DS News: Hi-Standard release new song “I’m A Rat”, announce first show following passing of drummer Akira Tsuneoka

Japanese punk veterans Hi-Standard announced the passing of founding member, drummer Akira Tsuneoka, in February. Today, the band released “I’m A Rat”, their final song recorded with Tsuneoka on drums. They don’t make any mention of it, but Fat Mike of NOFX is credited as the songwriter on Spotify and YouTube Music. They have also been added […]

Japanese punk veterans Hi-Standard announced the passing of founding member, drummer Akira Tsuneoka, in February. Today, the band released “I’m A Rat”, their final song recorded with Tsuneoka on drums. They don’t make any mention of it, but Fat Mike of NOFX is credited as the songwriter on Spotify and YouTube Music.

They have also been added to the lineup for Japanese music festival Satanic Carnival 2023. They won’t have a new drummer manning the throne, but will instead “have friends fill in and have them play a few songs each” on drums for this show.

Check out Hi-Standard’s absolutely killer new song “I’m A Rat” below, alongside a statement from the band on the track and their future plans.

“Hi Everyone

This may come as a surprise, but we are releasing a new song. It’s only one song, but we will be releasing it. The song is “I’m a Rat”.

This is Tsune’s last recording with Hi-STANDARD.

We recorded this song in December of 2022. This isn’t an unreleased song or a B-side, this is a new song. The song will be released digitally and will be available through various streaming services starting April 19th along with a lyric video on YouTube.

On April 12th we released a 12-minute short on YouTube documenting the recording session of this song.

Tsune was having a blast and was on top of his game during the session. He was extremely happy with how the song turned out, so we are releasing “I’m a Rat” without hesitation.

As announced, we will be performing at Satanic Carnival 2023 as Hi-STANDARD.

We will have our friends fill in and have them play a few songs each. We thought about how this show should be presented, whether it would be a tribute show or a memorial show, but those formats did not make sense to us. In the end we decided that it would best to perform as Hi-STANDARD. We won’t be announcing the drummers, they will be introduced when they hit the stage.

We were supposed to play the show with Tsune, and we had planned on playing “I’m a Rat”. When we were asked to play Satanic Carnival, Tsune said couldn’t find a reason not to play the festival. For that reason, we will be performing as Hi-STANDARD.

The three of us had discussed the future of Hi-STANDARD and we had a vision. We had projects in the works, releasing “I’m a Rat”, and playing Satanic Carnival 2023. These were the first steps we were taking to move forward as a band.

As we were taking this first step, we lost Tsune.

Nothing would make us happier if you could listen to the song, watch the video, and remember that there was Akira Tsuneoka, the eternal drummer.

We are back to square one with our “projects in the works” after the passing of Tsune. We may not be able accomplish everything we had planned, but we will do our best to bring to life what we had envisioned.

First, we would love for you to see Hi-STANDARD at Satanic Carnival 2023.

Hi-STANDARD Ken Yokoyama / Akihiro Namba”

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DS Exclusive: Dutch punks Ink Bomb premiere music video for their “Theme Song”

Dying Scene’s latest exclusive premiere comes all the way from the Netherlands! It’s a brand new music video from Dutch punks Ink Bomb, for their new single “Theme Song”. Check that shit out below! “I was working on a melody for a song and since I don’t write lyrics I was just singing the words […]

Dying Scene’s latest exclusive premiere comes all the way from the Netherlands! It’s a brand new music video from Dutch punks Ink Bomb, for their new single “Theme Song”. Check that shit out below!

“I was working on a melody for a song and since I don’t write lyrics I was just singing the words Ink Bomb over and over again as a demo for our singer Joost”, explains guitarist Quirijn Foeken. “Joost took this as a cue to write a theme song for the band.”

For the song’s music video, Ink Bomb worked with Edwin Willemsen of Ambivalent Aardvark Productions, who also produced the video for their last single “Human Remains“. The “Theme Song” video was shot in a so-called Instagram Museum called The Akwart Experience. Bassist Arina Banga says the museum was an obvious choice for the set, explaining: “One of the rooms there features a literal ink bomb. This was just the perfect place for the video.”

Ink Bomb is currently working on a new full-length album, which they plan to release later this year. Stay tuned for more on that and listen to their 2019 debut Fiction while you wait!

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DS News: Rancid announce new album “Tomorrow Never Comes”, stream title track

East Bay punk legends Rancid will be releasing their 10th studio album Tomorrow Never Comes on June 2nd through Hellcat Records. Like nearly every other album in the band’s discography, the new 16-song LP was produced by Brett Gurewitz. Check out the music video for the title track below and pre-order the record here. Tomorrow […]

East Bay punk legends Rancid will be releasing their 10th studio album Tomorrow Never Comes on June 2nd through Hellcat Records. Like nearly every other album in the band’s discography, the new 16-song LP was produced by Brett Gurewitz.

Check out the music video for the title track below and pre-order the record here.

Tomorrow Never Comes is Rancid’s first new album in six years, following 2017’s Trouble Maker. They will be touring Europe in support of its release with The Bronx and Grade 2 this June; peep those dates below.

Rancid – Tomorrow Never Comes vinyl color variants PRE-ORDER

Rancid European tour:

Jun. 1, 2023 Bellaria-Igea Marina, Italy @ Bay Arena
Jun. 2, 2023 Bellaria, Italy @Slam Dunk Festival Italy 2023
Jun. 3, 2023 Ljubljana, Slovenia @ MEDIA CENTER
Jun. 4, 2023 Linz, Austria @ Sbäm Fest 2023
Jun. 6, 2023 Ursus, Poland @ Letnia Scena Progresji
Jun. 8, 2023 Hyvinkää, Finland @ Rockfest 2023
Jun. 10, 2023 Stockholm, Sweden @ Annexet
Jun. 12, 2023 Berlin, Germany @ Columbiahalle
Jun. 13, 2023 Wiesbaden, Germany @ Schlachtof
Jun. 15, 2023 Gasteiz / Vitoria, Spain @ Azkena Rock Festival 2023
Jun. 16, 2023 Clisson, France @ Hellfest 2023
Jun. 17, 2023 Dessel, Belgium @ Graspop Metal Meeting 2023
Jun. 20, 2023 London, United Kingdom @ OVO Arena Wembley
Jun. 21, 2023 Stretford, United Kingdom @ O2 Victoria Warehouse
Jun. 23, 2023 Ysselsteyn, Netherlands @ Jera On Air Festival 2023
Jun. 24, 2023 Münster, Germany @ Vainstream Rockfest 2023
Jun. 25, 2023 Tábor, Czechia @ Mighty Sounds Festival 2023

New Releases

Middle Aged Queers 05-01-2026
Greatest Hits
Gottlieb 05-01-2026
“Far Fallen Fruit”
Kali Masi 05-01-2026
Searching For a Sunbeam

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DS Band Spotlight: Danvers

If you’ve never heard of Danvers, that’s more on us than it is on yinz (did we use that correctly?). We’ve been following these prolific Pittsburgh punks for awhile now and only recently remembered that we run a pretty big punk rock website which has a Band Spotlight section specifically created to highlight lesser known […]

If you’ve never heard of Danvers, that’s more on us than it is on yinz (did we use that correctly?). We’ve been following these prolific Pittsburgh punks for awhile now and only recently remembered that we run a pretty big punk rock website which has a Band Spotlight section specifically created to highlight lesser known bands. Sorry about that fellas!

Even though the lads have been on our radar for eight years or so, we’ve always struggled with what shelf to put them on. They draw influence from a wide swath of subgenres including melodic punk, emo and skate punk and that variety comes through in their music. They classify their music as “Sad songs for skaters (skate/emo/skemo?)” and while we’re pretty mad that we didn’t come up with that, we do concede that it’s the most apt description of their sound. Don’t take our word for it though, give their latest single a spin (below) and let us know what you think!

The track is from their upcoming LP titled Like We Knew What It Meant which is set to release May 1st and can be pre-saved on Spotify here. Also, a lil birdy told us that there my be a pending DS Exclusive in our Drafts Folder for their next single, so keep an ear out for that! Until then, check out their phenomenal back catalog and give them a follow on Facebook to get more info on upcoming shows in your area!


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DS Exclusive: French punks The Traders premiere comeback single “Grandiose” from first new album in 10 years

Call it a comeback! Ten years after the release of their debut album, French punk rock three-piece The Traders have returned with a new lineup and a new record. We’re stoked to bring you this exclusive premiere of the album’s lead single “Grandiose”. Check out the new song below, and pre-save it on your favorite […]

Call it a comeback! Ten years after the release of their debut album, French punk rock three-piece The Traders have returned with a new lineup and a new record. We’re stoked to bring you this exclusive premiere of the album’s lead single “Grandiose”. Check out the new song below, and pre-save it on your favorite streaming platform here.

Here’s some backstory on the song, courtesy of the band:

“This song is the first we wrote with the actual line up in a rehearsal room, in maybe one or two hours. Maybe that’s why there’s so much energy to it. We never changed it, re-wrote it, re-structured it or anything. It might sounds silly or cliché, but that’s what we like about this song.

The lyrics are mostly about self-esteem, confidence, and also selfishness and stubbornness. Somehow, the line seems more and more blurry nowadays, as some people let their ego ruin any kind of human relationship instead of introspection. On that note, stay positive!”

Be on the lookout for The Traders’ sophomore album, due out this September. It’s being co-released by a bunch of awesome labels, including White Russian Records, Nasty Cut Records, La Agonía de Vivir & more.

Upcoming shows :

21.04 – BOURG EN BRESSE @ La Tannerie
22.04 – SALAVAUX @ Piquette Skatepark
15.06 – AMIENS @ La Taverne Elektrik
16.06 – LE HAVRE @ Le Mac Daid’s
17.06 – TOURS @ Le Jericho

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DS Record Radar: This Week in Punk Vinyl (Blink-182 “The Mark, Tom & Travis Show” repress, Pennywise, Richie Ramone & more)

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. After taking a one week hiatus to observe the resurrection of our […]

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. After taking a one week hiatus to observe the resurrection of our lord and savior Jesus H Christ, we’re back in action with a ton of awesome colorful plastic music discs on tap. So kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, because it’s go time. Let’s get into it!

If you don’t feel like reading, check out the video edition of this week’s Record Radar, presented by our friends at Punk Rock Radar:

At long last, Blink-182‘s classic live (but not actually live) record The Mark, Tom and Travis Show is back in print! I think it’s been 7 years(?) since this was last repressed. Finally, you can get your hands on this bad boy for less than the $100 it fetches on Discogs. If you wanna grab a copy of this new pressing, this eBay listing looks like the cheapest option.

Also new from Blink this week: Buddha gets its like 30th color variant, thanks to Cleopatra Records. There’s an undisclosed number of copies on Blue w/ Red Splatter colored vinyl (it looks pretty sweet honestly). Get it from the label’s webstore; everything on there is 20% off right now, so this is only like $22.

Pennywise‘s 1993 classic Unknown Road turns 30 this year! Naturally, Epitaph is marking the occasion with a 30th Anniversary reissue. There’s a bunch of color variants; here‘s where you can get all of them.

German skate punk veterans Not Available are getting in on the reissue action, with a new pressing of their 2001 LP V8. They made 99 copies of this new Orange Marbled color variant, get yours here. Very underrated band.

Left Alone‘s debut album Streets of Wilmington is getting a 20th Anniversary reissue! There are 300 copies on Coke Bottle Clear colored vinyl – and 20 test pressings – available here.

The reissue train rolls on! (we’ll get to this week’s new releases soon, I promise). Striped Music has issued a second pressing of the 30th Anniversary Screeching Weasel Anthem For A New Tomorrow reissue. The first pressing on hot pink colored vinyl is long sold out, but now you can get it on blue wax here.

One of the most critically acclaimed releases of 2022, Soul Glo‘s Diaspora Problems, is back in print once again. 500 copies are available on this new Gold / Transparent Green / Pink Split color variant. This LP moves fast (I think this is the sixth pressing in just a year), so act fast and get it here if you want a copy.

Last reissue / repress, I pinky swear! Anywho, Chuck Ragan‘s 2016 solo album The Flame in the Flood is getting repressed. There’s a few variants: “Sunshine” (Canada), “Swamp Green” (US), “Flame” colored, and of course, black wax.

Alright you’ve all been patient, time for some NEW releases! First up is Italian skate punks Wasei, who just put out their awesome new record Vulgar Misplay of Burkett. 100 copies on black wax, 100 copies on colored vinyl. Listen below and grab the LP here.

Suicide Machines singer Jay Navarro’s side project (one of many) J Navarro and the Traitors have a new album coming soon on Bad Time Records. Check out the first single below and pre-order All of Us or None here.

My favorite Ramones drummer Richie Ramone is putting out a new solo record! It’s called Live to Tell and it’s due out on April 21st. Listen to the title track below; get the record here. Available on black wax, as well as 250 copies on autographed, clear colored vinyl.

Teenage Bottlerocket has a new four song 7″ coming soon on Pirates Press Records. There are three color variants: Hot Pink (1,200 copies) and “Evergreen & Blue Jay” (500 copies) are available on the label’s online store. Kelly Green w/ Black splatter (300 copies) is the tour variant. Check out the A-Side title track “So Dumb” below.

California punk supergroup Versus The World (members of Good RiddanceLagwagon, etc.) has a new album due out May 26th on SBÄM Records. Listen to the latest single below and pre-order The Bastards Live Forever here (US) / here (EU).

Another awesome upcoming release from SBÄM: The Dead Krazukies have announced their new album From the Underworld will be released on June 16th. Check out the first single “Maniac” below and pre-order the LP here.

Juno Award winning Canadian rockers The Dirty Nil have also thrown their hat into the ring with a new record called Free Rein to Passions. The album is due out May 26th on Dine Alone Records. Check out the lead single below; pre-order here.

Michigan pop-punks the Zoanoids are releasing their long awaited sophomore album Effigy on Hey Pizza! Records. You can check out a handful of tracks below and grab the LP here; also available on cassette here! For fans of horror / sci-fi themed pop-punk like the Lillingtons.

Asian Man Records has launched pre-orders for the debut LP from Doki Doki (members of Dog Party, Grumpster, etc.). Check out one of the singles below and pre-order the record here.

And last but most certainly not least, former Face to Face, No Use For A NamePulley, etc. bassist Matt Riddle’s new band Fire Sale has launched pre-orders for their new 7″ A Fool’s Errand. Listen to the EP below and pre-order the record here.

Well, that’s all, folks. Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, leave us a comment below, or send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs (or do, I’m not your father). See ya next week!

Wanna catch up on all of our Record Radar posts? Click here and you’ll be taken to a page with all the past entries in the column. Magic!

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DS Show Review & Gallery: The Return of Sludgeworth! Tightwire and Permanent Residue join in on the fun (Chicago – 04.08.2023)

Sludgeworth, the1990’s beloved Chicago punk band, returned to the stage on a recent Saturday night. With support from Chicago’s Permanent Residue, and rapidly ascending Minneapolis band Tightwire, it was an incredible night on stage and a helluva fun one offstage at Cobra Lounge. Longtime fans who were there at the start and have been waiting […]

Sludgeworth, the1990’s beloved Chicago punk band, returned to the stage on a recent Saturday night. With support from Chicago’s Permanent Residue, and rapidly ascending Minneapolis band Tightwire, it was an incredible night on stage and a helluva fun one offstage at Cobra Lounge. Longtime fans who were there at the start and have been waiting decades to see them play again were thrilled. Some even expressed disbelief that this was even happening. Others in the crowd, whether not born yet at that time, too young to remember them, or not from Chicago, instantly became new fans. Cobra Lounge was packed at this sold-out show. This was a momentous show, but this night also helped demonstrate why, though Chicago may be called the Second City, for some many it is #1 when it comes to its punk rock community.


First, a note about that community: It is a tight-knit one. Like a family, there are many different personalities and perhaps not everyone gets along. But far more often it is easy to witness the support those in the community have for each other, including most musicians, most of the venue owners and staff, other behind-the-scenes people, and yes from my experience most of the photographers and writers covering the shows. This night was no exception, though it did seem to be an all-star event. Tobias Jeg, founder and owner of Red Scare Industries returned to the Windy City to support one of his label’s band, Tightwire, do business, and hang with so many good friends. There were some heavy hitters among the punk rock musicians on hand to celebrate the return of Sludgeworth. Among those spotted at the event were Naked Raygun‘s Jeff Pezzati, Daryl Wilson and Ken Fitzner from The Bollweevils, Joe Principe of Rise Against, Deanna Belos aka Sincere Engineer, Brendan Kelly from The Lawrence Arms and The Falcon, Steev MF Custer from Death and Memphis, 88 Fingers Louie‘s Denis Buckley, and Joe Sowinski, currently of Static Age, but formerly of The Evictions, Major Threat, and The Old Comiskeys. Dave Simon, of Deal’s Gone Bad, The Crombies, and Anger, a popular bartender at Cobra, was on the job this night but is definitely a prominent member of the Windy City punk rock family. I would be remiss if I did not mention him. I’m guessing there were others but in the cozy confines it was sometimes hard to see much else around me as I documented the festivities.


For a smaller venue, such as the case with Cobra Lounge, that’s quite an impressive turnout. Witnessing this amount of support for each other is one of the biggest reasons this Long Island born and raised, Chicago transplant, who spends a good deal of time each year traversing the Lower East Side of NYC, loves the Chicago punk rock scene. Oh, and the oftentimes very good, sometimes great and occasionally, phenomenal music factors in too.


Ok, now that the scene is set, on to the show. I moved to Chicago in March of 2009, so I had no idea of Sludgeworth until very recently. However, in the weeks leading up to it, I was repeatedly told I had to be at this show by various friends They argued that this was going to be an important one. Fortunately, this came from close friends who were on the ground during the first Sludgeworth era. So of course I had immense trust in them. All I can say is damn! Well, that and thanks to those who insisted I attend. And of course, all that I am about to say in this piece. Because, wow! Sludgeworth is straight-up phenomenal, both in music and performance. Oh and there was the live performance debut of a future punk rock star. More on that in a bit.


Having documented Dan Schafer as the lead singer for Dan Vapid and The Cheats multiple times and also seeing him front another of his groups, The Methadones, I knew going into this event that he is a dynamic performer and musician. But with his Sludgeworth bandmates, this was taken up a notch. He worked the cozy stage, engaged the fans about as much as one can without actually jumping into the crowd. Schafer spent much of the time extending his arm, microphone wielded tightly in his hand into the upfront scrum. Yes, this is a common movement in shows. Yet the frequency with which it was done here, coupled with the frenzied glee from fans who seemed to remember every lyric to all of the songs from long ago, surely set this apart. No doubt Schafer and bandmates were having a blast.


Mike Hooten on bass, Adam White and Dave McLean on guitars, and drummer Brian McQuaid aka Brian Vermin behind the kit, each commanded their spots on the stage individually. Collectively, they powered the music against which Schafer’s vocals were set.


Red Scare Industries recently re-issued the band’s 1995 record, “Losers of the Year.” They opened with, the appropriately titled for this event, “Never Say Never.” From there Sludgeworth drove through an electrifying set that included fiery renderings of “Follow,” “Another Day,” “She’s Not Disposable,” “Waste It Away,” “Angry Man,” and “Two Feet on the Ground.”


Every band member appeared very glad to be together on the stage again. McQuaid, with Yankees cap (per McQuaid “It’s 100% Jay-Z and 0% baseball.” That said, Let’s Go Mets!) turned backwards on his head, spent most of the set with a giant grin on his face as he slammed through, in the very best way, the setlist. McQuaid was also celebrating a very special moment on stage, and he had reason to be proud.


Brian McQuaid’s 13-year-old son, Max McQuaid, made his live performance debut when he took over on the drums for the song “Anytime.” The kid crushed it. This is no generous hyperbole to encourage Max, who has been playing drums for five years. He legit killed it on the the song “Anytime.” Fans showered the younger McQuaid with some of the loudest cheers of the night, immediately adopting him in a sense as the newest member of their beloved band. Almost jumping into a bear hug with his Dad on stage just added another verklempt-inducing moment. Later, Max stage-dived, and crowd-surfed, the only one to do so this night and Schafer jokingly put the kibosh on him invading the stage to try it again. Instead, Max had to make do with rocking out on the shoulders of a family friend named Mikey. Max signed a drumstick for me after the show. I’m going to hold onto it because this young man is a drummer who we should all keep an eye on. He is part of the next generation of great Chicago punk musicians preparing to take over. I have no doubt about that.


As great as the show was, I was curious as I am sure many or most of the fans old, and new were. The obvious question being, how did this event happen?

I caught up with Schafer by DM a few days post-show to get some answers.

We had the reissue of “Losers of the Year” on Red Scare records, and I believe, if memory serves me correct, the idea was floating during various Zoom interviews back in December. It was met with a resounding no, which turned into a maybe, into a yes, and into an enthusiastic, hell yes. How? I’m not exactly sure. There were some problems to work out, but we did.”


And the welcome news: “Yes. We will be playing again in 2023 and will have a new single.

Indeed the band, played a new tune called “Together, Not Together.” Fans were euphoric.

Schafer shared the genesis of the new song,

Through the excitement of playing again, they suggested it to me. I was dead set against it. They sent a riff to me, and I was like, “Hmmmm…”

He continues, “Next thing I know, words pop into my head, and we go back and forth with voice memos. We made the final touches on it the day before the show.

So Schafer’s verdict on the show?

I couldn’t have asked for it to go any better. I felt well-rehearsed, relaxed, in good spirits, great camaraderie, enthusiastic fans.

 “The passage of time was a mind trip. It’s been 30 years since we broke up. Aside from a handful of reunions over the years, the thought of these songs being in somewhat of a demand in 2023 is pretty incredible.”

Incredible? Yes. Incredible news that there is more to come this year from Sludgeworth? Absolutely.


When you have such a major event headlined by a beloved band, you better make sure the two support bands measure up to the importance of the night. The organizer of this show hit the jackpot.

Playing in the middle spot was Tightwire, a band on a rocket ship to greatness, ready to blast off. I have covered the band a few times for Dying Scene since our resurrection and know that there are plenty more to follow. The Minneapolis quartet are big fans of the Windy City, and the Windy City has many big fans of the band.

The group, on the Red Scare Industries label, had the energy to match the headliners. Singer Tane Graves shredded his vocal chords, and his bass. Both guitarists Noelle Stop, often in close proximity to Graves, and Paul Mullaney, lurking in the darker corner of the small stage, contributed powerful vocals whilst driving the music. Drummer Parker Thompson seemed to be happily destroying his kit in proper service of the music.

Tightwire kicked off its set with the appropriately titled for this night, “Party,” and ended with “AYL.” In between they jammed through “Six Feet Deep,” “Told Yah,” “Hidden Planet,” “Spell On Me,” and “Anyone But You.”

I look forward to seeing them again in short order. I’d hazard a guess anyone else who has witnessed them live feels the same way.


Another band I had the pleasure to document previously, as support for The Brokedowns a few months back, is Chicago’s own pop-punk Permanent Residue. It’s a fun crew led by singer, guitarist, and harmonica player Kate Manic, also from Fuck You Idiot. Her bandmates are Jake Levee of Canadian Rifle, on bass. drummer Victor Lord Riley, and guitar player, Vince Miller. The band, off the Long Island label, Dead Broke Rekerds, provided a great opening for the show. Its music is played at a full-throttle pace, with the songs clocking in under two minutes long. The speedy set started with “Ogden Avenue,” the title referencing a well-known street named for Chicago’s first mayor, William B. Ogden. It was followed by “O Well,” “Resignation,” and “I Don’t.” The last song in the set was the delightfully titled “David Gilmour Girls.” I expect the band to be headlining more and bigger shows. But wherever they are on the bill, make sure you check them out.


This was a top-shelf night of great music, equally great friends, and massive talent amongst the fans. Please see below for more photos. Cheers!


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DS News: Surprise Blink-182 Fans! Mark, Tom and Travis reunite at Coachella!

So obviously as astute Dying Scene readers, you all know that the three-headed pop-punk monster known as Blink-182 were finally slated to play some long-awaited reunion shows later this year. Then of course one leg got postponed for…reasons…but now… THEY’RE BACK! Mark and Tom and Travis played their first set together as a trio since […]

So obviously as astute Dying Scene readers, you all know that the three-headed pop-punk monster known as Blink-182 were finally slated to play some long-awaited reunion shows later this year. Then of course one leg got postponed for…reasons…but now…

THEY’RE BACK!

Mark and Tom and Travis played their first set together as a trio since 2015 in a surprise set at Coachella last night. So hip and edgy!

Check out a couple videos of “I Miss You” and “What’s My Age Again?” below!



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DS News: Full FEST 21 Lineup Announced (Descendents, ALL, Samiam, Lucero, Thursday, literally every band)

It’s FEST lineup announcement day, boys and girls! This year’s installment takes place October 27 to 29th in Gainesville, and good grief it’s going to be a rager. Taking the headline spots are Thursday, Descendents and Less Than Jake. The former will be playing two sets, including a War All The Time 20th anniversary full-album […]

It’s FEST lineup announcement day, boys and girls! This year’s installment takes place October 27 to 29th in Gainesville, and good grief it’s going to be a rager.

Taking the headline spots are Thursday, Descendents and Less Than Jake. The former will be playing two sets, including a War All The Time 20th anniversary full-album set. The latter will also be playing two sets, including a 25th-anniversary Hello Rockview performance. Also…Hello Rockview is turning 25 this year, so I’m going to go walk into ocean.

ANYWAY, more highlights for yours truly include Lucero and ALL and Samiam and Tim Barry and Kali Masi and Smoking Popes and Eve 6 and No Trigger and…well…literally every band. See the full roster below! Early bird passes go on sale on 4/20. More details here!


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DS News: J Navarro and the Traitors announce new album “All of Us or None”, premiere lead single “One Hand”

Suicide Machines frontman Jay Navarro’s two-tone ska side project J Navarro and the Traitors have signed to Bad Time Records for the release of their new album All of Us or None. Check out the lead single “One Hand” below. All of Us or None is set to release on May 19th. Pre-order the LP […]

Suicide Machines frontman Jay Navarro’s two-tone ska side project J Navarro and the Traitors have signed to Bad Time Records for the release of their new album All of Us or None. Check out the lead single “One Hand” below.

All of Us or None is set to release on May 19th. Pre-order the LP here and catch the band on tour this summer with Omnigone and Stop The Presses; tour dates are below.

Tour dates:

Jun 09 @ Hawthorne Lounge – Portland, OR (no Omnigone)
Jun 10 @ Funhouse – Seattle, WA (no Omnigone)
Jun 12 @ The Starlet Room (Harlow’s) – Sacramento, CA
Jun 13 @ Bottom of The Hill – San Francisco, CA
Jun 14 @ The Parish Room (House of Blues) – Anaheim, CA
Jun 15 @ Knitting Factory – North Hollywood, CA
Jun 16 @ Soda Bar – San Diego, CA (no Omnigone)
Jun 17 @ Moustache Bar – Tijuana, MX (no Omnigone, no Stop The Presses)

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