after another across the span of 15 short minutes. A few songs, namely “Conspiranoid” and “Copaganda”, remind me a bit of RKL. Check it out below and, if you like it, pay money for it on Bandcamp.

Alright, I normally have a dedicated block for each single, but I’m in a bit of a time crunch. So here’s a short blurb about some of May’s standout singles; you can listen to all of them (plus tracks from the albums & EPs I covered earlier) in the Spotify playlist down below.

JERKS! – “Taillights”

West Virginia’s Jerks! throwback to early 2000’s pop-punk (sans whiny vocals) on their new single “Taillights”. It’s a fun song with an MxPx-meets-The Movielife kinda vibe. Lookout for the band’s debut album This is Fun? due out August 4th.

SPRING HEELED JACK – “Diggin’ a Hole”

New Haven, CT ska-punk veterans Spring Heeled Jack return with their first new song in 6 years! Well, kinda… It’s a cover of “Diggin’ a Hole” for the new Bim Skala Bim tribute comp out now on Stubborn Records. It’s good! Hopefully these dudes put out some new original tunes soon.

THE UPSHOT – “Haven Road”

“Haven Road” is just the second song these British punks have released, but The Upshot are off to a hot start. We hosted the exclusive premiere for this track, so you know it’s good! They’re like NOFX, but younger… and better.

KINGFISHER – “Cost of Comfort”

Ottawa melodic punks Kingfisher have been a busy bunch lately. I think this is the fifth single they’ve released this year. I think it’s their best yet. I get a really cool late 90’s NUFAN vibe from this song. Good shit.

SPOILERS – “Peaches & Cream”

Spoilers are another band of British punks I discovered this month. Their new single “Peaches & Cream” is great; listen closely and you’ll hear a slight hint of Snuff influence. Turns out they’ve been around for almost a decade! I’ve got some catching up to do.

ADELLEDA – “The Best Offence is a Good Defence”

It’s hard to go wrong with Canadian skate punk, and Adelleda’s new single “The Best Offence is a Good Defence” certainly doesn’t miss the mark. Recommended if you like Mute, Belvedere, or any other melodic punk band with exceptional guitarists.

There’s a few more singles I didn’t have time to touch on in the Spotify playlist, which also has songs from all previous months’ releases.

Anywho, that concludes the May installment of the column. Thanks for checking it out! Keep your eyes glued to Dying Scene for all things punk rock and follow our friends Punk Rock Radar on InstagramYouTube, etc. Join us again next month!

Post a Comment

Your email address will not be published. Required fields are marked *

DS Photo Gallery: Eyehategod, Goatwhore, and Hell in Boston, MA (4/16/23)

At the Middle East Downstairs here in Boston, MA, on their “30 Years of Take As Needed For Pain” tour, Eyehategod, supported by Goatwhore, and Hell, absolutely killed it. The atmosphere and music for both new and old generations to enjoy rocked the entire venue away. This show definitely filled up nostalgia for some returning […]

At the Middle East Downstairs here in Boston, MA, on their “30 Years of Take As Needed For Pain” tour, Eyehategod, supported by Goatwhore, and Hell, absolutely killed it. The atmosphere and music for both new and old generations to enjoy rocked the entire venue away. This show definitely filled up nostalgia for some returning from the last time Eyehategod came to The Middle East venue back in 2009.


DS Show Review & Photo Gallery: Heart Attack Man w/ Arm’s Length – New York, New York 05/31/23

Heart Attack Man have embarked on a headlining Freak of Na-Tour across the United States to mark the release of their third full-length record, Freak of Nature, released on May 26, 2023. On May 31, with support from up-and-coming Ontario-based emo band Arm’s Length, Heart Attack Man brought the Freak of Na-Tour to New York City’s […]

Heart Attack Man have embarked on a headlining Freak of Na-Tour across the United States to mark the release of their third full-length record, Freak of Nature, released on May 26, 2023. On May 31, with support from up-and-coming Ontario-based emo band Arm’s Length, Heart Attack Man brought the Freak of Na-Tour to New York City’s Racket. 


Arm’s Length play New York City amidst their rapid rise to the forefront of modern emo and on the heels of their debut record, Never Before Seen, Never Again Found, released on October 28, 2022 via Wax Bodega. The band’s raw emotion, combined with quintessential twinkly guitar melodies and thick chords, made for a moody but energetic set that had concertgoers moshing, crowd surfing, and singing along to every song. The band’s eight-song setlist was well crafted, featuring their most popular songs from their 2019 EP What’s Mine is Yours, their 2021 EP Everything Nice, and their debut full-length record. The set included fan-favorite “Watercolour”, the track that propelled the band forward after going viral on the popular social media platform Tik-Tok back in 2021. Since then, the band has continued to grow in popularity and it shouldn’t be long before Arm’s Length are headlining tours and taking on larger stages.

Setlist: Overture, Object Permanence, Formative Age, In Loving Memory, Aries (Moth Song), Tough Love, Watercolour, Garamond



Heart Attack Man returned to New York City to celebrate the release of Freak of Nature, their third full-length record. Heart Attack Man’s 14-song setlist was filled with tracks new and old, including standout tracks “Like A Kennedy”, “Stick Up”, and “C-4” from Freak of Nature. The band opened their set with the title track, “Freak of Nature”, an anthemic track glaringly reminiscent of early 2000’s pop-punk, featuring classic pop-punk power chords, whiney and monotone vocal delivery, and an infectious chorus: I’m a freak of nature / Broke out of my cage / I’m on my worst behavior / Freak of nature. As the first verse began, vocalist Eric Egan appeared from side stage wearing a ghillie suit, befitting of the track’s opening lyric: What the fuck are you looking at? Heart Attack Man ripped through their set, and there was no shortage of stage invaders two-stepping and crowd-surfing to nearly every song. 

 

Amidst the pop-punk chaos, the band took a few moments to banter with the crowd. Egan teased about concertgoers’ personal hygiene at pop-punk shows to boast the band’s cheeky, exclusive Freak of Na-Tour deodorant available at their merch table and bragged about his hydration and the consequent clarity of his urine while on tour. These elements, Heart Attack Man’s carefree, “I don’t give a fuck” attitude and their catalogue of pop-punk bangers, is what fans have come to know and love about the band and their shows. I saw Heart Attack Man for the first time this past Fall at the Warsaw in Brooklyn when they were opening for beloved pop-punkers Tiger’s Jaw, and I immediately took notice of the thrilling synergy created by the band and the crowd. Despite there being a barricade between the stage and the crowd at the Warsaw, fans were nearly pouring over the barricade. At the Racket, this dynamic was in full-force once again, with Heart Attack Man giving fans their all and concertgoers giving it right back with mosh pits, stage-invading two-steps, and crowd surfing throughout the night.

Setlist:

Freak Of Nature, Pitch Black, Low Hanging Fruit, Sugar Coated, Out for Blood, Old Enough 2 Die, C4, Late to The Orgy, Stick Up, Like A Kennedy, Fake Blood, Cut My Losses, Cool 2 Me, Leap Year

Don’t miss Heart Attack Man on the Freak of Na-Tour!


Post a Comment

Your email address will not be published. Required fields are marked *

DS Record Radar: This Week in Punk Vinyl (ALL “Problematic” reissue, Pulley, Lars Frederiksen and the Bastards & more)

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly* column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. Kick off your shoes, pull up a chair, crack open a cold […]

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly* column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. Kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, because it’s go time. Let’s get into it!

Check out the video edition of this week’s Record Radar, presented by our friends at Punk Rock Radar:

All? NO! ALL! ALL’s latest album, 2000’s Problematic, is back in print! Four snazzy new color variants: yellow w/ red splatter (1,000 copies, buy here), blue w/ yellow splatter (300 copies, buy here), red in neon yellow (300 copies, buy here), and neon yellow (? copies, EU indie variant). If you don’t care about color variants, you can get this on black wax for $10(!!!) on Amazon right now. Yes, you’re reading that right, 10 bucks for an LP in 2023!

Here’s a weird one… AFI’s Crash Love hasn’t gotten an official repress since its original release in 2009 (I can already hear you crying “b-b-but AFI isn’t punk!!!!!” – save your breath, nobody fucking cares). Recently, a bunch of e-tailers launched pre-orders for a new pressing. Some bill it as an official release, others say it’s an Import, which is basically a nicer way to say “this shit’s counterfeit”. There were a lot of places to buy this last week, but not it seems Loud Pizza (US) and Le Noise (Canada) are the only stores with it still listed.

The Suicide Machines 2xLP rarities compilation On The Eve Of Destruction 1991-1995 is getting a new pressing from Asbestos Records. There are 500 copies spread across two color variants: blue/black split and red/black split. Get it here. There’s a few copies of the last pressing still available here as well.

Two cool new represses from Pirates Press Records this week. Up first is Lars Frederiksen and the Bastards’ 2004 LP Viking. 500 copies on black and blood red striped colored vinyl. Get it here.

Also from Pirates Press: A sweet new color variant for The SlackersWasted Days! 1,000 copies on beautiful neon green w/ black splatter colored wax. Get it here.

Alright, let’s take a lil break from all the represses and reissues, and talk about some new records! Have you heard about Snuff’s new album Come On If You Think You’re Rachmaininoff? No? Well, it’s an acoustic album, and it’s due out June 9th on SBÄM Records. Check out the new acoustic version of “One of those Days” below, and pre-order the LP on one of two very colorful splatter variants here (EU) / here (AUS).

Here’s a new release that seemingly came out of nowhere. Step aside “The Decline”, Italian melodic punks LineOut’s new album Andromeda is one continuous 52-minute long song, and it’s fucking bad ass. Check that shit out below and grab the record here. These guys are killer – highly recommended listening!

Mama mia! It’s another new release from an awesome Italian punk band! All Coasted’s new EP Never Ending Puppet Show releases June 9th (that’s next Friday!) on Striped Records. Check out the latest single & pre-order the record here.

And while you’re on Striped Records’ webstore pre-ordering that All Coasted record, grab this new pressing of The Manges & The Queers Acid Beaters split LP. Limited to 500 copies on red wax, just in time for its 20th anniversary. Get it here.

In case you haven’t already heard, Rancid has a new album out; it’s called Tomorrow Never Comes. Anywho, Epitaph’s ever-creative marketing department has found a way to offload some black wax onto you sick variant addicts. How? By screen printing a bunch of jackets with an alternate cover to house 2,000 black vinyl copies. And somehow these are worth 12 bucks more than a standard black copy! I don’t play this game, but maybe you do. Fork over your cash here, suckers.

We’ll get back to some more new releases in a bit, here’s some more new pressings of old shit. Dischord Records has repressed Fugazi’s Red Medicine on an undisclosed number of pieces of red vinyl. Get it here.

Dischord has also repressed Minor Threat’s Out of Step on an undisclosed number of white colored LPs. Very cool! Get it here.

DustyWax Records gave Pulley‘s Matters and Together Again for the First Time their first-ever vinyl releases in 2020 (that dreaded year seems like an eternity ago, doesn’t it?). Those sold out pretty fast, so they’ve issued a second pressing. There are three color variants for both LPs, each limited to 100 copies. The DustyWax webstore has its own exclusive variants, as well as Thousand Islands Records and Bearded Punk Records‘ respective online stores.

Australian punk veterans Bodjyar‘s 1998 album No Touch Red is getting a 25th Anniversary reissue, with 150 copies on translucent red vinyl and another 150 copies on “ultra clear” colored vinyl. Get ’em here.

Back in print for the first time in 17 years, Avail’s 4AM Friday is getting reissued as a Double LP with the second LP featuring a 15-song live set recorded at San Fransisco’s Bottom of the Hill in 1997. The orange w/ black splatter variant is limited to 488 copies and is available here. You can also get it on black vinyl here.

Pennywise’s From the Ashes turns 20 this year, and it’s getting reissued for the first time ever! There are 500 copies on “spring green w/ tangerine splatter” colored wax (Epitaph US store), as well as 300 copies on clear w/ black and orange splatter (Epitaph EU store), and you know our buddies at Newbury Comics had to get in on the action with their own $34 variant. Also available on black vinyl on Amazon for the more frugal minded (shoutout to my dawg Jeffy B).

Let’s wrap things up with some new releases, shall we? TV Cult is a relatively new band from Cologne, Germany that plays “80s Infused Brutal Post-Punk” (their words, not mine). Their debut album Colony is due out November 24th on Flight 13 Records. Check out the lead single “Party’s Over” below and pre-order the LP on “transparent petrol” colored vinyl here.

And last but not least, we have a new band with some familiar faces. Lektron is fronted by Alkaline Trio‘s Matt Skiba, who is joined by drummer Atom Willard (Rocket from the Crypt, Against Me!, Angels & Airwaves, etc.) and AFI’s Hunter Burgan. Their debut 2-song 12″ is out now on Asian Man Records, and it’s already sold out. Listen below and lookout for a full-length album at some point.

Well, that’s all, folks. Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, leave us a comment below, or send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs (or do, I’m not your father). See ya next week!

Wanna catch up on all of our Record Radar posts? Click here and you’ll be taken to a page with all the past entries in the column. Magic!

Post a Comment

Your email address will not be published. Required fields are marked *

DS Exclusive: Listen to UK skate punks Making Friends’ awesome new song “ATM”

Brighton, UK skate punks Making Friends‘ impending debut full-length album is one of my most anticipated releases of the year. Having said that, Dying Scene is thrilled to give you a taste of what’s to come, with this exclusive premiere of the LP’s opening track “ATM”. This is quintessential skate punk for fans of Lagwagon, No […]

Brighton, UK skate punks Making Friends‘ impending debut full-length album is one of my most anticipated releases of the year. Having said that, Dying Scene is thrilled to give you a taste of what’s to come, with this exclusive premiere of the LP’s opening track “ATM”. This is quintessential skate punk for fans of Lagwagon, No Use For A Name, NOFX, and all the other usual suspects.

Listen to that shit below, and look out for Making Friends’ debut album Fine Dying, due out later this year on these fine labels: Punk Rock Radar (US), Cat’s Claw Records (UK), Waterslide Records (Japan) & High End Denim Records (Canada).

Post a Comment

Your email address will not be published. Required fields are marked *

DS Review: Karina goes to NOFX’s Final Tour (?) at Hatfield!

Put your hands up if you follow me on Instagram. Okay, cool. Well then, you know that I also attended and took some pictures at the show. Because why the fuck not? If you don’t follow me on Instagram, you missed some epic stories last weekend. So, let us begin. Thanks to England’s public transportation […]

Put your hands up if you follow me on Instagram. Okay, cool. Well then, you know that I also attended and took some pictures at the show. Because why the fuck not? If you don’t follow me on Instagram, you missed some epic stories last weekend.


So, let us begin. Thanks to England’s public transportation and their great job at CANCELLING trains, I missed The Meffs, and most of Get Dead, which I looked forward to but arrived at the end of the set. Oh well, another time – I hope. To be honest, Get Dead sounded so fucking good. I need more Get Dead in my life.

Comeback Kid

Iiiiiiiiiiiiiiii have to admit that I’ve never given this band the attention that they rightfully claimed Sunday the 28th in Hatfield. Now, for those that aren’t familiar with Comeback Kid, their sound is hardcore punk. But not the annoying kind; they actually know how to play instruments, and Andrew Neufeld knew how to grab the attention of fans when he decided to go down in the crowd and make noises.
To be honest, I’m pretty sure a dude broke his leg during their set. And to be honest, I was enjoying the nice view of people going apeshit in the pit. Would I see them again? I mean, I actually would as long as it was outside, at a festival, with friends. Surprise! I’m now a Comeback Kid fan…but I’m never joining that fucking pit.

Anti-Flag

… I love Anti-Flag. That’s all, folks. I have nothing more to say about this. It’s Anti-Flag. And if I recall, I’m the only reviewer on this planet that actually gave Lies They Tell Our Children a positive review. Okay, maybe not. But to be fair, I really liked that album and still do. But I’m about to ramble – here’s a fun little anecdote; Anti-Flag played in Copenhagen last year. I had bought tickets but forgot about the day; I did something else instead. I just remember the day after when I got a text asking where I was… I was actually very annoyed the whole day.
But no more! Because I saw them, and it’s better than I expected (sorry A-F. Lol, as if you’ll read this)

Lagwagon

Back in July, more preciously July 31st, I saw Lagwagon play in Copenhagen; honestly, that was trash. So, I’ll admit I was nervous about their performance… But they aced it. And now I’ll say THIS was my first time seeing Lagwagon because it was really good! And funny and sentimental… and the setlist was fucking awesome!

NOFX

STORY TIME! Nearly seven years ago, on 15.06.2016 (very specific), NOFX played in Copenhagen. Yay, or… actually, not for me. Because I. Went. Into. Labor. And as a sensible 24-year-old, I decided that it would be a stupid idea to try and enjoy a concert while having contractions and maybe/maybe not having a baby in the middle of a NOFX concert. I mean, THAT could’ve been a fun story too. But…no.

So, finally, it was my turn to see NOFX. On this stop, they played So Long and Thanks for All the Shoes and White Trash, Two Heebs and a Bean in full. Worth it, but sad at the same time. But honestly, it did actually feel like a final show. And that alone was bittersweet… But what a fucking party it was on a Sunday. I just want to see them again to compare the crowds because this was mind-blowing and fun. Everyone’s mood was high, and they ran the festival well without any large mistakes. There wasn’t even a queue to the bathrooms, bars, or food. Kudos. This was a HUGE success. Can we do it again, NOFX?

Post a Comment

Your email address will not be published. Required fields are marked *

DS Exclusive: German melodic punks No Guidance premiere new single “OK Boomer”

German melodic punks No Guidance play blazing fast melodic punk, with their sound situated somewhere between Good Riddance and Millencolin. Dying Scene is stoked to bring you the exclusive premiere of the band’s new single “OK Boomer”. Check it out below! Here’s what the band had to say about the track: “OK Boomer is about […]

German melodic punks No Guidance play blazing fast melodic punk, with their sound situated somewhere between Good Riddance and Millencolin. Dying Scene is stoked to bring you the exclusive premiere of the band’s new single “OK Boomer”. Check it out below!

Here’s what the band had to say about the track:

“OK Boomer is about people who once called themselves konservative but clearly shifted right. These people often claim they see behind the curtain and understand the general conspiracy behind current events. At the end of the day the know nothing and can‘t present solutions.”

No Guidance released their debut album Fireworks for Arsonists in 2021 (check that out here). They’ll be recording to the studio this October, with plans to release a sophomore LP in early 2024. Stay tuned for more on that.

Post a Comment

Your email address will not be published. Required fields are marked *

DS Review: Karina Goes To Slam Dunk (The Menzingers, Spanish Love Songs, Sincere Engineer, Bowling For Soup and more!)

Dear Diary, I’ve returned from England. And damn, let’s talk about Slam Dunk and maybe talk about some of the things that need improving for next year. But first, we should thank Slam Dunk for getting me accredited this year. It was awesome. The weather was terrific; it was sunny and bright, which many English […]

Dear Diary,

I’ve returned from England. And damn, let’s talk about Slam Dunk and maybe talk about some of the things that need improving for next year.
But first, we should thank Slam Dunk for getting me accredited this year. It was awesome. The weather was terrific; it was sunny and bright, which many English people didn’t expect – so towards the evening, as the sun was going down, there were a lot of sunburnt backs and faces. Even I, the ginger that lathers in sunblock, had a bit of red, but it disappeared. Amazing company! Okay, before I get into how I loved sharing important bands with some of my favorite people…the cell reception sucked and we lost a friend somewhere and didn’t find each other until the end of The Offspring and Enter Shikari’s set. Goddamn! But she was still there. But yes, they are amazing people to watch some of my favorite artists with and share some memories with, even on the shuttle to the afterparty. So, you know, we lost one friend, but a different team of Danes was there as well, and we also spent some of the day trying to find each other. This is ironic because we spent most of the time at the same stage. BUT, happy ending, y’all, and weird moment during Slam Dunk, we all found each other on the same shuttle bus. Friends, all ended well. As for what could be worked on for next year? Well…let’s begin our review of Slam Dunk ’23! Be ready.

Sincere Engineer

So, Sincere Engineer came up at 11:30 in Kerrang! Tent Right Stage. Zand and The Tyne played in different tents, so the crowd wasn’t huge. But it was awesome enough because those who were there were there to see Sincere Engineer in action. Like me, because let’s be honest, this band will be playing big venues in due time. So, starting with no difficulties on the stage, Sincere Engineer played a bit for everyone in those 30 minutes, which I discovered for myself wasn’t enough time. But they did manage to play the bangers, of course. The setlist included, which is not in a particular order, “Overbite,” “Fireplace,” “Trust Me” and “Corn Dog Sonnet No. 7.” They even played the new single, which I didn’t get the name of!

But overall, the best band to kick off Slam Dunk ’23 for me.

girlfriends

Hehe, my biggest guilty pleasure band was on site! And to be honest, I was super excited to see them. I might have been even more excited to interview them after their set, hear who they were excited to see at Slam Dunk, and find out if they’ll ever visit Copenhagen, Denmark. So, what did Travis Mills and Nick Gross say to me after their set? Well, we’ll get to that, but first, let us discuss their set.

And, huge thanks to my friends for watching them with me even though they aren’t fans.

Their set was good. The set list was excellent and varied, mixing their first record and newest EP. They have much energy and could’ve benefited from being placed on the Kerrang! Stage, but that’s my opinion. The fact is, they came and served. Now let’s get to the interview because that was a true highlight of my trip, and as a bonus, I’ve added a nice picture of me and the lads below. And yes, my dear DyingScene readers, I am forcing pop-punk on you.

When I asked Travis and Nick about their tour with Avril Lavigne during her EU tour, Travis said, “It was mindblowing, a dream come true, and she’s the best.” Following up with the question that they started the band two years ago, Travis corrected me and replied, “Two and a half years ago”, leading me to the following questions, what they did before this and how they met; “I had a solo project, and Nick has been in bands since he was a teenager. He played drums for one show for my solo project, and we never played music again. And then we started girlfriends.” Travis told me. I asked Nick which bands he was a part of and boy, we know him. “girlfriends, and Goldfinger” but if you google him, his CV is more impressive than mine. I complimented the chemistry between Travis and Nick, as it genuinely seems they’ve been playing together their whole lives. The boys cracked some jokes about dating, and that’s why the band is called girlfriends, and that’s fine with me.

So, who were they going to watch at Slam Dunk? Travis had the following answer when I asked: “to no surprise, it’s the homies The Maine, The Hunna, we definitely gotta watch JXDN, Sueco, we’re just trying to catch all our homies”. To my curiosity, where was the name, Charlotte Sands? Well, that’s their girl, so no doubt they would catch her set. As lovely as I am, I’m also extremely cheeky in that I may have asked if they knew who DyingScene.com was, but they didn’t. But now they did, and it’s MEEE. So I asked what they had to say to fans.
“One, thank you for listening and giving our band a chance. Two, there’s a revival going around (on the scene), as in the early days when bands had friendships and real relationships. And that’s what the scene was missing, and it’s cool to see it come back around” and while some of you readers will disagree, please remember to have a friendly tone about it. Aaaaand to end the interview in the best way possible, I hope this can give the Danish fanbase some hope for some time. I did ask if they had any plans on coming to Copenhagen – but in my defense, I didn’t ask when. But here’s what girlfriends had to say. “We must come to Copenhagen. This isn’t even a question. We must do it, Copenhagen here we come.”

Spanish Love Songs

…. Words can’t describe this set. But it’s fair to admit that I am a massive fan of Spanish Love Songs. As soon as the first note from “Routine Pain” started, I started crying. But not sad tears. Okay, both happy and sad tears, but seriously this band is fantastic.
They also played “Haunted” from their upcoming album No Joy. Eight songs played, and off the stage they went. Along with The Menzingers – but we’ll get to them, their set was probably the one that seemed like it flew by the most.

Fireworks

I may have forgotten that Fireworks also had a set and actually randomly stumbled upon them outside. So this was an impromptu show between Spanish Love Songs, interviewing girlfriends, and catching Charlotte Sands. It was a good show, and it was just a shame that the microphone seemed to be a bit too low. But overall, I didn’t leave disappointed. I’d like to see them again. And people in the crowd were talking about how they looked forward to seeing Fireworks and how they liked the album they released this year.

Charlotte Sands

“I’m throwin’ a tantrum, coming in so chaotic…” and that is precisely what she did! Okay, the sound could’ve been better. But she isn’t the sound tech, so it’s not her fault. But damn, her pipes came and conquered! When I describe her to people who haven’t heard about her, I call her Michelle Branch if MB is emo. But in reality, Charlotte Sands is much more than that. And I think her performance at Slam Dunk was good; the mistakes that happened were out of her control. But her performance is so energetic, and her talent did shine through.

The Menzingers

No hello, The Menzies come out and pop things off with “Charlie’s Army,” which is one of my favorite songs by them. And, uh, what a set. They performed the goodies like “Good Things,” “America (You’re Freaking Me Out),” “After The Party,” “Midwestern States,” “House on Fire,” oh fricking hell…they spoiled us with a new song from their upcoming album! The song was called “There’s No Place In This World For Me” and I wasn’t expecting anything new, so my head exploded! I cried a bit, but let’s face it…this wouldn’t be the last time I cried a bit during Slam Dunk. The Menzingers were flawless, but now I need that new album!

The Academy Is…

“My eyes can’t believe what they have seen…” as William Beckett jumps around like he hasn’t aged. Sure, the brown locks have a hint of grey in them. But to be honest, I’m okay with that. As a few might have read, TAI does have a special place in my heart, an inside joke between my deceased uncle and I kept going up until last year. And now I saw them, which was emotional and overwhelming at best. Sadly I didn’t return home with a TAI tattoo, but I did return home with bragging rights that I’ve shot concert pictures AND screamed along to their songs. Can we all agree that they were exceptional?! Hands down, one of the best performances on Kerrang! Left stage.

Bowling For Soup

Did you know that next year BFS turns 30? Yeah, I did not. I thought they came around in ’98, but it was ’94. Oh well! It looks like Dying Scene will again be finding its way to the UK to celebrate that anniversary.
So, what can I say about the show? It was fun! This took place at the Dickies Stage, and what a turnout it was. They played the hits and had fun on stage. I enjoyed being in the photo pit, singing along to the bangers, and dancing. Most of all, let’s be honest – this band is a bit iconic to us that grew up in the ’00s. Being from ’92, they had their fair share of love from me during my early years. So I was genuinely excited to see them (finally). As a bonus, here is a private photo of me and Jar. See you in Feb, fellas.

Yellowcard

Second time seeing Yellowcard perform live; I’ll admit that the first time wasn’t as good as this time. Maybe because it was in 2015, and those I went with weren’t big Yellowcard fans. But this band was entertaining on stage, and the photo pit was exceptionally crowded. Hence, it was hard to move around without stepping each other over the toes, meeting the hands of fans tapping your shoulder, or nearly assaulting security with the front of your camera. Okay, the last part was a joke, but honestly, having a band that size in the Kerrang! Tent was just silly planning from Slam Dunk. But oh well, it didn’t change the fact that they, once again, blew me away. Damn, I regret I didn’t get any of their merch. Let’s move on to the last bands. Yes, bands.

The Offspring / Enter Shikari

So, we weren’t allowed to take pictures of The Offspring. Hm, thanks for that, guys. But I did manage to go listen to four songs before they decided to… disappoint a little bit. Firstly, I DON’T MIND THE NEW ALBUM. But I love the old with this band; they served all the good shit at the end. Next time fellas. And please, no bloody cover songs?

But I do not like having my time wasted, so my friend and I decided to go see watch Enter Shikari was up to. And that was… Actually fun, but the volume was a bit low. And actually, can we just take a minute? This is my formal complaint.
Dear Enter Shikari, a 2023 updated version of “Sorry, You’re Not A Winner” is not acceptable. Let’s try again another day. But hell yeah, they were a party.

I’m lowkey alright about catching the first half of The Offspring and the last half of Enter Shikari. Overall they all sounded good. I had a great time. So, same time next year?

Post a Comment

Your email address will not be published. Required fields are marked *

DS Exclusive: A Tribute to Blink-182: Fund Music, Fight Cancer Compilation – House Parties – “Reckless Abandon”

Happy Saturday, comrades! Our friends over at Pacific Ridge Records have a new compilation album coming out on Tuesday 5/30 which features twenty-one Blink-182 covers by twenty-one different bands from eight different countries. But if that wasn’t awesome enough, all proceeds from Spotify will be going to the Cancer Research Institute. But even cooler than […]

Happy Saturday, comrades! Our friends over at Pacific Ridge Records have a new compilation album coming out on Tuesday 5/30 which features twenty-one Blink-182 covers by twenty-one different bands from eight different countries. But if that wasn’t awesome enough, all proceeds from Spotify will be going to the Cancer Research Institute. But even cooler than all of that?? They sent over a track for us to premiere, exclusively for DS Readers! Dallas, TX based pop punks House Parties chose to cover “Reckless Abandon” from the 2001 Blink album Take Off Your Pants and Jacket for their contribution and we’re happy they did, because it fucking bangs! While you give it a listen (and inevitably agree with our assessment), be sure to check out the label’s Patreon and donate if you can! Great album for a great cause! Can’t beat that!


Post a Comment

Your email address will not be published. Required fields are marked *

DS Exclusive: Listen to British punks The Upshot’s new song “Haven Road”

Hot on the heels of their debut single “Detoxstaycation“, Dying Scene is stoked to bring you the exclusive premiere of British punks The Upshot‘s new track “Haven Road”. Here’s what the band had to say about their song, which you can check out below: “Haven Road is a personal recollection of stories from the house […]

Hot on the heels of their debut single “Detoxstaycation“, Dying Scene is stoked to bring you the exclusive premiere of British punks The Upshot‘s new track “Haven Road”. Here’s what the band had to say about their song, which you can check out below:

“Haven Road is a personal recollection of stories from the house Matt lived in for 3 years. It was where bands formed, bands on tour stayed and where Matt & Marc’s band rehearsed. It was where memories were made and “friends became lovers”. It was where parties bore all manner of stories, some of which are told in this song.”

The Upshot will be releasing their debut EP later this year on Punk Rock Radar (US) and Cat’s Claw Records (UK).

Post a Comment

Your email address will not be published. Required fields are marked *