DS Photo Gallery: Less Than Jake, Bowling for Soup in Nashville, TN 7.25.22

If you saw my last gallery on Frank Turner, The Bronx and Pet Needs, I was quoted as saying, “[The Bronx] may very well be my favorite live band”. Well I lied … kind of. I forgot about a group of ska-loving punk rockers from Gainesville that played a pivotal role in my musical upbringing. […]

If you saw my last gallery on Frank Turner, The Bronx and Pet Needs, I was quoted as saying, “[The Bronx] may very well be my favorite live band”. Well I lied … kind of. I forgot about a group of ska-loving punk rockers from Gainesville that played a pivotal role in my musical upbringing. I’m not gonna say that the Less Than Jake dudes’ performance topped that of the LA guys in the Bronx, but I’m content having a two-way tie for first on the list of ‘Nathan’s Favorite Live Bands’.

This was a fun show. It’d been almost five years since my last LTJ show, that one being across town at the Mercy Lounge with the Red City Radio boys. This was my first encounter with Doll Skin and Cliff Diver (both of which I mentally labeled as ‘will see again’), and although I am very familiar with Bowling for Soup from my early days of investigating pop-punk, I had never caught a live show of theirs either. So other than reacquainting myself with Less Than Jake’s live set, this was an evening of firsts.

What stuck out most from Doll Skin‘s performance was the sheer chaos and havoc that lead singer Sydney Dolezal rendered during their set. The images here do little justice as an accurate portrayal of the set’s intensity. They are one of few opening bands that I’ve seen that achieve this level of crowd engagement and attentiveness, which speaks volumes about this band’s live show.

Cliff Diver was an excellent opener for the two headliners because their style was a mix of what drew fans of both headliners to the show. They had the early 2000s pop-punk sound that fans of BFS would love. On the other hand, at times they also had a more traditional ska-punk sound that those who came for LTJ could appreciate.

And one other thing … man, can Briana Wright sing!

There seemed a clear division among those attending that I somewhat alluded to earlier. You had those attending for Less Than Jake (the crowd I would lump myself in with), and those who came for Bowling for Soup, and there was not much overlap between the two groups. Between LTJ’s set and BFS’s, the crowd huddled up near the stage was an entire new set of faces.

Although BFS’s glory days may seem to be in the past, these dudes can still hold their own and there’s still a pretty large group of followers who all still have the same question: Are they bowling in order to earn soup, or on behalf of soup?

There’s not much I can write here other than if you haven’t caught the Less Than Jake guys live, you’re probably in the minority of readers of this site, and you need to see them immediately. I’ve seen bands where their stage antics are gimmicky and their humor distasteful, but what could possibly be gimmicky about a damn toilet paper cannon?

In all truthfulness, you could see the sincerity of the performance from each and every member on stage. They were all genuinely having the time of their life up there.

As always, your time and attention here are very much appreciated. Check out all these rad bands, and I’ll have more galleries up in the coming weeks. Until next time, cheers!

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DS Premiere: Sloth Fist debut “Too Old To Rock” from forthcoming EP, “Bombs Away”

It’s Thursday, so it must be time for another kick-ass song debut! This week, we bring you “Too Old To Rock,” the second single off the upcoming Sloth Fist EP, Bombs Away. Here’s what the band had to say about the track: “Too Old to Rock” is a classic rock-tinged, humorous take on being rejected […]

It’s Thursday, so it must be time for another kick-ass song debut! This week, we bring you “Too Old To Rock,” the second single off the upcoming Sloth Fist EP, Bombs Away. Here’s what the band had to say about the track:

“Too Old to Rock” is a classic rock-tinged, humorous take on being rejected from trying out for a band looking for a member “more in their own age range”.

Now my waistline’s expanding – yeah I’m getting fat.

Some say it ain’t working, but I ain’t hearing that.

Yeah my hairline’s retreating, it’s a thing of the past,

But if I’m too old to rock then you can kiss on my ass.

Bombs Away is due out October 7th on Mindpower Records. Pre-orders are up on the band’s Bandcamp page here – get some!

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Dying Scene Album Review: Take The Reins – “I’m At Your Door”

Windy City punks, Take The Reins have brought back that feel good, pop punk greatness we all know and love with their newest seven track album I’m At Your Door. This fantastic quintet kills the classic sound and do a kick ass job at making any kid who ever went through an “emo phase” have […]

Windy City punks, Take The Reins have brought back that feel good, pop punk greatness we all know and love with their newest seven track album I’m At Your Door. This fantastic quintet kills the classic sound and do a kick ass job at making any kid who ever went through an “emo phase” have a blast to the past. Their positive approach to the music and their overall fun attitude, is perfectly blended with some slower and more sentimental tunes to break up all the excitement. This is the perfect album for either listening cover to cover or for the listener who wants to be able to shuffle the album still have it sound killer.

The album’s first two songs kick things off with a very lively and traditionally fast paced punk feel before backing off a little for the third track with a more moody atmosphere. “Last Stop Model” brings the tempo back up for a fun, bouncy riff that you can easily head bang to. Although not as slow this time, the album takes another turn towards softer side with “Dorothy” before launching into the title track “I’m At Your Door” where the jumping and thrashing can once again resume in full force! The album also features an awesome acoustic version of their song “South Side Rules” which was previously released in 2017 on their debut album, Addiction by Subtraction.

All in all, this album is very well written and just as expertly arranged. It showcases the band’s technical abilities and the front woman’s vocal talents in such a kickass, throwback way. I can’t wait to see what else they pull from their bag of riffs and melodies!

Amazing job, Take the Reins. Way to bring us all back to the “good old days”!

I’m At Your Door (Flat Aht Records) is available on all streaming platforms right now!

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New Found Glory’s Chad Gilbert reveals new tumor diagnosis

As some of you might recall, New Found Glory guitarist Chad Gilbert revealed a particularly scary health diagnosis late last year, specifically, a rare type of adrenal gland tumor called pheochromocytoma. It was a pretty harrowing journey; more on that here. The band were back out on the road hard and heavy throughout the course […]

As some of you might recall, New Found Glory guitarist Chad Gilbert revealed a particularly scary health diagnosis late last year, specifically, a rare type of adrenal gland tumor called pheochromocytoma. It was a pretty harrowing journey; more on that here.

The band were back out on the road hard and heavy throughout the course of this summer for the Sticks & Stones 20th anniversary tour. Our own Chris Tracy was at the Denver show and grabbed the above photo of Gilbert in action! Anyway, as tour went on, Gilbert started experiencing back pain. Well, he can tell you the rest (per his Instagram):

Dear friends!
Was having really intense bad back pain on tour (which can happen from jumping around carrying a heavy guitar). I flew home early for an MRI. Unfortunately we found a new Pheochromocytoma tumor in the 12th vertebrae of my spine pinching on my nerve bad. I’ll be headed into surgery tomorrow to get almost all of it out then hit what’s left with some fancy radiation. Scary stuff but it’s all about the little wins. Each day we’ve been having fun in the hospital and feel lucky with so many things and God’s timing with all of this. If I didn’t go on tour and inflame my tumor, I wouldn’t have known early enough it was there! Then my band’s love and support got me home to get scanned. Knowing me, if pain is making me not play a show, it’s bad. We also discovered I have some very tiny nodules on my lungs but my amazing team feel very confident that it’s manageable and at an early stage compared to where I was last time. My vitals and heart are great this time. Moving forward with today’s amazing technology, I can be on a lifelong treatment that just keeps it all at bay. Like living with an illness but it’s not life-threatening. I no longer have to guess if it will return and can just relax. So I ask for all the prayers, hopes, fingers crossed, or whatever you do for people you care about in times like these. For my rock solid angel of a wife @lisacimorelli and our beautiful dream of a baby, Lily Gilbert. Hoping to be home recovering Friday or Saturday!
For everyone out there struggling with intense health issues and disease. I’m right there with you. Do your best to make the most of it and try not to waste too much time on fear. Process your emotions but no one’s time is ever certain, with or without good health. We are all the same. Try to love and impact where you’re at and what’s around you and look for the depth of the people around you. See how incredible it is that all these people have been on their own journeys and are now connected to you for some reason. From doctors to nurses to the person cleaning your hospital room, everyone’s story is impactful. Much love to everyone out there! Can’t wait to be back out. See you soon!

We’ll keep you posted if and when Chad keeps the world updated. Until then, probably keep him and his family in your thoughts, yeah? And in the meantime, if something wonky is going on with you, TALK TO THE DOCTOR! Don’t be a hero, yeah?

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Dying Scene Album Review: Trashed Ambulance “Future Considerations”

Imagine this if you will, the year is 1999, it is the beginning of Summer, and you’re surrounded by nothing but wilderness and beautiful landscape. You’re about to take a dive off of a 40-foot cliff into a lake, which is really living in the moment. Now the loud music you have blasting on your […]

Imagine this if you will, the year is 1999, it is the beginning of Summer, and you’re surrounded by nothing but wilderness and beautiful landscape. You’re about to take a dive off of a 40-foot cliff into a lake, which is really living in the moment.

Now the loud music you have blasting on your stereo smacks you back into reality. Some fine-tuned punk rock, heavy on the melody and heavy on the fun. You pull off your headphones and stand up to stretch. What was going on before? Were you dreaming?

I was a part of a school-sponsored trip to Canada the Summer before my Junior year of High School, and what was described above actually happened. This was my formal introduction to the wonderful Country of Canada. Fast forward some twenty or so years, and Canada isn’t just a vacation destination for those who love the outdoors.

Canada has become an epicenter for punk rock for the past ten to fifteen years, boasting such great bands as Propagandhi, The Flatliners, Belvedere, Mute, and Silverstein. That’s only naming a few of the many bands who have put Canada on the map for punk rock music.

Trashed Ambulance is a three piece skatepunk/pop punk band out of Red Deer, Alberta and Future Considerations is the band’s third full length album. It is also the first album with the current lineup.

For me being a relatively new fan, after giving Future Considerations a spin, it felt like I have been listening to these guys for years. The influences in their music is instantly apparent and adding their own sound is what drew me to writing this review.

The opening track “56” sets the tone for what is going to be a very loud, energetic, upbeat, melodic and fun album. “Menace” is a standout track, mixing elements of pop punk and skatepunk into a very jumpy and poppy rock tune. On one hand, I can hear Pennywise, specifically their sound from the album All or Nothing, and on another hand I hear NOFX on this track. I really love the dueling vocals with Emilie Plamondon and Robbie Moron on “Stalk in the Park,” it gives a vibe reminiscent of the cover of “Fairytale in New York,” by No Use for a Name. “Blip on the Radar” is my absolute favorite track on the entire album and can be considered a punk rock anthem. I can already picture the crowd singing this one aloud while pumping their fists and chugging their domestic beers. This is a really fun and catchy tune that will likely become a fan favorite.

Trashed Ambulance consists of three members: Josh Hauta – Guitar/Vocals, Jason “Ozone” Ezeard – Bass/Vocals and Riley Bourne – Drums/Vocals. “We tried not to make a paint by numbers skate punk record,” exclaims Hauta. “This album was a true collaboration of ideas between the band members and producer Casey Lewis. We are proud of how it turned out and while we’re under no illusions that we will change the world with a skate punk record in 2022, we are still stoked to be able to present an accurate representation of the band and how we operate in current times.”

They should be proud, this is another solid effort by a hard-working punk rock band. I am pretty confident it will be in heavy rotation among the punk rock scene and those of you reading this review. Do yourself a favor and give this one a spin!

Future Considerations is available on CD and Vinyl via Thousand Islands Records.

Future Considerations by Trashed Ambulance

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Dying Scene Record Radar: New punk vinyl releases & reissues (A Vulture Wake, The Network, Adolescents & more)

Yo! What’s going on, friends? Welcome back to the Dying Scene Record Radar, the weekly column where we present you with colorful plastic discs of music to spend your hard earned money on. We’ve got a lot of good shit in store for you this week, so I hope your wallet’s feeling fat, and your […]

Yo! What’s going on, friends? Welcome back to the Dying Scene Record Radar, the weekly column where we present you with colorful plastic discs of music to spend your hard earned money on. We’ve got a lot of good shit in store for you this week, so I hope your wallet’s feeling fat, and your credit limit is nice and high. Enough fucking around, let’s get into it.

Super exclusive, world premiere, breaking news, OMGGGGGGGGG hoooooly fuuuuuuck!!!!!!

1-2-3-4 Go! Records has been on an absolute tear lately with exclusive reissues from Rancid, Bad Religion, and the Descendents, to name a few. In their latest email blast, the Oakland record store announced their next reissue will be an exclusive pink vinyl pressing of Money Money 2020 by The Network (which totally isn’t just Green Day wearing ski masks). This is coming at some point in September; join their mailing list to be among the first to know exactly when it’ll be available.

Former ALL frontman Chad Price’s band A Vulture Wake has announced a new full-length album! One.Kingdom.Animal is set to release in November on Thousand Islands Records. There are two vinyl variants, limited to 250 copies each. Go here to get your pre-orders in, and look out for a new single next week.

New York pop-punk band With The Punches is releasing a new LP that combines their first two EPs Keep it Going and It’s Not the End of the World. Both of these releases have been out of print for over 10 years. Grab yours here.

Lots of exciting stuff going on over at Mom’s Basement Records! Some of their upcoming releases include new LPs from two Canadian pop-punk bands, Avem and The Smelters, and a brand new record from Germany’s Hawaiians. They also have copies of the Punk Rock Raduno 5 compilation. Head over to their webstore for all of this and more. Our Canadian friends can get Avem’s Three Birds Stoned LP from the Forbidden Beat Distro.

Swedish punk veterans Venerea have announced a new album titled Euro Trash, due out August 26th on SBÄM Records. There are two vinyl variants (yellow and blue), each limited to 200 copies. Check out their new single “Blind Faith” below, and pre-order the LP here.

Here’s another one from our friends at Thousand Islands Records. British punks On A Hiding To Nothing released their debut album We’ll Probably Be Fine, last year and it kicked fuckin’ ass. Now, it’s getting the wax treatment, with a super limited red vinyl pressing. Get your hands on this one here.

Epitaph Records has announced a 25th Anniversary reissue for The HivesBarely Legal. There are a few different variants of this one; go here for links to where you can obtain each one in exchange for some form of currency.

The Adolescents have repressed two of their more recent LPs, Manifest Density and Cropduster. You can get both of these records on gold colored vinyl here.

Also from SBÄM Records: a new comp featuring songs by Pulley, Love Equals Death, Snuff, and a bunch of other great bands. This is only available through their European webstore, and is a cool way to grab a slice of everything on the label’s eclectic roster.

Now that all the cool stuff has been covered, here’s what I’ve been listening to… I continue to abstain from spending money on new records; after all, I’ve already got hundreds of the fuckin’ things, why do I need more? This week the Lawrence Arms and Frenzal Rhomb got some play time, along with Sloppy Seconds‘ classic Knock Yer Block Off. I’ve been listening to Sheboygan, WI’s Jetty Boys a lot in the car and at work, so I threw their record Let ‘Er Rip on the turntable, too. This is a fantastic pop-punk album – highly recommended listening!

And that’s all, folks! Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs. See ya next week!

*Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

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DS Show Review and Photos: The Beths, SASAMI & Charlotte Cornfield Live At BRIC Celebrate Brooklyn

I will be the first to admit that my main (aka only) interest in venturing over to Prospect Park on a hot & humid Friday night was to see New Zealand’s one and only The Beths. I knew next to nothing about the 2 opening acts, Charlotte Cornfield and SASAMI. I can only say now […]

I will be the first to admit that my main (aka only) interest in venturing over to Prospect Park on a hot & humid Friday night was to see New Zealand’s one and only The Beths. I knew next to nothing about the 2 opening acts, Charlotte Cornfield and SASAMI. I can only say now that am I REALLY glad I got to The Lena Horne bandshell early enough to witness one of these sets.

Cornfield took the stage promptly at 7 PM and proceeded to treat the crowd to a steady and competent set of rather quiet and subdued indie folk to which the NPR types in the crowd thoroughly enjoyed. For my ears, however her set just didn’t resonate all that much with me and after the 3 song photo allotment was met I found myself chatting with some of the other photogs in attendance for what seemed like a rather long time considering Charlotte was an opener on a three-band bill at an outdoor show that had a strict New York City mandated 10 PM curfew. Before I go any further, to be clear, Cornfield’s set did seem to be quite good but it just wasn’t my thing and I just kind of lost interest. That’s not to say that she didn’t make a lot of those in attendance very pleased with her set.


Next up was SASAMI who hit the stage shortly after 8 PM.  Truth be told, I had given SASAMI a bit of a listen on Spotify prior to the show and was merely lukewarm about what I had heard. Their first (self-titled) album released in 2019, was a quite polished indie pop album which while very listenable, didn’t exactly get my juices flowing.  And then there is this year’s second full-length LP, Squeeze which hit the shelves back in February. You’d have to do some serious searching in order to find a sophomore LP which takes as strong a departure from its predecessor as does Squeeze

The set started off with Sasami Ashworth’s “The Greatest” off the new album. And while the song on the album is rather subdued, the band came out and raged. They took what already sounded like a homage or at least a response to Whitney Houston’s “The Greatest Gift Of All” and turned it into Whitney’s Greatest Gift from an alternative (much less hospitable) dimension.  From here the set only got darker, darker in a heavy metal kind of way with thundering bass lines and loud abrasive guitar chords coming from both Ashworth’s axe as well as the other guitarist who’s name I did not get. To say the least I was almost completely shocked. From here the band ripped through song after song with a fiery electric vengeance which I for one was 100% unprepared for. 


SASAMI

Sticking with a setlist comprised entirely of titles off the new one, SASAMI’s set was absolutely mesmerizing. The energy set forth by Ashworth and the rest of the band was transfixing. A combination metal hell fest combined with an almost performance art presentation made for a show to which I (and virtually every other photographer in the pit) was paralyzed to stop clicking the shutter button. Every moment following every moment felt like something that needed to be captured.  

SASAMI’s set lasted roughly 40-45 minutes yet it flew by in a flash. I for one felt winded after witnessing the whirlwind of a set which they had treated us all to. My initial reaction when it was done was, “I can’t believe it’s over so soon”.  Looking at their other setlists online however, it looks like we got pretty much their entire show.

Which brings me to the headliner, The Beths. It wasn’t all that long ago, you read from me that they were the only real impetus for me being at Prospect Park in the first place. And now as I stood and waited for them to take the stage, I couldn’t help but ponder, “How the hell are they going to top THAT?!?”  Having seen the band make a steady progression from DIY venue, Alphaville to 400-person Music Hall Of Williamsburg to 1000-person capacity Webster Hall, they were now faced with the unenviable task of playing (BY FAR) their most high-profile show ever in New York at the 5000 to 7000 person capacity Lena Horne Bandshell AND having to do that following an absolutely blistering set from the opener, not to mention their backs against the wall relative to a 10 PM curfew.


With it already being after 9, it appeared that we were most likely going to get a truncated set.  The band came on about 9:15, opening with “I’m Not Getting Excited” but clearly they were because they came out answering the call.  Despite what appeared to be some lighting irritations, Liz Stokes was exactly that, STOKED. She, along with guitarist, Jonathan Pierce, bassist, Ben Sinclair and Tristan Deck on drums hit the stage running. Barreling through stalwarts ” Happy, Unhappy” and “Out Of Sight” before offering up the lead single and title track to the upcoming album, “Expert In A Dying Field” due to drop in mid-September.


It was right about here in the set that it dawned on me that the band had figured out how they were going to get their entire set done in roughly three-quarters the normal length of the set. They were speeding everything up and HOLY SHIT, it was working masterfully!  I mean they were almost approaching Ramones kind of tempos and the songs and the vibes and the atmosphere were just perfect.

After “Dying Field” we got three more older songs before they cracked open another new one called “Knees Deep”, a bright sun-shiney rocker (come to think of it a Beth’s song and sun-shiney is just redundant…aren’t they all like that?)

Attacking each upcoming song at a breakneck pace which seemed different yet also quite right.  “Jump Rope Gazers” into “Uptown Girl” into “A Real Thing”, all done fast but not quite furious.

When all was said and done, The Beths managed to come out of the evening having sleighed the dragon. They overcame the adversity which faced them and finished the evening around 10:10 after a two-song encore of “You Are A Beam of Light” and “Little Death” to the delight of all. Liz and crew put on a masterful show which while certainly sped up, never felt rushed. As a matter of fact it appeared that the band had as much fun as the packed crowd. The normally stoic Jon on guitar was flashing a big grin much of the evening. Liz showed off a little Chuck Berry-esque duck walk and the rhythm section of Tristen and Ben were amazing keeping the sped up pace at bay and even keeled.

When all was said and done, all I could possibly say was, “What a night!”

NOTE:  For those in the NY/NJ area The Beths will be at The Asbury Lanes on August 26th and for those in or around western MA, they will be at Courtney Barnett’s Here and There Festival at MassMoca in North Adams on August 13th.

  • SASAMI
  • The Beths

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No Fun At All cancel tour dates, postpone new album following assault allegations (UPDATE: Festival organizers release statement)

Swedish skate punk band No Fun At All has cancelled all of their upcoming tour dates, and postponed the release of their new album Seventh Wave. The news comes after Sick of it All guitarist Pete Koller alleged that his wife was physically assaulted by NFAA frontman Ingemar Jansson backstage at the Brakrock festival this […]

Swedish skate punk band No Fun At All has cancelled all of their upcoming tour dates, and postponed the release of their new album Seventh Wave. The news comes after Sick of it All guitarist Pete Koller alleged that his wife was physically assaulted by NFAA frontman Ingemar Jansson backstage at the Brakrock festival this past weekend in Belgium.

Koller’s wife Mei-Ling who is a guitar tech for Sick of it All made an Instagram post, stating that the singer “came off stage looking for something during his set, claimed that all my stuff was his, he pushed me when I didn’t move, then he picked me up from behind and we started to fight”.

No Fun At All responded to the allegations with a statement of their own, in which they acknowledge the incident did occur, but that it was due to an “enormous misunderstanding” and that “there were altercations, but in no way as condemnable as those described by the other party”. The band also alleges that when Brakrock staff gave Jansson the opportunity to apologize to Mei-Ling Koller following their set, “she chose to hit him instead”.

One thing both sides agree on is that there were multiple witnesses present. However, no third parties – festival organizers included – have stepped forward to substantiate any of the claims made by either side. We will keep you posted if and when that changes.

No Fun At All was slated to release their seventh studio album through SBÄM Records at some point this year. The record label has stated they are keeping tabs on the situation, and will “make the appropriate decision” when they have all the facts straight.

Update: Organizers of the Brakrock festival have issued a statement regarding the incident on their Facebook page, which you can read below.

Mei-Ling Koller’s statement:

No Fun At All’s statement:

Brakrock festival organizers’ statament:

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DS Photo Gallery: Mercy Union “White Tiger” record release w/Lenny Lashley, Early Riser and Felons (Crossroads, Garwood NJ – 8/5/22)

If you read our review of Mercy Union‘s dynamite sophomore album, White Tiger, last week, it should probably come as no surprise that even though I live in Massachusetts and the official record release show occurred on a Friday in New Jersey, I was going to be there. And I was! My “forever-plus-one” and I […]

If you read our review of Mercy Union‘s dynamite sophomore album, White Tiger, last week, it should probably come as no surprise that even though I live in Massachusetts and the official record release show occurred on a Friday in New Jersey, I was going to be there. And I was! My “forever-plus-one” and I hopped in the car, dropped our teenager off at her grandparents’ house, and made our way to Crossroads in Garwood, NJ, a club that has become a sort of home-away-from-home for us the last half-dozen years or so. (Really, if you live in the greater NYC area, you should make it a point to go to Crossroads for dinner and a show. You won’t regret it.)

Felons were the first band out of the gate on this evening. Astute followers of the New Jersey music scene will no doubt remember Zak Ferentz from Ferentz and the Felons. The Hudson County street folker retooled his band during quarantine lockdown. Now known simply as Felons, the band still features Ferentz on acoustic guitar and vocals, but he’s backed by a bass player and, well, I don’t have nearly enough knowledge of electronic music to have even the foggiest idea to know what Plantcham was playing on stage right, but I know that it combined for a really cool and weird and interesting sound. Sort of acoustic folk punk meets drone synth with all sorts of samples in the mix. Ferentz at one point introduced a song as being “about doing too many psychadelics” and I’d say that sounds about right. Check the video for “Sheep’s Wool” here for a pretty accurate example.


Brooklyn’s Early Riser were next up, and I have to say, I’m really, really glad I finally got the chance to see them. For the uninitiated, it’s safe to say that Early Riser continue the evening’s theme of bands that are tough to confine to a specific genre box. The sound is centered around Kiri Oliver’s playful vocals and small body Martin acoustic with additional texture provided by Heidi Vanderlee on cello and Nicole Nussbaum on bass. Drums are handled by none other than Mikey Erg, and all members provide harmonies. It’s like posi folk punk power-pop and it inspired a random and unexpected dance break in the crowd!


Much like yours truly, Lenny Lashley made the trip down from Massachusetts. Accompanied by frequent collaborator, the multi-talented Cody Nilsen on pedal steel, Lenny occupied the night’s direct support slot. I think Lenny is the artist I’ve seen most since Covid started a couple years ago because I tend not to wander too far away from home now, so it was fun to actually see him play a road game. Lashley bounced between acoustic (a 1937 Martin reissue, I believe) and electric (a tele-style Nacho Guitar if you’re into that sort of thing) and, while he’s got a massive catalog, stuck to songs mostly from his solo repertoire, including a few tracks from his upcoming album Five Great Egrets (more on that later). Lashley and Mercy Union frontman Jared Hart go back to the days when the former welcomed the latter’s old band, The Scandals, to Boston many years ago, so it’s been fun to watch the connection continue across state lines well over a decade later.

Which brings us, of course, to the Mercy Union portion of the evening. Hart and the gang (Rocky Catanese on guitar and occasional lead vocals, Nick Jorgensen on bass and backing vocals, recent recruit byt familiar face Matt Olsson on drums) fired up the margarita machine and fired straight into “1988,” “The Void” and lead single “Prussian Blue,” the three tracks that open White Tiger and set its sonic tone. The new material was, naturally, pretty well received from the home crowd, most of whom had clearly been listening to the album on repeat for at least the duration of release day if not, in some special cases, considerably longer. The 16-song set was heavy on White Tiger, naturally, with a few songs from their debut album, The Quarry, a couple reworked Hart solo songs, and a completely on-brand singalong cover of Goo Goo Dolls classic “Black Balloon” for good measure.


It was apparent from the earliest notes of their set that the band wore not only loaded for bear, but were having fun in the process. It is obviously a bit of a daunting task to put out an album on your own label two-and-a-half years into a global pandemic, and then to host a record release show at a well-respected club in your backyard (a club that, coincidentally, yours truly traveled to for a Scandals record release show a bunch of years ago). The night was full of smiles and gratitude and shoutouts and guest appearances on gang vocals, proving that while the sound may have branched out from traditional punk rock, the vibe and the ethos once you’re inside the four walls of a sweaty club remains every bit the same.


Look below for photo slideshows from each set of the night. You can still order Mercy Union’s White Tiger here or get it wherever you buy your digital music!


MERCY UNION

LENNY LASHLEY (W/CODY NILSEN)

EARLY RISER

FELONS

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Ten More Underrated Punk Bands You Need To Check Out Right Now

A few weeks ago, we presented you with a list of underrated punk bands you probably, maybe, potentially hadn’t heard of before. Well, it seemed like you people may have enjoyed that, so we thought to ourselves, “What the heck? Let’s do a part two!” So, without any further ado, Dying Scene presents: Ten MORE […]

A few weeks ago, we presented you with a list of underrated punk bands you probably, maybe, potentially hadn’t heard of before. Well, it seemed like you people may have enjoyed that, so we thought to ourselves, “What the heck? Let’s do a part two!” So, without any further ado, Dying Scene presents: Ten MORE underrated punk bands you need to check out right fuckin’ now!

THE RIPTIDES

Ottawa’s Riptides have spent 20+ years producing some of the best pop-punk to ever come out of Canada. These guys are right up there with Chixdiggit in my book. They’ve never put out a bad record, and their latest album Canadian Graffiti is pop-punk perfection. Every song on this thing is great, and it’s an absolute steal for $11 on vinyl.

POINT OF VIEW

San Jose’s Point of View has been around a while, and their sound has changed pretty drastically over the years. Their first album Sideshow Years is just awesome. It’s a blazing fast ska infused skate punk masterpiece that stayed in my car’s CD player for a few months when I first got it 10 years ago. Their new stuff is good, too, and is definitely worth checking out, but this is without a doubt Point of View’s magnum opus.

THE SUBJUNCTIVES

Hailing from Seattle, The Subjunctives are a pop-punk band fronted by Ean Hernandez from Sicko (speaking of underrated bands…). If you like The Mr. T Experience or old school pop-punk in general, you’ll like these guys. Check out their album Sunshine and Rainbows below. Grab it on vinyl from their Bandcamp page.

KURT BAKER

Kurt Baker makes fun power pop music with rock ‘n’ roll flair and punk rock energy. His 2012 album Brand New Beat reminds me a lot of my favorite Billy Joel record Glass Houses. This just got reissued with a bunch of bonus tracks for its 10th anniversary. Highly recommended listening for anyone who’s not too punk to admit they like pop.

WRONG LIFE

There was a time when I was absolutely obsessed with The Murderburgers. I first stumbled upon the Scottish pop-punk band when they released How to Ruin Your Life, which quickly reeled in with fast, melodic songs about being an unemployed degenerate. I was devastated when they called it quits in 2019, but happy to hear frontman Fraser quickly started a new project called Wrong Life. He’s released two great EPs that match the more serious tone of the Murderburgers’ later output, and supposedly has a full-length album coming soon. Be on the lookout for that!

THE WINDOWSILL

Anyone who’s read any of the bullshit I’ve posted since Dying Scene came back from the dead knows of my infatuation with Dutch pop-punk band Giant Eagles. The Windowsill is basically the same band (seriously, 3/4 of the members are in Giant Eagles) sans synthesizers. Their 2017 album Make Your Own Kind Of Music shows off their uncanny knack for writing some of the coolest, most laid back pop-punk tunes I’ve ever head. Crack open a beer and give this one a spin.

CIVIL WAR RUST

During my original stint with Dying Scene, one of my greatest discoveries was Civil War Rust. Death To False Hope Records used to have a shitload of music on their website that was free to download. That’s where I came across an EP from these East Bay punks. I loved it and I didn’t waste any time ordering their record The Fun & The Lonely that the songs on that free EP were pulled from. It’s been ten years, but I can still put this record on and enjoy it as much as my first listen. These guys are still making new music; they released a new single called “Heart of Gold” earlier this year. Civil War Rust deserves your attention.

THE YUM YUMS

If you’re in the mood for some unapologetically poppy punk, might I suggest The Yum Yums? This delightful Norwegian band has been churning out ultra catchy bubblegum punk for almost 30 years. Their 2020 record For Those About to Pop is some of their best work to date. Stop reading these words and listen to this awesome album already!

RECORD THIEVES

Denver’s Record Thieves, featuring members of Authority Zero and Allout Helter, released an excellent record in 2020. There was some other stuff going on at the time, so these guys seem to have flown under a lot of radars. If you like punk with melodic sensibility, this band is right up your alley. Listen to their full-length below, and grab it on vinyl here. Make sure to check out their brand new single “Fault Lines” as well.

PARASITES

When people say there’s no justice in this world, they ain’t lying! Dave Parasite rarely gets the recognition he’s due as one of 90’s pop-punk’s most clever songwriters. I’d challenge you to show me a bad song this man has written, but that’s an impossible task so I won’t waste your time. If you aren’t listening to the Parasites, what the fuck are you even doing? Start with Retro Pop Remasters – this record compiles the best of the band’s catalog. And be sure to grab the LP from here while you’re at it.

  1. Triple Deke… not on this list… should be on all lists.

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