DS Record Radar: This Week in Punk Vinyl (Bad Religion, Propagandhi, The Putz & more)

Greetings, fellow degenerates! Welcome to the latest installment of the Dying Scene Record Radar. After taking a brief hiatus for Thanksgiving, we’re back in action once again with another weekly roundup of all things punk rock vinyl. Kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, […]

Greetings, fellow degenerates! Welcome to the latest installment of the Dying Scene Record Radar. After taking a brief hiatus for Thanksgiving, we’re back in action once again with another weekly roundup of all things punk rock vinyl. Kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, because it’s go time. Let’s get into it!

Epitaph Records gets us started this week with a bunch of Bad Religion represses. Everyone’s favorite BR record The New America is back in print, alongside the critically acclaimed No Substance, and the underrated True North. Grab ’em here.

Epitaph has also repressed Propagandhi‘s Failed States on “translucent electric blue” colored vinyl. This one’s limited to 1,000 copies and you can get it here. Newbury Comics has an exclusive pink variant as well; go here to purchase that one. And in case any of you happen to care, this is the remastered version of the record.

In case you haven’t heard, DeeCracks and The Manges have a brand new Split 7″ out now on Striped Music and Mom’s Basement Records! Check it out below, and grab it on wax here (US) and here (EU).

One of my favorite pop-punk bands The Putz have a new Christmas record out now on Eccentric Pop Records. The five-song 12″ EP is called Ho Ho Ho, Let’s Go! and you can get it on red or black vinyl it here. Both color variants have an etched b-side.

Zia Records has a new exclusive repress of Tiger Amy‘s 2007 LP Music from Regions Beyond. This is limited to 300 copies on “ruby with baby blue splatter” colored wax; I think it looks pretty sweet! Anyway, go here if you wanna snag a copy.

Hardcore punk supergroup OFF! has announced a tour variant of their new record Free LSD. This pressing on red vinyl will be available at shows on the band’s upcoming west coast run. The good news for those who can’t attend is they have some copies available on their Bandcamp page. Get ’em while the gettin’s good!

Spanish skate punks Kill the President have a new 12″ EP out now. Give the record a listen below and grab it on vinyl here (EU) or here (UK).

Black Friday and Cyber Monday have come and gone, but if you thought the sales were over, you’re sorely mistaken, friends! Through December 11th, you can get 40% off everything on SBÄM Recordswebstore. Just enter code “XMAS22” at checkout. These guys have put out some absolutely killer records this year. The new No Fun At All and Pulley LPs are must-haves.

Our friends at Shield Recordings are also having a sale. Head over to their webstore, load up your cart, and get 25% off everything (except pre-orders) with code “XMAS2022”. Tons of good shit up for grabs!

If you share my love of The Mr. T Experience, you’ll likely be interested in Sound Rad‘s MTXMAS sale. Through the end of December, their whole webstore is 20% off with code “MTXMAS”. That includes the brand new reissue of Revenge is Sweet and So Are You. As an added bonus, all orders of $25 include a free MTX Christmas ornament.

And that’s all, folks! Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, leave us a comment below, or send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs. See ya next week!

*Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

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DS Interview: Sarchasm on Their Final Album, Future Plans and “Quaker Bouncing”?

Earlier this year, East Bay pop punks Sarchasm announced that after twelve years of releasing nothing but certified bangers, they were calling it quits and we felt personally attacked by this. In that same announcement, they also said that they would be releasing one final album, which we’d like to think they did in an […]

Earlier this year, East Bay pop punks Sarchasm announced that after twelve years of releasing nothing but certified bangers, they were calling it quits and we felt personally attacked by this. In that same announcement, they also said that they would be releasing one final album, which we’d like to think they did in an attempt to help soften the blow. Well, it worked….kinda. Conditional Love is out today and while we’re still not 100% healed from the near pain they’ve inflicted upon us, we do feel slightly better because it’s such an incredible album. We decided that the only thing that could provide the closure we needed to fully remedy our sorrow was to speak with the band themselves. So, we rang up the tremendous trio of Alex (bass/vocals), Stevie (drums/vocals) and Mateo (guitar/vocals) and had them talk us off the ledge.


Dying Scene: How did you decide that Conditional Love would be your final album? Was it an actual decision that you made as a group or was it more of an organic process (obligations to work, family, etc)?

Mateo: It was a mix of both. The decision to end the band and the decision to record one final album came about over a series of conversations in late 2021 and early 2022.

Stevie: Mateo was no longer in a place where he could tour and do as much stuff, and Alex and I wanted to continue actively touring, and it didn’t feel right to keep doing Sarchasm without Mateo.

Alex: I touched on this in a post, but I’ve admired bands like REM who were able to walk away cordially and in a way that felt meaningful. We reached that point, and I’m happy we were able to send it off with something we felt proud of.

DS: I know that you all have been playing since your mid-teens. Are you thinking it’s now time for a little break or will there be other projects you’re going to start either together or individually?

Stevie: Excuse me, I was a tween! (Stevie was 11). Nevertheless, I’m going to continue playing with my band Crush Material, and occasionally I have a solo project called Pool Jock that I’ve been recording an album with Mateo since 2020. One day it will come out I hope! Perhaps in 2023 but we shall see.

Alex: Stevie and I, along with Amy (our second guitarist) and Becket (Mateo’s summer tour stand-in) started a new band called STARTLE!, and Stevie and I are also continuing to be active with 924 Gilman.

Mateo: I plan to continue to make music, and I know this isn’t our last time playing onstage together, even if Sarchasm the band is not continuing. I’m also still active as a recording engineer, which I guess is also a scene-related jam.

DS: What are your biggest takeaways from the past decade+ playing with Sarchasm?

Alex: I think I used to worry I wasn’t doing the right things to make us popular or mesh with the East Bay scene, but the longer we did it the more it felt best to embrace your own oddities and how you operate musically. Make sure you’re doing it for yourself, above everything. Don’t just force yourself to do a thing just because it feels like that’s what you’re supposed to do or what’s expected of you.

DS: Conditional Love sounds like it was produced with a theme of closure in mind. Was that intentional or are we just being extra emo and reading too much into it?

All: It was absolutely intentional. We knew that Conditional Love was going to be a last album in some fashion – whether before a long break between releases or the band’s swansong. Once we made the decision to end the band in 2022, we decided to lean all the way into the album’s theme of endings and new beginnings. We also all graduated college and went through a lot of change since our previous album, so there was closure in a lot of life elements happening around us. But maybe writing an album centered around your band ending is the most emo move.

DS: In 2021 you released They Might Be Covers was a pretty awesome lil album, covering a bunch of fantastic They Might Be Giants tunes. Was that a side effect of ‘Pandemic Boredom’ or was it something you had thought of doing for awhile? How did that group discussion go?

Alex: Shannon from awakebutstillinbed and I were on tour together, and we both realized that we have a deep love and appreciation for the band They Might Be Giants. The original plan was to do a They Might Be Giants cover set with Shannon guesting at Fest 2020, but the pandemic obviously had other plans. It felt like a fun way to collaborate with another musician and friend from the scene. Plus, one of our favorite things as a band to do is play covers, so it was a no-brainer. They Might Be Giants has been one of my biggest musical influences, and I would encourage anyone when given the chance to attempt to do a cover set or something like this with one of your favorite bands. It really makes you appreciate their music on a totally different level. Nothing like the realization that TMBG songs are relentlessly complex to ground you in your abilities!

DS: You describe yourselves as “Anxious indie punk”. Was that the sound you were aiming for when starting the band or is that just how it turned out?

Stevie: We kinda just fell into the label anxious indie punk. For a while we didn’t really feel like we fit into any genre option we’d been provided, particularly pop punk which is what we’ve gotten labeled as most frequently over the years.

Alex: I think we all came from different musical backgrounds. I didn’t find bands like MCR or the Warped Tour acts that other 2010s East Bay groups would have been listening to and instead came into Sarchasm obsessed with new wave acts like Talking Heads and Elvis Costello. Stevie and Mateo each had their own separate tastes from me, and the blending never created something that felt typical to “pop punk” despite our collective Green Day love. Indie punk just made more sense to us with our sound and who we are as people.

DS: You’ve listed Talking Heads, the aforementioned Green Day and Rancid as bands who have influenced the band but what about lesser known/local bands. Any of those smaller bands provide inspiration through the years?

All: Smaller local bands have always provided just as much inspiration to us as the big heads (including the Talking ones), both in a community inspiration sense as well as a musical sense. There are too many to list; so a small sample is: Waterfly Spigot, Pseudo, Local Hero, CAMPY, Under 15 Seconds, The Matches, Jabber, Corrupt Vision, Polkadot, Worriers, Like Roses, Grumpster, the Lookout Records back catalog, the Asian Man Records back catalog…

DS: If you could change/improve one thing about the punk scene, what would it be?

Mateo: Less entitlement. More community focus and involvement.

Stevie: I’d love for punk scenes everywhere to be more welcoming to black and brown folks and marginalized groups more generally.

DS: Stevie, I was reading another interview where you said you had done some time as a “Quaker Bouncer” when you were in PA but there were nowhere near enough deets given in that article. Spill!!

Stevie: Oh wow, what a throwback! I went to a Quaker college in PA called Haverford College for two years, and they had a thing where people could host parties with alcohol on campus so long as they had a “Quaker bouncer” who basically made sure no one got too sick or hurt. I’m pretty sure I did one shift of being a Quaker bouncer and then never did it again, so that’s pretty funny that I had mentioned that in an interview…

DS: Now that you are hanging it up, give us a few bands we can listen to to get our ‘Sarchasm Fix’.

All: Teenage Halloween, Like Roses, Little Low, Grumpster, Sweet Gloom, can we say STARTLE? Is that allowed? Play Mountain Goats on one speaker and Green Day at the same time. That might do it.

DS: And now, the most important question – When will Conditional Love be available on vinyl?????

All: Right now! Go order it !!

That we will, comrades. That we will. And we suggest you buy the album as well, dear reader (even if not on vinyl) because it is definitely an AoTY contender. Still don’t believe us? Stream it below and try to tell us we’re wrong!

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DS News: Denver punks Record Thieves stream new single “Dark Hearts”

Denver’s Record Thieves are streaming a new song titled “Dark Hearts”. This is the Denver melodic punk band’s third and final single of 2022. Check it out below! Record Thieves released their debut LP Wasting Time through Thousand Islands Records in 2020. That album earned them a prestigious spot on Dying Scene’s Ten Bands You […]

Denver’s Record Thieves are streaming a new song titled “Dark Hearts”. This is the Denver melodic punk band’s third and final single of 2022. Check it out below!

Record Thieves released their debut LP Wasting Time through Thousand Islands Records in 2020. That album earned them a prestigious spot on Dying Scene’s Ten Bands You Need To Check Out Right Now column.

According to my intel, the band’s working on a new record as we speak. Keep an ear to the ground for more on that, and grab their debut album on vinyl while you wait.

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DS Playlist: Jay Stone’s Favorite Things of 2022

Ahoy, comrades! It’s your friendly neighborhood punk rock website co-head honcho Jay Stone here! It’s been a big year for us here at Dying Scene headquarters, mostly because of the obvious fact that WE’RE BACK! The site obviously relaunched back in June after a prolonged absence. If this is your first time checking us out, […]

Ahoy, comrades! It’s your friendly neighborhood punk rock website co-head honcho Jay Stone here! It’s been a big year for us here at Dying Scene headquarters, mostly because of the obvious fact that WE’RE BACK! The site obviously relaunched back in June after a prolonged absence. If this is your first time checking us out, thanks for stopping by! If you’ve been with us since the beginning or since the relaunch or since any other point in between, thanks for keeping us on your radar. It means a lot and it’s why we do what we do. I suppose now is a good time to insert a shameless plug for our merch store, run by the amazing Gaby Kaos of Kaos Merch and, of course, of The Venomous Pinks (more on them later). Anything you pick up goes a long way toward helping us keep the lights on!

Okay, now on to the reason we’re all here – the music of 2022!! As with most years, there was plenty of exciting new music to choose from, and as with most years, my status as a child of the early 1990s alternative and punk scenes is readily apparent. I do appreciate how the blending of those genres has become more acceptable as time has marched on, because LET ME TELL YOU, you’d get some shit within the punk rock circles for saying you were a fan of Springsteen or Gin Blossoms or Wilco or Depeche Mode or whatever for a while there, but now more than ever I think those styles have bled into the punk rock scene and I, for one, am here for it.

So what do we find on the playlist below? Well, it’s 50 of my favorite tracks from 50 of my favorite artists of the year. All of these songs were released this year (some, like Lucero‘s “One Last Fuck You,” appear on albums that’ll be released in 2023 but the singles hit Spotify this year so it counts). No repeat artists (technically, because Sarah Shook And The Disarmers and Mightmare are different projects on different labels, even though they stem from the same creative mind). They’re essentially in a sonic order, not a numerical one – my actual year-end ranking write-up will follow toward the end of December.

Stylistically, it’s pretty good representation of the new music I listened to this year, though I didn’t include Kendrick Lamar or Czarface or T-Swift because…reasons. I like to think there’s a little something for everyone. You like alt-country songwriters? American Aquarium takes us for a ride right off the rip (before The Flatliners come in and punch us right in the collective throats), and they’re later joined by Lucero and Cory Branan and Tim Hause and Will Hoge and The Vandoliers. There’s of course the one-of-a-kind Tim Barry, and his fellow former Revival Tour veteran Kayleigh Goldsworthy. There’s Sammy Kay and Lydia Loveless teaming up for a Misfits cover. If you like bands that put the rock in punk rock, there’s Mercy Union and Thick and Celebration Summer and New Junk City and Dosser and Timeshares and Talk Show Host. If you like your punk rock a little more raw and wild and heavy, you’ll find Be Well and M.U.T.T. and Sweat and New Jersey’s School Drugs and Suzi Moon. You like some of the longtime scene vets? We’ve got them too: NOFX is in there, as is Dan Andriano and Samiam and The Interrupters and Hot Water Music and Eve 6 and Frank Turner‘s tearjerking ode to Frightened Rabbit’s Scott Hutchison. Dropkick Murphys put out my favorite album of theirs in probably two decades (it’s chock full of Woody Guthrie songs, so that stands to reason). Speaking of the locals; it’s no surprise that I hail from the mean streets of the Boston suburbs, so the 617/781/978 area codes are well represented by Mint Green and Diablogato and Michael Kane and the Morning Afters and Cave In and No Trigger and obviously Lenny Lashley, who is one of my all-time favorites (plus the sweet power pop stylings of Donaher, who hail from my old southern New Hampshire stomping grounds). There’s plenty of music that sort of defies genre, from Bartees Strange to Escape From The Zoo to Proper. to Sweet Pill and Rip Room and The Pieces of Shit. There’s modern ska-infused punk from Flying Racoon Suit and Catbite and the inimitable Slackers.

Check it all out below! Maybe you’ll find a new favorite band, or maybe you’ll remind yourself of an album that you forgot came out this year! (Seriously, I almost forgot FTHC came out in 2022. Time is a social construct or whatever.) And stay tuned for your favorite Dying Scene staffers year-end countdowns over the next few weeks!


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DS Album Review: Sarchasm – “Conditional Love”

It’s always a shame when a band calls it quits, and that’s exactly what Sarchasm did a few weeks ago. When they announced their newest record, they also announced their last concert dates and their “indefinite hiatus”, but let’s be honest, on Instagram, that’s a nicer way of saying “we need a break from each […]


It’s always a shame when a band calls it quits, and that’s exactly what Sarchasm did a few weeks ago. When they announced their newest record, they also announced their last concert dates and their “indefinite hiatus”, but let’s be honest, on Instagram, that’s a nicer way of saying “we need a break from each other”. But, let’s move on to the fact that they are nice enough to go out with another album to please their fans. Well, guys, the last record is called Conditional Love, being released via Asian Man Records and it’s really good.

The first track “Hold Some Space” kicks off with the sweet introduction of drums only to be joined by guitar from Mateo Campos (he/him), who also provides vocals, then the bass from Alex Botkin (he/him), picking up just in time for the vocals to be provided by Stevie Campos-Seligman (they/them). Stevie’s delivery of the lyrics in the song isn’t something to play around with. Being able to drum and sing simultaneously, with a song that has this speed that it continually does throughout the song, is impeccable. ‘I’m grateful for everything you give to me/ But there’s a price tag on everything it seems’ could this little (vegan) nugget be about how conditional love is how one would feel they need to earn it? This song definitely does touch that subject, mostly during the bridge, we hear a more vulnerable mindset, on how the other person hasn’t been thoughtful about their partners feelings, singing that “I am not doing this anymore for you/I am now doing this for much more than you/ It didn’t matter to me, just you before/ Now I can matter to me, not you some more/ I’ll be more”. What a way to open an album, here one is left with the longing for self-reflection, which makes this song very special. Next up is “Crazy”, the first single that was released the day they announced Conditional Love, this is your classic indie punk song, and no wonder it was pushed as the first single from the album. The lyrics, vocals, and backing vocals at the end, fast-paced guitar riffs, and good underlying bass tone make this song a favorite from the first listen. This is probably a song taken out of my diary in my teens and I’m vibing with this one. The third track on the LP is “Therapist”, what a song to add to an album. It’s amazing. “Just see a therapist/ I know you can afford it/ Go please handle your shit with a therapist” is the first lines that hit your ear stream with a simple guitar that makes so much sense, because it picks up with all the instruments coming when they near the end of the verse. Some might get triggered but it’s good fun and the fun continues throughout the song; it opens your eyes and some might need to hear this. “I try not to let you down/ I try, and you let me down” could very well be a reference to how some might use their friends as a therapist, not thinking about the toll you put on your friends when you do that.

Let me jump a bit because I could go on and on about this album. The second single and fifth track from the album was “Good News”, and could be overanalyzed as how the world has gone to shits the last few years, and how we are waiting for “good news” instead of the bad news we are constantly overthrown by the news channels. The track starts of with Mateo’s guitar riffs, followed by the vocals, for a song with lyrics that seem so true, the song itself is so uplifting. The last track, “Conditional Love”, also the title of the album, is so upbeat and your classic pop-punk song, and what a way to end an album. “Everything’s gonna be alright/ everything’s gonna be fine”, short and simple with some out-of-this-world fast-paced drumming, and guitar riffs and nonetheless, the bass in this song shines through, ending the song with beautiful simple notes on the guitar and the final words sung “One day this pain will just be memory /’cause I know, everything is going to be alright”. And with that, Sarchasm bows out.

For twelve years, Sarchasm has been making extremely relatable music and sometimes, seeing a band like this go on “indefinite hiatus” can be rough. But at least they gave us one last album to cling to and for that, we sincerely thank them!

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DS News: Pop-punk heavyweights DeeCracks & The Manges stream new Split EP

Listen up, fellow pop-punk aficionados! We have a brand new Split 7″ from DeeCracks and The Manges to enjoy. Each of these European heavyweights contributes two tracks to the EP, out now on Striped Music and Mom’s Basement Records. Listen below, and if you haven’t already grabbed the 7″ (shame on you), it’s available here (US) and here (EU). Buy it, you scum! Both […]

Listen up, fellow pop-punk aficionados! We have a brand new Split 7″ from DeeCracks and The Manges to enjoy. Each of these European heavyweights contributes two tracks to the EP, out now on Striped Music and Mom’s Basement Records.

Listen below, and if you haven’t already grabbed the 7″ (shame on you), it’s available here (US) and here (EU). Buy it, you scum!

Both of these bands have recently released killer LPs. DeeCracks’ fourth full-length album Serious Issues came out in 2021 on Pirates Press Records. And spoiler alert: The Manges’ Book of Hate for Good People is one of my Top 10 Albums of 2022.

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DS News: Rehasher (Roger Lima of Less Than Jake) releases new single “Open Roads”

Less Than Jake bassist Roger Lima’s side project Rehasher has released a new single titled “Open Roads”, and it fuckin’ rips! Check it out below. This is Rehasher’s first new, original music since releasing a series of singles from late 2019 through early 2020. Their latest full-length album Tasty Slices, Vol. 1 features covers of […]

Less Than Jake bassist Roger Lima’s side project Rehasher has released a new single titled “Open Roads”, and it fuckin’ rips! Check it out below.

This is Rehasher’s first new, original music since releasing a series of singles from late 2019 through early 2020. Their latest full-length album Tasty Slices, Vol. 1 features covers of songs by Screeching Weasel, Green Day, and the Beatles, among others.

Roger is on tour with LTJ right now. The Florida ska-punk veterans will be hitting most of the east coast over the next few weeks. Tour dates can be found here.

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DS News: NOFX stream “Double Album”, Fat Mike says three more records are on the way

Today marks the release of NOFX‘s new record Double Album on Fat Wreck Chords. Check it out below, and head over here to buy the album. Like 2021’s Single Album, this LP mostly features reworked versions of songs originally recorded for band’s most recent 7″ of the Month Club. According to Fat Mike, this will not be […]

Today marks the release of NOFX‘s new record Double Album on Fat Wreck Chords. Check it out below, and head over here to buy the album.

Like 2021’s Single Album, this LP mostly features reworked versions of songs originally recorded for band’s most recent 7″ of the Month Club. According to Fat Mike, this will not be NOFX’s final album. He says they “have three more records in the can already”. This includes a five-song EP called Half Album, a studio album titled Everybody Else is Insane, and something Fatty refers to as NOFX: A-Z, which will feature “different versions” of old songs with titles that start with each of the 26 letters of the alphabet.

Earlier this year, NOFX revealed their intentions to throw in the towel following a to-be-announced world tour in 2023. Fat Mike claims the legendary punk band will “play every song we’ve written, off of every album” at their last shows. Surely they’ll make good on that promise.

  1. I could see ending creating new material but why not play shows occasionally.

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DS Show Review & Gallery: Smoking Popes and Off With Their Heads, Limbeck, and The Color Fred (Chicago, 11/12/2022)

Smoking Popes and Off With Their Heads drew a sizable and enthusiastic hometown area crowd at The Bottom Lounge for the Midwest Simmerfest on November 12, 2022. It was a weekend jam-packed with shows and mini-fests at nearly every, if not every, punk rock venue in the city of Chicago and probably quite a few […]

Smoking Popes and Off With Their Heads drew a sizable and enthusiastic hometown area crowd at The Bottom Lounge for the Midwest Simmerfest on November 12, 2022. It was a weekend jam-packed with shows and mini-fests at nearly every, if not every, punk rock venue in the city of Chicago and probably quite a few in the suburbs.


Smoking Popes, comprised of the brothers Caterer: Josh, Matt and Eli, along with Mike Felumlee, headlined the show with a reliably robust performance. The band jammed through a set list that included, “Simmer Down,” “Midnight Moon,” “No More Smiles,” “Rubella,” “Megan,” “Need You Around,” and “I Know You Love Me.” Picking a show for this Saturday night entertainment might have understandably been hard for more than a few in the local punk community. However, it appeared those at the Bottom Lounge were quite satisfied with their choice.


Off With Their Heads, made up of Ryan Young, Kevin Rotter, and Kyle Manning, played with intensity during the night’s penultimate set. The trio tore through an angsty set list leaving some in the crowd looking emotionally exhausted, in the very best way.


Limbeck is a group out of Laguna Niguel, CA. The band – Robb MacLean, Patrick Carrie, Justin Entsminger, and Jon Phillip – gave a boisterous performance as it ran through a set list including, “Honk + Wave,” “Home (Is Where the Van Is),” “Kooks,” “Everyone’s in the Parking Lot,” and “In Ohio on Some Steps.” This crowd gave the guys from the Golden State a very warm welcome.


The Color Fred, made up of Fred Mascherino, Stephen Angello, Keith Gibbons, and Monte Holt kicked off the festivities. The West Chester, PA, group elicited smiles from the crowd as its members marveled with delight at the fog machine. I don’t know if fog machines have been a regular part of their shows or not but I would hazard a guess they might be in the future. And though the band members were, at times, obscured by the fog, the music easily cut through to the attendees’ ears during a very fun set.


More photos below!

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DS News: The Young Hasselhoffs release comeback album “Life Got in the Way”

Nebraska pop-punks The Young Hasselhoffs have signed to Mom’s Basement Records to release their first new album in over a decade. The 13-song LP titled Life Got in the Way follows 2011’s The Obsolete Man. Give it a listen below, and pre-order the record here. Rum Bar Records is also releasing the album on CD. […]

Nebraska pop-punks The Young Hasselhoffs have signed to Mom’s Basement Records to release their first new album in over a decade.

The 13-song LP titled Life Got in the Way follows 2011’s The Obsolete Man. Give it a listen below, and pre-order the record here.

Rum Bar Records is also releasing the album on CD. If that’s your preferred format, head over here to grab a copy.

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