Dying Scene Record Radar: New punk vinyl releases & reissues (Pulley, Anti-Flag, A Wilhelm Scream & more)

Hello friends, and welcome back to the Dying Scene Record Radar! In the unlikely case that you missed me last week, I offer my sincere apologies. I was out of town for my birthday so the Record Radar went on a very brief hiatus. Anyway, I’m back and a lot of exciting stuff seems to […]

Hello friends, and welcome back to the Dying Scene Record Radar! In the unlikely case that you missed me last week, I offer my sincere apologies. I was out of town for my birthday so the Record Radar went on a very brief hiatus. Anyway, I’m back and a lot of exciting stuff seems to have happened while I was gone. So this week we’ll be playing a little catch up. Let’s get into it!

DustyWax Records is giving Pulley‘s 60 Cycle Hum a 25th Anniversary reissue. This is the first time this melodic punk classic will be in print since its initial release in 1997. If you live in Canada, you’ll want to pre-order here. For my fellow Americans, Thousand Islands Records still has some copies available on their webstore. And our European friends can get it here.

Anti-Flag‘s The General Strike is getting a 10th Anniversary reissue (how the fuck was 2012 ten years ago?). This is limited to 2,000 copies on red vinyl, with new artwork and two “previously unreleased” tracks. Pre-order yours here.

FACT CHECK: These songs were, in fact, previously released! They were on a digital EP that was given away to attendees of the band’s tour in support of The General Strike. It hurts me to say Anti-Flag is fake news.

Fat Wreck Chords continues their 25th Anniversary reissue series with the Teen Idols‘ self-titled debut LP. Original pressings of this record are very hard to come by; the cheapest on Discogs right now is $72 after shipping. This reissue is on half black/half yellow vinyl, not sure how many copies were made. We’re late to the party and this is sold out in the US and Europe. If you want this slice of 90’s pop-punk perfection, the only place you can still get it is Artist First Australia.

Also from Fat: a new pressing of Dillinger Four‘s Situationist Comedy, I would assume in honor of its 20th Anniversary, though they don’t market it as such. Anywho, this has been out of print for a while, so good news for anyone who’s been wanting it. Head over to their webstore to get your hands on this one.

Leatherface‘s 1993 LP Minx is being reissued on red vinyl. If you reside in the UK, this is probably the cheapest place to get this record. Americans can save about 20 bucks by grabbing it from Amazon.

No Idea Records has repressed A Wilhelm Scream‘s Partycrasher on “kaleidoscope colored vinyl” (whatever the fuck that means). They made 150 copies, each one is unique. This is a great album. Get your copy here.

A bunch of Rancid records are back in print on vinyl for the first time in a while. This includes both of their self-titled albums, …And Out Come the Wolves, Life Won’t Wait, and Indestructible. Oakland’s own 1-2-3-4 Go! Records has all of these in stock and your order ships for free if it’s over $75. So if you wanna grab a few of these, head on over to their webstore.

California melodic punks Craig’s Brother have announced their first new album in 11 years. Easily Won, Rarely Deserved is due out in November on People of Punk Rock Records. Pre-order the record here. The first single will premiere next week, for now you can listen to the band’s latest EP below.

Now that all the new releases and reissues have been covered, here’s what I’ve been listening to! My awesome mom got me a bunch of records for my birthday – The Adolescents‘ self-titled album, The Flatliners‘ Inviting Light (I wasn’t crazy about this record when it first came out, but I’ve listened to it about three times now and I’m really enjoying it), the latest from Joey Cape and Face to Face, and Millencolin‘s True Brew. I also finally got the Walmart Exclusive(!!!) pressings of Green Day‘s American Idiot and International Superhits I ordered a few months ago. I’m still debating whether I want that new blue variant of Dookie.

And that’s all, folks! Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs. See ya next week!

*Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

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DS Show Review + Gallery: Rock For Rights Chicago w/ Boybrain, Aweful, Djunah, and Heet Deth

Story and Photography by Meredith Goldberg Liar’s Club, always supportive of members of the Chicago punk rock community, often hosts fundraisers for various individuals/causes. Recall, the venue sponsored one of the Dying Scene Resurrection Shows recently.  On Saturday August 6, 2022, Liar’s Club was the site for one of several local shows benefitting the Chicago […]

Story and Photography by Meredith Goldberg

Liar’s Club, always supportive of members of the Chicago punk rock community, often hosts fundraisers for various individuals/causes. Recall, the venue sponsored one of the Dying Scene Resurrection Shows recently.  On Saturday August 6, 2022, Liar’s Club was the site for one of several local shows benefitting the Chicago Abortion Fund (CAF). Venues in Chicago and elsewhere have been holding similar fundraisers in wake of the of the Supreme Court of the United States’ 2022 decision in Dobbs v. Jackson Women’s Health Organization, which overturns landmark SCOTUS decisions in Roe v. Wade (1973) and Planned Parenthood v. Casey (1992) and endangers numerous other privacy related rights. The announced amount of money raised for the CAF came to almost $2,000. 


Boybrain turned on the show’s engine with a hair swirling, brains (of all genders) smashing performance. The dizzying actions of the band members were matched by their striking physical appearances. Suited up in matching half uniforms of t-shirts with “Abortions” written across them in a font reminiscent of rec league baseball jerseys, and athlete-style black grease marks under their eyes. Boybrain slammed though a tight set featuring “Blood Wolf Moon,” off its 2022 debut album In the Company Of Worms. The band is comprised of punk rock veterans from the Chicago area and elsewhere: Patti on guitars and vocals, Inga on lead guitar, Colin on drums, and “Dr. Doom” (whose first name is actually Lauren. Come on though, Dr. Doom is a pretty cool moniker) on bass and vocals. 


Aweful, which we featured in the aforementioned Resurrection Show, once again offered its talents to an important cause. The trio, made up of Traci Trouble, Lucy Dekay, and Izzy Price, as always had the crowds pumped and their fists pumping. They ripped through tunes including “Far Away,” “Bubble,” “Just Like Me,” and one of their most popular singles, “No Avail.” Whipping around the stage, guitarist Dekay displayed her usual flair, whilst drummer Price and bass player Trouble fueled the backbeat. Trouble’s gritty vocals matched her stage presence as well as those of her bandmates. It’s always a fun moment to see how she and Dekay go back to back literally, appearing to be simultaneously competing for flashiest performance and joining together to create a single, more powerful organism.  So powerful that watching both women then fall away from each other, as if ripped apart, collapsing onto the floor seems the natural next occurrence. Even on the floor, Trouble and DeKay, are at times, still attached, playing a sort of punk rock patty cake with their sneakers. 


Djunah, an electrifying two-piece group from Chicago, is comprised of Donna Diane and Jared Karns. Diane pulls triple duty on vocals, guitar, and Moog Organ bass, as Karns powers through on drums. It was a rousing and hypnotic set. Thus far, 2022 has been a busy year for Diane, between recording vocals for Jason Narducy‘s Verboten the Musical, and the band playing festivals and sold-out shows, with at least two more upcoming fests. Those events being Louisville’s PRFBBQLOU2022 in late August-early September, and Milwaukee’s Bay View Bash, in mid-September.


Heet Deth is another 2-piece band from the Windy City. Formed in 2018 by best friends, Julia B on drums and vocals, and Laila E on guitar and vocals, Heet Deth describes itself as operatic. Wearing matching blood red shortsleeve coveralls, with their faces garishly painted red, white, and black, they manage to create their own styles even as the likes of David Bowie and Monkey from the Adicts are brought to mind. Heet Deth’s theatrical appearance is equaled by its non-stop energy.


Good to see the punk rock community standing up for all of our rights, as unfortunate as it is that these rights have to be fought for so vigorously at this point in history. Alas, the fight WILL proceed and there will be great music to keep us inspired and energized.

More photos below!


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DS Exclusive/Show Gallery: La Armada

Story and Photography by Meredith Goldberg Back on July 25th, La Armada kicked off a mini tour in Chicago at The Burlington in support of its most recent record, Anti-Colonial Vol. 2. I caught up with founding member, and guitarist, Paúl Rivera, after the show to discuss, influences, legacies, and what drives them musically and otherwise.  La […]

Story and Photography by Meredith Goldberg

Back on July 25th, La Armada kicked off a mini tour in Chicago at The Burlington in support of its most recent record, Anti-Colonial Vol. 2. I caught up with founding member, and guitarist, Paúl Rivera, after the show to discuss, influences, legacies, and what drives them musically and otherwise. 

La Armada

La Armada was first formed in 2001 by grade school friends in the Dominican Republic: guitarist Jonathan Salazar, guitarist Paúl Rivera, bassist Mani Marte, and drummer Eric Urrea. Casper Torres has been on vocals for the group for a decade and is from Puerto Rico. “We have been going to play shows in Puerto Rico pretty much since we were 14 or 15 years old, so we all knew each other and grew up as friends,” says guitarist Paúl Rivera.

La Armada

“We discovered punk, hardcore and metal pretty much in the mid 90’s when internet service became available in the Dominican Republic. Metal is more known in the DR, and we enjoyed it but never really identified with the lyrics and imagery.”

Rivera continues, “Punk came more natural because we were feeling a lot of the same discontent they would be singing about, especially because during that time we were on the tail end of a  dictatorship state and on route to a Neo-liberal pseudo dictatorship.” 

Growing up in the DR, the band members were exposed to music at very young ages. “Music is always around in the Caribbean. Our first form of musical love was what was around, merengue, salsa, and Bachata. But once we discovered Spanish punk, American metal, and so on that’s when it became an obsession. “

La Armada

However, that obsession did not cause the band to entirely separate from the music of its native region. Rather, it fused the multiple genres to create its own unique sound. 

“When you are young and on the island you kinda rebel against the music your parents listened to, when you grow up and become an immigrant there is a yearning for it and those are the rhythms we try and incorporate into the heavy genres we participate in.”

La Armada

While La Armada has always had much to say with its music, Rivera notes the group has one strong, recurring theme, “Anti-Colonialism. Which we explain is just not in the historical context of large nations extracting the wealth of the global south. We also lump up what we call “neocolonialism” into this motto, which we define as all external forces that have an influence over masses of people, like news, information, social media, ads, product placements, etc. 

Rivera adds: “A lot of these things are destroying our sense of worth, the environment and each other, but we consume it daily because it’s wrapped up as entertainment. It’s hard to know right now what is more dangerous, the physical or the digital sword.”

La Armada

I also asked Rivera what are some of the bands and sounds most influential, to La Armada. “Musically it’s all over the place. Spanish Punk rock like La Polla, Escuela de Odio, and more. American Hardcore like Bad Brains and Sick of it All, the island music we grew up with like merengue and bachata. Canadian, melodic Punk like Propagandhi, classic metal bands. And on and on.” 

Turning to the way the band operates, Rivera says, “As a band model, we take a lot from the DIY hip hop scene. Limited Merch drops, live sampling, owning your own masters, etc.”

La Armada

From Burlington Bar’s stage, band members spoke repeatedly about pursuing your art and how artists need to really go after it. Rivera expanded on that post-show.

“We’re just at point where we’ve been doing this for so long and are now in our mid and late 30’s that anything other than being the absolute best version of the band wouldn’t be worth it.”

La Armada

He also noted, “As a small, DIY band that literally carves out any traction or momentum against all odds, we have made our peace with just putting the work in and trusting that the rest will take care of itself.”

Rivera explains, “Basically, if we’re going to do something, we are really going to go for it. Otherwise, none of us really have time for hobbies. For example, our album roll out consisted of 6 singles, 5 music videos and different pieces of visual art. All made in collaboration with artists from the Caribbean diaspora across the world. That was a big effort, but that was the only way we were going to do it. All or nothing.”

La Armada

Of course, La Armada found itself affected by the pandemic. Rivera addresses this:

“First off, we were lucky that everyone remained healthy, employed and nobody had immediate family affected by it. However, artistically it was rough. We were used to being on tour for 3 to 4 months out of the year and all of a sudden that was taken away from us. It felt like you lost your identity.”

He continues, “We were also planning on heading back out on some tours that coincided when COVID first hit so, we got left holding a bill for goods we had purchased for tour, which also completely sucked.”

La Armada

Rivera recognizes that despite difficulties, the group members might have been luckier than many others.

“A lot of bands and artists went through the same and much worse situations. Somehow, we made it to the other side and are now able to look at things differently, as in, simply doing the work is the reward.” 

That work includes the new La Armada record. 

“Our new record is Anti-Colonial Vol. 2 – It is the follow up to 2017’s Vol. 1. We wrote it and recorded it during the pandemic in 3 different spurts at the studio because things kept getting canceled because of Covid protocols.”

La Armada

Still, Rivera stresses the importance of remaining positive:

“It was a difficult time to do art, but it was the only way to keep the band going and maintain some sense of inspiration going.”

La Armada

The band has played sporadically thus far in 2022. “This year we had our Chicago release show in February, a weekend in the Midwest in March and now are now touring again in longer spurts.”

The “longer spurts“ began with this particular night at Burlington Bar, where family, friends and fans wished them safe travels and hopes for a good time out on the road. 

La Armada

That road will take them across North America. “We are first doing the eastern US and Canada for 3 weeks during August, then we take a 3-week break and follow that up with 3 more weeks out west for shows with Propagandhi, Tørsö, and headliners of our own.”

La Armada

La Armada is represented by: Thousand Islands Records for Canadian distribution, Lockjaw! Records for UK and EU distribution and our own Mal De Ojo Records for the US and Latin America.

More photos below!

La Armada

La Armada

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DS Photo Gallery: Less Than Jake, Bowling for Soup in Nashville, TN 7.25.22

If you saw my last gallery on Frank Turner, The Bronx and Pet Needs, I was quoted as saying, “[The Bronx] may very well be my favorite live band”. Well I lied … kind of. I forgot about a group of ska-loving punk rockers from Gainesville that played a pivotal role in my musical upbringing. […]

If you saw my last gallery on Frank Turner, The Bronx and Pet Needs, I was quoted as saying, “[The Bronx] may very well be my favorite live band”. Well I lied … kind of. I forgot about a group of ska-loving punk rockers from Gainesville that played a pivotal role in my musical upbringing. I’m not gonna say that the Less Than Jake dudes’ performance topped that of the LA guys in the Bronx, but I’m content having a two-way tie for first on the list of ‘Nathan’s Favorite Live Bands’.

This was a fun show. It’d been almost five years since my last LTJ show, that one being across town at the Mercy Lounge with the Red City Radio boys. This was my first encounter with Doll Skin and Cliff Diver (both of which I mentally labeled as ‘will see again’), and although I am very familiar with Bowling for Soup from my early days of investigating pop-punk, I had never caught a live show of theirs either. So other than reacquainting myself with Less Than Jake’s live set, this was an evening of firsts.

What stuck out most from Doll Skin‘s performance was the sheer chaos and havoc that lead singer Sydney Dolezal rendered during their set. The images here do little justice as an accurate portrayal of the set’s intensity. They are one of few opening bands that I’ve seen that achieve this level of crowd engagement and attentiveness, which speaks volumes about this band’s live show.

Cliff Diver was an excellent opener for the two headliners because their style was a mix of what drew fans of both headliners to the show. They had the early 2000s pop-punk sound that fans of BFS would love. On the other hand, at times they also had a more traditional ska-punk sound that those who came for LTJ could appreciate.

And one other thing … man, can Briana Wright sing!

There seemed a clear division among those attending that I somewhat alluded to earlier. You had those attending for Less Than Jake (the crowd I would lump myself in with), and those who came for Bowling for Soup, and there was not much overlap between the two groups. Between LTJ’s set and BFS’s, the crowd huddled up near the stage was an entire new set of faces.

Although BFS’s glory days may seem to be in the past, these dudes can still hold their own and there’s still a pretty large group of followers who all still have the same question: Are they bowling in order to earn soup, or on behalf of soup?

There’s not much I can write here other than if you haven’t caught the Less Than Jake guys live, you’re probably in the minority of readers of this site, and you need to see them immediately. I’ve seen bands where their stage antics are gimmicky and their humor distasteful, but what could possibly be gimmicky about a damn toilet paper cannon?

In all truthfulness, you could see the sincerity of the performance from each and every member on stage. They were all genuinely having the time of their life up there.

As always, your time and attention here are very much appreciated. Check out all these rad bands, and I’ll have more galleries up in the coming weeks. Until next time, cheers!

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DS Premiere: Sloth Fist debut “Too Old To Rock” from forthcoming EP, “Bombs Away”

It’s Thursday, so it must be time for another kick-ass song debut! This week, we bring you “Too Old To Rock,” the second single off the upcoming Sloth Fist EP, Bombs Away. Here’s what the band had to say about the track: “Too Old to Rock” is a classic rock-tinged, humorous take on being rejected […]

It’s Thursday, so it must be time for another kick-ass song debut! This week, we bring you “Too Old To Rock,” the second single off the upcoming Sloth Fist EP, Bombs Away. Here’s what the band had to say about the track:

“Too Old to Rock” is a classic rock-tinged, humorous take on being rejected from trying out for a band looking for a member “more in their own age range”.

Now my waistline’s expanding – yeah I’m getting fat.

Some say it ain’t working, but I ain’t hearing that.

Yeah my hairline’s retreating, it’s a thing of the past,

But if I’m too old to rock then you can kiss on my ass.

Bombs Away is due out October 7th on Mindpower Records. Pre-orders are up on the band’s Bandcamp page here – get some!

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Dying Scene Album Review: Take The Reins – “I’m At Your Door”

Windy City punks, Take The Reins have brought back that feel good, pop punk greatness we all know and love with their newest seven track album I’m At Your Door. This fantastic quintet kills the classic sound and do a kick ass job at making any kid who ever went through an “emo phase” have […]

Windy City punks, Take The Reins have brought back that feel good, pop punk greatness we all know and love with their newest seven track album I’m At Your Door. This fantastic quintet kills the classic sound and do a kick ass job at making any kid who ever went through an “emo phase” have a blast to the past. Their positive approach to the music and their overall fun attitude, is perfectly blended with some slower and more sentimental tunes to break up all the excitement. This is the perfect album for either listening cover to cover or for the listener who wants to be able to shuffle the album still have it sound killer.

The album’s first two songs kick things off with a very lively and traditionally fast paced punk feel before backing off a little for the third track with a more moody atmosphere. “Last Stop Model” brings the tempo back up for a fun, bouncy riff that you can easily head bang to. Although not as slow this time, the album takes another turn towards softer side with “Dorothy” before launching into the title track “I’m At Your Door” where the jumping and thrashing can once again resume in full force! The album also features an awesome acoustic version of their song “South Side Rules” which was previously released in 2017 on their debut album, Addiction by Subtraction.

All in all, this album is very well written and just as expertly arranged. It showcases the band’s technical abilities and the front woman’s vocal talents in such a kickass, throwback way. I can’t wait to see what else they pull from their bag of riffs and melodies!

Amazing job, Take the Reins. Way to bring us all back to the “good old days”!

I’m At Your Door (Flat Aht Records) is available on all streaming platforms right now!

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New Found Glory’s Chad Gilbert reveals new tumor diagnosis

As some of you might recall, New Found Glory guitarist Chad Gilbert revealed a particularly scary health diagnosis late last year, specifically, a rare type of adrenal gland tumor called pheochromocytoma. It was a pretty harrowing journey; more on that here. The band were back out on the road hard and heavy throughout the course […]

As some of you might recall, New Found Glory guitarist Chad Gilbert revealed a particularly scary health diagnosis late last year, specifically, a rare type of adrenal gland tumor called pheochromocytoma. It was a pretty harrowing journey; more on that here.

The band were back out on the road hard and heavy throughout the course of this summer for the Sticks & Stones 20th anniversary tour. Our own Chris Tracy was at the Denver show and grabbed the above photo of Gilbert in action! Anyway, as tour went on, Gilbert started experiencing back pain. Well, he can tell you the rest (per his Instagram):

Dear friends!
Was having really intense bad back pain on tour (which can happen from jumping around carrying a heavy guitar). I flew home early for an MRI. Unfortunately we found a new Pheochromocytoma tumor in the 12th vertebrae of my spine pinching on my nerve bad. I’ll be headed into surgery tomorrow to get almost all of it out then hit what’s left with some fancy radiation. Scary stuff but it’s all about the little wins. Each day we’ve been having fun in the hospital and feel lucky with so many things and God’s timing with all of this. If I didn’t go on tour and inflame my tumor, I wouldn’t have known early enough it was there! Then my band’s love and support got me home to get scanned. Knowing me, if pain is making me not play a show, it’s bad. We also discovered I have some very tiny nodules on my lungs but my amazing team feel very confident that it’s manageable and at an early stage compared to where I was last time. My vitals and heart are great this time. Moving forward with today’s amazing technology, I can be on a lifelong treatment that just keeps it all at bay. Like living with an illness but it’s not life-threatening. I no longer have to guess if it will return and can just relax. So I ask for all the prayers, hopes, fingers crossed, or whatever you do for people you care about in times like these. For my rock solid angel of a wife @lisacimorelli and our beautiful dream of a baby, Lily Gilbert. Hoping to be home recovering Friday or Saturday!
For everyone out there struggling with intense health issues and disease. I’m right there with you. Do your best to make the most of it and try not to waste too much time on fear. Process your emotions but no one’s time is ever certain, with or without good health. We are all the same. Try to love and impact where you’re at and what’s around you and look for the depth of the people around you. See how incredible it is that all these people have been on their own journeys and are now connected to you for some reason. From doctors to nurses to the person cleaning your hospital room, everyone’s story is impactful. Much love to everyone out there! Can’t wait to be back out. See you soon!

We’ll keep you posted if and when Chad keeps the world updated. Until then, probably keep him and his family in your thoughts, yeah? And in the meantime, if something wonky is going on with you, TALK TO THE DOCTOR! Don’t be a hero, yeah?

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Dying Scene Album Review: Trashed Ambulance “Future Considerations”

Imagine this if you will, the year is 1999, it is the beginning of Summer, and you’re surrounded by nothing but wilderness and beautiful landscape. You’re about to take a dive off of a 40-foot cliff into a lake, which is really living in the moment. Now the loud music you have blasting on your […]

Imagine this if you will, the year is 1999, it is the beginning of Summer, and you’re surrounded by nothing but wilderness and beautiful landscape. You’re about to take a dive off of a 40-foot cliff into a lake, which is really living in the moment.

Now the loud music you have blasting on your stereo smacks you back into reality. Some fine-tuned punk rock, heavy on the melody and heavy on the fun. You pull off your headphones and stand up to stretch. What was going on before? Were you dreaming?

I was a part of a school-sponsored trip to Canada the Summer before my Junior year of High School, and what was described above actually happened. This was my formal introduction to the wonderful Country of Canada. Fast forward some twenty or so years, and Canada isn’t just a vacation destination for those who love the outdoors.

Canada has become an epicenter for punk rock for the past ten to fifteen years, boasting such great bands as Propagandhi, The Flatliners, Belvedere, Mute, and Silverstein. That’s only naming a few of the many bands who have put Canada on the map for punk rock music.

Trashed Ambulance is a three piece skatepunk/pop punk band out of Red Deer, Alberta and Future Considerations is the band’s third full length album. It is also the first album with the current lineup.

For me being a relatively new fan, after giving Future Considerations a spin, it felt like I have been listening to these guys for years. The influences in their music is instantly apparent and adding their own sound is what drew me to writing this review.

The opening track “56” sets the tone for what is going to be a very loud, energetic, upbeat, melodic and fun album. “Menace” is a standout track, mixing elements of pop punk and skatepunk into a very jumpy and poppy rock tune. On one hand, I can hear Pennywise, specifically their sound from the album All or Nothing, and on another hand I hear NOFX on this track. I really love the dueling vocals with Emilie Plamondon and Robbie Moron on “Stalk in the Park,” it gives a vibe reminiscent of the cover of “Fairytale in New York,” by No Use for a Name. “Blip on the Radar” is my absolute favorite track on the entire album and can be considered a punk rock anthem. I can already picture the crowd singing this one aloud while pumping their fists and chugging their domestic beers. This is a really fun and catchy tune that will likely become a fan favorite.

Trashed Ambulance consists of three members: Josh Hauta – Guitar/Vocals, Jason “Ozone” Ezeard – Bass/Vocals and Riley Bourne – Drums/Vocals. “We tried not to make a paint by numbers skate punk record,” exclaims Hauta. “This album was a true collaboration of ideas between the band members and producer Casey Lewis. We are proud of how it turned out and while we’re under no illusions that we will change the world with a skate punk record in 2022, we are still stoked to be able to present an accurate representation of the band and how we operate in current times.”

They should be proud, this is another solid effort by a hard-working punk rock band. I am pretty confident it will be in heavy rotation among the punk rock scene and those of you reading this review. Do yourself a favor and give this one a spin!

Future Considerations is available on CD and Vinyl via Thousand Islands Records.

Future Considerations by Trashed Ambulance

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Dying Scene Record Radar: New punk vinyl releases & reissues (A Vulture Wake, The Network, Adolescents & more)

Yo! What’s going on, friends? Welcome back to the Dying Scene Record Radar, the weekly column where we present you with colorful plastic discs of music to spend your hard earned money on. We’ve got a lot of good shit in store for you this week, so I hope your wallet’s feeling fat, and your […]

Yo! What’s going on, friends? Welcome back to the Dying Scene Record Radar, the weekly column where we present you with colorful plastic discs of music to spend your hard earned money on. We’ve got a lot of good shit in store for you this week, so I hope your wallet’s feeling fat, and your credit limit is nice and high. Enough fucking around, let’s get into it.

Super exclusive, world premiere, breaking news, OMGGGGGGGGG hoooooly fuuuuuuck!!!!!!

1-2-3-4 Go! Records has been on an absolute tear lately with exclusive reissues from Rancid, Bad Religion, and the Descendents, to name a few. In their latest email blast, the Oakland record store announced their next reissue will be an exclusive pink vinyl pressing of Money Money 2020 by The Network (which totally isn’t just Green Day wearing ski masks). This is coming at some point in September; join their mailing list to be among the first to know exactly when it’ll be available.

Former ALL frontman Chad Price’s band A Vulture Wake has announced a new full-length album! One.Kingdom.Animal is set to release in November on Thousand Islands Records. There are two vinyl variants, limited to 250 copies each. Go here to get your pre-orders in, and look out for a new single next week.

New York pop-punk band With The Punches is releasing a new LP that combines their first two EPs Keep it Going and It’s Not the End of the World. Both of these releases have been out of print for over 10 years. Grab yours here.

Lots of exciting stuff going on over at Mom’s Basement Records! Some of their upcoming releases include new LPs from two Canadian pop-punk bands, Avem and The Smelters, and a brand new record from Germany’s Hawaiians. They also have copies of the Punk Rock Raduno 5 compilation. Head over to their webstore for all of this and more. Our Canadian friends can get Avem’s Three Birds Stoned LP from the Forbidden Beat Distro.

Swedish punk veterans Venerea have announced a new album titled Euro Trash, due out August 26th on SBÄM Records. There are two vinyl variants (yellow and blue), each limited to 200 copies. Check out their new single “Blind Faith” below, and pre-order the LP here.

Here’s another one from our friends at Thousand Islands Records. British punks On A Hiding To Nothing released their debut album We’ll Probably Be Fine, last year and it kicked fuckin’ ass. Now, it’s getting the wax treatment, with a super limited red vinyl pressing. Get your hands on this one here.

Epitaph Records has announced a 25th Anniversary reissue for The Hives‘ Barely Legal. There are a few different variants of this one; go here for links to where you can obtain each one in exchange for some form of currency.

The Adolescents have repressed two of their more recent LPs, Manifest Density and Cropduster. You can get both of these records on gold colored vinyl here.

Also from SBÄM Records: a new comp featuring songs by Pulley, Love Equals Death, Snuff, and a bunch of other great bands. This is only available through their European webstore, and is a cool way to grab a slice of everything on the label’s eclectic roster.

Now that all the cool stuff has been covered, here’s what I’ve been listening to… I continue to abstain from spending money on new records; after all, I’ve already got hundreds of the fuckin’ things, why do I need more? This week the Lawrence Arms and Frenzal Rhomb got some play time, along with Sloppy Seconds‘ classic Knock Yer Block Off. I’ve been listening to Sheboygan, WI’s Jetty Boys a lot in the car and at work, so I threw their record Let ‘Er Rip on the turntable, too. This is a fantastic pop-punk album – highly recommended listening!

And that’s all, folks! Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs. See ya next week!

*Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

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DS Show Review and Photos: The Beths, SASAMI & Charlotte Cornfield Live At BRIC Celebrate Brooklyn

I will be the first to admit that my main (aka only) interest in venturing over to Prospect Park on a hot & humid Friday night was to see New Zealand’s one and only The Beths. I knew next to nothing about the 2 opening acts, Charlotte Cornfield and SASAMI. I can only say now […]

I will be the first to admit that my main (aka only) interest in venturing over to Prospect Park on a hot & humid Friday night was to see New Zealand’s one and only The Beths. I knew next to nothing about the 2 opening acts, Charlotte Cornfield and SASAMI. I can only say now that am I REALLY glad I got to The Lena Horne bandshell early enough to witness one of these sets.

Cornfield took the stage promptly at 7 PM and proceeded to treat the crowd to a steady and competent set of rather quiet and subdued indie folk to which the NPR types in the crowd thoroughly enjoyed. For my ears, however her set just didn’t resonate all that much with me and after the 3 song photo allotment was met I found myself chatting with some of the other photogs in attendance for what seemed like a rather long time considering Charlotte was an opener on a three-band bill at an outdoor show that had a strict New York City mandated 10 PM curfew. Before I go any further, to be clear, Cornfield’s set did seem to be quite good but it just wasn’t my thing and I just kind of lost interest. That’s not to say that she didn’t make a lot of those in attendance very pleased with her set.


Next up was SASAMI who hit the stage shortly after 8 PM.  Truth be told, I had given SASAMI a bit of a listen on Spotify prior to the show and was merely lukewarm about what I had heard. Their first (self-titled) album released in 2019, was a quite polished indie pop album which while very listenable, didn’t exactly get my juices flowing.  And then there is this year’s second full-length LP, Squeeze which hit the shelves back in February. You’d have to do some serious searching in order to find a sophomore LP which takes as strong a departure from its predecessor as does Squeeze. 

The set started off with Sasami Ashworth’s “The Greatest” off the new album. And while the song on the album is rather subdued, the band came out and raged. They took what already sounded like a homage or at least a response to Whitney Houston’s “The Greatest Gift Of All” and turned it into Whitney’s Greatest Gift from an alternative (much less hospitable) dimension.  From here the set only got darker, darker in a heavy metal kind of way with thundering bass lines and loud abrasive guitar chords coming from both Ashworth’s axe as well as the other guitarist who’s name I did not get. To say the least I was almost completely shocked. From here the band ripped through song after song with a fiery electric vengeance which I for one was 100% unprepared for. 


SASAMI

Sticking with a setlist comprised entirely of titles off the new one, SASAMI’s set was absolutely mesmerizing. The energy set forth by Ashworth and the rest of the band was transfixing. A combination metal hell fest combined with an almost performance art presentation made for a show to which I (and virtually every other photographer in the pit) was paralyzed to stop clicking the shutter button. Every moment following every moment felt like something that needed to be captured.  

SASAMI’s set lasted roughly 40-45 minutes yet it flew by in a flash. I for one felt winded after witnessing the whirlwind of a set which they had treated us all to. My initial reaction when it was done was, “I can’t believe it’s over so soon”.  Looking at their other setlists online however, it looks like we got pretty much their entire show.

Which brings me to the headliner, The Beths. It wasn’t all that long ago, you read from me that they were the only real impetus for me being at Prospect Park in the first place. And now as I stood and waited for them to take the stage, I couldn’t help but ponder, “How the hell are they going to top THAT?!?”  Having seen the band make a steady progression from DIY venue, Alphaville to 400-person Music Hall Of Williamsburg to 1000-person capacity Webster Hall, they were now faced with the unenviable task of playing (BY FAR) their most high-profile show ever in New York at the 5000 to 7000 person capacity Lena Horne Bandshell AND having to do that following an absolutely blistering set from the opener, not to mention their backs against the wall relative to a 10 PM curfew.


With it already being after 9, it appeared that we were most likely going to get a truncated set.  The band came on about 9:15, opening with “I’m Not Getting Excited” but clearly they were because they came out answering the call.  Despite what appeared to be some lighting irritations, Liz Stokes was exactly that, STOKED. She, along with guitarist, Jonathan Pierce, bassist, Ben Sinclair and Tristan Deck on drums hit the stage running. Barreling through stalwarts ” Happy, Unhappy” and “Out Of Sight” before offering up the lead single and title track to the upcoming album, “Expert In A Dying Field” due to drop in mid-September.


It was right about here in the set that it dawned on me that the band had figured out how they were going to get their entire set done in roughly three-quarters the normal length of the set. They were speeding everything up and HOLY SHIT, it was working masterfully!  I mean they were almost approaching Ramones kind of tempos and the songs and the vibes and the atmosphere were just perfect.

After “Dying Field” we got three more older songs before they cracked open another new one called “Knees Deep”, a bright sun-shiney rocker (come to think of it a Beth’s song and sun-shiney is just redundant…aren’t they all like that?)

Attacking each upcoming song at a breakneck pace which seemed different yet also quite right.  “Jump Rope Gazers” into “Uptown Girl” into “A Real Thing”, all done fast but not quite furious.

When all was said and done, The Beths managed to come out of the evening having sleighed the dragon. They overcame the adversity which faced them and finished the evening around 10:10 after a two-song encore of “You Are A Beam of Light” and “Little Death” to the delight of all. Liz and crew put on a masterful show which while certainly sped up, never felt rushed. As a matter of fact it appeared that the band had as much fun as the packed crowd. The normally stoic Jon on guitar was flashing a big grin much of the evening. Liz showed off a little Chuck Berry-esque duck walk and the rhythm section of Tristen and Ben were amazing keeping the sped up pace at bay and even keeled.

When all was said and done, all I could possibly say was, “What a night!”

NOTE:  For those in the NY/NJ area The Beths will be at The Asbury Lanes on August 26th and for those in or around western MA, they will be at Courtney Barnett’s Here and There Festival at MassMoca in North Adams on August 13th.

  • SASAMI
  • The Beths

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