DS Record Review: Radkey “Bedroom Sand”

From Kansas City, MO comes Radkey, a pop-punk rock trio of brothers, Dee, Solomon, and Isaiah, who wear their hearts and influences on their sleeves. Having seemingly consumed a healthy diet of Chicago punk, the Ramones, and the Foo Fighters, their latest album, Bedroom Sand, is eight songs in under twenty-five minutes of rock and […]

From Kansas City, MO comes Radkey, a pop-punk rock trio of brothers, Dee, Solomon, and Isaiah, who wear their hearts and influences on their sleeves. Having seemingly consumed a healthy diet of Chicago punk, the Ramones, and the Foo Fighters, their latest album, Bedroom Sand, is eight songs in under twenty-five minutes of rock and roll bliss that hit all the right notes. This record is short and punchy, and aesthetically filling. Let’s dig in. 

An eight-song album sometimes feels slapped together: too long to be an EP, but not long enough to be a full-length. Sometimes it can feel too lean. However, there’s just enough fat on these songs to keep them from feeling overindulgent, even if its track count leaves you wanting more. Bedroom Sand opens with a track that puts it all out on front street: big drums, riffs, and high energy, “Victory.”


A fantastic start to an album that surprised me in many different spots. Taking a page from the Dave Grohl playbook, you would think that the band had spent all their energy on that first track, but this train keeps moving. Radkey pivots to the steady one-two punch of punk rock that is “Falling Out of Grace” and “Welcome to the Backyard.” The first side closes with the bouncy and poppy album-titled track, “Bedroom Sand.” It may taper off the sound a bit, but it’s a good breather that serves as a thematic midpoint serving as a tonal pivot before jumping into the rest of the album. 

Side two is just as solid as side one. Opening with “Strays,” a sort of love song for the unloved about the band’s many rescue cats, Radkey managed to subvert expectations but still deliver a track that delivers on what it proposed. There seems to be this underlying feeling that the band doesn’t feel good enough, but “Return to the Sky” and “The Heartless” definitely prove that theory wrong. The record closes with the surfy lo-fi burnout anthem, “Ready to Burn.” It would be a weird song to end the album on, energy-wise, if it wasn’t a great capper to a tight record. Feelings of being outsiders are peppered through Bedroom Sand, but it’s very clear their voice and sound is more than welcome.

Radkey’s Bedroom Sand is a great record. On top of the influences listed above, there are fingerprints all over the record from bands like Squeeze, Hüsker Dü, and the Cars. Lyrics take inspiration from the anime they consume to the feelings of embarrassment at being the worst person in your friend group. Its condensed track list and big sound make this pick a no-brainer. Eight tracks represent a band who clearly put work and love into their craft. The proof is in the record itself. While the band is definitely ready for the radio, we’re lucky to have them here in punk rock. Radkey’s Bedroom San is out now on Little Man Records.

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DS Book Club: Rebel Grrrls: The Real Story of Women and Punk by Molly Tie

As punk celebrates its fiftieth year, it has seen ups and downs. As with most movements with a decades-long history, aspects will get left in the dust and damn near forgotten. However, Molly Tie’s book, Rebel Grrrls: The Real Story of Women and Punk, is her attempt to fix these misappropriations within the history of […]

As punk celebrates its fiftieth year, it has seen ups and downs. As with most movements with a decades-long history, aspects will get left in the dust and damn near forgotten. However, Molly Tie’s book, Rebel Grrrls: The Real Story of Women and Punk, is her attempt to fix these misappropriations within the history of punk and how it came to be that men mostly took credit for the genre’s big moments. Tie’s intro states that the purpose of this book is to focus on how the women of punk influenced other women in the scene. Yet, what we get is a concise but comprehensive picture of punk in general that works more than most broader books of punk rock history. 

Rebel Grrrls covers six major topics in punk rock and how it relates to feminism: British Punk, American 1980s Hardcore, Riot Grrrl, Emo, the radical punk resurgence in the 2010s, and the potential future of feminism in punk. For the older scenes that have been covered previously, Tie recounts what created the scene rather than recycling the histories we’ve heard a million times. It doesn’t mean the bands or figures aren’t mentioned, but it does put them in a different light. Each of the pioneering women of each era gets a good amount of space dedicated to their story.

Molly Tie writes with authority, taking the reins and course-correcting a genre that is supposedly more open-minded than most. While punk rock did some things right, it still fell into its own traps and eventually the same problems as other movements. She understands this by not only retelling the stories of punk rock performers but also interviewing people who were in the scene. These interviews give Rebel Grrrls a more grounded, human angle than most books about the scene or genre. Most of the interviewees are women located in the UK, where the author resides, but this gives perspective on how American punk and, in some cases, politics are interpreted across the pond. Despite being from England, her grasp of American politics is pretty spot on. Tie’s dissection of American politics feels more real than those found in American history books.

Rebel Grrrls gives the women who were present in these different eras of the genre the credit they deserved the whole time. I’m sure people will push back and say they have been, but as usual, things were left out or miscredited. This aspect also makes it one of the best Punk Rock History books. Not only does it highlight the minimized contributions that women have brought to punk, but it concisely gives a great history of punk rock’s roots to the many branches each era has given us. If making sure the proper people being credited wasn’t enough, Tie has plenty to say about women’s roles and how they were treated in punk rock and in general. Things like pop punk neutering punk rock politically, while allowing boys to developing a voice that inadvertently belittled the work women like Kathleen Hanna and others had put in during the era before it. Something like this may come off as a bold statement, however it’s things like this that have needed to be said for a while.

Molly Tie’s Rebel Grrrls: The Real Story of Women and Punk is one of the best books on punk history you will read. I suspect a lot of people (men) will be turned off by the title. While the book mostly focuses on the contribution women have provided to the genre, it doesn’t completely shut men out. If anything, it levels the playing field. I appreciate the way it is able to provide historical context of punk rock and what it says about punk rock and feminism through the evolution of both. For a book highlighting women’s contribution to the genre, it has a lot of balls. Rebel Grrrls: The Real Story of Women and Punk is available through Omnibus Press.

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DS Exclusive: Premiere of “Stimpy,” the new EP from DAZGAK!

Coming to you straight from Cork, Ireland, is DAZGAK! Their upcoming EP, Stimpy features six new songs of post hardcore/skate punk. Check out the video for Soulker to get a preview of their sound: With additions to their lineup, DAZGAK!, a mighty quartet, the band has been able to unlock a new sound for themselves […]

Coming to you straight from Cork, Ireland, is DAZGAK! Their upcoming EP, Stimpy features six new songs of post hardcore/skate punk. Check out the video for Soulker to get a preview of their sound:


With additions to their lineup, DAZGAK!, a mighty quartet, the band has been able to unlock a new sound for themselves and up their game. These songs are a great representation of that, and the result gives them a more mature sound while sticking to their roots. DAZGAK! will be jointly releasing their new EP Stimpy on July 24th via Floodlit Recordings (UK) and Smithsfoodgroup DIY (EU). 

Photo Credit: Dylan Duncan

For those of us who don’t live in the UK or Europe, you can check the record via their Bandcamp. 

Check out DAZGAK! and their new EP, Stimpy, when it drops on July 24th.

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New Music: The Sleights debut new single, “Wasted Time,” from upcoming LP “Don’t Worry! It Will All Be Over Soon”

Here’s some new music for your Tuesday! Colorado Springs punks The Sleights have got a new album coming out August 7th. It’s called Don’t Worry! It Will All Be Over Soon and it’ll of course be released on Rad Girlfriend Records. In order to whet your appetite, today they’re unveiling the lead single, “Wasted Time.” […]

Here’s some new music for your Tuesday! Colorado Springs punks The Sleights have got a new album coming out August 7th. It’s called Don’t Worry! It Will All Be Over Soon and it’ll of course be released on Rad Girlfriend Records. In order to whet your appetite, today they’re unveiling the lead single, “Wasted Time.” Check it out! And make sure you grab your vinyl pre-orders while they exist!

Also, The Sleights have a bunch of tour dates coming up over the next few months. Go to a show!!

JULY

24 — Pueblo, CO — The Gold Dust

30 — Omaha, NE — Reverb Lounge

31 — Chicago, IL — Livewire

AUGUST

1 — Cleveland, OH — 9th St DIY Skate Park

2 — Pittsburgh, PA — Remedy

3 — Boston, MA — The Midway Cafe

4 — New York City, NY — The Hart Bar

5 — Asbury Park, NJ — Asbury Park Brewery

10 — Richmond, VA — Get Tight

11 — Wilmington, NC — Reggie’s

12 — Chapel Hill, NC — Local 506

13 — Charleston, SC — Bearded: A Social Tavern

14 — Charlotte, NC — Tommy’s Pub

15 — Louisville, KY — Spinellis

16 — Knoxville, TN — Birdhouse

17 — Cincinnati, OH — Comet

18 — St. Louis, MO — FUBAR Lounge

19 — Kansas City, MO — SK8BAR

21 — Denver, CO — Bar 404*

28 — Salida, CO — Tres Litros

29 — Crested Butte, CO — CB Punk Fest

SEPTEMBER

11 — Fort Collins, CO — Surfside 7

12 — Colorado Springs, CO — What’s Left Records*

OCTOBER

10 — Trinidad, CO — Fancy Spider Fest

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Dying Scene Radio Presents: Four Records – Episode 24: Mike Magrann (Channel 3)

Welcome to Four Records! Each episode, we feature one guest as they discuss the four records that helped shape them at four different times in their life. This week, our guest is Mike Magrann from the band CH3. Mike recently released his new book, Tin Knocker, which documents the recording of CH3’s record, “Last Time […]

Welcome to Four Records! Each episode, we feature one guest as they discuss the four records that helped shape them at four different times in their life. This week, our guest is Mike Magrann from the band CH3. Mike recently released his new book, Tin Knocker, which documents the recording of CH3’s record, “Last Time I Drank…”


You can purchase the book at DiWulf Publishing House or you can get signed copies from the CH3 store. CH3 has some shows coming up:

August 7th – New Cross Inn – London, UK

August 9th – Winter Gardens – Blackpool, UK (Rebellion Fest – 14:30-15:10, Opera House Stage)

August 9th – Winter Gardens – Blackpool UK (Rebellion Fest – 17:00 – 17:30, Literary Stage) (Mike Magrann only)

August 29th – The WayFarer – Costa Mesa, CA

Mike Magrann’s Four Records:


0-10: The Beatles – Meet The Beatles

Teenage: Starz – Violation

Twenties: The Clash – London Calling

Recent Record: The Beautiful South – 0898 Beautiful South 

Listen on Podbean

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LIsten on Apple Podcasts

Listen on Amazon Music

Listen on iHeartRadio

Follow us on Instagram

Email: fourrecordspodcast@gmail.com

www.DyingScene.com

Opening song: Rad Skulls – Loud as Shit

Closing song: Lucas Perea – Underneath Ashes

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DS Album Review: Among Legends – “Lose My Grip”

Among Legends kickstart ‘pop punk summer’ with 12 new songs from their new record “Lose My Grip” that are sure to get you into the moshing mood.  With their sophomore release, there is a new confidence that was not as present as before, as they take a stronger embrace on their punk roots with more […]

Among Legends kickstart ‘pop punk summer’ with 12 new songs from their new record “Lose My Grip” that are sure to get you into the moshing mood.  With their sophomore release, there is a new confidence that was not as present as before, as they take a stronger embrace on their punk roots with more hardcore beats and messier vocals. 

The Ontario punk trio keeps classic pop punk relevant with “Lose My Grip” as it highlights rhythms that were made prominent to the genre back in the late 80s.  Despite going from a 5-piece to 3-piece since their debut album in 2022, Among Legends take inspiration from heavier melodic bands like Bad Religion, most noticeable with their choruses (such as their song ‘Open Wide’). 

Right from the opening track ‘H-A-C-K’, there is a very apparent change in approach to their music, both with attitude and sound. One element that has remained the same is their lyricism and political themes.

The band has always been a political band that had stood out for their call-to-action lyrics.  ‘Sound the Alarm’ is another track that presents this best, along with sick breakdowns that were not as frequent in their previous album. They make it clear that they are a band for the working class and the minority, opting to take a stance that is pro-resistant. 

Other favorite songs for me include “Go On”, “Back Again”, and “Floating Here For You”. 

Overall, this album is fast-moving, packing a lot of anger in under 30 minutes like any true hardcore album.  This is definitely a listen for those getting ready to have their voices heard on the street, even in 100-degree weather.  

‘Lose My Grip’ by Among Legends is available on July 10 on Bandcamp.

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star 99

DS Gallery and show notes: Star 99 at Bottom of the Hill, SF (6/9/26)

If I were to pick one band that encapsulates the evolution of pop punk into the kindest of folk, that would be Star 99. You can tell they are friends and hold a close bond that comes through in their music in the best way. Bottom of Hill was filled with fans that resonated with […]

If I were to pick one band that encapsulates the evolution of pop punk into the kindest of folk, that would be Star 99. You can tell they are friends and hold a close bond that comes through in their music in the best way. Bottom of Hill was filled with fans that resonated with this sense of community.

Star 99 live

They write riffs that shimmer with sincerity and heart that beats with every hook.

Star 99 Jeremy

Catch one of their shows. Buy their records from Lauren Records. Feel good.

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DS Exclusive: J Prozac premieres “Digging Holes” music video from new split 7″ with Space Age Zeros

J Prozac is back with a brand new music video for “Digging Holes” from his new split 7″ with Space Age Zeros, out now on Critical Mass Music! Check that shit out below and grab the 7″ on colored vinyl right here. The music video for “Digging Holeswas shot and edited by Postfix, and the […]

J Prozac is back with a brand new music video for “Digging Holes” from his new split 7″ with Space Age Zeros, out now on Critical Mass Music! Check that shit out below and grab the 7″ on colored vinyl right here.

The music video for “Digging Holeswas shot and edited by Postfix, and the song was recorded by Angelo Quaglia at TRAQ House and mastered by Perry Leenhouts (Travoltas) at Point Break Sound.

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DS Featured Release – Shorefox – “I Wanna Build A Tank”

Self-described as post-punk folk rock Shorefox brings their first album, I Wanna Build A Tank. Singer/Songwriter Scout Shorefox brings thirteen tracks of political angst and personal feelings that sound like the bastard child of Billy Bragg and the Violent Femmes. Check out the videos for the songs “Fair Trade” and “Lumberjack” below: If you like […]

Self-described as post-punk folk rock Shorefox brings their first album, I Wanna Build A Tank. Singer/Songwriter Scout Shorefox brings thirteen tracks of political angst and personal feelings that sound like the bastard child of Billy Bragg and the Violent Femmes. Check out the videos for the songs “Fair Trade” and “Lumberjack” below:


If you like what you hear, you can check out the rest of Shorefox’s record at their Bandcamp or go see them at the shows below if you’re in the area:

July 10 – The Gate – Hamilton, ON

July 11 – Lola Bar – Toronto, ON

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DS Gallery: The 19 Annual Hurricane Party Music Festival – The Toasters, Mustard Plug, Spitvalves, AAA, The Attack, Dial Drive – (The West End Trading Co, Sanford – FL, 5-23-2026)

Every year, just outside Orlando in the heart of downtown Sanford, the Hurricane Party Music Festival brings together an incredible lineup of ska, punk, and related genres, delivering an unforgettable weekend for a loyal community of fans who return year after year to celebrate the music they love. The festival’s 19th annual edition, held in 2026, featured more than 20 bands performing across multiple […]

Every year, just outside Orlando in the heart of downtown Sanford, the Hurricane Party Music Festival brings together an incredible lineup of ska, punk, and related genres, delivering an unforgettable weekend for a loyal community of fans who return year after year to celebrate the music they love.

The festival’s 19th annual edition, held in 2026, featured more than 20 bands performing across multiple stages. Organized by The West End Trading Co., a beloved Sanford dive bar and live music venue, the event once again showcased the vibrant spirit and diversity of the ska and punk scenes.

Here’s a look at some of the bands we had the chance to enjoy during this fantastic festival!

The Toasters delivered an energetic set driven by their signature saxophones and trombone, keeping the crowd skanking and dancing throughout the entire performance.

Mustard Plug kept the energy at full throttle, leading the crowd through sing-alongs and an endless circle pit as their infectious ska anthems provided the perfect soundtrack to the Florida sunset.

Spitvalves made a powerful return, unleashing their trademark skacore and taking fans straight back to the late ’90s while proving they still have the same energy and fire that defined the band from the very beginning.

Against All Authority took the stage with their trademark ska punk sound, injecting the night with explosive energy while delivering the hard-hitting songs and socially conscious lyrics that have made them one of the genre’s most respected bands.

The Attack took the stage delivering pure, hard-hitting punk rock, ripping through a fast-paced set that never let up until the very last song.

Dial Drive, one of the festival’s youngest bands in terms of career longevity, showcased their growing potential with a set that offered a fresh dynamic, blending emotionally driven songs with an energetic performance.

Check out the full gallery of the show!

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